All-Time Favorite Trailers: ‘Toys’

I still remember watching this particular trailer before Phil Alden Robinson’s highly entertaining comedy caper, “Sneakers.” Most movie trailers do follow a certain formula as marketers are determined to sell their product to the widest audience possible, but every once in a while, we get one which breaks the mold and gives us something different and unforgettable. This came with the teaser trailer for Barry Levinson’s “Toys” which featured Robin Williams improvising in a field which he called the largest studio on the 20th Century Fox lot, and I almost believed him when he said the field was inside one building. Back then, Williams was at the height of his box office powers, and this trailer quickly reminded me of how brilliant a comedian he was.

This trailer essentially has Williams riffing on the various ways this movie could be promoted to the public, and each of them proves to be hilarious even as certain references have long since become dated. And if you didn’t know about the existence of Rosh Hashanah, the Jewish New Year, you certainly did after watching this trailer. And yes, we can agree it is not the right holiday to release this movie, let alone any movie, on.

The only downside of this trailer is it made “Toys” look like a full-on comedy. For those who saw it, however, they can agree it was hard to put Levinson’s movie into one particular genre. In fact, it proved to be one of the most experimental movies released by a major Hollywood studio back in the 1990’s as well as one of the biggest box office flops of that decade. But for those willing to go into “Toys” with an open mind will find it to be strikingly original and one of the most powerful anti-war movies ever. At the very least, you have to love Ferdinando Scarfiotti’s art direction which he spent more than a year working on.

Robin Williams, you are still missed…

Toys movie poster

All-Time Favorite Trailers: ‘Cliffhanger’

The 1990’s were not a kind decade to Sylvester Stallone. “Rocky V,” which was supposed to be Stallone’s last go around as Rocky Balboa (LOL), proved to be a critical and commercial disappointment, and his foray into comedy with “Oscar” and “Stop or My Mom Will Shoot” was disastrous to say the least. Clearly, Stallone was in serious need of a comeback as well as a return to the dramatic action movies he became best known for. As a result, he teamed up with “Die Hard 2” director Renny Harlin and Carolco Pictures to star in the action adventure film “Cliffhanger,” and the first trailer made for it remains forever burned into my memory.

The genius of this teaser trailer was how the filmmakers scored the images to Mozart’s “Dies Irae,” a powerful piece of music which served to make this movie seem more epic than it ended up being. There is no dialogue to be heard here as the focus is on the snowy mountain landscape which proves to be as beautiful an environment as it is a brutal one for those unprepared to deal with its frigid temperatures. As we watch Stallone and his fellow cast members John Lithgow, Michael Rooker, Leon and Janine Turner battling the elements which range from climbing up a mountain without a winter jacket or being trapped in a cold lake beneath a thick sheet of ice, it made “Cliffhanger” look like the end all of mountain movies as it captured a reality which is usually faked on a Hollywood soundstage.

Then there is the trailer’s final image of Stallone making a death-defying leap from one mountain side to another, and it’s a fantastic visual to close out on before the movie’s title comes up. Watching him do this quickly reminded me of when he performed similar feats as John Rambo in “First Blood” and its sequels as he the situations Rambo was caught up in were not entirely realistic, but Stallone’s physicality and performance made us believe he one could survive such impossible circumstances to where stopped asking questions and just went along for the ride.

Of course, upon learning Stallone had co-wrote the screenplay, I went in to see “Cliffhanger” with reduced expectations as I figured it would be a variation on the story he writes about more often than not of a man haunted by a tragedy and of his need for redemption. The movie did prove to be very entertaining, but it was not as deep and epic as this trailer promised. Regardless, I look back on this particular trailer very fondly as I said to myself after watching it, “Now that’s how you sell a movie!”

Cliffhanger teaser poster

First Trailer for ‘Creed II’ Enters the Ring

Creed II teaser poster

“Creed” may not have reinvented the “Rocky” franchise, but Ryan Coogler and Michael B. Jordan succeeded in making it feel fresh and reinvigorated to where a sequel was not only inevitable, but more than welcome. Now we have the first trailer for “Creed II” which promises a powerful follow-up as Adonis Creed faces the son of Ivan Drago, the man who killed his father Apollo Creed in “Rocky IV,” Viktor Drago.

In some ways this trailer is a bit anti-climatic as we have known for a while already how the son of Ivan Drago was going to Adonis’ next big opponent, and the trailer keeps building up to a reveal we can see coming from miles away. Viktor is played by Florian Munteanu who previously appeared in “Bogat.” Now we never get a clear look at his face, but when he turns around we see “DRAGO” stenciled on the back of his robe. Personally, I was hoping for a little more than just this reveal, but then again, this is a teaser trailer.

I also kept waiting for Dolph Lundgren to reappear as Ivan Drago as he is slated to be co-starring in “Creed II,” but no such luck. One of the things I am really looking forward to is seeing him come face to face with Rocky Balboa (Sylvester Stallone) as I wonder how each character feels about the other following their bloody bout in Russia 30 years ago. I’m guessing Brigette Nielsen will not be back as Ivan’s wife and official spokesperson, so Lundgren will obviously have more dialogue to work with than he did back in 1985.

The trailer does have a lot of cool shots of Adonis training and throwing brutal punches, and the moment where we see him practicing punches underwater is especially cool to where I’m surprised there wasn’t a scene like this in the previous “Rocky” films. Using Kendrick Lamar’s “Loyalty” to score the trailer was a great move as it has a powerful beat which will stay with you to where downloading the song off of iTunes is a must unless you own it or the album it is on already.

But what I really liked about this “Creed II” trailer is how it reflects the challenges Adonis and Rocky face outside of the ring as opposed to in it. Both characters are still stuck in a past which will not let them be. Whether it is the guilt Rocky feels over letting Apollo die in the ring or the feeling of inadequacy which gnaws constantly at Adonis, their struggles are never limited to a boxing match. Seeing this quickly reminded me of when Rocky and Adonis were looking at themselves in a mirror in “Creed” and of Rocky telling him how he will always be his own biggest opponent. And as Rocky talks about the “cheap shots” life is constantly giving him, I was taken back to his great speech in “Rocky Balboa” in which he said the following:

“The world ain’t all sunshine and rainbows. It’s a very mean and nasty place and I don’t care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain’t about how hard you hit. It’s about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That’s how winning is done!”

Taking this into account, I believe “Creed II” looks to focus on the characters even over the intense fight sequences we can expect to see. Besides, what’s a fight like without the psychological depth? You can have great choreography, but it won’t mean as much if you are not fully invested in the characters’ plights and of what they stand to win or lose.

Directing “Creed II” is Steven Caple Jr., and the returning cast includes Tessa Thompson and Phylicia Rashad who proves she is still a badass with her brief appearance here. The sequel is set to be released on November 21, 2018.

Please check out the trailer below.

 

Lisbeth Salander is Resurrected in First Trailer for ‘The Girl in the Spider’s Web’

The Girl in the Spider's Web poster

Lisbeth Salander returns to the silver screen after a long hiatus (7 years to be exact), but you may notice something a bit different. Despite the success of David Fincher’s cinematic adaptation of “The Girl with the Dragon Tattoo,” studio executives felt it should have made more money than it did. After efforts to follow up “Dragon Tattoo” with the next book in Stieg Larsson’s Millennium series, “The Girl Who Played with Fire,” fell through, Sony and MGM decided to do what they called a “soft reboot” of the franchise with “The Girl in the Spider’s Web” which is based on the book by David Lagercrantz who wrote it following Larsson’s death. Now with its just-released first trailer, we do see some changes, but I am also reminded of what Snake Plissken said in “Escape From LA:”

“The more things change, the more they stay the same.”

Is this good or bad? Well, let’s take a look.

Taking over the role of Lisbeth Salander here is Claire Foy, an English actress best known for playing the young Queen Elizabeth II on Netflix’s “The Crown.” It is my understanding many people right now are having some difficulty accepting Foy as Salander because they can’t quite get the image of her playing the Queen out of their heads. I, on the other hand, do not have the same baggage as I have not watched “The Crown,” so perhaps this gives me an advantage here.

From her first appearance in this trailer, Foy owns this role with a strong confidence as we watch her subdue an abusive husband who has just used his wife as a punching bag like Ike Turner did with Tina Turner years ago. As Salander tells this spineless fraction of a man how she plans to transfer money from his accounts to the two prostitutes he was acquitted of beating up, we know right away this character is in the hands of the right actress. As the abused wife threatens to call security on Salander, the brilliant but antisocial heroine informs her she will be getting the rest of his money. The wife then puts down her phone, grabs her child and leaves. Just as she did with the hideous Nils Bjurman, Salander has cornered this man into a position he cannot undo, and we revel in her success in making him pay for the crimes he has committed. While I am bummed Rooney Mara, who earned an Oscar nomination for her work in Fincher’s film, is not returning, Foy looks to be a good choice to inhabit this unforgettable literary character.

The one question I did have, however, was this: how did Salander know this man would be in the exact position he needed to be in so she could capture him in a rope which would leave him dangling helplessly from the ceiling? It seems impossible she, or anyone else, would be able to pull this off, but then again this is Lisbeth Salander, and her brilliant mind has already managed to ensnare this man in a web of his own making to where he has no choice but to realize how karma is a bitch.

I was struck by the look of this movie from the trailer as it seems to match the icy cool visuals of Fincher’s film, and it makes this project look like much more than the average adaptation of a best-selling novel. Directing “The Girl in the Spider’s Web” is Uruguayan filmmaker Fede Alvarez who helmed the “Evil Dead” remake which I thought was just okay. But then he gave us “Don’t Breathe,” a horror thriller which kept us on the edge of our seats in a way few movies do these days. The screenplay was written by him, Jay Basu and Steven Knight, the screenwriter behind “Dirty Pretty Things,” “Eastern Promises” and “Locke” which he also directed. Looking at this, it feels like this “soft reboot” is in good hands.

But the most interesting thing about “The Girl in the Spider’s Web” is how it introduces Salander’s main antagonist. We hear a female narrator saying how Salander is “the righter of wrongs” and “the girl who hurts men who hurt women.” Those of us who have seen the previous cinematic adventures of Lisbeth Salander can attest to this, but the narrator reveals herself to be the one woman Salander did not succeed in saving, and as a result, she is quite bitter. This woman is revealed to be Camilla Salander, Lisbeth’s estranged twin sister who is played by Sylvia Hoeks, the same actress who gave us a most lethal replicant in “Blade Runner 2049.” Learning Lisbeth will face a female antagonist here instead of a male one makes this film seem especially intriguing to where this “soft reboot” seems like it was worth the effort. Mara, Daniel Craig, Trent Reznor and Atticus Ross may be gone, but those taking over this franchise seem ready to give us something we will not easily forget.

“The Girl in the Spider’s Web” is set to premiere in theaters on November 9, 2018. Please check out the trailer below.

Luca Guadagnino’s ‘Suspiria’ Unveils its First Trailer

Suspiria 2018 poster

Like it or not folks, a remake of “Suspiria” is officially on its way. Dario Argento’s 1977 horror film remains one of the most unforgettable ever made as the Italian filmmaker turned the act of murder into a work of art, and he gave us visual set pieces which were things of incredible beauty. Surely no director, however talented, could top what Argento gave us 40 years ago, could they? Well, with the now-released teaser trailer for the remake of “Suspiria,” it turns out the filmmakers are not even attempting to try.

According to its director Luca Guadagnino, who last year scored a critical triumph with “Call Me by Your Name,” this “Suspiria” is meant to be an “homage” to Argento’s film and reflect the “powerful emotion” he felt upon first seeing it. But what is especially striking about this teaser trailer is how muted its color palette proves to be. Guadagnino has described his film’s look as being “winter-ish, evil, and really dark,” and this certainly comes across here. As before, the story is set a renowned dance academy in Europe where Suzie Bannion, now played by Dakota Johnson, enrolls at to study dancing. But considering how bleak the setting is here, it makes me wonder if the students, once they arrived there, said out loud, “This looks nothing like what I saw in the brochure!”

I don’t mean to make this sound like a criticism as the lack of primary colors shows, among other things, how Guadagnino is attempting to make this material all his own. What especially pleases me is how this trailer makes his take on “Suspiria” look like much more than the average horror film, something I always feared a remake like this would end up being. With its scattering of images featuring Johnson, the infinitely cool Tilda Swinton, Chloe Grace Moretz, Mia Goth, Lutz Ebersdorf and, if you closely enough, original “Suspiria” star Jessica Harper, this does look to be an unnerving motion picture which deals more with the horrors of real life than in the realm of fantasy.

In addition, I enjoyed the Kubrick-like stares Swinton and others exhibit throughout as, like the ones in “Full Metal Jacket,” they appear to go on for a thousand yards. It also looks like a scythe will be the weapon of choice instead of a shiny razor this time around, and we do get an image of a female student levitating in her room, something I don’t remember seeing in the 1977 original.

Whether or not this “Suspiria” equals the original or comes close to doing so, I admire how Guadagnino has given us something which looks strikingly different to where it appears more like a trailer for the next Lars Von Trier cinematic opus. Then again, the trailer for “The House That Jack Built” had far more color in it.

“Suspiria” is set to arrive in theaters on November 2, 2018. Please check out the trailer below.

All-Time Favorite Trailers: ‘Die Hard 2’

I so wish I saw this particular movie trailer in a theater when it first came out. Instead, I first watched it on the Movietime Channel which would later become E, Entertainment Television. One of my dad’s friends, however, told me of when he saw the “Die Hard 2” teaser trailer on the silver screen and of the reaction it generated. At first, it looked to him and the rest of the audience like just another action movie as the narrator went about describing Dulles International Airport even as there were title cards showing us exactly what he was saying. In my mind, I could see the audience repeating what they saw onscreen in a lifeless way as they waited impatiently for this trailer to end and for the movie they came to see begin.

But then Bruce Willis appeared as John McClane, and the audience burst into spontaneous applause as “Die Hard” quickly became an all-time action movie classic upon its release, and to see the former “Moonlighting” actor bringing this character back to the big screen made them super excited. With John McClane, Willis gave us a new kind of action hero which was so different from the superhuman ones Arnold Schwarzenegger and Sylvester Stallone among others gave us time and time again. As a result, McClane proved to be more human than any other action hero many of us had seen previously.

When it comes to this particular teaser trailer, what I love is how it has all these sound effects going on even as the narrator narrates away, and it forces you to imagine what is going on at this airport during one of the busiest travel seasons ever. We have all been to the airport during the holidays and have experienced the craziness and insanity of getting checked in and of the flight delays which are usually inevitable, and this teaser pokes at those fears and anxieties we have while waiting to travel home to see our families.

Once we see the title card which says “but tonight on Christmas Eve,” I began to realize this might be the “Die Hard” sequel we had been waiting for. Then Bruce Willis enters and says, “How can the same thing happen to the same guy twice?” It makes perfect sense that McClane would say this as, like I said previously, this is an action hero more human than the average one we had been exposed to for many years. Furthermore, I was happy to see Willis say this as many sequels strand characters like McClane in the same situation, and yet the filmmakers would treat it as though the previous movie never happened. But with this simple exchange which spells out how he spent Christmas this way last year, I became even more enthusiastic about this sequel as the filmmakers knew in advance that they had to deal with this inescapable fact.

Even after all these years, I still love watching this “Die Hard 2” trailer as it raises my excitement level to a very pleasurable degree, and it takes a lot for a movie trailer to do this for me these days.

WRITER’S NOTE: In addition to the teaser trailer above, I am also including the two trailers which came after it. Back then, this proved to be the first time when I realized movie studios were never content to release just one trailer for a summer blockbuster. Each of them was thrilling to watch, and this sequel was released back in a time when my expectations for a motion picture were much higher than they are now. These days, I am very guarded in my expectations as I usually expect them to not be met.

All-Time Favorite Trailers: ‘The Shining’

I guess you could say this particular trailer for Stanley Kubrick’s “The Shining” was an early example of a teaser trailer. These days we get teaser trailers for all the big Hollywood releases, and they are designed to whet our appetite not just for the next big blockbuster, but also for the next trailer which will give us even more information of what is in store for us. These days, we even have teaser trailers for teaser trailers, something which I hope will be stopped soon because they are ever so annoying. We get teased enough as kids, so doing this at the movies does not help.

What I love about this trailer for “The Shining” is how simple it is in its design, and yet it still feels deeply unsettling. All we see at first is part of a hotel lobby with two elevators and chairs. The camera never moves an inch as the movie’s credits move upwards indicating the title, the actors starring in it (Jack Nicholson and Shelley Duvall), the names of the screenwriters, how it is based on “Stephen King’s Best-Selling Masterpiece of Modern Horror,” and the one credit us movie buffs are always happy to see, “Directed by Stanley Kubrick.” Seeing this had me wondering what one could expect with this adaptation of King’s work, and the music composed by Wendy Carlos and Rachel Elkind certainly sends a shiver down my spine.

Watching this trailer reminded me of Alfred Hitchcock’s “Psycho” as Kubrick, like Hitchcock, managed to find a sinister quality in everyday things and the ordinary. There’s nothing particular special about this hotel lobby here as it looks like any other we have ever been through. This makes it all the more horrifying when those gallons of blood start pouring out of the elevators and into the lobby,

Once again, the camera never moves or pans away, and seeing the blood wash over it is incredibly frightening as you feel trapped and unable to escape. Our instincts tell us to run away, but Kubrick is not about to let his audience off the hook. As the blood drips off the camera to reveal the damage left in its wake, it is clear how the “Dr. Strangeglove” director is more than prepared to take us on a most unsettling ride.

Opinions about Kubrick’s “The Shining” have varied over the years, and King himself has said numerous times how much he despised it. Whatever you may think of the film, this trailer for it is a brilliant piece of work. It’s a shame we don’t see more trailers like this one these days. Of course, if you know of any, please feel free to share them with me.

 

Shane Black Unleashes the First Trailer for ‘The Predator’

The Predator teaser thumbnail

It has now been 30 years since John McTiernan’s “Predator” was unleased on audiences everywhere, and the action classic still holds up. Since then, we have been exposed to sequels and those horrid “Alien vs Predator” movies, both of which we would love to erase from cinematic history. But now comes the first trailer for the latest in the franchise, “The Predator,” and it is co-written and directed by Shane Black who also co-starred in the 1987 original as Rich Hawkins. With this sequel, Black said he promises to give us an event film which he hopes will “event-ise” the Predator once again and make it “more mysterious.” He has also remarked how “The Predator” will return the franchise to the intimate scale of the original, and judging from this teaser trailer, it looks like he will deliver on those promises.

The first thing I should point out is how little we see of the Predator here. From “Predator 2” and beyond, 20th Century Fox has put this particular cinematic alien front and center to where little is left to our collective imaginations as to what it looks like. But this time, we only see bits and pieces of the creature as the attention is focused more on the human characters. By leaving this iconic creature in the shadows, the Predator suddenly seems as threatening as when he battled Arnold Schwarzenegger all those years ago.

The Predator image 1

What wrecked the previous “Predator” movies were how they paid too much attention to their human characters who resembled little more than stock characters who were nothing more than clichés. Not only that, they acted so stupidly at times to where you couldn’t wait to see them killed in some brutal fashion. But considering “The Predator” is coming from the man who wrote the screenplay for “Lethal Weapon” and directed “Iron Man 3” and the criminally underseen “The Nice Guys,” I feel confident Black will give us characters who are down to earth and have memorable lines of dialogue at their disposal.

Boyd Holbrook, who gave us a wonderfully slimy antagonist in “Logan,” stars as Quinn McKenna, a Marine and Special Forces commando who we see being interrogated about a mission he was on. The interrogator asks Quinn if he saw anything “unusual,” and I love how he responds not just with words, but also with his eyes. It’s as if Quinn is saying cut the crap and let’s get to the point, and I imagine this is Black’s way of telling us how the characters in this film are going to be smarter and more interesting than the typical schmuck that has inhabited the average “Predator” movie once too often. I also loved how Quinn, when asked if he poses a threat, responds by saying, “We’re assassins. Isn’t posing a threat kind of the point?” Exactly! Why dance around the issue?

The Predator image 2

Olivia Munn also shows up here as Casey Bracket, a disgruntled science teacher who provides us with information about what this particular Predator and its ilk are up to. She says they are attempting “hybridization” as they are “upgrading on every planet they visit.” This harkens back to the ending of “Predator 2” in which we learned how far back these creatures have been to Earth and of how many lifeforms they have encountered. This helps to make the Predator all the more mysterious as he looks ready to attack in ways we cannot see coming.

I also enjoyed the opening part of the trailer in which Jacob Tremblay (the amazing young actor from “Room”) opens up a package with contains some kind of alien object. Tremblay ends up detaching a small part from it which lights up, and he treats it like a spaceship as he flies it around his room and crashes it into his Jenga set. Forget for a moment how he unknowingly has signaled the Predator’s spaceship to Earth where its occupant will surely lay waste to every and any human foolish enough to be in its path. Black captures the wondrous imagination of a child, and it reminds us of the worlds we create inside our minds as life seemed full of possibilities when we were young. Hence, this sequel does not look to be lacking in imagination.

“The Predator” is said to take place between the events of “Predator 2” and “Predators,” but watching this trailer makes me feel this sequel will blow those two out of the water. It is set to be released on September 14, 2018. Please feel free to check out the teaser trailer below.

The Predator logo

 

James Wan Prepares Audiences for ‘Insidious: Chapter 2’

James Wan Insidious 2 trailer day

WRITER’S NOTE: This aritcle was originally written and published back in 2013.

The first trailer for “Insidious: Chapter 2” debuted online on June 5, 2013, but some very lucky die-hard horror fans got to see it the day before at one of the film’s shooting locations in Los Angeles: Linda Vista Community Hospital. In addition, the fans also got to take a tour around the creepy hospital, eat fine catered Mexican food and enjoyed cocktails, and they were treated to a Q&A with the movie’s director, James Wan. The cast of “Insidious,” Patrick Wilson, Rose Byrne, Barbara Hershey and Ty Simpkins are back for the sequel as well as Wan’s frequent collaborator, screenwriter Leigh Whannell.

Insidious Chapter 2 poster 2

Before anyone got to see the trailer, the fans were taken on a tour through Linda Vista which was closed down 20 years ago. For them, it truly looked like something out of a Stephen King novel as the walls were drained of color and marked with graffiti which said “Hail Satan.” Tiles were falling off the ceiling, trash covered the floors of various rooms, and cobwebs were visible on various objects like a staircase or an old wooden chair. There was even a room filled with medical files and the tour guides invited the fans to look through some of them to see why patients were unluckily committed to this haunted establishment.

Linda Vista Community Hospital

Once in a while people could hear noises coming from the darkest corners of the hospital. Were these noises the result of some evil spirit lurking around, the catering people bringing food into the building for guests, or was the film company that’s releasing “Insidious: Chapter 2” trying to play a cruel trick on the fans? No one was ever really sure.

Linda Vista 1

After taking in some fine Mexican cuisine and Spanish beer, the fans were ushered into the hospital’s chapel where the trailer made its world debut. It showed Josh (Patrick Wilson), his wife Renai (Rose Byrne) and their son Dalton (Ty Simpkins) moving in with Lorraine (Barbara Hershey) after the horrific events of the first film. But of course, bad things start happening very quickly as a baby carrier moves around the house by itself, and Renai is greeted by a creepy woman who goes into the next room only to vanish a second later.

Now whereas Dalton was possessed in the first film, it turns out that Josh is the unlucky one in this sequel as a poltergeist invades his body and won’t leave him alone. The trailer also included a piece of Thomas Bangalter’s music score from “Irreversible” which succeeded in unsettling the audience even further as Josh is met by a scary looking spirit who tells him “he’s got your baby.”

James Wan Insidious trailer day 2

Once the trailer ended, Wan entered the chapel and was greeted with a loud and enthusiastic applause from the fans. He made it clear from the start that he and Whannell were not out to make a photocopy of “Insidious” but to instead continue the story exactly from where the first movie ended. Wan also said that with “Insidious: Chapter 2,” he wanted to take the story into a different genre.

James Wan: Whereas the first movie has a twist on the classic haunted house genre, the second one is a slightly different movie so it has a twist on different subgenre. It’s more in the vein of the classic domestic thriller but with a pervasive supernatural undertone. We wanted to take a movie about astral projection, astral traveling, and we felt that was a great premise to use in a scary movie. When Leigh and I started talking about making a haunted house movie we thought the whole astral projection angle could be something that’s unique and different to the haunted house movies. We combined those two together and we got “Insidious.”

Wan also delighted the audience when he told him that the sequel will deal “a little bit with the element of time travel.”

When it comes to special effects, Wan said that he prefers to use practical ones and did so with “Insidious: Chapter 2.” It’s not that he has anything against computer generated effects; it’s just that he finds practical effects are much scarier.

James Wan: For me it’s not necessarily seeing the scariest monster that makes it scary. It’s a character waking up in the middle of the night and he or she thinks that someone’s standing at the foot of their bed. That’s what makes things scary for me. So, for ‘Insidious’ it was putting those scares that I have personally in a movie.

Along with his longtime collaborator Whannell, Wan has made several horror movies including the original “Saw,” “Dead Silence” and “The Conjuring.” One fan asked Wan where he gets all his ideas for movies, and he responded by saying he finds inspiration by scaring himself late at night. While it might seem like very few things could ever scare Wan, he unabashedly described himself as a “chickenshit” and said everything scares him.

James Wan: When I was designing some of the scares for “Insidious” and my previous scary movie that I shot, one of the things that I would do, I would walk through my house with all the lights out and think up these really these really tricky, creepy scenarios. If I get really creeped out then I know it’s working and I’d run back to my computer and write it.

Wan also recollected how one time while writing a scene for a movie, his dog started barking at something. He described how his dog would stand in a corner of a room at 2 or 3 a.m. in the morning and just start barking, and then once the dog stopped, she would track whatever it was she was barking at around the room. While Wan freely admitted he loves his dog, he also said “she scares the heck out of me sometimes.”

Even after making several horror movies, Wan said that it is still a challenge to scare audiences as they always try to stay one step ahead of the filmmakers. With “Insidious: Chapter 2,” his goal was to ground the sequel more in the real world as he felt the story would be more effectively scary. When asked if the sequel will answer any questions the original did not answer or if it will bring up new ones, Wan replied that this one will “answer questions, but hopefully not in the way you expect.”

“Insidious: Chapter 2” will be unleashed in theatres on September 13, 2013 (yes, Friday the 13th). Up next for Wan is “Furious 7” in which he will be taking over the directorial duties from Justin Lin. But when asked what his dream project as a director is, Wan gave the audience an answer many did not expect.

James Wan: I’m a big comic book fan, I’d like to do a comic book film. I’m a romantic at heart, so a pet project of mine that I’ve always wanted to do is a big screen version of “Beauty and the Beast.” That way I can play with the scary creatures, the horror of that and it has this great story.

The First Trailer for ‘It’ Floats to the Surface

It teaser poster

I count Stephen King’s “It” as one of my all-time favorite novels, and I very much enjoyed the 1990 miniseries based on it, and that’s even though the ending was incredibly disappointing. Now, after many false starts which saw actors and directors come and go from the project, “It” is finally making its way to the silver screen courtesy of Warner Brothers and New Line Cinema, and now we the first trailer for the film.

After watching this trailer several times, my interest in this new adaptation has tripled. Pennywise the Clown, this time portrayed by one of the many actors from the Skarsgard family, Bill Skarsgard, comes across as far more lethal than the one Tim Curry gave us, and seeing Pennywise leap out at us in the trailer’s final moments has me believing anyone with a clown phobia should seriously consider not seeing this movie. We never get to see all of Pennywise here, and he is instead shown through quick flashes throughout, but it’s enough to send a chill down my spine.

The cast of actors is led by Jaeden Lieberher, who left a strong impression on audiences with his performances in “St. Vincent” and “Midnight Special,” who plays Bill Denbrough, the leader of the Loser’s Club who vows revenge against Pennywise for murdering his little brother Georgie. It’s hard not to be reminded of the Netflix series “Stranger Things” while watching these young actors as they too are on a mission to find out what evil lurks in the underbelly of their hometown of Derry, Maine. The story has also been moved up from the 1950’s to the 1980’s (the slide projector is a dead giveaway), so the filmmakers look to be playing on our collective nostalgia which should make this movie extra fun.

Cary Fukunaga was set to direct this adaptation, but although he eventually dropped out due to those “creative differences” filmmakers just love to throw out there, he is still listed in the credits as one of the screenwriters. Directing “It” is Andrés Muschietti who previously directed Jessica Chastain in the box office hit “Mama.” From this trailer, it looks like he is having lots of fun exploring the many ways Pennywise terrorizes the young children of Derry, Maine as he gets at their deepest fears and exploits them for all they are worth. My hope is he focuses on the characters of King’s classic novel as well as on the scares. One thing’s for sure, he certainly knows how to make a red balloon look especially ominous.

“It” is clearly covering the first part of King’s novel when the members of the Loser’s Club were kids. Here’s hoping this adaptation scares us silly enough to where we get follow-up which will follow them into adulthood as we all know the past stays with us in one way or another. Adaptations of King’s novels range from brilliant (“The Shining,” “Misery,” “The Shawshank Redemption”) to horrendous (“Maximum Overdrive,” “Graveyard Shift”), so let’s hope this is not just one of the better ones, but one of the best.

Check out the teaser trailer below.