The First Trailer for ‘I Spit on Your Grave: Deja Vu’ Has Been Unleashed

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As much as I despise the controversial 1978 exploitation classic “I Spit on Your Grave,” I cannot help but be intrigued by its upcoming sequel. 40 years after Jennifer Hill (Camille Keaton) was brutally assaulted, left for dead and eventually reaped bloody revenge on her assailants, she rises again for another “Day of the Woman” in the eagerly anticipated sequel “I Spit on Your Grave: Déjà Vu.” Keaton returns to her iconic role along with Meir Zarchi who also wrote and directed the original, and one has to wonder how much more brutality Jennifer can possibly endure even after suffering unimaginable horrors decades before.

The trailer starts off with images from “I Spit on Your Grave” which last long enough to remind us how brutal and uncomfortable the first film was, and the moment where Jennifer has one of her attackers relaxing comfortably in the bathtub as she gently lifts up a knife she has hidden away still has men crossing their legs automatically. Whatever your thoughts were on the original, its lasting impact in the realm of revenge and exploitation films cannot be denied. It inspired a remake which was followed up by several sequels, but this follow up ignores them and focuses on the aftermath of what came before.

40 years later, we see Jennifer having a nice lunch with her daughter, Christy (Jamie Bernadette), but while walking back to their cars, they are greeted by a rabid fan gets Jennifer’s attention and asks her to sign a copy of her book. That this guy has a face which makes him look like a disciple of Charles Manson, and this is the first sign of things about to go very bad. Also, he is coming up to these ladies in a white van which, aside from the passenger and driver side, has no windows to see what’s in the back. This makes it all the easier for the fan and his driver to abduct Jennifer and Christy and throw them inside while no one else is looking.

From there, we know history will repeat itself in an intensely bloody fashion as Jennifer and Christy are greeted by an especially deranged matriarch named Becky (Maria Olsen), wife of the man Jennifer castrated in the bathtub. Becky promises both Jennifer and Christy a slow ride to hell as she seeks to avenge the men Jennifer killed, but neither of them are about to go quietly into that gentle night. This is especially the case with Christy who, at one point in the trailer, says she has her mother’s genes but none of her forgiveness.

Okay, this does not look like a great movie to say the least, but I am interested in checking it out in part to see if Zarchi’s filmmaking skills have improved in the slightest since 1978. Furthermore, even if you hated the original, you had to admire Keaton’s bravery as her character endured an infinitely appalling attack I would never wish on my worst enemy, and this sequel would not be worth the effort had she not agreed to reprise her role here.

Aside from Keaton, there are two actresses who stand out prominently in this trailer. One is Maria Olsen who looks to give a scenery-chewing performance as the embittered widow aiming to give Jennifer a taste of her own gory medicine. Granted, some of her acting looks like it just might be featured on the “Exquisite Acting” segment of Hollywood Babble-On, but she may very well give this sequel the hateful antagonist it deserves.

The other is Jamie Bernadette who plays Christy Hills. We see Christy wreaking bloody havoc on her captors to where she has bloodstains on her face much like her mother had years before. Bernadette has previously appeared in such movies as “Mortdecai” opposite Johnny Depp, and “The Darkness” which starred Kevin Bacon. If she hasn’t snuck into your consciousness yet, she will after this sequel is unleashed.

As for the male characters, they look to have the same luck as those crew members of the Starship Enterprise who are forced to wear red shirts on the average episode of “Star Trek.”

Again, this is unlikely to be a great cinematic experience, and the trailer cannot hide the signs of the limited budget the filmmakers had to work with. Filming on this sequel was completed back in 2015, and it is only now getting a release. Still, in a time where alternate timelines are more popular than ever, whether its J.J. Abrams’ “Star Trek” or the latest “Halloween” movie we’re talking about, this direct sequel to “I Spit on Your Grave” is something horror and exploitation movie fans cannot ignore.

“I Spit on Your Grave: Déjà vu” is set to be released on DVD and Blu-ray April 23, 2019. If Roger Ebert were still alive, I have no doubt he would be thrilled at how this sequel is not being shown on the silver screen (or at least, not yet).

Check out the trailer below.

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Worst Movie Trailers Ever: ‘Return to the Blue Lagoon’

Return to the Blue Lagoon poster

I still vividly remember watching the trailer for this sequel at Crow Canyon Cinemas where it played before a screening of “Bill & Ted’s Bogus Journey.” I could hear and feel the audience’s disdain for “Return to the Blue Lagoon” to where I kept waiting for them to erupt into a chorus of boos. This trailer made this sequel to “The Blue Lagoon” look infinitely lame as well as completely unnecessary. The trailer’s narrator talked of how the 1980 original was “the first movie to explore the innocence of natural love,” and my eyes immediately rolled up in the back of my head. Oh lord…

Seriously, was anyone begging for a follow up to Randal Kleiser’s 1980 film which starred Brooke Shields and Christopher Atkins? While “The Blue Lagoon” was a huge hit which made almost $60 million and only cost between $4 and $5 million to make, it was critically eviscerated in a way few movies were at the time. Indeed, its portrayal of these two kids living an idyllic existence and developing outside of what is considered civilized society is laughable to say the least, and the overly dramatic score by the late Basil Poledouris made things even more cringe-inducing to where watching this movie on mute made it slightly easier to digest.

The trailer for “Return to the Blue Lagoon” made this sequel look like it will be an exact photocopy of its predecessor as it features Milla Jovovich (in her breakthrough performance) and Brian Krause going through the same motions as Shields and Atkins did before them. When Jovovich tells Krause how she realizes she is now a woman, I did my best to stifle a laugh and failed. When the narrator says “through the eyes of innocence, they discover their sensuality,” I did a facepalm. Remember those unintentionally hilarious videos we watched in health class? Watching this trailer reminded me of them.

Movie trailers are supposed to get you excited about what they are advertising, not give you a reason to avoid it altogether. The one for “Return to the Blue Lagoon,” however, gave us more than enough reason to not bother taking a second trip to that deserted island. The sequel opened in theaters on August 2, 1991 and grossed only $3 million dollars against a budget of $11 million. Jovovich has since said this was the worst movie she has ever done, and I imagine any of the “Resident Evil” sequels are vastly more entertaining to sit through.

The only other thing which may have kept audiences away from “Return to the Blue Lagoon” was perhaps sheer jealousy. Krause got to make out with Jovovich while we sat back and watched. Deep down, you had to feel jealous about that. Rod Stewart was right, some guys have all the luck.

Feel free to check out the misbegotten trailer below.

Worst Movie Trailers Ever: ‘Swept Away’ (2002)

swept away 2002 movie trailer

You all know how much I love movie trailers, so it is only fair I begin writing about those which give you every reason not to watch the movie they are advertising. While many movie trailers get us hyped up to where expectations are elevated to an unrealistic level, there are others which make clear, be it intentionally or unintentionally, why we should not watch certain motion pictures.

My first exhibit in this category is for Guy Ritchie’s 2002 remake of “Swept Away.” Based on the 1974 Italian film of the same name and directed by Lina Wertmuller, it starred Ritchie’s then wife Madonna as Amber Leighton, an infinitely spoiled human being who looks determined to make life miserable for anyone she deems underneath her, and this includes her husband Tony (played by Bruce Greenwood). But the biggest recipient of her needless abuse is Giuseppe Esposito (Adriano Giannini), the first mate on the ship Amber is sailing to Italy on. When a storm ends up stranding Amber and Giuseppe on a deserted island (is there any other kind?), the tables turn to where they both fall in love.

This version of “Swept Away” is one of those movies you have definitely heard about but never bothered to watch when it arrived at your local multiplex. I still vividly remember watching its trailer for the first time back when I was a cast member at Disneyland, and I watched it with a fellow employee who had the same reaction to it I had.

Believe it or not, I am happy to defend Madonna on a number of movies she starred in. When it comes to “Desperately Seeking Susan,” “Dick Tracy,” “A League of Their Own” and “Evita,” she can be a mesmerizing talent to watch. But then there’s “Shanghai Surprise,” “Body of Evidence” and “The Next Best Thing” which leave us wondering what she is trying to prove. Seeing her in this “Swept Away” trailer is especially painful as it quickly becomes clear how one-note her performance will end up being. Watching her here is not the least bit appealing, and it makes one want to slap her for failing to dig deeper into her character or taking the chance to make Amber more complex than she was in the screenplay.

Then there’s Adriano Giannini, son of Giancarlo Giannini who played Giuseppe in the 1974 original film, and watching him put Amber in her place feels especially uncomfortable. While the sexual politics may have been an important subject back when Wertmuller’s film was released, they feel completely out of place here, and this gave audiences even more of a reason to run away from any theater daring to show this horrific remake.

Ritchie’s “Swept Away” had a budget of around $10 million, and it ended up grossing a worldwide total of around $1,000,000 at the box office. My Disneyland colleague and I looked at each other after the trailer ended, and we shook our heads which was more than enough to tell everyone else in the nearby vicinity that we were not about to subject ourselves to this cinematic experience.

Check out the horrific movie trailer for 2002’s “Swept Away” down below.

 

‘Pet Sematary’ Remake’s First Trailer is Unearthed For All to See

Pet Sematary 2019 Teaser Poster

The cinematic adaptations of Stephen King’s novels have been a mixed bag, but ever since the phenomenal success of “It,” Hollywood has been desperate to adapt his works more than ever before. But moreover, they are also not afraid to remake those films which have already been made from them like “Carrie,” “The Shining” and “Salem’s Lot.” It was only a matter of time, and an eventual escape from development hell, that we would get a remake of “Pet Sematary,” and now its first trailer has been unearthed for all to see.

To be honest, I never cared much for the 1989 version of “Pet Sematary” directed by Mary Lambert. Some of the performances were rather weak, and King, who wrote the screenplay, ended up cramming too much of the novel into the movie to where not all the plot threads were tied up in a satisfying way. Having read “Pet Sematary” myself, I can confirm it is one of King’s scariest works which left me unnerved, especially with its wonderfully ambiguous ending. Now that we are finally getting its latest cinematic incarnation, I cannot help but be intrigued.

From its trailer, it is clear directors Kevin Kolsch and Dennis Widmyer (“Starry Eyes”) are intent on making this version their own. The sight of children marching to the beat of a drum through the cemetery while wearing animal masks is a scary sight even if one of them reminded me of the rabbit mask from “Donnie Darko.” Granted, it starts off in a routine fashion with Louis and Rachel Creed (Jason Clarke and Amy Seimetz) driving their kids to their new home in Maine. As they get their first glimpse of it, a truck comes roaring by without warning as if a gale force wind suddenly swept by, leaving trees shaking endlessly. It’s a strong moment as we are reminded of the terrible tragedies which will eventually befall these characters.

This trailer doesn’t spell out the story for its audiences, and we only glimpses of other characters like Church and Victor Pascow. Interestingly enough, these proceedings are dominated by John Lithgow who plays Jud Crandall, and he speaks his dialogue in an increasingly ominous tone and without a New England accent. It’s great to see Lithgow here as his presence lends much to what we see here. He does, however, have to contend with the shadow of the late Fred Gwynne who played Jud in the original. Whatever you may have thought about the 1989 film, there’s no denying Gwynne was perfectly cast and the best thing about it.

Overall, this trailer left me intrigued at the possibilities the remake has to offer. It features Clarke who, whether he’s in “Dawn of the Planet of the Apes,” “Knight of Cups” or “Chappaquiddick,” is one of the most dependable actors working in movies today. However, I have to say the trailer for the original was much more frightening, especially with Dale Midkiff standing in the middle of his kitchen yelling into his phone, “WHAT DID YOU DO??!!” Even more chilling was hearing Gage’s voice saying, “Now, I want to play with you.” My hope is the next trailer for “Pet Sematary” is even more chilling than this one. My other hope is that the filmmakers will get to retain the ambiguous ending of the novel in this version. Thanks to test screenings, the 1989 movie was denied this, and I am still annoyed to this day at its conclusion.

“Pet Sematary” is set to open in April 2019. Please check out the trailer below.

All-Time Favorite Trailers: ‘The Last House on the Left’ (1972)

Even in this day and age, people still complain of how Hollywood doesn’t do enough to warn them of how infinitely disturbing certain movies are. Regardless of the specific descriptions the MPAA lists in an R-rated movie such as graphic violence, nudity, blood, and gore, many still insist more needs to be done to warn audiences, and that’s even though they were warned extensively beforehand. Heck, you can have the whole movie spoiled for you when you visit its Wikipedia page as it often contains a plot synopsis of everything which happens. Regardless, parents still drag their children to movies they have no business watching at such a tender age just because they won’t spend the money to hire a babysitter.

I bring this up because the trailer for the 1972 exploitation horror movie “The Last House on the Left” does what most trailers these days never bother to do; warn prospective audiences of a seriously disturbing motion picture which will arrive in a theater near them very soon. The narrator speaks ominously of how the house rests on “the very center of hell,” and the musical stings are enough to send shivers down the spines of the most jaded filmgoer. And of course, there is the line of, “To avoid fainting keep repeating, it’s only a movie, only a movie, only a movie.” These days, this refrain may seem laughable, but when it comes to this cult classic, this is a really good piece of advice to keep in mind.

It’s a relatively short trailer, but it shows how Wes Craven, who made his directorial debut with this one, shot “The Last House on the Left” in a documentary style to where it felt like we were watching something real and not staged. The only actors we see here are Sandra Cassel who played Mari Collingwood and Lucy Grantham who portrayed Phyllis Stone. These characters are put through absolute hell, but we do not see the full extent of their hell in the trailer. Instead, we get glimpses of the pain and torture they are put through, and it forces us to imagine the worst things they have been forced to experience. For myself, this trailer made me infinitely intrigued to check this movie out as it seemed like the kind most audiences would be quick to avoid. Having seen it, I can assure you this is not the easiest cinematic experience to sit through in the slightest, and you have to give credit to those who put this trailer together as even they were more than willing to make this point very clear to even the most adventurous of movie goers.

I love how “The Last House on the Left” trailer does an effective job of warning its prospective audience about how disturbing a movie this will be for them. These days, I tempted to think any studio releasing it would be much more focused on starting a cinematic universe regardless of its highly disturbing material. Just think of what could have been: “The Next to Last House on the Left,” “The Last House on the Right,” “The First House on the Left,” “The Last House to be Demolished on the Left,” etc. The possibilities may be disturbing, but they are also endless.

The Last House on the Left 1972 poster

‘The Trump Prohecy’ – Yes, it is Real, and it Looks Awful

The Trump Prophecy poster

I learned of this movie’s existence through an article on the Birth Movies Death website, and its headline declared its trailer to be “one of the worst things we’ve ever seen.” Just when I thought I wouldn’t see a worse movie in 2018 than “Death of a Nation,” this one just might beat it for that unenviable title. But after watching this trailer, I’m not really eager to see it after sitting through Dinesh D’Souza’s latest historical garbage-fest.

The Trump Prophecy” is a Christian drama which tells the story of fireman Mark Taylor who believes, in April 2011, God told him Donald Trump would one day be elected President of the United States. Well, this makes sense, right? Because we know God talks to the sanest people on planet Earth all the time, right? And why wouldn’t God want Trump move into the White House? Could there be another white man who can personify what a true Christian is other than the host of “The Apprentice?”

Yes, I’m being sarcastic, but you can tell. “The Trump Prophecy” looks to defy all reasonable logic to make its audience believe Trump was anointed by God to become President of the United States. The trailer starts off with us being introduced to Mark Taylor (Chris Nelson) who talks about having seen everything as a fireman. But then we see him suffering through a nightmare, and the acting on display is as bad as any in “Death of a Nation.” Remember the beginning where Eva Braun dies a most unintentionally hilarious death? Mark’s bad dream threatens to be even worse.

From there, we people praying endlessly for what one character calls “the Commander-in-Chief prophecy.” Basically, Mark thinks his dreams are God’s way of talking to him. We are then shown headlines which say how Trump has no chance of winning the election, but Mark is intent on leading others in prayer as he looks to make America great again in a way which defies logic. There’s even a bible verse mentioned which I guess is used to justify this movie’s title. The description of this movie is hilarious enough, but watching its trailer has my eyes rolling all the way in the back of my head.

Look, many have a strong bias against faith-based movies like “God’s Not Dead” as they are made with an agenda in mind which results in a product which is an unforgivable insult to our collective intelligence. I try to keep an open mind to them as not all of them are out to do this, but “The Trump Prophecy” clearly is as there still many supporters who are determined to support Trump in spite of all the damage he has done so far. By now, it should be clear to the majority of Americans, let alone people around the world, that Trump is anything but a true Christian. He cheated on his wife with Stormy Daniels, his administration is full of corrupt people, several of who have since been indicted, and he clearly holds his own self-interests above all others.

“The Trump Prophecy,” like many faith-based movies, was made on a very low budget ($2 million to be exact) and in cooperation with the film department at Liberty University, the evangelical Christian school founded by the late Jerry Falwell. It is also directed by the head of that school’s film department head, Stephan Schultze. Only evangelical Christians would dare make a movie like this as they remain convinced beyond a doubt that Trump deserves to be President above all others, including those who are actual politicians.

Yes, I am tempted to see it in the same way I rush out to see Dinesh D’Souza’s movies, so I can analyze everything wrong with them. But this time I think I will pass as there are many others worth my time as Oscar season is heating up. Learning of “The Trump Prophecy” and watching its trailer simply serves as a reminder of how people willfully blind themselves to horrible truths, and of why Christianity and evangelical Christianity need to be seen as two very separate things.

Right now, I keep thinking of John Carpenter’s “Pro-Life,” the “Halloween” director’s second episode for the Showtime series “Masters of Horror.” That episode featured a religious fanatic played by Ron Perlman who was determined to rescue his daughter from an abortion clinic, especially after he hears a voice telling him to save her baby. But in the end, the voice he hears is revealed to be a demon who looks to unleash literal hell on earth. Perhaps it is unfair to compare Mark Taylor to Ron Perlman’s character as I am sure he is a decent man looking to lead a peaceful life, but hey, both said God talked to them.

Fathom Events will be screening “The Trump Prophecy” two days only, October 2 and 4, 2018, in theaters throughout the United States. While watching the trailer, which is included below, you may hear a voice talking to you. If this voice is telling you “save your money,” you are not insane.

 

Michael Moore Unleashes the First Trailer for ‘Fahrenheit 11/9’

Fahrenheit 119 teaser poster

After witnessing the cinematic debacle that was Dinesh D’Souza’s “Death of a Nation,” I am now eager to watch something which looks at the state of America which actually resembles reality. Looks like I will have to wait only a month for it as Michael Moore has released the first trailer for his latest documentary, “Fahrenheit 11/9.” The title alludes of course to “Fahrenheit 9/11” in which Moore attempted to take down George W. Bush and deny him a second term in the White House, but it also alludes to the date on which Donald Trump captured the electoral votes he needed to become President of the United States. In this trailer, Moore asks the question we were all asking on election night in 2016:

“What the fuck happened?”

We are shown scenes of Trump acting irresponsibly during his campaign, scenes you will never see in any D’Souza movie. There is also a moment where we see White Supremacists burning crosses, and these are a group of people who have become far too emboldened during the Trump administration. But despite the images of doom and gloom Moore gives us here, he does appear to offer a glimmer of hope through his interviews with high school shooting survivor and activist David Hogg and progressive star Alexandria Ocasio-Cortez. And let us be clear, Hogg can in no way ever be considered a crisis actor.

Still, there is political consultant Roger Stone who is caught on camera saying, “Try to impeach him, just try. You will have a spasm of violence in this country like you have never seen!” Considering the tragedy this country witnessed in Charlottesville one year ago, this does seem like a promise people like him can deliver on. All the same, we cannot stay silent or back down.

As dark as this documentary may seem, especially with the image of the American flag made out of matches which are quickly lit to form a visual metaphor of what is happening to this nation, Moore looks to be up to his old tricks as he goes after politicians with a truck of polluted water from Flint, Michigan, and this had me laughing quite a bit. I do have to say, however, that the water looks a little too clean to be from Flint.

Granted, “Fahrenheit 9/11” did not keep George W. Bush from being re-elected (if you want to call it that) for a second term, but here’s hoping “Fahrenheit 11/9” succeeds in stopping Trump and his cronies in their traitorous tracks when it opens in theaters on September 21, 2018.

Check out the trailer below.

All-Time Favorite Trailers: ‘A Nightmare on Elm Street 3 – Dream Warriors’

Back when this particular horror sequel was released, Freddy Krueger was still a very frightening character. The burnt serial killer had yet to devolve into a stand-up comic, and just the thought of him hiding in the shadows of your dreams waiting to strike was enough to leave you unnerved. It’s a shame we have not yet seen a scene in any of the “Nightmare on Elm Street” movies where a teenager goes up to someone suffering from insomnia and tells them, “I envy you.”

Following this sequel, he ceased to be scary and became more of a cut-up than anything else, and we had to wait for “Wes Craven’s New Nightmare” to see him as a truly threatening presence once again. But I never forgot what a haunting character Freddy was back in the 1980’s, and what I love about this teaser trailer for “A Nightmare on Elm Street 3: Dream Warriors” is it seizes on how fearful we were of him to where we didn’t even need to see his face to know he was just around the corner. Just hearing that little girl singing “1, 2, Freddy’s coming for you” was enough to make your hairs stand on end. And once we got a look at the model of Nancy Thompson’s old house which resides on Genesee Avenue on Los Angeles, my eyes went wide upon the realization this was indeed a trailer for another “Nightmare on Elm Street” movie. And then the hand with the claws burst out of the model, and I wanted to hide my eyes from the screen…

This teaser trailer for “Dream Warriors” remains one of my favorite trailers as it proved to be one of the scariest ever, and it piqued my interest in a character I would become more intrigued with as I got older.

A Nightmare on Elm Street 3 Dream Warriors poster

First ‘Aquaman’ Trailer Promises a Big Rebound For the DC Extended Universe

Aquaman teaser poster

While the Marvel Cinematic Universe (MCU) continues to thrive with one successful motion picture after another, the DC Comics Extended Universe (DCEU) keeps experiencing hits and misses. The latter failed miserably with “Suicide Squad,” then they redeemed themselves and hit a tremendous home run with “Wonder Woman.” But next we got “Justice League” which was their answer to “The Avengers,” and it did not live up to the fans’ expectations. While Marvel took its precious time setting up its cinematic universe, DC could only play catch up constantly to where they had to offer its biggest movie much sooner than they should have.

But one of the best things about “Justice League” was Jason Momoa who portrayed Arthur Curry, better known to us as Aquaman. Since then, I have been looking forward to a solo movie for this character, and news of its making has only heightened my anticipation. At Comic-Con this past weekend, the first trailer for “Aquaman” was finally unveiled, and it looks awesome.

“Aquaman” is being directed by James Wan who had worked on the indie horror franchises “Saw” and “Insidious,” and he has since graduated to bigger projects like “The Conjuring” and “Furious 7,” one of the very best “Fast & Furious” movies. From this trailer, he appears to have given “Aquaman” some truly amazing special effects, and he looks to keep the human element of this superhero film in balance with them. In addition, you have Amber Heard co-starring as Mera, Aquaman’s love interest who possesses hydrokinetic and telepathic powers, and she looks dazzling with all that red hair.

The moments I loved in this trailer include when Arthur is getting picked on by the school bullies while on a field trip at an aquarium, and all the fishes, a shark in particular, come to his defense. It really is nice to have Jaws on your side, isn’t it? I also liked how Aquaman and his fellow people are able to speak and move around in water as easily as they do on land. Everyone involved in this film’s making have made this seem very believable.

Of course, we learn in this trailer how Aquaman is reluctant to become king of the underwater nation Atlantis, and I fear this may be another one of those “no I can’t be the one” movies where the hero spends way too much time denying the destiny we know he or she will eventually embrace. A lot of these movies have the hero finally embracing the role society begs him to play in the last third, but by then they can seem like wasted opportunities. Hopefully this DC film will not be one of them.

“Aquaman” is set to be released on December 21, 2018. Please check out the trailer below.

‘Glass’ Trailer Sees M. Night Shyamalan Completing a Superhero Trilogy

Glass teaser poster

Night Shyamalan has had a rather crazy career as a filmmaker as he has reached the heights of cinematic glory with “The Sixth Sense” and “Signs” and also traveled to its unforgiving depths with “The Last Airbender” and “After Earth.” In between those films was “Unbreakable,” his superhero thriller from the year 2000 in which Bruce Willis starred as a security guard who is the sole survivor of a horrific train crash, and Samuel L. Jackson as Elijah Price, a comic book art dealer who suffers from a rare disease which makes his bones extremely fragile and prone to fracture. I initially dismissed “Unbreakable” as the kind of lame effort from a filmmaker who pulled off one of the greatest twist endings in cinematic history. But in retrospect, it is truly one of his best films and perhaps even one of the best superhero movies ever.

Little did we know that with “Unbreakable,” Shyamalan had created his own cinematic universe. It continued with “Split” in which James McAvoy plays Kevin Wendell Crumb, a man suffering from dissociative identity disorder who has 23 personalities inside of him. And now, we have the first trailer for “Glass,” the third movie in Shyamalan’s superhero series which unites Willis, Jackson and McAvoy together in a way which looks very exciting and highly promising.

The first image from this “Glass” trailer is of Dr. Ellie Staple who is played by Sarah Paulson. Ever since her appearance in the HBO movie “Game Change,” she has become one of my favorite actresses, and it is enthralling to watch her talk with these three men. Her face is a study in both fascination and terror as she is eager to talk with these men even though she is clearly scared of all they are capable of doing.

Then we get a look at these three men in the same frame, and it likes an “Avengers” movie you didn’t know was coming. For McAvoy, this represents a return to playing a character much like the one Sally Field played in “Sybil.” For Willis, it presents another opportunity to escape the direct to video realm as the “Death Wish” remake didn’t quite do it for him. And for Jackson, he gets to reprise one of his best and most unusual roles as this “bad ass motherfucker” has an infinitely high IQ but an ever so fragile body which fails him far too often.

Seriously, this is the first M. Night Shyamalan film I have looked forward to seeing in over a decade, and I say this even though “Glass” is coming out in January 2019. January is typically the month where Hollywood dumps its cinematic garbage on us as they have no idea where else to put it. Still, this cannot be any worse than “The Last Airbender.”

Check out the trailer below.