Bond 25 Finally Gets Its Title, and You May Be Surprised By It

No Time To Die 007 logo

We have been hearing so much about the 25th film in the 007 franchise to where it threatens to feel like we have watched it in full long before it arrives in theaters everywhere. Daniel Craig confirmed to Stephen Colbert he would return to do a fifth movie as James Bond, Danny Boyle was originally set to direct but later dropped out and was replaced by Cary Joji Fukunaga, and there were rumors Adele would return to compose this film’s theme song. Other than that, we were left with an endless set of questions: Would Christoph Waltz return as Blofeld? Who will compose the score for this one? Can they possibly get “Skyfall” cinematographer Roger Deakins to return? What kind of Bond villain is Oscar winner Rami Malek going to play? Who will be the latest Bond woman?

As fans posed these questions and several others, many including myself had one which we desperately wanted an answer to: WHAT WAS THIS BOND FILM GOING TO BE TITLED??!! In the wake of a press conference featuring the cast of Bond 25 and various behind the scenes images from the set, it seemed no one thought to give this one a name. Did longtime Bond screenwriters Neal Purvis and Robert Wade start writing it without a title in mind? Did fellow scribes Fukunaga, Scott Z. Burns or Phoebe Waller-Bridge get a chance to add their two cents to this issue? Seriously, it cannot be this difficult to generate a title for this or any other motion picture, right?

Well, after what feels like an eternity, MGM has finally given us the title of the 25th James Bond film: “No Time to Die.” My opinion regarding this title is quite mixed. A title like this one sounds like something out of an easily disposable paperback novel, while fun to read, won’t stay in the mind for too long. Granted, “Die Another Day” was already taken, but after the titles of the previous Craig Bond movies (“Casino Royale,” “Quantum of Solace,” “Skyfall” and “Spectre”) which implied quite a bit without saying so much, this one feels surprisingly ordinary. Couldn’t they have come up with something infinitely more inspired?

At the same time, perhaps it is not a bad title for this installment, likely the last to feature Craig as 007. In terms of years, Craig has now held onto this iconic role longer than any of his predecessors, and we have grown with him as we watched him make this role his own from “Casino Royale” to “Spectre.” In this installment, Bond is said to have retired from active duty and is now enjoying a leisurely life with Dr. Madeleine Swan (Lea Seydoux) in Jamaica. But the vacation quickly ends when his CIA pal, Felix Leiter (Jeffrey Wright), arrives in town and asks for Bond’s help in rescuing a kidnapped scientist. Suffice to say, retirement does not last long for Bond, and the only way for him to escape any sort of responsibility from this situation would be death. However, death would be the easy way out, and Bond is not about to go down that route.

Craig’s interpretation of James Bond reminds me a lot of Jack Bauer from “24” as both characters have sworn a loyalty to their countries of origin, and this is a loyalty which, whether they admit it or not, proves to be far more important than anything else in their lives. Still, their actions come with consequences and an inescapable case of karma which will never let them rest easy. How does one live with being someone who willingly kills if the situation calls for it and not go through life with one form of guilt or another? Craig’s Bond has numbed his consciousness more often than not with alcohol, and this is regardless of whether it is shaken or not stirred. The only way a character like this can possibly find peace is in the realm of death, and Bond is not about to choose this realm as he eventually returns to his call of duty when the circumstances call for it, and this installment makes it clear he is not about to die even if it will cease his suffering.

“No Time to Die” will arrive in theaters in April of 2020. Check out the title announcement below.

 

 

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The Movie Trailers Which Played Before ‘Django Unchained’ at New Beverly Cinema

DjangoUnchained_poster2

WRITER’S NOTE: This article was originally back in 2012.

I was lucky enough to check out Quentin Tarantino’s latest movie “Django Unchained” at New Beverly Cinema, the same movie theater he bought and kept from going out of business. It was being shown in 35mm instead of a digital print at other theaters because Tarantino is still a big fan of film, and the New Beverly is known for showing movies in 35mm because that’s exactly what the owners and patrons like best.

One of the real treats of seeing “Django Unchained” at New Beverly Cinema is instead of getting coming attractions for 2013 movies, we instead get to watch movie trailers from the past. These ones were especially campy and represent the kind of movies Hollywood no longer makes, and I wondered if the trailers being shown before “Django Unchained” inspired this particular Tarantino film in some way. Many of the prints of movies and trailers shown at the New Beverly tend to come from Tarantino’s own personal collection, so even if they didn’t inspire this movie of his, then they must have been ones he loves watching over and over.

Let’s take a look.

The Arena 1974 movie poster

“The Arena”

This exploitation film from 1974, one which clearly was inspired by “Spartacus,” stars Pam Grier and Margaret Markov as female gladiators who have been enslaved in Rome and are forced to fight for their freedom. The trailer proved to be hilarious as the acting is over the top, and the narrator embellishes the more explicit elements of this movie by saying how the Romans “enslaved the most sensuous women to titillate the perverted pleasures of the Roman public” and how the main characters are “beautiful unchained women” whose bodies are “shaped into superb fighting equipment.” There’s also a bit of nudity and blood on display, the kinds of things you almost never see in a movie trailer today unless it is a red band trailer being shown for restricted audiences only.

Still, it’s great to see Grier here whom Tarantino cast in his movie “Jackie Brown,” and it is said she and Markov did all their own fights and stunts in “The Arena.” We should all known by now that Grier is as tough as the characters she has played in dozens of movies, and seeing her take on the Romans makes this one worth a look.

Boot Hill movie poster

“Boot Hill”

The trailer for this 1969 Italian Spaghetti Western runs four minutes long, much longer than the average movie trailer we see in theaters today. It stars Terence Hill as Cat Stevens, but the trailer’s narrator refers to him as “the man with no name.” It also stars football great Woody Strode as Thomas, a man who is quick with a gun and out for revenge over the death of his son. Together, these two help the inhabitants of a gold mining community which is being oppressed by a criminal organization.

This is another trailer which has a male narrator emphasizing the movie’s violence, and it’s fun to hear him say how “Boot Hill” is a town “where death comes quick,” “where death comes hard,” and where “death comes in two colors.” Seeing Hill and Strode walk into town all serious and without a smile on their faces brings to mind how Jamie Foxx and Christoph Waltz roll into town in “Django Unchained.”

“Boot Hill” was actually the last film in a trilogy of movies directed by Giuseppe Colizzi, and it was preceded by “God Forgives… I Don’t!” and “Aces High.”

Mandingo movie poster

“Mandingo”

This 1975 film was based on the best-selling novel of the same name by Kyle Onstott, and it stars James Mason, Susan George, Perry King, Lillian Hayman, former boxer Ken Norton and pro-wrestler Earl Maynard. It takes place in the 1840’s where a plantation owner trains one of his slaves to be a bare-knuckle fighter, and there are some brutal scenes of bare-knuckle fighting to be found in “Django Unchained.” It makes me wonder if Tarantino based the character of Calvin Candie (played by Leonardo DiCaprio) on the ones played by Mason or King in “Mandingo.”

The narrator of this trailer describes “Mandingo” as being “the first true motion picture epic of the Old South,” but it’s a little hard to believe this as certain scenes appear to be very overwrought. The audience couldn’t help but laugh at the actress who told her lover “don’t kiss me yet, unless it’s just a cousin kiss” because the kiss which followed seems to be anything but a cousin kiss.

The movie version of “Mandingo” received a severe bashing from film critics like Roger Ebert, Leonard Maltin and Richard Schickel, all of whom gave it their lowest rating. Tarantino, however, said it represents one of only two instances in the last few decades where “a major studio made a full-on, gigantic, big-budget exploitation movie” (the other being Paul Verhoeven’s “Showgirls”).

Tick Tick Tick movie poster

“…tick…tick…tick…”

Ralph Nelson’s 1970 movie stars another football great, Jim Brown, as Jimmy Price, a black police officer who has just been elected sheriff of a racially divided town in the American South. The fact he beat out the former Sheriff, a white man named John Little (George Kennedy), does not sit well with some of the townspeople. As the movie’s title and the endless ticking in the trailer indicates, the racial tensions will continue to rise until they boil over into a possibly fatal conflict.

…tick…tick…tick…” has long since become a cult classic for its cutting-edge portrayal of racial tensions and its tense narrative, and of all the trailers shown before “Django Unchained” at New Beverly Cinema, this was the one the audience laughed at the least, if at all. It looks like it still holds up to this day regardless of the passing of time, and the way the white characters treat Jimmy doesn’t seem much different from the way Django is treated in “Django Unchained.” It’s especially cool to see Brown as a Sheriff because he has always had the appearance of someone who can clean up a town single-handedly.

Take a Hard Ride movie poster

“Take a Hard Ride”

This Western from 1975 also stars Jim Brown as Pike, a rugged trail boss and former criminal who promises Bob Morgan (Dana Andrews) he will successfully transport $86,000 across the border to a ranch in Sonora, Mexico. Pike is forced to team up with a dishonest gambler named Tyree (Fred Williamson) for this mission, and they are soon being pursued by the ruthless bounty hunter Kiefer (Lee Van Cleef) and the corrupt sheriff Kane (Barry Sullivan).

The trailer for “Take a Hard Ride” made it look like a movie I really want to check out. Like “Django Unchained,” it is a mix up of the Blaxploitation and western genres and features one of the best casts a movie like this could ever hope to have. Brown and Williamson have always proven to be ultimate bad asses in whatever movies they appear in, and I love how the trailer’s narrator describes Cleef’s character as being “as sly as a rattlesnake and twice as deadly.” It was also great watching the scene where the cowboys and their horses crash down a hill because now I know where the filmmakers of “Young Guns II” got the idea for a similar scene.

After watching all these trailers and “Django Unchained,” it becomes clearer to see where Tarantino took his cues from as a writer and director. It also shows how brilliant he is at taking all the elements and turning them into a movie which is uniquely his own and not just an uninspired homage that pales in comparison to the films it inspired. “Django Unchained” proved to be a lot of fun, and the trailers which preceded it are for movies which look to be just as entertaining.

Tom Cruise Flys High Again in First Trailer for ‘Top Gun: Maverick’

The thought of a “Top Gun” sequel was laughable years ago as Tom Cruise had little reason to do a sequel to any of his films. Seriously, it seemed as likely as him doing a sequel to “Cocktail” which, while a big hit at the box office, was not exactly a critical darling. But in recent years, any movie he stars in which doesn’t have “Mission: Impossible” in its title has failed to make much of a dent at the box office, and perhaps this is why he has chosen to finally revisit his superstar-making role of Pete “Maverick” Mitchell 34 years after the original was released. Whatever the case, its first trailer honestly has me very excited for it.

From this trailer, we learn Maverick is still a Captain instead of a military general, meaning he is still unsafe and quite dangerous in the cockpit of an airplane. Whereas James Tolkan chewed him out in the original, another bald military general played by Ed Harris (give this man an Oscar already!) berates him for not allowing himself to get promoted. When we finally get our first look at Cruise here, it looks as though he hasn’t aged much since 1986, and he still has that shit-eating grin which drives everyone crazy in ways both good and bad.

What struck me most about this “Top Gun: Maverick” trailer was its flight scenes as director Joseph Kosinski, who previously directed Cruise in “Oblivion,” makes us feel like we are in the cockpit with Maverick as he takes off from an aircraft carrier in the middle of an ocean. This reminded me of how exhilarating the flight sequences from the first “Top Gun” were, and this sequel looks to have even more of them.

From there, we get glimpses of characters such as Bradley Bradshaw (Miles Teller), son of the late Nick “Goose” Bradshaw (Anthony Edwards), and he looks to be as buff and as musical as Cruise, Edwards, Val Kilmer and Rick Rossovich were in the original. Yes, there looks to be another volleyball game in store for us in which we discover how the men look without their t-shirts on.

We also see glimpses of Jennifer Connelly as Maverick’s love interest who is said to be a single mother and the owner of a bar. My guess is Kelly McGillis does not appear in this sequel as she seems determined to remain retired from acting.

Val Kilmer is also set to return as Tom “Iceman” Kazansky, but we do not see him in this trailer. I read somewhere that his Iceman is now a Vice Admiral, and I’m guessing he will still be teasing Maverick about who is going to be whose wingman.

I am also gratified to know Harold Faltermeyer is back to score this sequel, and he will be doing so along with the great Hans Zimmer. You can hear Faltermeyer’s score throughout this trailer, and it is an immediate reminder of how much it drove the action and emotion of “Top Gun” back in 1986. I can already see myself buying the soundtrack to this sequel when it arrives in theaters in the summer of 2020. Heck, I might buy the soundtrack before this sequel is released.

That’s the other thing; “Top Gun: Maverick” is being released in 2020, exactly one year from now. I know Hollywood is always serious about securing release dates for movies way ahead of time, but showing us trailers for movies which will not be released for another 12 months seems unnecessarily torturous. Remember when we got the first trailer for “The Matrix Reloaded” and “The Matrix Revolutions?” It got audiences excited as hell and yelling out with joy as soon as those green digits started descending from the top of the silver screen. This was back in 2002 when the trailer was shown before “Star Wars Episode II: Attack of the Clones,” and it ended with “2003” on the screen. As thrilled as we were with the continuation of “The Matrix” franchise, seeing the date of when the first sequel was to be released had us groaning in frustration all too loudly.

At least here, Paramount Pictures tells us “Top Gun: Maverick” will be coming out in 2020 in the middle of the trailer instead of at the end of it. After all these years, Hollywood has remembered they can tease audiences only so much before foolishly risking our wrath.

“Top Gun” may have received mixed reviews upon its release as the aerial footage proved to be more exciting than when the characters were on the ground, but damn it was an entertaining flick. A nice wave of nostalgia passed over me as I watched this first trailer for “Top Gun: Maverick,” and I patiently await its release next summer. And who knows, maybe Quentin Tarantino will come up with another memorable examination of how this sequel depicts a man’s continuing struggle with his homosexuality just as he did previously in “Sleep with Me.”

Please check out the trailer above.

Top Gun Maverick teaser poster

Rob Zombie Unleashes The First Trailer for ‘3 From Hell’

Of all the sequels coming out in 2019, I have to confess I am especially excited for “3 From Hell.” Writer and director Rob Zombie returns with his third film dealing with the murderous exploits of the Firefly family, exploits which began with 2003’s “House of 1000 Corpses” and continued on in 2005’s “The Devil’s Rejects.” This sequel has been in the making for some time now, and while we still have to wait a month or two before it comes out, we now have a new trailer which shows it to be as bloody and violent, if not more so, than its predecessors.

One thing I am especially intrigued about is how Zombie plans to explain how Captain Spaulding (Sid Haig), Otis (Bill Moseley) and Baby Firefly (Sheri Moon Zombie) survived the “Wild Bunch” shootout at the climax of “The Devil’s Rejects.” For all intents and purposes, they have looked to have willfully ended their existence in a hail of bullets which no one could easily survive. Still, a news reporter confirms they somehow survived but, as their mangled bodies are hauled into the emergency room, says their chances of survival are “less than a million to one.” But as John Carpenter once said, “evil never dies.”

Surprise! The three survive and are put on trial for their vicious crimes in a public spectacle to where they look to have become folk heroes just like Mickey and Mallory were in “Natural Born Killers.” We even hear supporters in the background yelling out “free the three” to where I wonder if Zombie is making some sort of comment about how many in America typically act against their own best interests. Regardless of how you may feel about horror and exploitation films, the best ones always have some social commentary hiding just beneath the surface.

Judging from the behind the stories I have read about “3 From Hell” thus far, I assumed this movie would be about the trial. But sure enough, Captain Spaulding, Otis and Baby appear to have freed themselves from their incarcerations and go on another killing spree, and the trailer never tries to sugar coat or hide away from the brutality Zombie has in store for genre movie fans. Just watch as Otis endlessly bashes a helpless victim while Winslow Foxworth Coltrane (“31’s” Richard Brake) looks on with a twisted and detached amusement.

Like “The Devil’s Rejects,” “3 From Hell” looks to have a very grungy look which more than suits the subject matter, and my hope is Zombie got to shoot this one on film instead of digital. I eagerly await its release and its soundtrack as the ones Zombie has provided for the previous films were fantastic, and I never get sick of listening to either of them. Surely, this latest installment will have one which is every bit as good, right?

Lionsgate and Saban Films have partnered with Fathom Events to present the unrated cut of “3 From Hell” in theaters on September 16, 17 and 18, 2019, and each screening will have unique bonus content:

  • September 16th – Rob Zombie will provide a special video introduction before the screening, and the first 50 people at each theater will receive an exclusive poster (while supplies last, I imagine).
  • September 17th – There will be a half hour behind-the-scenes featurette shown about the making of this particular sequel
  • September 18th – The unrated cut of “3 From Hell” will be presented as a double feature with “The Devil’s Rejects.”

Tickets for these screenings will be available on the Fathom Events website starting on July 19. Click here to find out more.

Please check out the trailer above.

3 From Hell Teaser Poster

‘Doctor Sleep,’ Sequel to ‘The Shining,’ Gets Its First Trailer

Upon hearing that Stephen King’s 2013 novel “Doctor Sleep,” the sequel to “The Shining,” was going to be turned into a movie, many things ran through my head. Could a cinematic sequel be created out of this novel? If so, should it have the same visual style Stanley Kubrick gave to his film adaptation of it in 1980? Wouldn’t it be better to make a movie which stands on its own from its predecessor in the way “Hannibal” stood apart from “The Silence of the Lambs?” Will it be closer to King’s novel or Kubrick’s film? Would it acknowledge the 1997 miniseries which King very much preferred to Kubrick’s film to an infinite degree? Heck, would it even acknowledge the documentary “Room 237” which dealt with the many interpretations and perceived meanings people had of Kubrick’s classic horror film?

Well, several of these questions were answered when Warner Brothers released the first trailer for the cinematic adaptation of “Doctor Sleep” which stars Ewan McGregor as Dan Torrance who is now grown up and still suffering from the trauma he endured from the events at the Overlook Hotel. At first, it looks like any other movie as McGregor keeps writing a word or two in chalk on the wall in his bedroom. But then one day this same wall erupts in a way which wakes him up quite violently, and he sees that it says “REDRUM.” From there, you know you are back in Stephen King territory, let alone the universe he created in “The Shining.”

At first, “Doctor Sleep” looks to have a different visual look from “The Shining” as Danny Torrance is now in a different place which is far removed from the Overlook Hotel. But then he meets a young girl named Abra Stone (Kyliegh Curran) who has the same gift he has, and he becomes determined to save her from Rose the Hat (Rebecca Ferguson), head of the True Knot cult which feeds on the psychic powers of children.

But as things go on, we see images which appear to be strikingly accurate recreations of Kubrick’s film all the way to the carpet on the hotel floor. There’s even a moment where we see the blood rushing like a river out of those elevators, and another where the occupant of room 237 pushes away the shower curtain to see who is invading her private space. The trailer ends on McGregor looking through the same door Jack Nicholson once broke through with an axe and yelled at Shelley Duvall, “HERE’S JOHNNY!!!”

My thoughts on this “Doctor Sleep” trailer are a bit mixed as I feel it could have had more energy as it seems a little too quiet or subdued. At the same time, it shows the movie has a lot of promise as it dares to match the visual style Kubrick gave us years beforehand to where it invites us to compare it to his 1980 horror classic. It is also written and directed by Mike Flanagan who has already given us an excellent Stephen King adaptation with “Gerald’s Game,” and those who read that particular King novel were convinced it was unfilmable until he proved otherwise. Suffice to say, it feels like this movie is in very good hands.

Well, the ultimate comparisons between “Doctor Sleep” and “The Shining” will be made when “Doctor Sleep” arrives in theaters on November 8, 2019. Please check out the trailer above.

Doctor Sleep teaser poster

 

 

Sarah Connor Returns in First Trailer for ‘Terminator: Dark Fate’

I know it has been a week since this first trailer for “Terminator: Dark Fate” was unleashed upon us, but it is still on my mind. Despite the tepid critical and commercial reception for both “Terminator Salvation” and “Terminator Genisys,” there is still a vested interest for some in continuing this franchise even if the thrill of it seems to have long since disappeared. But with this movie, which is meant to be a direct sequel to “Terminator 2: Judgement Day,” we get the return of James Cameron to the franchise, and this leaves me with hope we will get “The Terminator” cinematic experience we have been expecting for far too long.

Watching this trailer is a bit disorienting as it introduces us to characters who were not in the previous movies. There’s Dani Ramos (Natalia Reyes) who starts off by saying how she had an easy-going life until a few days ago, and now everything for her has gone to hell. Then we have Grace (“Tully’s” Mackenzie Davis), a tough warrior who eventually proves to be more than human. And of course, there is an especially advanced Terminator pursuing them called Rev- 9 (Gabriel Luna), and he can get from one place to another even when he’s behind the wheel of a big truck.

At this point, we can tell this is a “Terminator” movie, but then a familiar face pops up. But instead of Arnold Schwarzenegger, it is Linda Hamilton who returns as Sarah Connor, and it is great to see here playing this iconic character once again. What really surprised me about this trailer is how it makes Hamilton its biggest star instead of Schwarzenegger. In fact, we only see Schwarzenegger once, and it leaves me wondering if he is playing a terminator in this one or the man the T-800 was modeled after. Besides, he has facial hair this time around.

But having Hamilton here front and center was an inspired move, and she leads the cast of an action movie which looks to be dominated by female characters in the same way the “Halloween” reboot was. Is Hamilton too old to be playing Sarah Connor? Oh please, don’t even ask me such a silly question. All that matters is she’s back!

We do not, however, see John Connor in this trailer, but he is said to be in the movie and will be played by Jude Collie. Will John be in the background this time around? Will he be taken out early on? I cannot help but wonder.

I can’t say this trailer for “Terminator: Dark Fate” blew me away, but it does leave me hopeful that Cameron and “Deadpool” director Tim Miller can give us something on a par with the first two films in this series. Also, you have David Goyer as one of the screenwriters, and Junkie XL doing the film score. These are good omens, right?

Check out the trailer above. “Terminator: Dark Fate” will arrive in theaters on November 1, 2019.

Terminator Dark Fate teaser poster

The First Trailer for ‘Rambo: Last Blood’ Has Finally Arrived

It has been 10 years since Sylvester Stallone revived once of his most iconic characters in “Rambo” and wreaked bloody vengeance (and I mean really bloody vengeance) against the cruelest of adversaries. Since then, we have constantly wondered if John Rambo will utilize his ruthless combat skills one more time. Stallone at one point swore that this series was over and had no desire to do another sequel, but the term “never say never” was always in the air, and now he is back as the Vietnam War vet who can never keep his past at bay for too long.

The first trailer for “Rambo: Last Blood” has now been unveiled, and the movie is scheduled to be released in September 2019. My thoughts on this trailer are particularly mixed as it makes this next adventure in the violent life of John Rambo look like any other action movie. Moreover, it almost seems like a remake of “Homefront” which Stallone wrote the screenplay for. My hope right now is for “Rambo: Last Blood” to be a much, much better movie than “Homefront” was as that one really sucked.

I have a feeling it will take a little bit for audiences to realize Stallone is playing Rambo again as the character no longer has a mullet. Instead, he has the same kind of haircut Stallone sports in most of his movies, and adds to the business as usual look this trailer gives off. It is only when Stallone wields his famous knife or picks up his bow and arrow that you realize whom he is portraying. Perhaps the moment which will make you see Stallone is playing Rambo once again is the last image of him with a bloodied face as he prepares to jam his knife down into some place where the sun don’t shine.

Stallone has said he intends for this “Rambo” chapter to be a “soulful journey” and his version of “No Country for Old Men.” Truth be told, it does have a very similar look to the Coen brothers’ Best Picture winner. Or perhaps it will be something along the lines of “Logan” which allowed Hugh Jackman and James Mangold to bring permanent closure to the story of Wolverine. Still, this trailer makes this sequel look like any other action flick, and my hope is the next trailer we get will make it look a bit more unique.

Directing “Rambo: Last Blood” is Adrian Grunberg who previously directed Mel Gibson in “Get the Gringo” and also worked with Gibson as a first assistant director on “Edge of Darkness” and “Apocalypto.” Whatever you may think of Gibson as a person these days, he has proven to be one hell of a filmmaker, and I hope Grunberg has learned a lot from his style to make this “Rambo” sequel more thrilling and bloodier than this trailer suggests.

And yes, this is said to be the last “Rambo” movie ever, but while at the Cannes Film Festival recently, Stallone did say he would continue playing John Rambo if this fifth film does well. In the end, the box office will have the final say on this.

Check out the trailer for “Rambo: Last Blood” above.

Rambo Last Blood Teaser Poster

The Second and Final Trailer for ‘Spider-Man: Far from Home’ Has Been Unveiled

WARNING: This trailer, as Tom Holland indicates at the start, contains spoilers for “Avengers: Endgame.” If you haven’t seen that superhero juggernaut yet (and why haven’t you?), don’t watch this trailer until you have.

With the second and final trailer for “Spider-Man: Far from Home,” a number of things are cleared up. Whereas it was previously suggested that this movie would be a prequel to “Avengers: Infinity War” as Peter Parker was seen disintegrating into the dust at the end of it, this one makes clear how this one takes place after the events in “Avengers: Endgame.” And just when the Marvel Cinematic Universe looks to have hit its creative and commercial peak, this trailer shows there is still plenty of life left for those characters who managed to survive Thanos’ snap.

The trailer begins with the acknowledgement that Tony Stark/Iron Man (Robert Downey Jr.) is no longer in the land of the living, and this deeply affects Peter Parker who saw Tony as the father figure he needed in his life. But with him going on vacation with his high school friends to Europe, Peter looks to finally get a break from his friendly neighborhood Spider-Man duties. Of course, when Nick Fury (Samuel L. Jackson) shows up unexpectedly, you know Peter won’t have much of a choice, and this is especially the case after Nick tells him, “Bitch please! You’ve been to space!”

It’s funny actually. Since 2002, there have been seven “Spider-Man” films including last year’s delightful Oscar winner “Spider-Man: Into the Spider-Verse.” After the cinematic debacle that was “The Amazing Spider-Man 2,” it looked like franchise fatigue had finally overtaken our beloved Peter Parker. But watching this trailer for “Spider-Man: Far from Home” has me believing things could not be better for the famous web-slinger. Things which have been dealt with in the previous films will be dealt with here, but in a way which feels genuinely fresh.

Plus, we have Jake Gyllenhaal, at one point in consideration to play Spider-Man, portraying Quentin Beck and his alter ego of Mysterio. Gyllenhaal has long since proven to be an acting force to be reckoned with thanks to his superb work in movies like “Brokeback Mountain” and “Nightcrawler,” and this second trailer shows his character to be a little more than the average antagonist we were initially led to believe.

After watching this trailer, I believe there is still plenty of life left in the Marvel Cinematic Universe as Thanos’ initial snap opened up the multiverse more than we initially realized. As with any other movie, I am trying to remain guarded about my expectations, but I very much look forward to seeing this superhero motion picture when it arrives in theaters this summer.

Spiderman Far From Home teaser poster

‘I Spit on Your Grave: Deja Vu’ Gets Grindhouse Poster and Trailer

I Spit on Your Grave Deja Vu grindhouse poster

While I have already made clear my thoughts about the long-awaited sequel “I Spit on Your Grave: Déjà vu,” there are still some things about it I cannot help but admire. There are the performances of Jamie Bernadette and Maria Olsen, and now we have a new poster and trailer done in the style of a grindhouse film. Grindhouse, aside from being the title of an awesome cinematic experience directed by Robert Rodriguez and Quentin Tarantino, is a term for a theater in America which screens exploitation films. These films were known for containing a lot of sex, violence, blood, gore and different bizarre elements you would never see in the average Disney movie. They were also afflicted with low production values and poor print quality, but these of course became qualities fans of the genre loved to no end.

These grindhouse qualities are more than evident in the newly released poster and trailer for “I Spit on Your Grave: Déjà vu,” and I got a huge kick out of both as a result. The poster features Bernadette quite prominently, but it also includes the many characters who inhabit this sequel as well as some of its most unforgettable images. The color scheme is perfect as it makes the poster appropriately grungy, just like a grindhouse film should be.

As for the trailer, it features footage from “I Spit on Your Grave” and makes it look as though the film is about to break (like I said, poor print quality). When it gets to “Déjà vu,” the footage is cleaned up but now dominated by a hard rock score and a narrator who sounds like he is reveling in this sequel’s down and dirty qualities. Watching this makes me want to view this sequel again, and that’s even though it is highly unlikely my opinion of it will change.

In addition to it now being available on DVD and Blu-ray. “I Spit on Your Grave: Déjà vu” is also available to watch on VOD.

Also, please feel free to check out the Q&A from “Deja vu’s” premiere screening in Beverly Hills, California down below.

All-Time Favorite Trailers: ‘Naked Lunch’

William S. Burroughs’ “Naked Lunch” is a novel you may not have read, but you have definitely heard of it. Due to its subject matter which involves drug addiction (be it heroin, morphine or hashish) and obscene language which people back in 1959 had yet to become numbed to, it was banned in the American states of Boston and Los Angeles. Still, the more people tried to suppress the novel’s existence, the more people came to discover it. Eventually, filmmakers became keen to adapt this controversial novel into a motion picture, and it makes perfect sense David Cronenberg would be the one to successfully do so.

I love how this movie trailer starts off with black and white footage of Burroughs back in the 1950’s as we hear him (his voice was done by an impersonator) talking about how “Naked Lunch” was described by critics as being “disgusting,” “pornographic” and “un-American trash.” Upon its publication, it became a subject for discussion at town hall meetings and book burnings, the latter which is in itself deeply un-American. Burroughs in his impersonated laconic voice, revels at how big a mark his novel made on the American public, and I loved how he talked about how Hollywood in its “infinite wisdom” decided to make a movie out of it 30 years later.

From there, the trailer shifts into color mode as we watch scenes from Cronenberg’s movie which feature Peter Weller, who turned down “Robocop 3” to do this, Judy Davis, Roy Scheider and Julian Sands among others. The visuals Cronenberg gives us here make this motion picture seem wonderfully unique among so many others released back in the 1990’s, and the Canadian filmmaker was still riding high on the success of his remake of “The Fly” which led him to make this and the deeply unsettling “Dead Ringers” with Jeremy Irons.

Why is this movie trailer among my favorites? Well, it makes “Naked Lunch” out to be a unique motion picture like no other, and it revels at how such a controversial novel could still be made into a movie even when so many tried to squash its existence from our collective consciousness. Plus, you don’t see trailers like this anymore as Hollywood is playing it safe now more than ever. Studio executives would not be quick to green light such a controversial tale in a time when superheroes continue to reign supreme at the local multiplex. Then again, the sight of Burroughs wearing a cape would be a fascinating sight in this day and age.

Sadly, Cronenberg’s “Naked Lunch” was a box office bomb as it grossed only $2.6 million against a budget of around $18 million. Then again, it didn’t help that 20th Century Fox put it out in a limited release and put little effort in expanding it beyond five theaters. Regardless, it has since become a cult film and garnered a special release on DVD and Blu-ray from The Criterion Collection. After all these years, many continue to empower what they do their damndest to resist.

Naked Lunch movie poster