Jean-Claude Van Damme and Dolph Lundgren Join Forces in ‘Black Water’ Trailer

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For many, Jean-Claude Van Damme and Dolph Lundgren are still a match made in action movie heaven. They first appeared as soldiers on opposite sides in Roland Emmerich’s 1992 film “Universal Soldier,” and they returned to this franchise years later for two sequels, “Regeneration” and “Day of Reckoning.” And, of course, they had to make at least one appearance in “The Expendables” franchise to show they were not worse for the wear, and they did so together in “The Expendables 2.” Now, Van Damme and Lundgren share the screen in their fifth film collaboration, the action thriller “Black Water.” But this time, they are on the same side.

The first image we see in this trailer is of a submarine diving underwater, and from there we are introduced to deep cover operative Wheeler once the hood over his head is removed. Wheeler has been imprisoned on the submarine which serves as a CIA black site, those places we are not supposed to know about but do anyway, and his interrogator, Patrick Ferris (Patrick Kilpatrick), tells him he is an enemy combatant and will not be granted any rights. Upon giving Wheeler the old action cliché of “welcome to hell,” Patrick orders an agent to prepare to insert a hypodermic needle into Wheeler’s eye in the same way Michael Myers did to an unsuspecting nurse in “Halloween II.” But as you can expect, Wheeler breaks free of his captors and escapes, and from there he does what he can to clear his name.

This just released trailer for “Black Water” is of the “what you see is what you get” variety as the movie’s plot points come from a dozen other action flicks of the past like “The Fugitive” and “Air Force One.” Clearly, no one here is trying to present us with something original, and this one is designed to show us the kind of story we all grew up on to where it makes us interested to see it done once again. Having the story take place in a submarine underwater is clever as the claustrophobic nature of such an environment will make the action more intense. I also imagine it is a way for the filmmakers to keep costs down as they won’t have to build too many sets.

Van Damme’s face is beginning to look a bit like Danny Trejo’s these days as it shows a life lived hard, perhaps too hard. Perhaps these hardened looks of his will help add to his role here. At the very least, we know he can still perform the perfect split.

Having interviewed Lundgren in the past, I know what a great sense of humor he has and seeing him in this trailer makes me hope he will bring some of it to this movie. Furthermore, he looks to have loosened up a lot over the years, and I hope Van Damme can loosen up to the same degree as well. But even though these two stars are headlining this underwater adventure, I get the feeling one will have more screen time than the other.

Kilpatrick looks to give “Black Water” the typical CIA agent who obsesses over controlling the uncontrollable, but I couldn’t help but be amused when he talks about how Wheeler is a “highly trained officer and a trained killer,” so it makes me wonder if he put enough thought into how he would handle this operative to where he would not be a problem (my guess is he did not).

We are also meet Cassie Taylor, a rookie agent played by Jasmine Waltz who, like any other rookie, wants to know what the hell is going on here. She also shows a bit of skin here which suggests there will be a sex scene at some point. The question is, can such a scene take place between her and another character (I am guessing Wheeler) when they are busy avoiding detection in the most claustrophobic of environments? In space no one can hear you scream, but in a submarine, you should be able to hear an orgasm let alone gunshots.

Black Water” is set to be released on the Dish Network on May 25th, and it will premiere in theaters and on demand starting June 29th. Please feel free to check out the trailer below.

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Shane Black Unleashes the First Trailer for ‘The Predator’

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It has now been 30 years since John McTiernan’s “Predator” was unleased on audiences everywhere, and the action classic still holds up. Since then, we have been exposed to sequels and those horrid “Alien vs Predator” movies, both of which we would love to erase from cinematic history. But now comes the first trailer for the latest in the franchise, “The Predator,” and it is co-written and directed by Shane Black who also co-starred in the 1987 original as Rich Hawkins. With this sequel, Black said he promises to give us an event film which he hopes will “event-ise” the Predator once again and make it “more mysterious.” He has also remarked how “The Predator” will return the franchise to the intimate scale of the original, and judging from this teaser trailer, it looks like he will deliver on those promises.

The first thing I should point out is how little we see of the Predator here. From “Predator 2” and beyond, 20th Century Fox has put this particular cinematic alien front and center to where little is left to our collective imaginations as to what it looks like. But this time, we only see bits and pieces of the creature as the attention is focused more on the human characters. By leaving this iconic creature in the shadows, the Predator suddenly seems as threatening as when he battled Arnold Schwarzenegger all those years ago.

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What wrecked the previous “Predator” movies were how they paid too much attention to their human characters who resembled little more than stock characters who were nothing more than clichés. Not only that, they acted so stupidly at times to where you couldn’t wait to see them killed in some brutal fashion. But considering “The Predator” is coming from the man who wrote the screenplay for “Lethal Weapon” and directed “Iron Man 3” and the criminally underseen “The Nice Guys,” I feel confident Black will give us characters who are down to earth and have memorable lines of dialogue at their disposal.

Boyd Holbrook, who gave us a wonderfully slimy antagonist in “Logan,” stars as Quinn McKenna, a Marine and Special Forces commando who we see being interrogated about a mission he was on. The interrogator asks Quinn if he saw anything “unusual,” and I love how he responds not just with words, but also with his eyes. It’s as if Quinn is saying cut the crap and let’s get to the point, and I imagine this is Black’s way of telling us how the characters in this film are going to be smarter and more interesting than the typical schmuck that has inhabited the average “Predator” movie once too often. I also loved how Quinn, when asked if he poses a threat, responds by saying, “We’re assassins. Isn’t posing a threat kind of the point?” Exactly! Why dance around the issue?

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Olivia Munn also shows up here as Casey Bracket, a disgruntled science teacher who provides us with information about what this particular Predator and its ilk are up to. She says they are attempting “hybridization” as they are “upgrading on every planet they visit.” This harkens back to the ending of “Predator 2” in which we learned how far back these creatures have been to Earth and of how many lifeforms they have encountered. This helps to make the Predator all the more mysterious as he looks ready to attack in ways we cannot see coming.

I also enjoyed the opening part of the trailer in which Jacob Tremblay (the amazing young actor from “Room”) opens up a package with contains some kind of alien object. Tremblay ends up detaching a small part from it which lights up, and he treats it like a spaceship as he flies it around his room and crashes it into his Jenga set. Forget for a moment how he unknowingly has signaled the Predator’s spaceship to Earth where its occupant will surely lay waste to every and any human foolish enough to be in its path. Black captures the wondrous imagination of a child, and it reminds us of the worlds we create inside our minds as life seemed full of possibilities when we were young. Hence, this sequel does not look to be lacking in imagination.

“The Predator” is said to take place between the events of “Predator 2” and “Predators,” but watching this trailer makes me feel this sequel will blow those two out of the water. It is set to be released on September 14, 2018. Please feel free to check out the teaser trailer below.

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IFC Debuts First Trailer for Lars Von Trier’s ‘The House That Jack Built’

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For years Lars Von Trier was considered persona non grata at the Cannes Film Festival, but in 2018 he returned to it with a vengeance. His latest film, “The House That Jack Built,” premiered there recently, and it was reported that a hundred people walked out of the screening in utter disgust. Of course, it wouldn’t be a Von Trier film if it didn’t cause some strong visceral reaction, let alone polarize the first audience to witness it. Now, those of us who were not lucky to go to Cannes this year get to watch the first trailer for “The House That Jack Built,” and it is made clear right away how this film is not at all for the faint of heart.

The trailer opens with Jack (Matt Dillon), an unrepentant serial killer, talking with Verge (Bruno Ganz) who I can only assume is a therapist of some kind. In their conversation, Jack assumes there are rules he must follow, but Verge assures him this is not the case but also says “don’t believe you’re going to tell me something I haven’t heard before.” But after I watched this trailer, I wondered if this would be the case. Many of us have grown up on serial killer movies like “The Silence of the Lambs,” “Seven” and “Copycat,” but this one seems a bit different and far more visceral than any I have seen in the past.

We see Jack pick up a lady played by Uma Thurman whose car has broken down. She holds a broken car jack in her hands, and she puts it down beside Jack once she gets in his car. From there, she talks openly about how she might have made a mistake getting into Jack’s car as he may very well be a serial killer. This reminded me of when a friend of mine shared his experience of watching “Friday the 13th Part VII: The New Blood” and of a particular female character who was there for the audience to utterly hate. When it looked like Jason was ready to kill her, my friend told me the audience started a chant of “kill the bitch, kill the bitch, kill the bitch,” and it looks like Von Trier is going for the same thing here as Thurman is just asking for Dillon to bash her head in with that car jack.

This trailer is filled with enough snippets to inform you “The House That Jack Built” will be an especially grisly adventure as Jack drags Thurman’s corpse into what looks like his secret lair, tortures another lady played by Riley Keough to where she screams helplessly, and takes aim at a pair of children and their mother. It should be clear before even watching this trailer that Von Trier is a filmmaker who never plays it safe, but those who are unware of this will be made very aware long before the last image.

For myself, there a couple of moments which stand out unforgettably. One is when Jack looks out the window of an apartment and yells how “nobody wants to help,” and the camera zooms out to where it looks like not a human being is in sight. The other comes when Jack says the following:

“Some people claim that the atrocities we commit in our fiction are those inner desires we cannot commit in our controlled civilization, so they are expressed instead through our art. I don’t agree. I believe heaven and hell are one and the same. The soul belongs to heaven and the body to hell.”

The way I see it, everyone has a dark side, and the world of art allows us to exorcise our most shameful desires. With “The House That Jack Built,” Von Trier gives us an individual who cannot separate the line between what is real and what is not, let alone fact and fiction. I have been a big admirer of this filmmaker since being introduced to his work through “Breaking the Waves,” and I cannot wait to see what he has in store for us here.

Please feel free to check out the trailer below at your own risk.

 

The First Trailer for ‘It’ Floats to the Surface

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I count Stephen King’s “It” as one of my all-time favorite novels, and I very much enjoyed the 1990 miniseries based on it, and that’s even though the ending was incredibly disappointing. Now, after many false starts which saw actors and directors come and go from the project, “It” is finally making its way to the silver screen courtesy of Warner Brothers and New Line Cinema, and now we the first trailer for the film.

After watching this trailer several times, my interest in this new adaptation has tripled. Pennywise the Clown, this time portrayed by one of the many actors from the Skarsgard family, Bill Skarsgard, comes across as far more lethal than the one Tim Curry gave us, and seeing Pennywise leap out at us in the trailer’s final moments has me believing anyone with a clown phobia should seriously consider not seeing this movie. We never get to see all of Pennywise here, and he is instead shown through quick flashes throughout, but it’s enough to send a chill down my spine.

The cast of actors is led by Jaeden Lieberher, who left a strong impression on audiences with his performances in “St. Vincent” and “Midnight Special,” who plays Bill Denbrough, the leader of the Loser’s Club who vows revenge against Pennywise for murdering his little brother Georgie. It’s hard not to be reminded of the Netflix series “Stranger Things” while watching these young actors as they too are on a mission to find out what evil lurks in the underbelly of their hometown of Derry, Maine. The story has also been moved up from the 1950’s to the 1980’s (the slide projector is a dead giveaway), so the filmmakers look to be playing on our collective nostalgia which should make this movie extra fun.

Cary Fukunaga was set to direct this adaptation, but although he eventually dropped out due to those “creative differences” filmmakers just love to throw out there, he is still listed in the credits as one of the screenwriters. Directing “It” is Andrés Muschietti who previously directed Jessica Chastain in the box office hit “Mama.” From this trailer, it looks like he is having lots of fun exploring the many ways Pennywise terrorizes the young children of Derry, Maine as he gets at their deepest fears and exploits them for all they are worth. My hope is he focuses on the characters of King’s classic novel as well as on the scares. One thing’s for sure, he certainly knows how to make a red balloon look especially ominous.

“It” is clearly covering the first part of King’s novel when the members of the Loser’s Club were kids. Here’s hoping this adaptation scares us silly enough to where we get follow-up which will follow them into adulthood as we all know the past stays with us in one way or another. Adaptations of King’s novels range from brilliant (“The Shining,” “Misery,” “The Shawshank Redemption”) to horrendous (“Maximum Overdrive,” “Graveyard Shift”), so let’s hope this is not just one of the better ones, but one of the best.

Check out the teaser trailer below.

 

Paul Verhoeven’s ‘Elle’ Gets a New Trailer and an ‘Empty Stare’ Clip

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Dutch filmmaker Paul Verhoeven has given us unforgettable movies like “Robocop,” “Total Recall” and “Basic Instinct,” and he had gleeful fun satirizing the war propaganda machine with “Starship Troopers.” Now he returns with his first movie in ten years, his last being the excellent “Black Book,” the psychological thriller “Elle” which stars the brilliant (and not to mention brave) French actress Isabelle Huppert. From watching the trailer, it looks like Verhoeven is up to his usual button-pushing tricks, but the viewer should not go into this expecting “Basic Instinct” redux.

Based on the novel “Oh…” by Philippe Djian, Huppert plays Michèle Leblanc, the head of a leading video game company, and the plot synopsis describes her as seemingly “indestructible” as she “brings the same ruthless attitude to her love life as to business.” As the movie’s trailer begins, Michèle is at a dinner party where she tells a group of friends she was sexually assaulted, and she presents this confession in a calm and collected manner. Whereas you might expect a scene where a rape victim has a nervous breakdown as she accepts the reality of what she’s been through, Michèle doesn’t even blink an eye. Her friends, however, are shocked at this news to where they encourage the waiter, who has just brought a lovely bottle of wine, to come back in a few minutes.

Throughout the trailer, we see Michèle go about her work and life as if nothing has changed, but it becomes clear the attack has forever left a huge psychological scar on her which cannot be wiped away. Her need for revenge is understandable, and Verhoeven’s movies are well known for their characters getting vicious revenge on their attackers, and the trailer shows her as a ticking bomb waiting to go off. In the end, one can remain cool for only so long.

“Elle” is being released by Sony Pictures Classics, and they recently unveiled a clip from the movie titled “Empty Stare.” Watching this clip, there’s no doubt Verhoeven picked the right actress to star here. Huppert has taken on challenging roles in Michael Haneke’s “The Piano Teacher,” Christophe Honoré’s “Ma Mère” and Claude Chabrol’s “La Cérémonie,” and she looks to have risen to the challenges Verhoeven has put in front of her here. As Michèle tells an unsettling story about her father to a male friend, Huppert makes you wonder if she is telling the truth or simply playing around with someone who doesn’t know her very well. The beauty of watching Huppert is how she creates such vivid and frightening imagery with just words. Other directors would add flashbacks to give this scene more emotional power, but Verhoeven doesn’t need to do this when he has Huppert to work with.

“Elle” was shown at the 2016 Cannes Film Festival where it received critical acclaim and a seven-minute standing ovation. Guy Lodge of Variety proclaimed on Twitter that “Isabelle Huppert might be our best living actor, and ‘Elle’ might be Paul Verhoeven’s best film.” Verhoeven has said the movie is not to be mistaken for an “erotic thriller” in the vein of “Basic Instinct,” and that anyone who goes into it thinking it is will be “disillusioned.”

Adventurous moviegoers look to be in for a dark treat when “Elle” opens in New York and Los Angeles on November 11. Please be sure to check out the movie’s trailer and the “Empty Stare” clip below.

Universal Pictures Unveils First Trailer for ‘Fifty Shades Darker’

Just when you thought it was safe to go back to the movie theater on Valentine’s Day, another E.L. James novel is about to make its way to the silver screen. The cinematic adaptation of “Fifty Shades of Grey” was not well-received critically and was a big winner at the 36th Golden Raspberry Awards, but it still made over $500 million dollars worldwide, so a sequel was destined. Now Universal Pictures has unveiled the first trailer for “Fifty Shades Darker,” and it promises to be more of a thriller as well as something sexier and more obsessive than its predecessor.

Despite Anastasia Steele (Dakota Johnson) leaving Christian Grey (Jamie Dornan) at the end of the first movie, this trailer shows neither have yet to call it quits on their relationship. Anastasia, a picture of youthful innocence previously, looks much more mature this time around while Christian, as usual, remains engulfed by demons. We see them go to a masquerade party which makes one wonder if the filmmakers are looking to outdo a similar sequence in Stanley Kubrick’s “Eyes Wide Shut” as that movie almost earned an NC-17 rating.

The passion between Anastasia and Christian appears a little healthier this time around as she makes clear there are to be no more rules or secrets between them. As the trailer reaches its midpoint, they certainly look to be having more fun than ever before. But soon Anastasia starts seeing other women looking back at her menacingly even while she sleeps in bed, and it becomes clear there are still many things Christian has to talk to her about.

The “Fifty Shades Darker” trailer is dominated by Miguel’s version of the song “Crazy in Love,” but while Beyoncé sang it to where her uncontainable joy was more than infectious, Miguel makes his interpretation of the song dark and very obsessive as if this love affair is heading to a very dangerous place. Indeed, Miguel’s song may be the most memorable thing about this trailer as he succeeds in making this song his own, and the result is haunting. As we watch Anastasia and Christian come together and fall apart in rapid succession, the song illustrates just how crazy their love affair is and how much crazier it is going to get.

Stepping into the director’s chair for this “Grey” movie is James Foley, the same man who directed one of greatest acting ensembles ever in the cinematic adaptation of David Mamet’s play “Glengarry Glen Ross.” Writing the screenplay is Niall Leonard, husband of E.L. James. Is Leonard a better writer than his wife? Well, here’s hoping. Among Johnson’s and Dornan’s co-stars here is Kim Basinger who plays Elena Lincoln, Grey’s business partner and former lover, and while we don’t see much of Basinger in the trailer, she has its last line which hangs over everything we have seen like the ominous of shadows. Keep in mind, Basinger’s character is also referred to as Mrs. Robinson (hint, hint).

Well, for better or for worse, “Fifty Shades Darker” will be arriving in theaters on February 14, 2017. Check out the trailer above.

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Daniel Radcliffe goes undercover in ‘Imperium’ trailer

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Lionsgate Premiere has released the first trailer for their upcoming thriller “Imperium.” It tells the tale of an idealistic FBI agent (is there any other kind?) assigned to go undercover and infiltrate a radical right-wing terrorist group that is in the process of creating a dirty bomb to set off in a public place. The trailer makes the movie look like something along the lines of “The Departed” or perhaps even “Reservoir Dogs” as those two featured characters who went deep undercover into the criminal lairs of others and almost lose themselves in the process. It is said to have been “inspired by real events,” and it’s a relief to see that phrase instead of “based on a true story.”

But even though “Imperium” looks like an average thriller on the basis of what we see in the trailer, it does have one major selling point: Daniel Radcliffe. While we will always recognize him as Harry Potter, Radcliffe has long since proven there is so much more to him than J.K. Rowling’s infinitely popular character. Ever since “Harry Potter and the Deathly Hallows – Part 2,” he has portrayed a variety of characters that include Allen Ginsberg in “Kill Your Darlings,” Ig Perrish in “Horns,” a conniving individual in “Now You See Me 2,” and a corpse in “Swiss Army Man.” His role as FBI agent Nate Foster in “Imperium” is the kind we have not seen him play before, and that makes what we see in this trailer especially interesting. While the story is a familiar one, it will be fascinating to see what he does here. And perhaps this movie will shed more light on the fact that right wing and Neo-Nazi terrorists represent a bigger threat to the United States than foreign terrorists do.

Also starring in “Imperium” is Toni Collette who plays Angela Zampino, Nate’s superior officer who will help him with his infiltration into this terrorist group. Nate complains throughout the trailer of how he is in over his head, but Radcliffe shows him to be a dedicated agent who will see the job through even if he comes out of it a completely different person. But it also shows how others will be infinitely suspicious of his intentions from one moment to the next.

”Imperium” marks the feature film directorial debut of Daniel Ragussis, and it is set to open in theaters and On Demand August 19, 2016. By the way, imperium is a Latin word which translates roughly as power to command. Check out the trailer below!

Copyright Ben Kenber 2016.