‘Avengers: Endgame’ Had Me Going Out of the Movie Theater Saying Wow

Avengers Endgame poster

WRITER’S NOTE: Will or will not this review have spoilers? Does it matter pointing it out at this point? Like any other movie, it would be best to keep from reading this review until you have seen this one.

Now you all know how much I hate the term “based on a true story” as it has long since lost its meaning for me, but there is also another I get seriously annoyed with, and it is this one: “it has all led up to this.” When a movie trilogy reaches its end or a television show finally arrives at its season or series finale, this phrase is often utilized as a way to get butts in the seats or eyes glued to the television in a why which will have advertisers salivating to no end. More often than not, it feels like a shameless trick to get us to watch something we otherwise wouldn’t, and we come out of it feeling angry as we have been easily duped.

But when it comes to “Avengers: Endgame,” the term “it has all led up to this” makes perfect sense. This is the 22nd film in the Marvel Cinematic Universe which started back in 2008 with “Iron Man,” but this one has a strong sense of finality as the superheroes we have followed all these years will rise and fall all at the same time. Yes, the MCU will continue on, and we have “Spider-Man” and “Black Panther” sequels to look forward to, but after this penultimate installment, things will never be the same. What results is an exhilarating motion picture which thrills even the most jaded of moviegoers, and its conclusion will leave you emotionally drained for very good reason. Yes, it really has all led up to this.

Three weeks have passed since Thanos (Josh Brolin) captured all the Infinity Stones, snapped his finger and eliminated half of all life across the universe. Those Avengers who survived the snap are, as you can expect, infinitely eager to avenge those lives who disintegrated, but their quest for justice does not go in the way you might expect. In fact, for some it comes too quickly and leaves a lot of damage in its wake.

Following this, the movie then jumps ahead five years as what is left of humanity is grappling with the things they can do in the aftermath. Some are still eager to undo what Thanos did while others have done what they can to move on. Either way, they are dealing with a clear case of survivor’s guilt, and their enthusiasm for saving the universe is not what it used to be.

Yes, these characters are blessed with super powers we would love to have o, but the filmmakers are quick to show us how they are as human as we are. They suffer from doubts, anxiety, frustration and, as this movie begins, they are overcome with despair. While they may be special or gifted, they aren’t much different from the average joe as the weight of the world lies heavily on them, and they don’t have time to balance their checkbook. (Who does anyway?)

Time travel plays a significant role in this MCU movie as a couple of the Avengers, namely Scott Lang/Ant-Man (Paul Rudd) and Tony Stark/Iron Man (Robert Downey Jr.), come up with a theory which will make it possible for them to accomplish, albeit with some limitations. Like everyone else, the Avengers have seen every time travel movie ever made and are quick to mention such classics as the “Back to the Future” trilogy, “Time After Time,” “Timecop” (was this particular Jean Claude Van Damme film ever that popular?), “Bill and Ted’s Excellent Adventure,” and even “Hot Tub Time Machine.” Somehow, “Star Trek IV: The Voyage Home” was left off this list, and I am deeply perturbed as a result. The Enterprise crew saved humpback whales in that one for crying out loud!

I enjoyed how “Avengers: Endgame” plays on our knowledge of time travel as a plot device. Even though science renders these various time travel methods to be utterly bogus, the pluses and minuses of actually changing historical events are always prominent in our minds. Remember all that talk about the space time continuum? Whether or not the conclusion of this movie is in doubt, I spent much of it wondering how things would end up once the mission was complete. What gave me comfort was what Doc Brown said in “Back to the Future Part III” about how the future isn’t written and how it is whatever you make it.

Granted, the time travel aspect does get a bit confusing at times, especially when certain characters end up facing off against their past and present selves. It reminded me of when Austin Powers faced a similar predicament in “The Spy Who Shagged Me,” and that one was a comedy. But the movie proves to be so much fun, who cares?

Helming “Avengers: Endgame” are Anthony and Joe Russo, brothers who have been a major asset to the MCU ever since they directed “Captain America: The Winter Soldier.” Along with screenwriters Christopher Markus and Stephen McFeely, they have an infinitely impossible job of balancing out a story filled with far too many superheroes, most of which will not get the same amount of screen time as the biggest ones of all. The ending is bombastic, but never in an overwhelming way. And yes, it is three hours long, but it never drags nor is it in need of a top-notch editor the way “I Spit on Your Grave: Déjà vu” was. For what it’s worth, you can head straight to the bathroom once the end credits start as there are no special scenes during or after them.

I imagine a lot of people look at these “Avenger” movies as being the kind which don’t require the cast to give their best performances ever. This assertion, however, is deeply unfair as many of the actors here have inhabited these characters for close to a decade. From one movie to the next, we see these characters evolve in meaningful ways to where we have to recognize what the passing years have done to them. It does not matter how incredible they are because they age like us even if they don’t always show it.

Chief among the cast is Robert Downey Jr. whose role as Tony Stark/Iron Man helped to rejuvenate a film career which looked to be permanently undone by drug abuse. Downey has taken Tony from being a lovably arrogant playboy millionaire to a less self-centered man who becomes eager to reign in his fellow superheroes before they do damage they won’t be able to walk away from. Tony himself has some interesting developments along with Pepper Potts (Gwyneth Paltrow) to where his hesitation to disrupt the course of events is challenged endlessly, and watching him here makes you realize how far he has come in this role.

Another actor is Chris Hemsworth who has had quite the journey as Thor. For his first two movies, he portrayed the powerful Asgardian as an unshakably pure force who could not ever be corrupted. Then came “Thor: Ragnarok,” the best “Thor” film yet, which allowed Hemsworth to take some risks with the character in ways which made him even more interesting. With “Endgame,” we get to see Thor in his Big Lebowski phase, and we can tell Hemsworth is just having a blast taking this superhero in this direction. We should applaud him for taking chances here as other actors would have been a bit too fearful to do so.

Then there is Chris Evans who took Steve Rogers and his alter-ego of Captain America from what we thought would be the average white guy and turned him into a charismatic good guy in a way we did not see coming. Evans really hits his peak here in the MCU as he finishes his run in a very moving way, with Steve Rogers getting to reclaim a part of his past he thought he lost many years before. It is not spoiling anything to say this is Evans’ last time playing this superhero, but seeing him take his curtain call here is wonderfully fulfilling.

Coming out of “Avengers: Endgame,” all I could say was, wow. It’s the perfect capper to an amazing franchise, and my hat is off to everyone at Marvel for crossing the finish line in such an unforgettable way. DC Comics and Warner Brothers can only hope to be this successful with their own cinematic universe. Not once was I worried this franchise would flame out the way “The Matrix” did with “The Matrix Revolutions.” Everyone involved hit it right out of the park with this installment, and you don’t even need record breaking box office to prove it.

Of course, the question now is, where will the MCU go from here? I cannot see Marvel topping what they did here, especially with the cast taking their bow in the way the original Enterprise crew did at the end of “Star Trek VI: The Undiscovered Country” by providing their signatures. I imagine there are many more Marvel movies in our future, but the journey from here will still be fraught with expectations which may or may not be met. If this was to be the last MCU ever, it would have been perfect. All the same, superhero/comic book movies still reign supreme at the box office, so hopefully the ones coming soon to a theater near you will still be wonderfully entertaining. Whether or not they are as glorious as this one is another story.

* * * * out of * * * *

 

 

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‘Avengers: Infinity War’

Avengers Infinity War poster

You know how many advertisements for movies say how “everything has led to this” from time to time? Well, for once, this statement makes perfect sense with “Avengers: Infinity War” which is, thus far, the biggest Marvel Cinematic Universe movie yet as it gives us their most threatening foe yet in Thanos. This particular Marvel character, an intergalactic despot from the planet Titan, has been hinted at in post-credit sequences from Marvel movies past, and now he is here to take center stage in a never-ending franchise which typically sees its greatest heroes get the majority of attention.

Thanos longs to get his hands on the Infinity Stones, six incredibly powerful, not to mention beautiful, gems which will allow him to impose his will on all of reality. Clearly, this is a character determined to gain unlimited power at any cost, and he is determined to re-balance the universe in the process. Thanos is looking to create his own version of Year Zero, and this means many characters will die whether we want them to or not.

Not only does “Avengers: Infinity War” arrive with a wealth of anticipation and expectations, but we also come into it with a sense of dread as we know some of our favorite characters may not survive this particular adventure. Then again, these Marvel movies do exist within the science fiction genre, and you can never be sure if anyone can ever truly stay dead. Spock died in “Star Trek II,” but he did come back to life in “Star Trek III.” Knowing “Avengers: Infinity War” will get a sequel, I can’t help but believe we will see some of these superheroes again. Besides, many of them have sequels in pre-production, so their fate is not exactly sealed. Who will live and die for certain? Well, we will find this out in the summer of 2019.

Directors Anthony and Joe Russo, both responsible for the “Captain America” sequels which rank among the best of the MCU, have a near impossible task with this “Avengers” movie as it features dozens upon dozens of main characters we have been introduced to in the past. The fact these characters are not all equally represented here is not a surprise, but what surprised me was how well the Russos were able to balance things out to where it felt like everyone had a good dose of representation throughout. Perhaps certain characters get more screen time than others, but I was too wrapped up with what was going on to really analyze this movie all too closely.

It is also worth noting how while these characters all inhabit the same cinematic universe, they do exist on different tonal levels. Some Marvel movies like “Iron Man” and “Thor” have their moments of levity, but they are generally serious adventures as their heroes are faced with obstacles both physical and psychological. Then again, there is “Guardians of the Galaxy” which came out at a time where Marvel movies in general were threatening to become as deadly serious as anything coming out of the DC Comics Extended Universe. James Gunn’s film of Peter Quill and his merry band of Han Solo-like bandits proved to be a comedic blast from start to finish, and it proved to be much lighter than the average superhero/comic book movie.

I bring this up because “Avengers: Infinity War” could have ended up being a very uneven motion picture in terms of tone as John Krasinski’s “The Hollars” was (granted, Krasinski did score a rebound with “A Quiet Place,” but still). The Russos, however, make everything blend together in a satisfying way to where nothing felt completely off-balance, and this is very commendable.

The way I see it “Avengers: Infinity War” gets off to a good start, but things feel just a little bit off to where this movie threatens to be more episodic than its filmmakers intended. But as it goes on, things improve to where the Avengers are given a real depth which reminds us they are as vulnerable as anyone else. Sure, they may be endowed with tremendous powers, but when faced with their greatest foe, they become as mortal as anyone else, and this makes their latest adventure all the more perilous.

There are many performances worth noting here, and this Marvel movie is overflowing with strong ones which would take forever to point out. Robert Downey Jr. continues to revel in the evolution Tony Stark/Iron Man as he gives his most soulful performance yet as this iconic comic character which got the MCU off to such a strong start. Zoe Saldana gets to take Gamora to an even more epic level as her character has a much closer relationship to Thanos than she would like to admit. The same goes for Chris Pratt who, as Peter Quill/Star Lord, finds even more depth than in the previous “Guardians of the Galaxy” movies to where it makes me look forward to the third movie in that franchise more than ever before.

But the one performance worth singling out above all others is Josh Brolin’s as Thanos. This could have been the typical one-dimensional antagonist bent on obtaining the most power any individual could ever obtain, but the “No Country for Old Men” actor makes him into an almost tragic figure who has yet to discover what price he has to pay for his quest for power, and it is a heavier one than he could ever expected. As a result, Brolin forces this character into the center stage in a way audiences could not have easily expected, and the final scene he has is a frightening reminder of the prominence Thanos has in the realm of Marvel Comics. Seeing this makes me believe no other actor could have portrayed Thanos as effectively as Brolin does here.

“Avengers: Infinity War” ends on a cliffhanger, and it feels like a bold move on the part of the Russo brothers and Marvel Studios to do so as it concludes on a note which truly left me breathless. We do get the typical post-credits sequence and the message of how so-and-so will return, but both these things take on a different meaning to where you almost wish this Marvel movie ended without them. In a year from now we will see the follow up to “Infinity War,” but until then we will be reminded of how our heroes will not always be there for us. Can they return for another round? We have yet to find out.

* * * ½ out of * * * *

‘Iron Man 3’ Fares Better Than the Average Threequel

Iron Man 3 poster

WRITER’S NOTE: This review was written in 2013.

Robert Downey, Jr. is back as Tony Stark/Iron Man in “Iron Man 3” which finally made its way to movie theatres after an endless advertising blitz. Then again, it hasn’t been long since we last saw him as he was in “The Avengers” which came out last summer. It makes you wonder if Downey, Jr. might be getting a little sick of playing Tony Stark and his alter ego as this role has monopolized his time over the past few years. But in “Iron Man 3,” the actor finds a fresh way to portray this iconic comic book character as he becomes afflicted by something I know more about than I would ever care to: panic attacks.

That’s right, ever since his near-death experience in “The Avengers,” Stark has been having serious anxiety problems and is constantly worried he won’t be able to protect the love of his life, Pepper Potts (Gwyneth Paltrow). But there’s an even bigger problem on the horizon for him and it comes in the form of The Mandarin (Ben Kingsley), an unrepentant terrorist who leads an international terrorist organization known as The Ten Rings. The Mandarin is out to punish America and its President, Ellis (William Sadler), for their crimes against humanity, and also for trying to adopt Chinese culture in such a ridiculously fake way.

In addition, Stark has to deal with his ex-flame Dr. Maya Hansen (Rebecca Hall) and Aldrich Killian (Guy Pearce), a scientist he arrogantly rebuffed back in 1999. In the present, Killian has become a brilliant scientist who has developed the Extremis virus which cured him of his own physical disabilities, and we soon find it also gives those exposed to it superhuman strength and the power to generate extreme heat. Will it be used as a weapon for bad against good? Is this a superhero movie?

The big news about “Iron Man 3” is Jon Favreau who directed the last two installments has stepped out of the director’s chair, and in his place is Shane Black, the same man who wrote the screenplays for “Lethal Weapon,” “The Last Boy Scout,” “The Long Kiss Goodnight” and who eventually directed one of his screenplays with “Kiss Kiss Bang Bang.” Black seems like an unusual choice to helm a summer blockbuster, but the change in directors proves to be a good thing as Black focuses on character as much as he does on the spectacle. It’s a darker entry than the last two films, but Black still injects a lot of humor into the proceedings.

Now where “The Dark Knight Rises” was more about Bruce Wayne than it was about Batman, “Iron Man 3” is more about Tony Stark than his alter ego. In fact, we don’t see Iron Man in action as much as we did previously or in “The Avengers” for that matter. Some might see this as a serious flaw, but I think it benefits the story greatly. Being Iron Man has become a serious addiction for Stark to where he can’t sleep and function normally unless he’s working on one of his darn suits, and he’s never been the easiest guy to be around. Clark Kent and Peter Parker struggled greatly with their alter egos, but Stark’s position proves to be far more precarious.

Downey, Jr. could almost walk his way through this iconic role of his, but he still captures the different sides of Tony Stark beautifully. Even when he is a bit too dismissive to 10-year old Harley (Ty Simpkins), we still love the actor to death. Come to think of it, is there another actor in Hollywood who can make arrogance look sexier than Downey, Jr.? I think not.

Kingsley is the kind of actor who can play any role, and this has been the case for a long time. As The Mandarin, he creates an ominous presence in “Iron Man 3” which makes you believe he can be a nasty threat anywhere and everywhere. My only frustration with him was, even before I saw this sequel, I knew he wouldn’t be able to top the most malevolent prick he has ever brought to life in the movies: Don Logan from “Sexy Beast.” Then again, when “Iron Man 3” reaches a certain point, it becomes very clear why this is the case.

Pearce can go from playing a good guy to a bad guy with relative ease, but his last few movies have had him portraying the slimiest of villains (check out his performance in “Lawless”). He succeeds in making Aldrich Killian both an unfortunate victim and a selfish bastard all in one, and you have to give Black and his co-screenwriter Drew Pearce credit for giving us more than your one-dimensional baddie. Pearce always knows how to create a nemesis we just love to despise.

Paltrow gets her biggest role yet in the “Iron Man” franchise this time around, and I could tell you why but this would be giving away far too much. The important thing is she looks to be having a blast playing Pepper Potts this time around, and her fun is contagious.

Hall is, as always, a very appealing presence, and she is terrific as Dr. Maya Hansen. James Dale Badge makes Eric Savin, one of The Mandarin’s henchman, a ruthless bastard you want to see taken down ASAP. William Sadler seems like an unlikely choice to play the President of the United States after seeing him play the bad guy in “Die Hard 2” and the Grim Reaper in “Bill & Ted’s Bogus Journey,” but he sells himself in the role with no problems. And while I still miss Terence Howard as Col. James “Rhodey” Rhodes, Don Cheadle still gives an excellent performance as that character.

Everyone who reads my reviews knows I usually expect the third movie in a trilogy to be the one which destroys a franchise, but “Iron Man 3” doesn’t do that. I liked it more than “Iron Man 2” which had far too much going on in it, and the change in directors serves this franchise well. Black has made an entertaining and compelling film which brings closure to this particular Marvel Studios trilogy. But then again, it’s highly unlikely this will be the last time we’ll see Downey, Jr. as Iron Man.

As always, be sure to stay through the end credits for the return of another Marvel Comics character.

* * * ½ out of * * * *

 

‘Iron Man 2’ is Overloaded but Still a lot of Fun

Iron Man 2 poster

It was too easy to expect “Iron Man 2” to be better than the original. Many comic book movie sequels in recent years have blown away their predecessors to where you struggle to remember what the previous films were about. “Spider-Man 2,” “X-Men 2,” “Blade II” and “The Dark Knight” made us believe it was mandatory for sequels to be more enthralling because all the origin stuff was finally out of the way to where things could become a whole lot more interesting.

I was worried “Iron Man 2” would end up being like “Spider-Man 3,” a film whose massive disappointment still irks me years after its release. That sequel had far too much going on in it to where I quickly lost interest, and it was such a comedown from the brilliant “Spider-Man 2.” You’d hope the filmmakers and studios would remember how these movies do best with just one villain for the superhero to deal with. Sometimes you can get away with two, but you may be asking for trouble if you go beyond that.

With that said, “Iron Man 2” is still a lot of fun. Regardless of the flaws and clichés this time around, it is still the kind of experience you hope to have with a summer movie like this. Director Jon Favreau is back as is the always entertaining Robert Downey Jr. as Tony Stark, whose heroics prove to be every bit as big as his ego.

This sequel starts six months after Tony has come out to the world as Iron Man, feeling no need to disguise himself in some geeky disguise like Clark Kent or Peter Parker. He makes a grand entrance at the Stark Expo which has since been relocated to Flushing, New York, and he resists the urge to make his technology available to the U.S. military. Regardless of the demands of smarmy Senator Stern (Gary Shandling is great fun to watch here) to make Tony turn over the Iron Man suit over to him, Tony stands confident in telling everyone he has successfully privatized world peace.

As always, success breeds enemies, and you can only go so high before you get knocked off your pedestal. The vicious knock down comes from Ivan Vanko (Mickey Rourke), a deeply embittered and heavily tattooed Soviet physicist who is led by his father to believe Tony’s father, Howard Stark, had betrayed him by deporting him from America. Ivan eventually puts together his own arc reactor which allows him to use these electrified whips to inflict serious damage on objects and especially humans foolish enough to come within 20 feet of him. Clearly, Ivan has spent at least a decade in prison, and he has tattoos covering just about every section of his body. It made me think about what Robert Mitchum said about Max Cady in the “Cape Fear” remake:

“Jesus! I don’t know whether to look at him or read him!”

Rourke is a lot of fun to watch in this role which has him doing a pretty good Russian accent, and it’s a vast improvement over the crazy Irish brogue he tried to pull off in “A Prayer for The Dying.” Like the best actors, he focuses on the pain which drives his character, giving us something much greater and more fearsome than your typical one-dimensional villain. The only downside of his performance is that we don’t get to see enough of him. After one great fight scene on a race trick, we have to wait for Ivan’s electric whipping act to return in the film’s final act. Still, this is Rourke we’re talking about, and he gives it his all here like he did in “The Wrestler.” If there is one thing which hasn’t changed, it’s that Rourke still plays characters who never take the time to shampoo their hair.

Tony’s other chief nemesis is Justin Hammer, a business rival looking to create his own line of Iron Man suits since Tony is unwilling to share his. Plus, Hammer is looking to get into the Pentagon, a place Stark cannot see himself partying at. Hammer is played Sam Rockwell who provides a good dose of comic relief while still giving his character a nasty edge. You can feel the relentless resentment Hammer has for Stark and how it spills over into bringing Ivan on board not so much out of respect, but as a chance to tear down the empire Stark Industries has built up over the years. Rockwell continues to be one of the most interesting actors working today, and I loved how he tried to mimic Tony’s dance onto the stage at his own show to little avail.

The other big addition to “Iron Man 2” is Scarlett Johansson who plays Natalie Rushman, Tony’s new personal assistant. But eventually she is revealed to be a spy for S.H.I.E.L.D. named Natasha Romanoff/Black Widow who is flexible in ways her enemies only wish they were. The coolest fight scenes in “Iron Man 2” belong to Johansson, and she dominates the screen every time she’s onscreen. Her cool confidence combines with an irresistible sexiness. Like Rourke, she is underused here, but she is fantastic to watch throughout.

And of course, we have returning characters such as Pepper Potts played by Gwyneth Paltrow, and Pepper ends up inheriting more responsibilities such as becoming the new CEO of Stark Industries. Samuel L. Jackson is also back as Nick Fury, having appeared in the post credits sequence of “Iron Man.”

Also returning to Tony’s side is Lt. Col. James ‘Rhodey’ Rhodes, only this time he’s played by Don Cheadle. Cheadle is a fantastic actor and it is fun to see Rhodey try on one of those Iron Man suits, but I miss Terence Howard in the role. Howard brought a gravity to Rhodes which balanced out perfectly with Stark’s uncontainably egocentric personality. It’s no fault of Cheadle’s that Rhodes is not as strong a character this time around.

Watching “Iron Man 2” quickly reminded me of how good the first one was. Yes, it was an origin movie, but it was also one of the better ones in how fresh it felt and of how invested it was in the characters as well as special effects, something other summer blockbusters could learn from. We were left wanting more, but we also didn’t leave the theater feeling partially or completely unfulfilled. “Iron Man” left us patiently waiting for the sequel instead of craving for it in record time. Considering how good the first one was, we wanted the filmmakers to make as good a follow up as humanly possible.

“Iron Man 2,” however, is somewhat undone by putting too much into one movie. There are too many characters and bad guys here to where some don’t get enough of a chance to develop into something more interesting than usual. But Favreau keeps everything moving at a swift pace, and the cast is perfectly chosen as each one gets their moment to shine and bring their own uniqueness to their character.

But the one guy who really holds this franchise together is Downey Jr., and not once does he try to compromise Tony Stark/Iron Man and make him easily likable. Whenever Tony ends up acting like a jerk, we know what fuels his character; a despair over knowing how that the thing which saved him may also kill him sooner than he would prefer. I’m also thrilled he didn’t turn Tony into another superhero who constantly whines about the responsibilities they are forced to deal with. Tony wants all those responsibilities, and you know that with Downey Jr. playing the role, he will never shy away from what is expected of him.

I’m glad to say “Iron Man 2” is no “Spider-Man 3” thank goodness, but it could have been had Favreau and company not kept things going at the right pace. In the future, let’s hope Marvel sticks with one villain instead of two or more as it will make for a more effective motion picture. Still, all we ask from a summer movie like this is for it to be a lot of fun, and this one gives audiences a very entertaining ride.

* * * out of * * * *

‘Iron Man’ Got the Marvel Cinematic Universe Off to a Strong Start

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The 2008 summer movie season started off with a bang with the long-awaited release of “Iron Man” which starred Robert Downey Jr. as the egocentric weapons maker turned world protector, Tony Stark. It also marked the beginning of the Marvel Cinematic Universe which brought its many characters to the silver screen with great success, and this one still remains one of the best to come out of it.

“Iron Man” starts with Tony traveling through the Afghanistan desert with a military convoy that gets attacked by terrorists. Tony flees the hummer transporting him and almost gets killed by one of the missiles he designed. When he comes to, he is being held captive in a cave and kept alive by an electromagnet attached to his torso which keeps the shrapnel inside his body from going to his heart. The terrorists, led by Raza (Faran Tahir), force Tony to build them one of his most destructive missiles on pain of death, but he instead takes the parts they give him and creates a bulletproof suit which allows him to escape in spectacular fashion.

When he gets back to America, he has a press conference where he states he will turn his company from a weapon making factory into one that doesn’t promote endless destruction. Having seen the damage he has done to others, he is now determined to protect those from the weapons he created. As for the iron suit which saved his life, he works at perfecting it into something strong and indestructible. On top of giving him the ability to fly, it also allows him to get back at those who took advantage of his destructive creations.

“Iron Man” is a tricky movie to make because it is the type meant to set up this particular superhero and then move on to the inevitable sequels which never come out soon enough. It is a credit to director Jon Favreau that the characters are as interesting as the action is exciting. Unlike other comic book adaptations, this story feels much more grounded in reality and doesn’t have characters that don’t seem real. Unlike Peter Parker in “Spider-Man 3,” here we have a superhero who doesn’t waste his time feeling sorry for himself on a regular basis.

But the real masterstroke of “Iron Man” is the casting of Downey Jr. as Tony Stark. He is without a doubt one of the best actors working in movies today, and it is impossible to picture anyone else in this role. When he first appears, he clearly acts like the man Weird Al Yankovic sang about in “I’m Such a Groovy Guy.” Both brilliant and sexy, it’s tempting to believe Downey Jr. is playing himself, but that assumption would be unfair. He makes Tony’s transition from selfish egomaniac to world protector almost seamless and never less than believable. Inside that cool and ever so confident exterior, there lies a man who is taking his life and company in a direction which may completely kill it.

Seriously, Tony is one of coolest comic book heroes to appear in movies for the longest time. Most of the comic book heroes we have grown up with are emotional wrecks and understandably so. Batman saw his parents murdered in front of him, Superman only got to see his parents at that Crystal Palace as he lost his human father earlier than he should have, and Spider-Man lost his uncle when he was murdered. But Tony isn’t necessarily waylaid by emotional disasters the way those characters were. While many of us want to spit on those who look like they had everything handed to them on a silver platter, Tony more than earns his place in society and you never doubt his abilities to create extraordinary things.

Also, Tony has quite the lifestyle most guys envy. He has one hell of a mansion up in the hills of Malibu that has the most incredible view, and his personal jet is equipped with a pole that comes out of the floor for his very lovely stewardesses to take advantage of. I saw this movie in a theater with some friends of mine, and one of them leaned over to me and said, “This is the only way to live!”

In retrospect, this character is a relief after watching those other male superheroes who turn into whiny crybabies that remind me too much of myself. Female superheroes don’t fall into this category much, so that should make you wonder which gender is truly the stronger one.

The rest of the “Iron Man” cast is perfectly chosen. When the movie came out, Jeff Bridges was one of the most underappreciated actors working in movies (this has since changed). His character of Obadiah Stane, one of the main heads of Stark Industries, is a slimy corporate executive whose outer exterior projects a man of kindness and trust Tony relies on. That trust is utterly betrayed when Obadiah files an injunction against Stark to gain control of his company and put it back in the direction it was going before Stark started changing his ways.

Unlike Tony, Obadiah has no creativity or brilliance to rely on. All he has are selfish desires and a misplaced loyalty to Stark’s father who helped build the world’s first atomic bomb. Although he has the makings of another villain whose sole interest is world domination, Obadiah represents those who are too easily threatened by the winds of change. Bridges, like Downey Jr., gives Obadiah dimensions you wouldn’t necessarily expect a character like this to have. This is not just some one-dimensional bad guy like others, and it is a credit to Bridges’ brilliance that he makes this very clear.

Also, on board is Gwyneth Paltrow who is a wonderful presence as Tony’s longtime assistant, Virginia “Pepper” Potts. While it might seem weird for her to play someone’s assistant, she imbues Pepper with beauty, smarts, intelligence and heart which Tony more than depends on his life for. She also shares great chemistry with Downey Jr., and their relationship is key as those inevitable sequels would prove. Paltrow also has one of the movie’s best lines as she meets up with a Vanity Fair writer Tony made out with the night before:

“So, you just spend your time taking care of everything Tony asks you to do?

“I take care of all duties that Tony asks of me to do. That includes taking out the garbage.”

We also have Terence Howard as Tony’s military consultant and close friend, Jim Rhodes. Jim is the one who tries to keep Tony grounded in reality, but he never quite succeeds. Howard is great here if he a bit underused here, and this is the second movie I have seen where he plays a character constantly giving press conferences (“The Brave One” was the other one).

The movie has many great action scenes which you come out of feeling justified in saying, “that’s cool man!” When Iron Man fights off terrorists in a war-torn country, he finds very creative ways to dispatch his enemies that are too good to reveal here. Also, there are scenes where Tony is testing out different parts of the suit. This can usually be seen as the boring set up part for the superhero, but these moments make you jump out of your seat because you find yourself laughing harder than you usually do.

With “Iron Man,” Downey Jr. who gives us something more than the average super hero. He gives us one with brains, smarts and, most importantly, a soul. It doesn’t matter if you have great special effects if you don’t have the story or the characters to match up with it. “Iron Man” has that, and it set the bar high for the comic book movies which followed in its wake.

* * * ½ out of * * * *

‘The Avengers’ Was Well Worth The Wait

The Avengers movie poster

So now we finally have “The Avengers,” a movie which has been hinted at over the past few years in “Iron Man,” “Iron Man 2,” “The Incredible Hulk,” “Thor” and “Captain America: The First Avenger.” Director of S.H.I.E.L.D. Nick Fury (Samuel L. Jackson) has made cameo appearances here and there to remind these superheroes there is this way they can all come and work together, and for a bit it seemed too good to be true. But low and behold, Joss Whedon has given us a summer blockbuster which was worth the wait and focuses on character as much as it does on spectacle.

“The Avengers” starts off with S.H.I.E.L.D. experimenting on a powerful energy source known as the Tesseract when Loki (Tom Hiddleston), Thor’s brother and nemesis, appears out of nowhere and steals it. His plan is to use it to subjugate Earth and its inhabitants because he feels they wanted to be lorded over more than they realize. From there it’s up to these various superheroes to join forces and defeat Loki and his army before it’s too late.

This movie does take its sweet time getting started, and it almost seems unnecessary considering how well acquainted we have become with all these superheroes through their individual movies. Still, meeting up with them again feels good as we are curious to see what they have been up to since their last set of adventures. Captain America/Steve Rogers is still trying to acclimate to present day life after being frozen for decades, Dr. Bruce Banner/The Hulk spends his time in a foreign country helping its people while trying to control his anger, and Tony Stark/Iron Man is busy completing a new skyscraper along with the love of his life, Pepper Potts. Others make their entrance at unexpected times and play more of a role here than they did in previous movies.

What makes “The Avengers” work so well is that Whedon never lets the iconography of these characters speak for them more than the actors do. While these few have amazing superpowers we all dream of having, they are seen as freaks who are not part of society as a whole. Being so alienated from the common man and woman, their relationship with themselves and those around them is dysfunctional to say the least.

Seeing these characters interact with one another gives this film its best moments. While they may have a lot in common, their ideas of protecting humanity differ quite significantly. Captain America is as old fashioned as they come, and his methods and beliefs have the more cynical people snickering behind his back. As for Thor, he’s from another planet which has all those around him wondering what the hell he’s talking about.

And then Tony Stark comes into this ruckus like John Bender in “The Breakfast Club,” gleefully and playfully chiding all those around him (he calls Thor “Point Break”). Robert Downey Jr. inhabits this character like few others could, and he makes Stark a likable character even while he’s being an arrogant bastard much of the time. In many ways, Downey is the most prominent presence among these Avengers even while others in the team are nowhere as selfish as Stark.

The actors in “The Avengers” confirm what we already knew in the past, that they were exceptionally well cast. Each one brings a depth of humanity to their characters in a way that keeps them from becoming mere caricatures of what we grew up reading about. Special kudos goes out to Chris Evans and Chris Hemsworth who make their roles as Captain America and Thor count for all they are worth. What could have been made inadvertently laughable has been rendered largely charismatic by these two thespians, and we cheer them on as they fight the good fight against Loki and his army.

It’s also nice to see Scarlett Johansson and Jeremy Renner get more screen time here as Black Widow and Hawkeye than they did in previous films. Renner had one of those blink and you missed it cameos in “Thor” while Johansson’s role in “Iron Man 2” was in a movie which had more characters than it had any right to deal with. In “The Avengers,” the two of them are given more room to grow, and each invests their character with real emotions which makes us root for them throughout.

But the one actor who stands out above everyone else in “The Avengers” (literally and figuratively speaking) is Mark Ruffalo who is the latest actor to portray Dr. Bruce Banner, better known by his alter ego of the Hulk. Marvel has had the hardest time translating this particular comic book character to the big screen despite memorable performances from Eric Bana and Edward Norton. But like those two actors, Ruffalo finds his own interpretation of this famous character, and he succeeds in making this role his own. Unlike the moody Bruce Banners of the past, Ruffalo gives us one who yearns to fit in with everyone else regardless of the angry state he gets in from time to time. In the process, Ruffalo gives us a Hulk worth cheering for as he dominates each action scene he’s in thanks in part to vocal help from the original Hulk, Lou Ferrigno. As a result, I see a future for the actor as this character in a way I couldn’t before. Seeing him slam Loki all over the place as if he were a wet rag had the audience clapping loudly.

Are there plot holes and inconsistencies to be found in “The Avengers?” Probably, but with a movie like this you don’t really find yourself thinking too much about that. What sucks for Thor is he never gets to meet up with his earthbound love Jane Foster (Natalie Portman) who is sent off to some remote place where she’ll be safe. When “Thor” ended, the portal between his world and Earth was forever destroyed it seem. It’s never made clear how it somehow got fixed to where Thor could travel back, but anyway. You’d figure he would at least spend some time with Dr. Foster, but some superheroes can only be so lucky I guess. At least you can give Thor some credit for looking her up. Dr. Banner never looks up his old girlfriend who was been played in past movies by Jennifer Connelly and Liv Tyler. What gives Hulk? You smash things but did you also smash what’s left of your emotional connections? Oh well…

The big problem with big budget blockbusters like “The Avengers” is they can easily get overwhelmed by the special effects to where the human element is completely lost. But none of this is ever lost on Whedon who has given us such great entertainment over the years with “Buffy The Vampire Slayer,” “Firefly” and “Cabin in The Woods” which he co-wrote. Here he gives a satisfying blockbuster which works on us emotionally as much as it thrills us. This could have easily been a major disappointment, and the fact it is not makes the film a huge success.

* * * ½ out of * * * *

WRITER’S NOTE: This review was written in 2012 not long after “The Avengers” was released.

‘Spider-Man: Homecoming’ Gives the Web-Slinger a New Lease on Life

Spiderman Homecoming poster

The thought of another “Spider-Man” reboot had me rolling my eyes as this comic book character has already gotten through one too many versions already. But after watching Tom Holland portray him in “Captain America: Civil War,” I found myself getting excited about where the character could go from there. So, it’s my relief and delight to tell you all that “Spider-Man: Homecoming” proved to be a really good movie which successfully breathes new life into a franchise suffering from misdirection and too many chefs in the kitchen. With Holland, we also get the best incarnation of Spider-Man/Peter Parker yet as he gives the role a spirited turn full of youthful energy and boundless enthusiasm.

Director Jon Watts and the screenwriters, too many to name here, wisely avoid regurgitating Peter Parker’s origin story the way “The Amazing Spider-Man” did, and they instead hit the ground running. Peter has received a new Spidey suit courtesy of Tony Stark (the always welcome Robert Downey Jr.), but he is not quick to welcome Peter into the Avengers fold. Instead, Peter has to spend his days at high school like any other teenager and with his equally intelligent best friend Ned (Jacob Batalon). But when a new villain who even the Avengers don’t see coming called the Vulture starts wreaking havoc in Queens, New York, Peter finds himself too impatient to just sit on the sidelines and let him get away with his felonious deeds.

Holland really hits it out of the park here, and his boundless enthusiasm is set up perfectly through a home movie Peter Parker makes which encapsulates his time with the Avengers and battling Captain America. While the character remains the conflicted superhero who has trouble balancing out his school life with his crime stopping job, Holland makes the role his own and brings such an infectious spirit which makes the proceedings endlessly entertaining. Whereas Tobey Maguire and Andrew Garfield made Spider-Man too emo for his own good, Holland doesn’t go the same route, and his interpretation is much closer to the character we grew up reading in the comic books. I was frightened he might become too enthusiastic for Spider-Man’s own good, but his performance never becomes ingratiating and he also shows us a vulnerability which feels genuine and not easily achieved.

Of course, comic book movies need a good villain, and “Spider-Man: Homecoming” has one and, thank goodness, only one. The Vulture is an interesting choice as the person who inhabits him, Adrian Toomes, is as regular a guy as Peter Parker is a regular kid. Adrian is not so much a bad guy as he is a man who feels betrayed and left behind by those who have it all. His belief is that those in power couldn’t care less about the little man or anything he could possibly contribute to society, so he does many villainous things for his own benefit. But unlike many James Bond villains, he is not out for world domination. He just wants to provide for his family like any parent does.

It is a great pleasure to see Michael Keaton return to the world of comic book movies, and he arrives here just as “Batman Returns” celebrates its 25th anniversary. As Adrian Toomes/The Vulture, Keaton renders him into someone all too human even as he lays waste to Queens, New York and anyone foolish enough to get in his way. Even as the character sinks deeper and deeper into the criminal life, Keaton gives Vulture a humanity, albeit a corrupted one, which makes him seem more threatening and morally complex.

The rest of the cast is excellent, and it’s great to see Jon Favreau here as Happy Hogan gets more screen time here than he has in previous Marvel movies. One of the last scenes he shares with Holland is especially good as Hogan comes to see just how much attention he really should have paid to Peter. Downey Jr. continues to bring a sharp attitude to Tony Stark/Iron Man, but he also allows the character to evolve as Tony finds himself becoming a father figure to Peter, albeit a reluctant one. Even Chris Evans shows up in a cameo as Steve Rogers/Captain America, and he steals every scene he is in.

There has been a lot of talk of how Marisa Tomei was too young to play May Parker in “Spider-Man: Homecoming,” but that’s ridiculous. If May Parker is the sister to Peter’s mother, she wouldn’t be as old as Rosemary Harris now, would she? Either way, she brings a wonderful sass to this role, and she remains an enormously gifted actress after all these years. All the same, I wished we got to see more of her here as she has a wonderful chemistry in her scenes with Holland. I kept waiting for Tomei to be the Yoda to Holland just as Harris was to Tobey Maguire, but I guess we will see this come about in the inevitable sequel.

Watts previously directed “Cop Car” which was about two young kids who steal a police car from a corrupt sheriff. Essentially, that movie was about kids getting into the kind of trouble they would be smart to avoid, and “Spider-Man: Homecoming” has the same thing going on. Peter eventually comes to see he is in over his head to where Tony has to take away his Spidey suit. This sets up the third part of the movie where Peter has to see there is more to being a superhero than having a really cool suit. With great power does come great responsibilities, but this Spider-Man comes to see how great power needs to come from within as it cannot simply be co-dependent on nifty gadgets.

Some of the action scenes are a little too frenetic to where it’s hard to tell what is going on, and I was hoping for a little more in the way of emotional gravitas which highlighted Raimi’s first two “Spider-Man” movies. Still, it is a surprise to see how wonderfully inventive “Spider-Man: Homecoming” is as it gives us what appears to be a formulaic story, and yet it keeps giving us one surprise after another, all of which are too clever to spoil here. Just when you think you know how things will play out, the script veers in another direction you don’t see coming, and it makes the movie more interesting as the conflicts become increasingly intense.

I came into “Spider-Man: Homecoming” believing it could never top “Spider-Man 2” which has earned its place among the best comic book/superhero movies of all time. This one doesn’t, but it lands at number two among the “Spider-Man” movies as it is endlessly entertaining and wonderfully cast. My hat is off to the filmmakers for breathing new life into this franchise during a summer where so many others are suffering from fatigue, and I am infinitely eager to see where Spider-Man will go from here. For now, Columbia Pictures appears to have learned from the mistakes made with “Spider-Man 3” and “The Amazing Spider-Man 2” as this iteration is neither an overstuffed bird or a 2-hour long trailer for movies which never materialized. Here’s hoping the filmmakers keep from making those same mistakes in future installments.

And yes, there are two post-credit sequences, and both are worth sitting through the end credits to get to. The second one is priceless and brilliant. Trust me, you’ll see.

* * * ½ out of * * * *

 

Captain America: Civil War

Captain America Civil War poster

It’s tempting to call this latest Marvel movie “31 short films about The Avengers” as “Captain America: Civil War” manages to cram in so many characters and various storylines into its nearly two and a half hour running in a way which has one wondering why it didn’t burst at the seams. But despite that, it still works as directors Anthony and Joe Russo (who also helmed the superb “Captain America: The Winter Soldier”) manage to balance everything out as they combine tremendous superhero action scenes with thought provoking storylines. Whereas “The Avengers: Age of Ultron” didn’t leave much of an aftertaste, “Civil War” proves to be one of Marvel Studios best offerings to date.

Actually, this really should be called “The Avengers Part 2.5” as many of the Avengers are reunited here with the exception of the Hulk, Thor and Nick Fury. “Civil War” starts off a year after “Age of Ultron” as Captain America and company take on the bad guys but, as usual, cause a lot of collateral damage in the process. As a result, U.S. Secretary of State Thaddeus Ross (William Hurt) informs them the United Nations are working to establish a panel which will oversee and control The Avengers from here on out. Because of these superheroes’ activities, it’s a good guess many insurance companies went bankrupt while cleaning up what’s left of their mess.

What’s interesting about this is the dynamic it sets up between each superhero character. Tony Stark/Iron Man (Robert Downey Jr.) is quick to accept this accord as he is still smarting from his creation of Ultron and the destruction caused in Sokovia. However, Steve Rogers/Captain America (Chris Evans) refuses to sign on as he feels any government interference will hinder what he sees as the right thing to do. This sets up an interesting conundrum as the need to control the Avengers is understandable, but with limits set on what they can and cannot do, this could severely affect their ability to save the world, and we know they will need to save it again sooner rather than later.

In the midst of all this, the United Nations building is bombed and the chief suspect is revealed to be Bucky Barnes/Winter Soldier (Sebastian Stan). But Steve remembers the last time he saw Bucky up close and isn’t sure he’s the evil man everyone else sees him as, and he becomes determined to bring in Bucky himself. But as the movie’s trailers have shown, this will soon erupt into a major conflict for the Avengers as they are forced to take sides to where alliances may be torn apart forever.

We have been submerged in the Marvel Cinematic Universe since 2008 when “Iron Man” was released, and the filmmakers have smartly allowed the characters to evolve from one movie to the next. As much as this is Captain America’s movie, it is also Iron Man’s as we watch his alter ego Tony Stark change his ways, to a certain extent anyway, as he believes the Avengers have done a lot of bad things in the process of saving the world. While he still thinks all too highly of himself, Tony believes the team does need some supervision in order to keep it in line, and this is something he never would have suggested in the previous “Iron Man” movies.

When “Captain America: The First Avenger” first came out in 2011, many expected that the character would be the dullest Avenger as the comics showed him to be a straight arrow and overly patriotic. But with “The Winter Soldier” and “Civil War,” Captain America has become the most interesting character in this cinematic universe as his morality remains strong and unbreakable. A lot of that is thanks to Evans who invests the character with an unshakable pride and thoughtfulness which makes Steve Rogers more authentically heroic than other superheroes currently occupying your local multiplex.

In addition to Iron Man, the other Avengers who turn up include Natasha Romanoff/Black Widow (Scarlett Johansson), Sam Wilson/Falcon (Anthony Mackie), James Rhodes/War Machine (Don Cheadle), Vision (Paul Bettany), Clint Barton/Hawkeye (Jeremy Renner), and Scott Lang/Ant-Man (Paul Rudd). The Russo brothers are smart not to waste time introducing these characters as we have long since gotten to know them and need no explanation as to who they are. It’s great to see them here, and the actors portraying them continue to do excellent work.

As for the new superheroes in “Civil War,” each makes a memorable impression. Chadwick Boseman comes onboard as T’Challa, prince of the African nation of Wakanda who is later revealed to be Black Panther. Boseman imbues his character with a wounded pride which threatens to get the best of him, and he ends up in the middle of the Avengers’ conflict to where he might lose himself in anger and bitterness. The wonderful Elisabeth Olsen also shows up as Wanda Maximoff/Scarlet Witch whose powers include harnessing magic and engaging in hypnosis and telekinesis. Olsen shows us a superhero slowly coming into her own as she is conflicted on how to use the abilities she has been gifted, or perhaps cursed, with, and she makes the character both flawed and sympathetic.

But make no mistake, the big addition in “Civil War” is Peter Parker and his beloved alter-ego of Spider-Man. After the abominable cinematic mess that was “The Amazing Spider-Man 2,” the character has been rebooted yet again, but this time it may prove to be a good thing. Tom Holland now takes on the role of this web slinger and, like Tobey Maguire and Andrew Garfield before him, succeeds in making it his own as he creates a character who is wonderfully cheeky and super enthusiastic. Spider-Man isn’t onscreen a whole lot, but Holland is a big delight as he leaps all over the place with great abandon. Suffice to say, this bodes very well for this character’s future.

“Captain America: Civil War” is what “Batman vs. Superman: Dawn of Justice” promised but failed to be: a riveting motion picture featuring two superheroes who are prepared to fight to the death. It is also an improvement over “The Avengers: Age of Ultron” which, while not bad, failed to live up to expectations. The Russo brothers revel in showing these superheroes doing battle with one another, and they also provide them with a dramatic scenario which will forever test their relationships. I can’t wait to see how the events here will affect the next Marvel movie as the cinematic universe now enters a new phase which looks to be more interesting than what came before. Captain America and Iron Man don’t have mothers named Martha, so it may take a lot for them to get back on the same page.

* * * ½ out of * * * *