Underseen Movie: ‘What If’ – A Romantic Comedy I Actually Enjoyed

Okay, this is getting scary. I’m starting to enjoy romantic comedies again, and that is so not like me. Recent years have given us a few actually worth watching like “Obvious Child” and “Trainwreck,” both which went far beyond my expectations. This all started to happen as the genre began finding itself suffering from burnout thanks to a lot of banal movies which have made me roll my eyes on a regular basis, many of them adaptations to Nicholas Sparks novels. Then there was “What If” (or “The F Word” as it is known in certain circles) which is by no means an original romantic comedy. It owes quite a bit to “When Harry Met Sally” among other classics, and it does follow a lot of the same conventions I have come to expect from this genre. But what keeps it from feeling ordinary is a terrific screenplay, smart direction and wonderful performances from its two undeniably adorable leads: Daniel Radcliffe and Zoe Kazan.

Radcliffe plays Wallace, a medical school dropout who has been in one failed relationship too many, and this makes him take a long break from the game of love. But while at a friend’s party, he ends up bumping into Chantry (Kazan), an animator with a sparkly personality which more or less matches his own. After walking her home, Chantry informs Wallace she has a boyfriend named Ben (Rafe Spall) whom she has been with for a few years, and that she would love for her and Wallace to just be friends. Wallace agrees, but as time goes on, he wonders if they can be more than just friends. Lord, I have had many friendships with women where I wondered the same damn thing.

The questions of whether or not men and women can be friends still seems to come up from time to time, and that’s even though the answer should be a resounding yes. But there is always that one friend who belongs to someone else whom you endlessly pine for. “What If” really digs into this state of mind to where I could not help but feel Wallace’s passionate longings which he tries to cover up with a seemingly cynical take on love. We all have had crushes on others, and we are constantly aware of how painful crushes can be when they turn into shattering examples of unrequited love. It all reminds me of some dialogue from John Hughes’ “Sixteen Candles:”

“It just hurts.”

“That’s why they call them crushes. If they were easy, they’d call ’em something else.”

I was reminded of this while watching “What If” because, unlike other romantic comedies, I really found myself desperately rooting for Wallace and Chantry to become a couple. A lot of it is thanks to the fantastic chemistry between Radcliffe and Kazan as they bring this movie to such vivid life. Both play off one another wonderfully, and once you see the two discussing the ingredients of a Fool’s Gold sandwich (Elvis Presley’s favorite sandwich of all), you can tell they were made for each other.

Radcliffe may always have the shadow of Harry Potter hanging over him, but it’s really past the point where we have to recognize what a truly talented an actor he is. As he heads from one genre to the next, the young actor shows all the on-the-job training he got from playing J.K. Rowling’s unforgettable wizard has really paid off. While Wallace tries to put a solid front in an attempt to show how love has not gotten him down, Radcliffe shows what’s going on beneath the surface without ever having to spell it out for the audience.

Kazan has a uniquely adorable beauty about her, and she continues to do great work in every project she’s in. As Chantry, she gets the opportunity to take a character who appears to be comfortable with where she’s at in life, and we follow her through a journey of self-discovery which is honestly long overdue. She has a nice boyfriend and doing the work she loves to do, but throughout “What If” we watch her as she begins to discover what she really wants out of life. As she makes these subtle changes in her character, Kazan shows us just how wonderful an actress she can be.

There’s also a great scene-stealing performance from Adam Driver as Wallace’s best friend, Allan. Always giving bad advice on women and yet having a lot more success with them than Wallace, Driver has a wonderfully dry sense of humor here which is irresistible, and it’s a blast watching him stumble over his words on a regular basis.

I also have to give credit to Rafe Spall who plays Chantry’s boyfriend, Ben. This could have been the usual douchebag boyfriend who deserves to be dropped flat, but Spall makes him a good hearted man who just doesn’t have his priorities straight.

“What If” was directed by Michael Dowse whose other films include the two “FUBAR” movies, “Goon” and “Stuber.” While he doesn’t go out of his way to reinvent the romantic comedy wheel here, he does freshen up the formula and gives us something which does not feel like something you have seen a hundred times before. Along with screenwriter Elan Mastai, who based this screenplay on the play “Cigars and Toothpaste” by T. J. Dawe and Michael Rinaldi, he does a good job of keeping us emotionally involved in the plight of these should-be lovers all the way up to its end.

I still have issues with romantic comedies from time to time, but “What If” shows what good filmmakers can do with a formula that has been done to death. Even though I have seen this kind of film so many times before, this one proved to be a lot more emotionally involving than I ever could have expected it to be.

* * * out of * * * *

CHECK OUT THE VIDEO BELOW TO VIEW THE EXCLUSIVE INTERVIEW I DID WITH DANIEL RADCLIFFE ON “WHAT IF.”

‘Zombieland: Double Tap’ is Fun, But Also a Bit Stale

Zombieland Double Tap poster

For the record, I have seen the original “Zombieland” although it took being on cable one morning for me to watch it. In the midst of an endless sea of zombie movies and television shows, here was one which had a fresh take on the zombie apocalypse, and it proved to be endlessly entertaining throughout. While everything and everybody could have been easily upstaged by Bill Murray’s howlingly funny cameo where he is at his self-effacing best, it had a game cast of actors who reveled in the fun you could tell they were having during its making.

Now it is 10 years later, and we finally have the long-awaited sequel “Zombieland: Double Tap” (nice title). The cast now comes with at least one Oscar nomination under their belts, Reuben Fleischer is riding high after the commercial success of “Venom,” and screenwriters Rhett Reese and Paul Wernick have freed themselves from the “Deadpool” franchise long enough to pen this one. What results is definitely fun, but it also lacks the freshness of its predecessor, and everyone seems to be trying a little too hard to be funny and clever this time around. Plus, the sight of a zombie’s head getting bashed does not have the same visceral thrill it used to have.

When we catch up with our intrepid band of heroes, they are laying waste to the latest zombie horde as they make their way towards a government building which these days has had one too many unwelcome guests – The White House. Columbus (Jesse Eisenberg) has long since become a hardened survivor, and the many nights he spends with Wichita (Emma Stone) in the Lincoln Bedroom has him seriously thinking about marriage. As for Tallahassee (Woody Harrelson), he treats everyday in there like it is Christmas while Little Rock (Abigail Breslin) continually resents him for treating her like she is still a little girl. Things come to a head when Wichita and Little Rock suddenly become tired of life in the Oval Office and hit the road to find some new sights. After some hesitation, Columbus and Tallahassee do the same.

For a moment, I figured “Zombieland: Double Tap” would take place entirely in The White House and that the filmmakers would take great pleasure in ridiculing the terrible state of American politics. But since “Zombieland” took place largely on the west side of America, it only makes sense we find these characters traveling through various locales on the east coast which include, yes, Graceland. Like in any zombie movie, home is where you find it as no one can afford to stay in the same place for very long.

Seriously, these movies thrive on their inspired cast of actors. Woody Harrelson, who can play just about any role at this point in his career, looks to be having the time of his life as Tallahassee as we watch him channel Elvis Presley more often than not, and he makes his undying hatred of pacifism and minivans especially palpable. Eisenberg and Stone play off of each other wonderfully as they constantly try to prove who is more sarcastic than the other. As for Breslin, it has been fascinating to watch her grow up onscreen, and her yearning to look for other people her age in this apocalyptic world gives her character more room to grow than the others.

Still, there is a constant feeling of “been there, done that” which permeates these proceedings. Sometimes filmmakers can get away with doing the same thing one more time, but other times they fall victim to staying in their comfort zone to where things get stale very quickly. With “Zombieland: Double Tap,” it is an example of half and half as there is still much fun to be had, but what was once fresh now feels far past its expiration date. Plus, seeing these characters continually try to be cleverer than the other gets exasperating rather quickly.

One of the things this sequel really has going for it is new blood. Zoey Deutch, so fetching in “Everybody Wants Some,” is a scene-stealer as the infinitely dumb Madison. Sure, this character is a dumb blonde cliché, but Deutch is a hoot throughout as she makes Madison so adorably stupid to where I kept waiting for her to sing “Cause I’m a Blonde” at the drop of a hat. We watch a lot of movies like these waiting for dumb blondes to die a most horrible death, but Deutch gives us more than enough reason to see Madison live one more day and then die on another.

There is also the always excellent Rosario Dawson who shows up as Nevada, a fellow survivor who, like Tallahassee has quite the thing for Elvis. She and Harrelson have quite the chemistry together as they talk about their love for “the king,” and it is a shame she is not in the movie more. However, when she does reappear, it is at the perfect moment.

And there is no forgetting Luke Wilson and Thomas Middleditch who play… Well, just watch the movie to find out.

Fleischer does what he can to keep things rolling, and he gives us one great zombie attack sequence which lasts several minutes and looks like it was done in one shot. This sequel is never boring, but it still feels lacking in one way or another. Even when the main characters ban together to attack an amazingly large horde of zombies which threaten Babylon, an oasis of peace which is just asking to be laid waste to especially when you take into account it has a no guns policy, the climax is never as thrilling as it wants to be.

“Zombieland: Double Tap” is not a bad movie, but it is also not particularly memorable. Whether or not the fans of the original enjoy it, I do not think it will have the same staying power. Everybody here looks ever so happy to be reunited, and the fun is definitely on display, but that same amount of fun does not quite translate fully over to the audience. In the end, things could have been much worse, but this sequel is still a near-miss for me.

By the way, be sure to stay through the end credits as there is a couple of post-credit scenes which are funnier than anything else in this sequel. Trust me, it is worth waiting to go to the bathroom until after the lights come up.

* * ½ out of * * * *