‘Cursed’ Movie and Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

From reading up on “Cursed” through the IMDB trivia section, the story behind the scenes of this film might be more interesting than the film itself.  I say this as a huge fan of the film.  I think it’s a really, really good Wes Craven/Kevin Williamson collaboration.  Is it as good as their work on the “Scream” franchise? No, but there is a reason so many fans of the duo have discovered and enjoyed “Cursed” since its initial release in 2005. Their usual brand of humor, self-awareness and gruesome kills are featured at times, in this film.  This Shout Factory Blu-ray features both the theatrical cut (PG-13) and the unrated cut.  I highly recommend you check out the unrated cut. I’ve seen both cuts, and the unrated cut, even though it’s only two minutes longer, features more gore.

“Cursed” stars Christina Ricci and Jesse Eisenberg as Ellie and Jimmy, a sister and brother duo living together after the unexplained death of their parents.  Jimmy is seen as a dork and feels forgotten about by his sister while Ellie is working on the “Craig Kilborn Show” as a producer. Oddly enough, Kilborn was no longer on the air when the film was released because it was delayed for two and a half years. Jimmy is in high school and being constantly picked on by Bo (Milo Ventimiglia) who resorts to homophobic insults every chance he gets.  Bo’s girlfriend, Brooke (Kristina Anapau), does not approve of his behavior, and she also takes a liking to Jimmy’s dog named Zipper.

Ellie is romantically involved with a smooth-talking ladies’ man named Jake (Joshua Jackson) who is about to open up a horror-themed nightclub.  His past causes Ellie to wonder if he really cares about her or if she’s just another notch on his belt. One night, Jimmy and Ellie have a car accident where Jimmy swears he saw a werewolf or a monster.  Ellie doesn’t believe him, and a police officer played by Nick Offerman is even more skeptical.  Before long, they can’t start to ignore the strange and weird things happening to their bodies and the feelings they are experiencing.

CURSED, Mya, Shannon Elizabeth, 2005, (c) Dimension Films

Let’s talk about the cast as I felt like, every time I turned around, I saw an actor or actress I was familiar with on screen. Shannon Elizabeth is in the film, and she’s game for a grueling and demanding part in the film.  There is also the always reliable Judy Greer as a fast-talking publicist who finds herself butting heads with Ellie throughout.  There is also a cameo from Scott Baio as himself, and it’s just about perfect. Portia de Rossi plays a psychic, and she makes the most out of her limited screen time. Singer and songwriter Mya has a fun turn as the best friend of the Shannon Elizabeth character. As far as the standouts from this amazing cast, the brother/sister relationship between Eisenberg and Ricci is the heart of the film, and it feels very real.  They felt like brother and sister. Joshua Jackson also has just the right amount of mysterious charm to him, and Greer is a spitfire as always.

Any problems with “Cursed” are not the fault of Craven or Williamson. They were at the mercy of the studio.  It felt like they were both looking to make a witty werewolf film to turn the genre on its head just like they did with “Scream” while the studio and producers were looking to make a PG-13 film.  It’s why we are left with a film that shows hints of greatness and other moments which were aimed to be studio-friendly.  There are too many jump scares for example.  At times, the film plays it too safe.  Other times, in the unrated cut, they really go for the gore.

However, when it was all said and done, I enjoyed the hell out of “Cursed.”  The script is witty, sharp and timely for the early 2000’s. When I see its flaws, like the jump scares and poor special effects, I know it is the studio and not Craven, and that’s even though it’s his film.  When I see the material that works, such as the strong acting, the self-awareness and the gore in the unrated version, I see what could have been if the studio let Craven make the film he wanted to and stayed out of things. It’s clear the studio didn’t know how to market “Cursed” as it had a budget of $75 million, and it only made $29.6 million.

While this might sound like a negative review at times, I think “Cursed” is a cult classic which will gain more appreciation now that it’s released on this two-disc set from the fine folks over at Scream Factory.  I think it will get a second life. There is a lot of good in this film, and it allowed me, as the viewer, to overlook the studio’s interference. I really wish audiences could have seen the original werewolf design by the legendary Rick Baker (“An American Werewolf in London”) in the film.  Even though his name is in the credits, his work is not featured in it.  That’s a major mistake on the studio’s part. This is a really good movie which could have been great.  I still like it a whole lot. 

Do yourself a favor and read all of the drama surrounding this film.  It’s a miracle it was released at all. A special shout-out to Scream Factory for giving “Cursed” its day in court. It’s an enjoyable ride, warts and all.

* * * ½ out of * * * *

Blu-Ray Info: “Cursed” is released on a two-disc Collector’s Edition Blu-ray set from Scream Factory.  It comes on a 1080p High-Definition Widescreen (2.40:1) transfer with an audio track of DTS-HD Master Audio 5.1 and with subtitles in English. The theatrical cut has a running time of 97 minutes while the unrated cut is 99 minutes. The unrated cut is the one to watch.

Special Features:

Theatrical Cut

Unrated Cut

Theatrical Trailer

NEW 4K scan of the original camera negative

NEW A Sheep in Wolf’s Clothing – an interview with actor Derek Mears (13:57) – Derek Mears talks about his start in Hollywood as a stuntman and his background and training. He talks about his start on “Wild Wild West” and how he met Rick Baker on the film.  He also discusses how it can be hard in Hollywood to be seen as an actor and a stuntman as they want one or the other. Baker was how he got involved in “Cursed” as the werewolf. He details some of the issues when shooting the film, but he was mostly thankful for the opportunity to work with Craven, Baker and Williamson. I really enjoyed his enthusiasm and love of horror films.

NEW A Movie That Lives Up to Its Title – an interview with editor Patrick Lussier (17:57) – He talks about his early work with Craven going back to 1991 on TV. The fact they offered Craven a ton of money to make this film, and it would have put a lot of crew members out of work is ultimately the reason why he chose to direct it.  Craven had his concerns about the tone of the film and if it would be similar to “Vampire in Brooklyn” and the problems he had on that one.  Lussier was only supposed to be on “Cursed” for six weeks, and in total, he worked 19 months on the film. WOW! He goes into tremendous detail on the issues that plagued the film from start to finish.  In his words, “It was something to have survived.”  There were issues with Dimension Films changing the ending, test scores influencing them, and cast and crew members coming and going.  He ends it with a great quote on Dimension Films, “They don’t pay you for what you do. They pay you for what they do to you.”

Behind the Fangs: The Making of “Cursed” (07:33): This is a previously released special feature which includes interviews with the cast and crew.

The “Cursed” Effects (06:45): This is another previously released special feature which includes interviews with Derek Mears, Greg Nicotero, and Judy Greer.   It’s kind of odd to see everyone speaking so positively about the film and its effects, considering all of the drama surrounding what went on.

Becoming a Werewolf (07:58): Jesse Eisenberg hosts this special feature which is clearly tongue in cheek. Eisenberg and Nicotero have some fun together in playing this straight for laughs. Craven pops up here as well to join in on the fun. It’s also written and directed by Eisenberg, and his trademark humor is evident throughout.

Creature Editing 101 (05:32): Now this special feature is really interesting to watch considering what he said in his new interview that is included on this Collector’s Edition Blu-ray. He’s much more politically correct here.

Select Scenes with Audio Commentary by Special Effects Artist Greg Nicotero and Actor Derek Mears: The following scenes are featured: Car Wreck, Parking Garage, Tinsel and Final Fight.

Should You Buy It?

As a horror fan, this is a film definitely worth adding to your collection.  “Cursed” is a film a lot of people have talked about online over the past few years.  They have been clamoring to see the Craven cut of the film, but it’s not clear who owns the footage, and also the original ending was never shot. It has achieved cult status thanks to the fans. I’ve even revisited it a few times over the past year, and I’ve grown to enjoy it more and more with each viewing.  I also can’t help but wonder, “What if?” when I watch the film.  I wonder what could have been if the studio had let Craven do his thing and stayed out of his way.  I also wish Scream Factory would have released this film on 4K as they have been releasing a lot of their titles in this high-definition format. It looks pretty good on Blu-ray, but I imagine a full 4K release would have been really, really fun to look at, especially during the gorier scenes.  If you love Scream Factory and horror films with an interesting backstory, this is a must-own.  I think it’s only going to grow in popularity after this Blu-ray release.

There are two new special features here which are really good, but it would have been quite a treat to have a few modern interviews with some of the main cast members. I imagine they would have some fascinating and bizarre stories to tell. You can pre-order the film now on the Shout/Scream Factory website as it will be released on May 10th.

‘Jay and Silent Bob Reboot’ – The Duo is Back for Some High Times

Jay and Silent Bob Reboot poster

2001’s “Jay and Silent Bob Strike Back” was supposed to be the last installment of the View Askewniverse, but time has shown you cannot keep two stoners from New Jersey down. The duo would return in “Clerks II,” and now 13 years later following some serious drug problems and a near fatal heart attack, Jason Mewes and Kevin Smith have come back to play their iconic characters in “Jay and Silent Bob Reboot” which has the two up to the same shenanigans while finding new meaning in their lives. Like the average Kevin Smith film, it is imperfect but still a lot of fun. And unlike “Yoga Hosers,” you do not have to be stoned to enjoy it.

When “Reboot” begins, Jay and Silent Bob have been busted by the police for running an illegal marijuana operation in the old RST video store next to the Quick Stop. In court, they are represented by Brandon (Justin Long) who gets them acquitted upon convincing the judge (Craig Robinson) that the duo’s store was a temporary pop-up store designed to promote an upcoming movie. The case against them is dismissed which is a relief for them and me as I was not in the mood to watch a court movie. Things, however, take a sharp left turn when the same lawyer quickly switches sides and defends a representative of Saban Films which has optioned the comic book series “Bluntman and Chronic.” It turns out the two, when they were signing documents the lawyer said were necessary for representation purposes, inadvertently signed away their naming rights to Saban, and now they can no longer self-identify as Jay and Silent Bob ever again.

After meeting with Brodie Bruce (Jason Lee), Jay and Silent Bob discover Saban is planning a big budget reboot entitled “Bluntman v Chronic” which is being directed by… Well, you’ll see. Once again, our intrepid duo heads out to Hollywood in an effort to stop production in this reboot and reclaim their identities in the process.

Yes, the plot of “Reboot” is the same as “Strikes Back,” and even Smith has stated this new movie is “literally the same fucking movie all over again.” However, to dismiss this latest View Askew production as a lazy retread would be to miss the point. Smith is out to make fun of sequels, remakes and reboots, and he is not lost on the irony that “Reboot” is essentially all three of those things. What results is one of the most meta movies I have seen in some time as he threatens to be cleverer than he is, but it also results in a motion picture which kept me guessing as to what would happen next. Not all the jokes hit, but the ones which do had me laughing uncontrollably, and this includes one such moment which made me as light-headed as the “frosted” scene from “Zack and Miri Make a Porno.”

As you can expect, there are a myriad of cameos to be found throughout “Reboot” as well as a ton of easter eggs. One key cameo comes early when Shannon Elizabeth returns as Justice (a.k.a. Boo Boo Kitty Fuck), Jay’s love interest from “Strike Back.” It turns out Jay did get an answer to his question of “will you fuck me when you get out” as Justice introduces him to their love child, Millennium “Milly” Faulken (Harley Quinn Smith). But because Jay and Justice have been estranged for years to where she has lied to Milly about his whereabouts, she encourages Jay not to reveal to Milly he is her father because, well, you know. Still, Milly finds a way to join him and Silent Bob on their journey to Hollywood.

The moment where Jay discovers he is a dad is what makes this particular View Askew movie stand out as he is forced to confront a new responsibility no one is easily prepared for. It also allows for Jason Mewes to show a vulnerability here we have not seen from previously, and this makes for an especially heartfelt story. In real life, Mewes has become a dad himself, and this among other things is what has kept him from an early death. Seriously, there is real emotion to be found here in “Reboot” even for those who are not Kevin Smith fans in the slightest.

As for the other cameos, not all of them have been spoiled by the trailer, so I will go over the ones you already know about. Chris Hemsworth, in a movie filled with priceless “Thor” puns, plays himself and reminds us of his inspired comic performance in the “Ghostbusters” reboot. Ralph Garman of “The Ralph Report” can rest assured that his cameo as Ted Underhill lasts a lot longer than 17 seconds, but it could have lasted even longer so we too could get his character’s credit card number. Matt Damon’s cameo is so infinitely priceless to where I refuse to ruin it for anyone and, unlike Jimmy Kimmel, I am glad Smith made time for him. You also have Fred Armisen, Rosario Dawson and Kevin’s wife Jennifer Schwalbach making small but very memorable appearances, and be sure to take a look at the name of Craig Robinson’s character as it is like something out of a 1970’s exploitation movie.

But the best cameo here comes from Ben Affleck who returns as “Chasing Amy’s” Holden McNeil. Both Affleck and Smith had been estranged for some time, but even Affleck knew he had to be a part of this flick as Smith was responsible for giving him some of his first leading roles in movies. Plus, Affleck helps to give “Reboot” an even bigger heart as he talks about how children are like our own reboots, and this solidifies the evolution Smith had in mind for the various characters he has created over the years. While “Clerks II” dealt with the responsibilities of being an adult, “Reboot” looks at what becoming a parent does to your overall identity to where everything else in your life becomes secondary. Smith covered this before in “Jersey Girl,” a movie which I think is better than people typically give it credit for, but here it takes on a deeper meaning as both he and Mewes have danced with the Grim Reaper and have come out the other side with infinitely changed perspectives.

When it comes to the cinema of Kevin Smith, his movies are either for you or they are not. I have been a big fan of his since “Clerks” which contained one of my most favorite pieces of dialogue ever (“This job would be great if it weren’t for the fucking customers”), and it is a true joy to see him revisit his View Askew Universe. While he may not be as gifted as Martin Scorsese or Steven Spielberg, Smith still knows how to give us a fun time, and he does just that with “Jay and Silent Bob Reboot.” Even if you are not supposed to be here today, I would like to think this movie will find a way to cheer you up. And yes, be sure to stay through the end credits.

* * * ½ out of * * * *