‘Frost/Nixon’ is Ron Howard’s Best Film Since ‘Apollo 13’

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WRITER’S NOTE: This review was originally written in 2008.

Frost/Nixon” started off as a play which was incredibly well received and went on to have a very successful run on Broadway. It has now been brought to the screen by director Ron Howard, and he ends up giving us one of his best movies to date. Like “Apollo 13,” he takes the outcome of an event which we all know about and he turns it into riveting cinema. Also, unlike John Patrick Shanley who cast different actors in his movie version of “Doubt,” Howard retains the two actors from the original stage production, Michael Sheen and Frank Langella. This is one of the very best movies to come out in 2008, and it makes sense it is coming out at the end of the year instead of the middle of it.

“Frost/Nixon” starts at the point where Nixon has resigned as the President of the United States. David Frost, just coming off of one of his talk shows, sees the image of Nixon waving goodbye before entering the helicopter which took him away from political life forever. When it is gauged as to how many witnessed Nixon’s resignation on television, Frost sees a golden opportunity in attempting to get an interview with Nixon, something which must have seemed incredibly unlikely at the time. Along with his producer John Brit (Matthew Macfadyen), he travels to America to set up the interview with a major network, but they all turn him down. As a result, he decides to fund the whole thing himself at great personal risk, and he and John hire Bob Zelnick (Oliver Platt) and James Reston, Jr. (Sam Rockwell) to prep him for interview and research all the available facts on Nixon.

I liked how “Frost/Nixon” really got into the specifics of how the interviewed was prepped and researched. You might think prepping any interview wouldn’t necessarily be that hard, let alone the interview of a former President of the United States, but it is never as easy as it looks. They prep for months in advance, but Frost’s producer, as well as Bob and James, do most of the grunt work while Frost goes to parties promoting a movie he has worked on. When they finally get around to filming the interview, Frost suddenly realizes the gravity of the situation he has put himself in as the interview may very well destroy his credibility forever.

The movie becomes completely riveting when it focuses on the exchanges between Frost and Nixon in the interview and outside of it as well. Nixon proves to be a smooth operator who takes advantage of Frost as the interviewer appears to be laid back and almost completely oblivious to the seriousness of this interview. We see people from both camps focusing on the interview from other rooms, trying to control what comes out of their guy’s mouth. The intensity immediately increases when Frost starts off the interview with the question, “Why didn’t you burn the tapes?” By that, Frost meant the tapes which all but implicated Nixon’s role in the Watergate scandal.

The last part of the interview these two men do together represents some of the most riveting and intense scenes in any movie of 2008. The fact there are no guns or explosions here says a lot about Howard and the actors managed to accomplish here. The audience, even if they knew the outcome of these interviews, was so intensely drawn into this part of the movie when I saw it at Arclight Cinemas to where you could hear a pin drop during the last exchange, and the gasps from the audience were very audible. I watched it and hoped at the same time that I had remembered to silence my cell phone so it wouldn’t go off during the movie’s final round. It would have destroyed the moment if Daryl Hall & John Oates had started singing “I Can’t Go for That” (my current ring tone) out of my cell phone.

As Sir David Frost, Sheen is brilliant in making him look like a lot of fun to be around without ever seeming overly smug or easily dismissive. His transition from the casual interviewer to Nixon’s grand inquisitor is very convincing, and he makes you feel the increasing stress Frost is going through. Like his close confidents, we desperately want him to get hard on Nixon and not be so soft. When Frost finally does come around, he caps off his interview by getting in Nixon’s face and never backs down from the overbearing stature Nixon imposes on him. Sheen manages to capture all of Frost’s mannerisms and the way he talks without simply impersonating him. Having previously played Tony Blair in “The Queen,” he is great at giving a different face to people we have come to know so well, and in getting at the heart of who they are outside of the media’s perception of them.

With the role of Richard Nixon, I think it’s safe to say Langella gives the performance of his career here. Like Anthony Hopkins in Oliver Stone’s “Nixon,” he never ever tries to impersonate Nixon in this performance. Had he, it would have destroyed his performance and the movie. Langella doesn’t even try to look like Nixon either. What he does instead is dig deep into the heart and soul of Nixon to where he gives the former President a strong sense of empathy. Ever since he came to my attention in Ivan Reitman’s “Dave,” Langella has been the king of quiet menace in just about every movie he has appeared in. The menace of Nixon is always below the surface under the guise of a man always reminiscing about a past he can never get back. When Nixon finally caves in during the last interview he has Frost, Langella gives the man a sorrowful dignity as he realizes what he has done will forever haunt him unless he confronts for what it is.

Langella also makes you believe and understand what Nixon meant when he says no one can ever fully understand what it is like to be President. Nixon is never excused for what he did, nor should he be, but there is some leeway we should give him as he has experienced something the majority of us will never get to experience – being President of the United States. The Oscars better not ignore Frank Langella the same way they ignored Howard for “Apollo 13.”

\Howard almost seems like an odd choice to direct “Frost/Nixon,” and he beat out a lot of directors like Martin Scorsese and Mike Nichols to get the job. It almost seems unbelievable his career has spanned as many decades as it has, but it’s probably because many of us still have the image of him as Richie Cunningham on “Happy Days” burned forever into our heads. His last film as a director was “The Da Vinci Code” which proved to be quite sleep inducing, and yet still made tons of money. It almost made you forget what a great director he can be, and “Frost/Nixon” wakes us up from the Da Vinci coma we fell into unexpectedly.

“Frost/Nixon” is better than you would ever expect it to be, and it is one of Howard’s very best movies to date and one of the very best of 2008.

* * * * out of * * * *

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‘Vicky Cristina Barcelona’ Challenges Our Views on Love and Romance

Vicky Cristina Barcelona movie poster

WRITER’S NOTE: This review was written back in 2008.

Vicky Cristina Barcelona” is easily the best Woody Allen movie I have seen in a long time. There is no shaky camera work to induce nausea here, and the story is never boring for one second. There is also none of those Woody Allen-isms we are all so tired of, probably because Allen himself chose not to act in this movie. Instead, he gives us a great cast of actors to bring his material to life, and he sets his story in the beautiful country of Spain. With cinematographer Javier Aguirresarobe, he makes the different areas of Spain so inviting to where you just want to jump on a plane and fly over there right now. If only plane tickets weren’t so damn expensive. Oh yeah, I have a job too. Damn!

The movie starts off by introducing us to Vicky (Rebecca Hall), a graduate student who is engaged to be married, and Cristina (Scarlett Johansson), a woman who just filmed a short feature and recently broke up with her boyfriend. They are best friends who take a vacation to Spain, and they agree on just about everything except when it comes to love. Whereas Vicky is reserved in the ways of love, Cristina is impulsive and spontaneous. While Vicky seems sure of what she wants, Cristina is unsure of what she wants from a lover or from life. The ways of these two women are put to test when they meet Spanish artist Juan Antonio (Javier Bardem). Juan casually comes up to them while at a restaurant and offers to take the two to Oviedo in the next hour where he says they will have great fun, drink fine wine and eventually make love. Cristina is all for going, but Vicky wants nothing of it due to her impending marriage. But of course, she goes to keep Cristina company. What happens from there will or will not change the way they feel about love in general.

Into this mix comes Juan Antonio’s ex-wife, Maria Elena (Penelope Cruz), who wishes she knew how to quit her ex-husband. Maria comes back into Juan’s life after Cristina has moved in with him, and she is unstable to say the least. From there, who knows what will happen. This is what I really liked about the “Vicky Cristina Barcelona;” It was very absorbing, and I had no idea what was going to happen next. I can’t say this about most movies I see these days.

Like I said, the cast is superb. I wish I had the power over women Bardem has over the female characters here. This is quite a switch from his Academy Award winning role as Anton Chigurh in “No Country for Old Men,” and this movie affords him a better haircut as well. Bardem succeeds in showing you how passionate his character is, and how unfulfilled his passion is.

Scarlett Johansson, Allen’s muse at the moment judging from the number of movies they have done together so far, is excellent as usual. Johansson plays an adventurous person who throws caution to the wind, but the actress also allows us to see the vulnerable side of Cristina which reveals her to be insecure as she has no idea of what she really wants out of life.

The most underrated performance of this movie, however, belongs to Rebecca Hall, whose dalliance with Juan Antonio creates conflicted feelings within her character which come across so clearly without her saying a word. Hall’s face does a lot of the acting for her while her words betray what Vicky thinks about what her heart truly desires. She has a loving fiancée, but he is nowhere as romantic as Juan. Of course, who would be? One important lesson for prospective husbands to be; make sure your fiancés don’t meet up with any Spanish men because you will never be able to compete with them. This will especially be the case if you are a banker.

But leave it to the Spanish actors to steal this movie away from everyone else. We already talked about how great Bardem is, but let’s talk about the passionate fireball that is Penelope Cruz. For years, she was stuck in American movies which dealt more with her looks more than her talent. Plus, she was constantly being accused of messing up relationships with married movie stars which was unfair to say the least. Ever since abandoning those movies, her talent has shined brightly in acclaimed films like “Volver.” Cruz is an uncontainable force in this movie, and she takes her characters from highs and lows which feel very believable and never overdone. The relationship between her and Bardem in this movie is easily the most complicated and most infuriating for them both. As Juan correctly points out, “We are meant for each other, and we are not meant for each other.”

The theme of the movie is love and what it does to us when we go after it, and of what it does to us after we think we have it. The one thing these characters have in common is the search for true love feels like a never-ending journey for them, and that’s even if you are with the person you love. It’s a beast which seems far more likely to hurt people instead of making them happy. There are a lot of thoughts here on love which makes “Vicky Cristina Barcelona” one of the more thought-provoking movies I have seen so far in 2008. There is a lot of comedy to be found here, but the movie is mostly a sad story of how love seems to be just out of our grasp. Even if you have the love you need in life, there is always something missing.

What I really loved about the comedy here is how none of the actors ever try to play the joke or attempt to be funny. The humor comes out of the absurd way the characters interact with each other. There is a brilliant moment where Maria tells Cristina how she had to go through her suitcase because she didn’t trust Cristina and that she wanted to know more about who is making out with her ex-husband. The scene is played in all seriousness, even when Cruz talks about how she has thoughts of killing Johansson, and it is hysterical.

“Vicky Cristina Barcelona” is a very unusual Woody Allen movie. While it deals with themes which are very familiar to ones he has dealt with in the past, it does not feel like your typical Woody Allen movie. That is a major plus because most of his movies have an overwhelming feeling of familiarity which threatens to take away from the proceedings. But by putting his thematic material in another country with a terrific cast, this is one of those movies which reminds you Allen can still pull off a great movie worth seeing. For once, I am eager to see what he will do next. He’ll probably go through the regular ups and downs, but he has clearly learned some hard lessons from the movies he did back in the 1990’s.

* * * * out of * * * *

The Best Movies of 2008

2008 Year in Review

2008 was a year more memorable for those who died as opposed to the movies which were released. We lost Heath Ledger, Brad Renfro, George Carlin, and Paul Newman among many others, and their individual deaths spread through the news like an uncontrollable wildfire. Their passing left a big mark on us all. When we look back at this year, I think people will remember where they were upon learning of their deaths more than anything else. Many of us will remember where we were when we got the news that Ledger died, but they will not remember how much money they wasted on “Righteous Kill,” the second movie featuring Al Pacino and Robert De Niro sharing the screen at the same time.

2008 did pale in comparison to 2007 which saw a wealth of great movies released. Many said this was a horrible year for movies as high expectations ruined some of the big summer tent pole franchises, and that there were too many remakes being made. The way I see it, 2008 had a lot of really good movies, but not a lot of great ones. There was a big drought of good ones worth seeing at one point in this year, and I started to wonder if I would have enough of them to create a top ten list. If it were not for all those Oscar hopefuls released towards the year’s end, I am certain I would have come up short.

So, let us commence with this fine list, if I do say so myself, of the ten best movies of 2008:

  1. The Reader/Revolutionary Road

I had to put these two together for various reasons. Of course, the most obvious being Kate Winslet starred in both movies and was brilliant and devastating in her separate roles. Also, these were movies with stories about relationships laden with secrets, unbearable pressures, and deeply wounded feelings. Both were devoid of happy endings and of stories which were designed to be neatly wrapped up. Each one also dealt with the passing of time and how it destroys the characters’ hopes and dreams.

The Reader” looked at the secret relationship between Winslet’s character and a young man, and of the repercussions from it which end up lasting a lifetime. There is so much they want to say to one another but can’t, as it will doom them to punishments they cannot bear to endure.

Speaking of escape, it is what the characters in “Revolutionary Road” end up yearning for, and the movie is brilliant in how it shows us characters who think they know what they want but have no realistic way of getting it. Each movie deals with characters who are trapped in situations they want to be free from but can never be, and of feelings just beneath the surface but never verbalized until too late.

Both Stephen Daldry and Sam Mendes direct their films with great confidence, and they don’t just get great performances from their entire cast, but they also capture the look and setting of the era their stories take place in perfectly. All the elements come together so strongly to where we are completely drawn in to the emotional state of each film, and we cannot leave either of them without being totally shaken at what we just witnessed.

 

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  1. Doubt

Looking back, I wondered if I was actually reviewing the play more than I was John Patrick Shanley’s movie of his Pulitzer Prize winning work. But the fact is Shanley brilliantly captures the mood and feel of the time this movie takes place in, and it contains one great performance after another. Meryl Streep personifies the teacher you hated so much in elementary school, Philip Seymour Hoffman perfectly captures the friendly priest we want to trust but are not sure we can, and Amy Adams illustrates the anxiety and confusion of the one person caught in the middle of everything. Don’t forget Viola Davis who, in less than 20 minutes, gives a galvanizing performance as a woman more worried about what her husband will do to their child more than the possibility of her child being molested by a priest who has been so kind to him. Long after its Broadway debut, “Doubt” still proves to be one of the most thought provoking plays ever, and it lost none of its power in its adaptation to the silver screen.

 

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  1. Vicky Cristina Barcelona

This is the best Woody Allen movie I have seen in a LONG time. Woody’s meditation on the ways of love could have gone over subjects he has long since pondered over to an exhausting extent, but this is not the case here. “Vicky Cristina Barcelona” is a lovely and wonderfully character driven piece filled with many great performances, the best being Penelope Cruz’s as Javier Bardem’s ex-wife. Cruz is a firecracker every time she appears on screen, and she gives one of the most unpredictable performances I have seen in a while. Just when I was ready to write Allen off completely, he comes back to surprise me with something funny, lovely and deeply moving.

One day, I will be as sexy as Javier Bardem. Just you wait!

 

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  1. Slumdog Millionaire

Danny Boyle, one of the most versatile film directors working today, gave us a most exhilarating movie which dealt with lives rooted in crime, poverty and desperation, and yet he made it all so uplifting. It is a love story like many we have seen before, but this one is done with such freshness and vitality to where I felt like I was seeing something new and utterly original. Boyle also reminds us of how “Who Wants to Be A Millionaire” was so exciting before ABC pimped it out excessively on their prime-time schedule. “Slumdog Millionaire” was pure excitement from beginning to end, and it was a movie with a lot of heart.

 

 

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  1. Frost/Nixon

Ron Howard turns in one of the best directorial efforts of his career with this adaptation of Peter Morgan’s acclaimed stage play, “Frost/Nixon,” which dealt with the infamous interview between former President Richard Nixon and TV personality David Frost. Despite us all knowing the outcome of this interview, Howard still sustains a genuine tension between these two personalities, one being larger than life. Howard also has the fortune of working with the same two actors from the original stage production, Frank Langella and Michael Sheen. Langella’s performance is utterly riveting in how he gets to the heart of Nixon without descending into some form of mimicry or impersonation. You may think a movie dealing with two people having an interview would be anything but exciting, but when Langella and Sheen are staring each other down, they both give us one of the most exciting moments to be found in any film in 2008. Just as he did with “Apollo 13,” Howard amazes you in how he can make something so familiar seem so incredibly exciting and intense.

 

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  1. Rachel Getting Married

Jonathan Demme’s “Rachel Getting Married” had a huge effect on me with its raw emotion, and I loved how he made us feel like we were in the same room with all these characters. When the movie ended, it felt like we had shared some time with great friends, and Demme, from a screenplay written by Jenny Lumet, gives us a wealth of characters who are anything but typical clichés. Anne Hathaway is a revelation here as Kym, the problem child of the family who is taking a break from rehab to attend her sister’s wedding. Kym is not the easiest person to like or trust, but Hathaway makes us completely empathize with her as she tries to move on from a tragic past which has long since defined her in the eyes of everyone. Great performances also come from Bill Irwin who is so wonderful as Kym’s father, Rosemarie DeWitt, and the seldom seen Debra Winger who shares a very intense scene with Hathaway towards the movie’s end. I really liked this one a lot, and it almost moved me to tears.

 

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  1. The Wrestler

Darren Aronofsky’s “The Wrestler” has grown on me so much since I saw it. While it may be best known as the movie in which Mickey Rourke gave one hell of a comeback performance, this movie works brilliantly on so many levels. To limit its success to just Rourke’s performance would not be fair to what Aronofsky has accomplished as he surrounds all the characters in the bleakness of the urban environment they are stuck in, and he makes you feel their endless struggles to keep a roof over their heads and food on the table. “The Wrestler” succeeds because Aronofsky’s vision in making it was so precise and focused, and he never sugarcoats the realities of its desperate characters. Rourke more than deserved the Oscar for Best Actor, which in the end went to Sean Penn for “Milk.” Furthermore, the movie has great performances from Marisa Tomei and Evan Rachel Wood as those closest to Rourke’s character, and who look past his faded fame to see the wounded man underneath. The more I look at “The Wrestler,” the more amazed and thrilled I am by it.

 

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  1. Let the Right One In

Tomas Alfredson’s film of a friendship between a lonely boy and a vampire was so absorbing on an atmospheric level, and it surprised me to no end. What looks like an average horror movie turns out to actually be a sweet love story with a good deal of blood in it. Widely described as the “anti-Twilight,” “Let the Right One In” gives a strong sense of freshness to the vampire genre which back in the early 2000’s was overflowing with too many movies. The performances given by Kåre Hedebrant as Oskar and Lina Leandersson as Eli are pitch perfect, and despite the circumstances surrounding their improbable relationship, I found myself not wanting to see them separated from one another.

 

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  1. Wall-E

Pixar does it once again and makes another cinematic masterpiece which puts so many other movies to shame. With “Wall-E,” director Andrew Stanton took some big risks by leaving a good portion of the movie free of dialogue, and this allowed us to take in the amazing visuals of planet Earth which has long since become completely inhospitable. Plus, it is also one of the best romantic movies to come out of Hollywood in ages. The relationship between Wall-E and his iPod-like crush Eve is so much fun to watch, and the two of them coming together gives the movie a strong sense of feeling which really draws us into the story. The fact these two are machines quickly becomes irrelevant, especially when you compare them to the humans they meet in a spaceship who have long since become imprisoned by their laziness and gluttony.

I gave the DVD of this movie to my mom as a Christmas present, and she said you could do an entire thesis on it. Nothing could be truer as it is such a brilliant achievement which dazzles us not just on a visual level, but also with its story which is the basis from which all Pixar movies originate. “Wall-E” is the kind of movie I want to see more often, a film which appeals equally to kids and adults as this is not always what Hollywood is quick to put out.

 

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  1. The Dark Knight

The biggest movie of 2008 was also its best. I was blown away with not just what Christopher Nolan accomplished, but of what he got away with in a big budget Hollywood blockbuster. “The Dark Knight” is not just an action movie, but a tragedy on such an epic scale. Many call it the “Empire Strikes Back” of the Batman series, and this is a very apt description. Many will point to this movie’s amazing success as the result of the untimely death of Heath Ledger whose performance as the Joker all but blows away what Jack Nicholson accomplished in Tim Burton’s “Batman,” but the sheer brilliance of the movie is not limited to the late actor’s insanely brilliant work. Each performance in the movie is excellent, and Christian Bale now effectively owns the role of the Caped Crusader in a way no one has before.

Aaron Eckhart also gives a great performance as Harvey “Two-Face” Dent, one which threatened to be the most underrated of 2008. The “white knight” becomes such a tragic figure of revenge, and we come to pity him more than we despise him. The movie is also aided greatly by the always reliable Michael Caine and Morgan Freeman. Everyone does excellent work here, and there is not a single weak performance to be found.

Whereas the other “Batman” movies, the Joel Schumacher ones in particular, were stories about the good guys against the bad guys, “The Dark Knight” is a fascinating look at how the line between right and wrong can be easily blurred. Harvey’s line of how you either die a hero or you live long enough to see yourself become the villain perfectly personifies the dilemmas for every character here. To capture the Joker, Bruce Wayne may end up becoming the very thing he is fighting against. I can’t think of many other summer blockbusters which would ask such questions or be as dark. “The Dark Knight” took a lot of risks, and it more than deserved its huge success. It set the bar very high for future comic book movies, and they will need all the luck they can get to top this one.

‘Iron Man 3’ Fares Better Than the Average Threequel

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WRITER’S NOTE: This review was written in 2013.

Robert Downey, Jr. is back as Tony Stark/Iron Man in “Iron Man 3” which finally made its way to movie theatres after an endless advertising blitz. Then again, it hasn’t been long since we last saw him as he was in “The Avengers” which came out last summer. It makes you wonder if Downey, Jr. might be getting a little sick of playing Tony Stark and his alter ego as this role has monopolized his time over the past few years. But in “Iron Man 3,” the actor finds a fresh way to portray this iconic comic book character as he becomes afflicted by something I know more about than I would ever care to: panic attacks.

That’s right, ever since his near-death experience in “The Avengers,” Stark has been having serious anxiety problems and is constantly worried he won’t be able to protect the love of his life, Pepper Potts (Gwyneth Paltrow). But there’s an even bigger problem on the horizon for him and it comes in the form of The Mandarin (Ben Kingsley), an unrepentant terrorist who leads an international terrorist organization known as The Ten Rings. The Mandarin is out to punish America and its President, Ellis (William Sadler), for their crimes against humanity, and also for trying to adopt Chinese culture in such a ridiculously fake way.

In addition, Stark has to deal with his ex-flame Dr. Maya Hansen (Rebecca Hall) and Aldrich Killian (Guy Pearce), a scientist he arrogantly rebuffed back in 1999. In the present, Killian has become a brilliant scientist who has developed the Extremis virus which cured him of his own physical disabilities, and we soon find it also gives those exposed to it superhuman strength and the power to generate extreme heat. Will it be used as a weapon for bad against good? Is this a superhero movie?

The big news about “Iron Man 3” is Jon Favreau who directed the last two installments has stepped out of the director’s chair, and in his place is Shane Black, the same man who wrote the screenplays for “Lethal Weapon,” “The Last Boy Scout,” “The Long Kiss Goodnight” and who eventually directed one of his screenplays with “Kiss Kiss Bang Bang.” Black seems like an unusual choice to helm a summer blockbuster, but the change in directors proves to be a good thing as Black focuses on character as much as he does on the spectacle. It’s a darker entry than the last two films, but Black still injects a lot of humor into the proceedings.

Now where “The Dark Knight Rises” was more about Bruce Wayne than it was about Batman, “Iron Man 3” is more about Tony Stark than his alter ego. In fact, we don’t see Iron Man in action as much as we did previously or in “The Avengers” for that matter. Some might see this as a serious flaw, but I think it benefits the story greatly. Being Iron Man has become a serious addiction for Stark to where he can’t sleep and function normally unless he’s working on one of his darn suits, and he’s never been the easiest guy to be around. Clark Kent and Peter Parker struggled greatly with their alter egos, but Stark’s position proves to be far more precarious.

Downey, Jr. could almost walk his way through this iconic role of his, but he still captures the different sides of Tony Stark beautifully. Even when he is a bit too dismissive to 10-year old Harley (Ty Simpkins), we still love the actor to death. Come to think of it, is there another actor in Hollywood who can make arrogance look sexier than Downey, Jr.? I think not.

Kingsley is the kind of actor who can play any role, and this has been the case for a long time. As The Mandarin, he creates an ominous presence in “Iron Man 3” which makes you believe he can be a nasty threat anywhere and everywhere. My only frustration with him was, even before I saw this sequel, I knew he wouldn’t be able to top the most malevolent prick he has ever brought to life in the movies: Don Logan from “Sexy Beast.” Then again, when “Iron Man 3” reaches a certain point, it becomes very clear why this is the case.

Pearce can go from playing a good guy to a bad guy with relative ease, but his last few movies have had him portraying the slimiest of villains (check out his performance in “Lawless”). He succeeds in making Aldrich Killian both an unfortunate victim and a selfish bastard all in one, and you have to give Black and his co-screenwriter Drew Pearce credit for giving us more than your one-dimensional baddie. Pearce always knows how to create a nemesis we just love to despise.

Paltrow gets her biggest role yet in the “Iron Man” franchise this time around, and I could tell you why but this would be giving away far too much. The important thing is she looks to be having a blast playing Pepper Potts this time around, and her fun is contagious.

Hall is, as always, a very appealing presence, and she is terrific as Dr. Maya Hansen. James Dale Badge makes Eric Savin, one of The Mandarin’s henchman, a ruthless bastard you want to see taken down ASAP. William Sadler seems like an unlikely choice to play the President of the United States after seeing him play the bad guy in “Die Hard 2” and the Grim Reaper in “Bill & Ted’s Bogus Journey,” but he sells himself in the role with no problems. And while I still miss Terence Howard as Col. James “Rhodey” Rhodes, Don Cheadle still gives an excellent performance as that character.

Everyone who reads my reviews knows I usually expect the third movie in a trilogy to be the one which destroys a franchise, but “Iron Man 3” doesn’t do that. I liked it more than “Iron Man 2” which had far too much going on in it, and the change in directors serves this franchise well. Black has made an entertaining and compelling film which brings closure to this particular Marvel Studios trilogy. But then again, it’s highly unlikely this will be the last time we’ll see Downey, Jr. as Iron Man.

As always, be sure to stay through the end credits for the return of another Marvel Comics character.

* * * ½ out of * * * *