The tragic tale of Christine Chubbuck is one which many, including myself, cannot help but be morbidly fascinated by. She was a television reporter who, on the morning of July 15, 1974, reported on three national news stories and a shooting which occurred at a local restaurant named Beef & Bottle. When footage of the restaurant shooting jammed and could not be played, she said, “In keeping with Channel 40’s policy of bringing you the latest in ‘blood and guts’ and in living color, you are going to see another first—an attempted suicide.” She then pulled out a .38-caliber Smith & Wesson Model 36 revolver, placed it behind her right ear and pulled the trigger. She died of her self-inflicted gunshot wound 14 hours later.
Many have tried to seek out the footage of Christine’s final moments, but those closest to her have done their damndest to keep it out of everyone’s’ hands as they never want it to be seen on any television screen ever again. With the 2016 film “Christine,” audiences will get a chance to see how this on-camera suicide went down, but neither director Antonio Campos or screenwriter Craig Shilowich are looking to exploit this sad death in any way, shape or form. Instead, they are far more interested in looking into what could have led this talented young individual to take her life ever so suddenly.
We are transported back to Sarasota, Florida in 1974 where Christine Chubbuck (Rebecca Hall) works at a local television station at which she reports on human interest stories that present a positive look at the world in general. She appears to get along well with her colleagues which include camera operator Jean Reed (Maria Dizzia), and she has an unrequited crush on fellow reporter George Peter Ryan (Michael C. Hall). When she isn’t reporting, she’s performing puppet shows for mentally handicapped kids. But while she may appear happy on the surface, we quickly see she is suffering. Moreover, she is suffering in ways not everyone can easily see.
While Christine is determined to report on human interest stories, her boss Michael Nelson (the great Tracy Letts) demands she focus more on crime stories as they bring in bigger ratings. She protests as such stories seem purely exploitive to her, but the term “if it bleeds, it leads” has long since entered Michael’s lexicon, and neither he nor any other television station manager can get themselves to look away from this especially when it comes to ratings. Christine acquires a police scanner to find grittier stories, but her intention to please Michael comes up painfully short as what she comes up with is not nearly enough.
As for Christine’s personal life, it’s not fairing much better. She still lives with her mother, Peg (J. Smith-Cameron), but they appear a bit distant from one another. This distance grows even stronger when Peg finds a new boyfriend whom Christine has a hard time warming up to. Even when she gets a much-needed hug from Peg, it is not enough to comfort her during the perfect storm of her depression.
And then there’s the issue of the stomach pains she has been feeling for a while. Christine is eager to find a husband and have children, but she is dealt a vicious blow when her doctor (played by Morgan Spector) finds one of her ovaries may have to be removed, decreasing her ability to bear a child. It was at this point I kept waiting for the song “Born Under a Bad Sign” to start playing on the soundtrack as if she didn’t have bad luck, she wouldn’t have any luck at all. Of course, pointing this out would have been obvious and cruel.
At the center of “Christine” is Rebecca Hall who gives one of the most definitive performances of a character suffering from depression and borderline personality disorder. She makes you feel her character’s deepest longings as well as her visible discomfort in being around big crowds of people. I can relate to her wanting to get close to someone and yet suffering a fight or flight moment as she suddenly wants to get away from a situation she has long since become uncomfortable being in. It’s like you desperately want to belong, and yet you also find yourself wanting to run away. Depression is a serious disease which has those afflicted with it suffering from irrational fears to where making certain decisions can be much harder than it ever should.
Another performance worth singling out here is Michael C. Hall’s as George Peter Ryan. When I first saw Michael here, I figured he would be playing George as the average egotistical reporter who would be quick to spurn Christine’s advances at any given opportunity, but the “Dexter” actor instead plays to where he takes her to a place where she can be heard. This leads to one of the most unexpected scenes in the film as I figured things would lead to an inevitably heartbreaking moment, but the filmmakers were not about to give us something predictable.
In some ways, I wish “Christine” dug deeper into its main character and her sadly crippled state of mind. While it does not just skip over the surface, I wanted it to examine other elements of her life which may have led her to make a permanent solution to what we all should see is a temporary problem. We never get to learn of her life as a child or of previous relationships she had with others, and this may have given the audience a broader understanding of her state of mind.
But when all is said and done, “Christine” is a thoughtful portrait of an individual whose life deserves to be known for more than her final and fatal act. While her deadly decision to end her life in a very public way may make her existence a study in morbid curiosity, the filmmakers are intent on making us see the individual at the center of it all. No one should simply be remembered for one act they committed as there is more to a person than meets the eye.
When I think of Christine Chubbuck, I am reminded of a couple of songs by my favorite artists. One is Sarah McLachlan whose lyrics for her song “Black” left quite the impression on me:
“If I cried me a river of all my confessions
Would I drown in my shallow regret?
As the walls are closing in
And the colors fade to black
And my eyes are falling fast and deep into the sea
And in darkness all that I can see
The frightened and the weak
Are forced to cling to mistakes they know nothing of
At mercy are the meek.”
And then there’s Elton John’s title track from the album of the same name, “Too Low for Zero:”
“I’m too low for zero
I’m on a losing streak
I got myself in a bad patch lately
I can’t seem to get much sleep
I’m too low for zero
I wind up counting sheep
Nothing seems to make much sense
It’s all just Greek to me
You know I’m too low, too low, too low for zero
You know I’m too low, too low, too low for zero.”
It can be far too easy to fall into the state of depression before you know it, and my hope is you will never be afraid to ask for help. Christine’s problems happened during a time where I cannot help but think the world at large was unaware of how serious mental illness can be. For those of you watching this film today, I hope you know how serious it is and that there is no shame in asking others to assist you in lifting you out of an emotional dark hole. Christine deserved such assistance, and you do as well.
* * * ½ out of * * * *