All-Time Favorite Trailers: ‘The Silence of the Lambs’

This teaser trailer for “The Silence of the Lambs” was my introduction to this film, and it immediately grabbed me in a way few trailers do. Back then, the internet had yet to be discovered by me, I only knew Jodie Foster from “The Accused” which she won an Oscar for, and I had no idea who Anthony Hopkins was in the slightest. I should also add that not once in this trailer is there any mention that this adaptation of Thomas Harris’ novel was directed by Jonathan Demme. Had Demme’s name been included here, it would have made me all the more eager to check this film out as “Married to the Mob” and “Something Wild” were still very fresh in my mind.

What I love about this particular trailer is how it gives this film a look which makes it feel like no other cinematic experience that was coming soon to a theater near you. Everything about it was full of darkness, but it was a darkness like no other. With its striking images and shrieking noises, and also Anthony Hopkins staring directly into the camera in a way few other actors could, I felt I was being promised an experience which not be average or cliched in any conceivable way. I also very much prefer it to the main theatrical trailer which, quite frankly, gave far too much of the story away to where I am so very thankful I didn’t see it before I saw this brilliant motion picture on the silver screen at Crow Canyon Cinemas.

For the record, “The Silence of the Lambs” is one of my favorite movies ever, and one which I am happy to revisit quite often. This teaser trailer is also one of my favorites as those who put it together made it clear to audiences that this was a motion picture you would be foolish to miss out on. While the darkness it presented could have frightened many audience members off, not once did it feel like your average slasher flick.

All-Time Favorite Trailers: ‘Strange Days’

I first saw this trailer when it played before “Mad Love” which starred Drew Barrymore and Chris O’Donnell. This was at Crow Canyon Cinemas, a movie multiplex I once worked at, and the volume was not all that great as the teenage audience, desperately waiting to see O’Donnell take his shirt off, were talking endlessly before the lights finally went down. I saw it again at the UC Berkeley theater, which was once known as the New Beverly Cinema of Northern California, and I got a better idea of what was on display as I could actually hear what was being said that time around.

Strange Days” is a 1995 science fiction thriller which starred Ralph Fiennes, Angela Bassett and Juliette Lewis, and the film featured a kind of technology which allowed those who used it to experience recorded memories and physical sensations of others. But despite it being co-written and produced by James Cameron and having been directed by Kathryn Bigelow, it flopped hard at the box office. It is only over time that this film has gotten the cult following it truly deserved as this one offers the viewer a cinematic experience you cannot find elsewhere.

This particular trailer for “Strange Days” was its teaser trailer which had Fiennes selling us on this technology. The dialogue is taken from a scene in which he is trying to get a potential customer to buy some recorded memories, but this time Fiennes is looking straight into the camera, attempting to sell the audience on what he has.

Fiennes starred in this film not long after his Oscar-nominated turn in “Schindler’s List,” and I love how he tells us about this technology here without showing us a thing. His words suck us in to the possibilities of what we could experience if common sense didn’t kick in on a regular basis. It’s a brilliant piece of acting as he succeeds in making us want to open Pandora’s Box and experience pleasures which are ever so forbidden.

I also love the sound design of this trailer as it features a hum throughout which is much like the one I heard as I entered the American Conservatory Theater to watch the first part of “Angels in America.” There is something so comforting and alluring about such a hum that I cannot help but be drawn into the subject matter in a heartbeat.

By the way, can anyone tell me what song was used at the end of this trailer? I really dug it and would love to know where it came from. Perhaps it was by the band Deep Forest as they were supposed to be composing this film’s music score (it would later be done by Graeme Revell), but I don’t know.

If you have not watched “Strange Days” yet, I encourage you to do so as it deals with themes which are more pertinent today than when this film first came out.

All-Time Favorite Trailers: ‘Pet Sematary’ (1989)

While I am not the biggest fan of the 1989 cinematic adaptation of Stephen King’s best-selling novel “Pet Sematary,” never will I forget the first time I watched its trailer. Me and my friend Tim were at Crow Canyon Cinemas to watch “Fletch Lives,” a sequel I couldn’t wait to see. There were a number of trailers which preceded it, but then came the one for “Pet Sematary,” and it was a red band trailer. You know, the kind of trailers meant for “restricted audiences only.” Typically, they are attached to an R-rated movie, but for some odd reason, this particular red band trailer was shown ahead of the PG-rated “Fletch Lives.” I told people about this later, and they told me no one is allowed to place a red band trailer before a PG rated movie, but I remember exactly what I saw.

Back in 1989, I was not all that crazy about horror movies. Over the years I have come to love this genre, but even the tamest of horror scary flick would unnerve me to no end back when I was a kid. As soon as the trailer took us to the pet cemetery of the movie’s title, all the little hairs on my body went straight up as I found myself looking away from the silver screen at times.

20 years later, this trailer for “Pet Sematary” stands out among so many others as it proved to be almost as terrifying as the one Stanley Kubrick did for “The Shining.” The build up from a seemingly normal family living in a town far away from the big city hustle to an unveiling of a sinister secret the people of Ludlow, Maine will have wished they kept hidden was handled brilliantly, and it scared me so much to where I didn’t see the movie until about five or six years after its release. This ended up being one of the few King novels I read before I saw the movie, and this is saying quite a bit.

The very scary cat with the glowing dead eyes, the precious child who somehow got hold of a shiny scalpel, and the presence of Fred Gwynne, perfectly cast as Jud Crandall, made for a trailer which looked far more effective than the average King cinematic adaptation, and the original “Pet Sematary” was released back in a time when King movies were both plentiful and critically maligned. Not even the welcome presence of Denise Crosby, who I was heartbroken to see leave “Star Trek: The Next Generation” during its first season, was enough to soothe my shattered nerves. Thankfully, Chevy Chase’s return to his best role as Irwin M. Fletcher helped to calm me down even if “Fletch Lives” was nowhere as good as “Fletch.”

For me, this trailer peaks right where it should as Louis Creed (Dale Midkiff) takes a phone call from his undead son, Gage (Miko Hughes). The framing of this shot is perfect as it shows Louis isolated in what should be the safety of his own home as he yells into the telephone, “WHAT DID YOU DO???!!!” After the movie’s title appeared onscreen, we were left with the sound of Gage telling his daddy “now I’m gonna come play with you,” and the laugh he gave following that was simply blood curdling. This was the icing on the cake as few trailers could ever prove to be as scary as this one was back then. No wonder this proved to be one of the more commercially successful King movies from the 1980’s.

If you haven’t already, please check out the 1989 trailer above. I really want to thank “Horrorama – Classic Horror Movie Trailers & More” for finding this trailer including it on their YouTube channel as I have been looking for this one for ages. I feel like I looked everywhere on the internet and thought I would never find it. Thank goodness I was wrong.

Pet Sematary 1989 poster