The Super Bowl LVI Movie Trailers in Review

The Super Bowl has come and gone again. While the home team, the Los Angeles Rams, got me interested in this monumental event more than usual, what always brings me back to the Super Bowl are the commercials and the trailers for upcoming films which look to bring in the largest audiences possible. Even if some are available to stream on streaming services on opening day, these blockbusters are clearly made for the silver screen. Whether or not COVID mandates are still in place when these films arrive, I look forward to seeing many of them in a theater.

Doctor Strange and the Multiverse of Madness

Following the massive success of “Spider-Man: No Way Home,” Doctor Strange returns to battle the multiverse once again, and it looks badass to put it mildly. Sam Raimi returns to make his first movie based on a Marvel Comics character since “Spider-Man 3,” and it sure feels like a Sam Raimi film with all the crazy images which look like they came from “The Evil Dead.” The only thing I have to wonder now is this, will there be a Bruce Campbell cameo? Moreover, will his classic yellow 1973 Oldsmobile Delta 88 make an appearance as well? If so, that would be groovy.

Granted, the trailer presented during the game was a teaser for the official trailer which is now available to view online. I am just going to leave you the official trailer down below. Just when I thought I was getting burned out by superhero/comic book movies, this “Doctor Strange” sequel has whetted my appetite.

By the way, was that Patrick Stewart’s Professor X voice we heard?

The Lost City

Look, I love Sandra Bullock and Channing Tatum is fun, but this trailer for “The Lost City” makes the film seem like a wannabe “Romancing the Stone” which is too broadly comedic for its own good. Directed by Aaron and Adam Nee and based on a story by Seth Gordon, Bullock plays the brilliant but reclusive writer Loretta Sage who is known for penning romantic adventure novels which take place in exotic locations. While promoting her latest novel, she is kidnapped by an eccentric millionaire played by Daniel Radcliffe whom we see only briefly here, and it is up to Alan (Tatum), the model for Bullock’s book covers to save her. Oh yeah, there is a secret treasure involved. Sound familiar?

It pains when actors are clearly striving to be funny as this trailer. Still, it is worth watching for Brad Pitt who steals the show here just as he stole a certain scene in “Deadpool 2.”

Jurassic World Dominion

As disappointing as “Jurassic World: Fallen Kingdom” was, its conclusion gave its follow-up an interesting scenario to work with, dinosaurs co-existing with human beings. Can such a thing be possible, or will one race dominate the other to where a certain species is rendered extinct?

The trailer presented during Super Bowl LVI is the same one that recently premiered online. The image of cowboys trying to herd some dinosaurs who could easily kill them just by stepping on them is a fascinating image, and the characters played by Chris Pratt and Bryce Dallas Howard now have a daughter because, let’s face it, these two were bound to get it on at some point, and the whole will they or won’t they scenario has long since been played out.

But the real joy of the “Jurassic World Dominion” trailer is seeing the return of the “Jurassic Park” trio, Sam Neill, Laura Dern, and Jeff Goldblum. Neill is always terrific in whatever project he appears in, Dern looks like she hasn’t aged a day since “Jurassic Park III,” and Goldblum looks to get more of a role this time around as opposed to the glorified cameo he got in the previous installment.

The magic of first seeing the dinosaurs in Steven Spielberg’s 1993 film has never been quite the same, and this franchise has taken some embarrassing turns since then. But with “Jurassic World” director Colin Trevorrow behind the camera again, maybe everyone involved will give this trilogy the conclusion it deserves.

The Adam Project (Netflix)

On one hand, this trailer acts as a promotion for the original content Netflix is going to be dropping on us in the coming months. But this trailer’s main attraction is clearly the Shawn Levy film “The Adam Project” starring Ryan Reynolds, an actor no one can ever seem to get sick of. Originally titled “Our Name is Adam,” back when Tom Cruise was attached to star, Reynolds travels back in time to meet his younger self (played by Walker Scobell) in an effort to confront their late father. While the storyline seems like a rip-off of “Looper,” this looks like its own thing despite any similarities which I am hoping are coincidental.

Seriously, seeing Reynolds in this trailer made me as giddy as Will Ferrell was when he spotted him in the audience the last time he hosted “Saturday Night Live.”

Nope

This trailer for Jordan Peele’s latest cinematic opus reminds me of the greatness of the first “Cloverfield” trailer; it gives us a lot of fascinating and unforgettable visuals while leaving the movie’s plotline a mystery. The trailer for “Nope” looks like it takes place at a horse ranch in the middle of nowhere when all the electricity suddenly goes out, and either Armageddon is happening or a UFO is landing as characters flee as fast as they can or get sucked up into the air. Whether it is a political thriller dealing with racism like “Get Out” and “Us” or just a straightforward science-fiction horror thriller, this trailer has me deeply intrigued, and July 22nd cannot come soon enough.

Ambulance

Anybody who knows me well understands how much I despise Michael Bay. Ever since the cinematic atrocity that was “Transformers: Revenge of the Fallen,” I have avoided his movies like the plague. However, I cannot help but be intrigued by his latest film, a remake of the 2005 Danish film of the same name, which is about a bank robbery gone wrong (is there any other kind in movies?) which leads two of the robbers to hijack an ambulance and use an EMT and a wounded police officer as hostages. Plus, with a cast that includes Jake Gyllenhaal and “The Matrix Resurrection’s” Yahya Abdul-Mateen II, this looks to be a film not made with 5-year-old moviegoers in mind. Whether it is made with the mindset of a 5-year-old, however, remains to be seen.

The trailer for “Ambulance” has been out for some time now, but its Super Bowl spot serves as a reminder of how I am honestly excited for it. While it looks to have those typical Bay flourishes like explosions and cameras moving around in circles, there is nary a Transformer to be found here.

Top Gun: Maverick

Delayed by the COVID pandemic more times than “No Time to Die” and hoping to score big at the foreign box office, “Top Gun: Maverick” is FINALLY arriving in theaters this May. For its Super Bowl spot, Paramount partnered with Porsche because when Tom Cruise says he “feels the need, the need for speed,” you either think of “Top Gun” or a Porsche, right? Well, I would certainly love to drive a Porsche with Jennifer Connelly as my passenger, that’s for sure.

With Cruise reteaming with his “Oblivion” director Joseph Kosinski, we can expect some truly intense visuals and real G-force experiences as shown on Maverick’s face. But as with those “Avatar” sequels which James Cameron keeps promising us, I have to say RELEASE THE DAMN MOVIE ALREADY!

The Lord of the Rings: The Rings of Power

Okay, this is not a movie trailer, but it is a trailer to one of the most anticipated television series ever. Now, this trailer proves this is not a remake of Peter Jackson’s “Lord of the Rings” trilogy, but instead a prequel that takes place many, many, many, many, many years before Gollum found his precious. While it looks epic, those CGI effects look fairly obvious and kind of take me out of the spectacle on display. Still, we are in J.R.R. Tolkien territory, and it remains ripe with imagination after all these years.

DC Movies

Instead of a single comic book/superhero movie, DC movies will be giving us four of them in 2022: “The Batman,” “Black Adam,” “The Flash” and “Aquaman and the Lost Kingdom.” Images from each one are featured in one Super Bowl ad, and these are my thoughts: I’m sick of hearing about “The Batman.” I just want Matt Reeves’ cinematic interpretation of Bruce Wayne and his alter ego to come out already. Seeing Dwayne Johnson as Teth-Adam/Black Adam proves to me how passionate he was about bringing this character to the silver screen. Hopefully, Ezra Miller will have more speed on his side than he did with “Justice League.” As for Jason Momoa, he has already proven to me he is the definitive Aquaman, and the upcoming sequel is yet another reminder of the fact I have still not watched the original. With these four movies, perhaps DC will finally give the Marvel Cinematic Universe a run for its money.

Sonic the Hedgehog 2

I have not seen the first “Sonic the Hedgehog,” and the Super Bowl spot for the sequel does not make me want to check either of them out. When it comes to Jim Carrey though, I have no problem defending him as an actor. While he looks to be doing his usual schtick here as Doctor Ivo “Eggman” Robotnik, he is far more than what he appears to be. His lack of an Oscar nomination for “The Truman Show” was tragic, and they should have just handed him the Oscar for his performance as Andy Kaufman in “Man on the Moon.” And when it comes to “Batman Forever,” I still think he was the best thing about it. Anyway, that is all.

‘Spider-Man: No Way Home’ is Fantastic Entertainment and One of MCU’s Best

Okay, why beat around the bush. “Spider-Man: No Way Home” is far and away one of the very best “Spider-Man” movies ever made. It stands proudly alongside my other favorites (“Spider-Man 2” and “Spider-Man: Into the Spider-Verse”) as it gives audiences quite a ride which proves to be as emotional as it is exciting. It also cements the fact that Tom Holland is the best actor to inhabit this iconic comic book/superhero thus far, and it even redeems the weakest Spider-Man movies (“Spider-Man 3” and “The Amazing Spider-Man 2”) to where I think I can get away with saying all is forgiven. Yes, it really is that good.

When we last saw our friendly neighborhood human bitten by a spider, Mysterio had framed him for his murder which was gleefully exploited by J. Jonah Jameson (J.K. Simmons, because casting anyone else in this role would be uncivilized) on his Alex Jones-like broadcast. Even worse, the world now knows Spider-Man is really Peter Parker which makes his life a social media nightmare as people are quick to look at the headlines instead of reading the article or looking beneath the surface of things to get to the truth. Of course, even if the truth is revealed, there would still be many people around the world quick to believe the fiction, especially if it fits in with their deluded mindset.

In desperation, Peter seeks out Doctor Strange (Benedict Cumberbatch) and asks him to use the mystical arts to wipe out everyone’s memory of him being Spider-Man. Unfortunately, Strange’s spells get all messed up when Peter suddenly remembers he doesn’t want Michelle “MJ” Jones-Watson (Zendaya), his best friend Ned (Jacob Batalon) or his Aunt May (Marisa Tomei) to forget about him or his alter-ego. As a result, the multiverse cracks open and many of Spidey’s devious enemies are brought into the world this particular Peter Parker exists in to do away with him. It’s up to Peter to, as Doctor Strange says, “Scooby Doo this shit.”

It is fantastic to see some of the best Spider-Man villains back on the silver screen here. I was especially thrilled to see Alfred Molina return as Doctor Otto Octavius as he is still the most memorable nemesis in all of these films. Molina does wonderful work once again as he plumbs the depths of his character to find the humanity within a man who has been driven to madness. This is an actor who never fails us.

The same goes with the always reliable Willem Dafoe who returns as Norman Osborne/Green Goblin. This time, the Green Goblin gets an upgrade to where Dafoe no longer has to bother with the cheap-looking mask he was forced to wear back in 2002 (he must have enjoyed smashing it to pieces). More importantly, he also makes this iconic comic book villain a fascinating study in good and bad, and the bad side of Osborne threatens to far more devious than anyone could have expected.

And in the other corner, we have the return of villains from the worst “Spider-Man” movies: Max Dillon/Electro (Jamie Foxx) and Flint Marko/Sandman (Thomas Haden Church). Church was forced to act in a sequel which already had too much going on and contained some truly underwhelming special effects. The same thing happened to Foxx in “The Amazing Spider-Man 2,” but his performance also proved to be underwhelming as he was unable to make Electro a menacing antagonist. But in “Spider-Man: No Way Home,” both actors are clearly having way more fun this time around as their characters fit into the narrative nicely, and their appearances are upgraded to excellent effect. This is especially the case with Foxx who is no longer this blue-looking guy who looked like he belonged more in “Avatar” than a “Spider-Man” flick, and he gets to take Electro in some new directions which makes his performance much more memorable this time around.

As with any Marvel Cinematic Universe offering, there are many cameos from other comic book characters and superheroes throughout, but I will not spoil any of them for you here. Granted, many other websites and outlets have been digging deep into all the surprises and easter eggs just one day after this sequel opened, and I should not be surprised by this, but you deserve to discover these surprises yourself. There’s a number of good reasons why I did not post a spoiler warning at the top of this article.

The best “Spider-Man” movies deal brilliantly with how Peter Parker is just a regular kid who accidentally inherits incredible superpowers which excite him, and who eventually comes to see how with great power comes great responsibilities. Granted, someone usually has to say these words to him, but he does soon realize the magnitude of his actions and his place in the world at large.

Like Tobey Maguire and Andrew Garfield before him, Tom Holland fully understands the humanity of Peter Parker and Spider-Man, and the actor takes us on quite a journey as Peter goes from being a bright young kid whose world has been turned upside down to a man who is tested in ways he does not expect. Tragedy comes to define his life and takes him down a path of no turning back, but Holland, with his eyes and body, shows us a hero who can and will rise above hatred to take on a new adventure which will come his way eventually. Holland is phenomenal here.

I also liked how “No Way Home” deals with its themes such as the following: Can evil be turned to good? Can bad ways and tragic actions ever be redeemed? Is absolute power such an aphrodisiac to where giving it up really does seem insane? Is J. Jonah Jameson ever going to get sued for his program of shameless propaganda? And, perhaps most importantly, how much must a hero sacrifice in order to save the world? I really loved how director Jon Watts and screenwriters Chris McKenna and Erik Sommers deal with these themes, even if some get more attention than others.

Some comic book/superhero movies go in and out of me quite easily to where there is only so much worth remembering about them. “Spider-Man: No Way Home,” however, stayed with me long after the end credits and post credit sequences were done. Like “No Time to Die,” this 2021 motion picture packs quite an emotional wallop as Peter Parker and his iconic alter-ego remains as endearing and heroic as ever. This is one of best “Spider-Man” movies ever, and one of my favorite films of this past year. I was expecting a good movie as I walked into the theater, but I had no idea it was going to be this good.

I also have to hand it to Marvel as they know how to finish a trilogy. The third movie in a franchise can often prove to be disastrous to where it sullies everything which came before it, but that’s not the case here. Now if they can just do a better job with the second film in a trilogy, everything would be great. Seriously, does anyone remember anything about “Thor: The Lost World?” I don’t.

* * * * out of * * * *