‘Adventureland’ – A Ralph Report Video Vault Selection

WRITER’S NOTE: This review was written back in 2010. I applaud Eddie Pence for featuring this as a Video Vault selection on “The Ralph Report.”

It’s always those low paying jobs you had as a teenager during the summer months which helped mold you into the person you are today. It sucks how it takes you another decade or so to realize this upon closer reflection. Being there at the cash register, ringing up orders for customers in the real world, this all shows you things people they don’t teach you in high school or college. So yes, even those cumbersome jobs I had such as cutting the guts out of fish, teaching little kids how NOT to fish (and they still didn’t listen to me), shoveling popcorn constantly to where I came home reeking of it, and selling overpriced drinks at the movie theater (because that’s where they get their profit from folks) made me wise up to things which would eventually benefit me later in life. It also taught me how to take control and responsibility for my life. Still, it would have been nice if they paid me more an hour. Minimum wage was around four dollars back then. I wouldn’t be able to live on that today.

Adventureland” follows the exploits of James Brennan who is forced to take a summer job upon graduating from Oberlin College. His dad just got laid off to where neither of his parents will be able to support him financially either for the summer vacation in Europe he was hoping to take, or for his first year at Columbia College where he was planning to study journalism. Despite gloating over the great vacation he cannot go on now, James applies for different jobs around his hometown, but even his impressive transcript from Oberlin can’t land him a decent paying job. Adventureland Park, however, is hiring just about anyone with a pulse who fills out an application. Heck, I bet they even hire people they call the cops on! James tries to get a ride operator position, but managers Bobby and Paulette (played by Bill Hader and Kristen Wiig) are convinced he is more of a games person, so he unenthusiastically takes on the job only out of a financial need.

This is one of those movies which unfortunately got lost in the shuffle due in part to Miramax’s promoting it in the wrong way. The posters kept screaming out how it was from the director of “Superbad,” Greg Mottola. But despite the fact both movies have the same director, they are very different from one another. While “Superbad” was a broadly comic farce (one of the most gut-bustlingly hilarious ones from this past decade might I add), “Adventureland” is more of a serio-comic story and one of the more realistic coming of age movies I have seen in a while. Don’t get me wrong, there are some very funny moments to be found here, but you really can’t walk into this movie expecting another “Superbad.” If you do, you will be disappointed for all the wrong reasons.

The Adventureland Park itself is like one of those travelling carnivals you see come into town once or twice a year. You know, the ones with those rides which are in a constant state of disrepair which no cleverness can ever hide. The games they have like the ring toss and dart throwing are all designed to be unwinnable. This doesn’t stop people from still paying to play them though, hence the profit. Plus, like all amusement parks, they play the same damn songs over and over to where the employees are driven to insanity. I remember working at a park like this once, and I endured the same exact daily irritations. Where James and his colleagues have to listen to Falco’s “Rock Me Amadeus” every other five minutes, we kept getting subjected to Tom Petty & The Heartbreakers… Well actually, I do like Tom Petty, but I just realized I don’t listen to him as much as I used to.

I love how “Adventureland” gets all the specific details down to where it resembles just about any job I could have had as a youth. I actually worked at Disneyland for a couple of years myself, and while Adventureland is a pale imitation of it, many of the same rules I lived under were reflected by the park employees here. What this park has over that corporate monolith, however, is that the rules are much looser, and the working environment is nowhere as stressful.

Jesse Eisenberg plays James Brennan, and right now he is going through that Michael Cera phase of playing the young adult who is not always of sure of what he is supposed to say, think or do most of the time. He is best known for starring in “Zombieland” opposite Woody Harrelson or from “The Squid & The Whale” where he held his own opposite the great Jeff Daniels. Eisenberg is perfect as James in how he finds things to savor at Adventureland even though he would rather be vacationing in Europe. He never overplays or underplays the part to where he becomes ingratiating to watch. Somehow, this actor finds the perfect note to play James to where we like this guy and want to follow him on his post-graduate summer from start to finish.

The other big star here is Kristen Stewart who we all know of course from those darn “Twilight” movies. I haven’t seen any of them but, from what I have been told, I haven’t missed much. My friends keep telling me Stewart cannot act and how she looks all vacant whenever she is onscreen. Well, they didn’t check her out in “Adventureland” because her talent really shines through. Her character of Emily Lewin is the most complex here as she is dealing with a lot of problems which make her yearn for an escape out of town. Emily’s dad is actually a rich lawyer whom she resents for remarrying so soon to a woman she cannot stand. She really doesn’t need to work a part time job, but she does so just to get out of the house. Her methods of escape end up getting her into a relationship with Mike Connell (Ryan Reynolds), a married man who also works at the park.

Stewart does great work in portraying a character who yearns to be with someone who really sees her for who she is, but ends up running away from that particular someone when she becomes seriously afraid of messing everything up. You care about Emily because we can all relate to being confused about our place in life and of wanting to escape an environment which feels too confining. As a teenager, you can really feel like a prisoner in your hometown, especially if you don’t have a driver’s license. There are only so many places you can go to, and there is a strong need to break the boundaries holding you back. Stewart and the rest of the cast really show this throughout.

Another actor I want to give a lot of credit to is Martin Starr who plays Joel, the sarcastic co-worker who shows James around the park and makes him see how everything works. Starr has an amazingly dry sense of humor which has served him very well ever since appeared on the depressingly short-lived show “Freaks & Geeks.” This role is perfect for him as he embodies the antisocial misfit we remember from school, and who proves to be far more interesting than the jocks who were the stars on campus. Starr also gives his role an unexpected depth as we see him getting involved with a girl who ends up thoughtlessly rejecting not for who he is, but of what she and her family sees him as. It’s one of the film’s most honestly painful moments which rings true in ways too real to discuss openly.

And, of course, I can never get enough of Bill Hader and Kristen Wiig, some of the funniest people working today on “Saturday Night Live.” They are great together as the managers of this barely average amusement park and provide some of the biggest laughs as they take care of business as professionally as they can. Just make sure not to litter around Hader’s character because this will set his fuse off almost immediately,

With “Adventureland,” Mottola really captures how those jobs we worked for little money growing up toughened us up and helped in our evolution. I think it will be seen in the future as one of the most vastly underrated coming of age movies ever. It deals with the painful truths of growing up, and of experiences we had which molded the way we think and acted from there. Hopefully it will find the audience it deserves on cable and physical media. And for those of you who still think Kristen Stewart cannot act, get a clue, please.

* * * ½ out of * * * *

‘The Lincoln Lawyer’ – The Beginning of the McConaughey Renaissance

WRITER’S NOTE: This review was written in 2011, back when the McConaughey renaissance was just beginning. This almost marks the 1,000th post on The Ultimate Rabbit website!

Okay, now how many dramas and thrillers featuring a lawyer as the main character have we had these past few years? Heck, how many novels featuring lawyers have been thrust at us? After everything written by John Grisham and Scott Turow, you’d think the world would have had enough of legal thrillers whether or not they made it to the silver screen. It all reminds me of that joke we’ve all heard:

“What do you call a thousand lawyers at the bottom of the ocean? A good start!”

As a result, I was in no immediate hurry to check out the latest legal thriller adapted into a movie, “The Lincoln Lawyer.” This particular one is about a defense lawyer who has no scruples about what he does, but he ends up getting involved in a case which haunts his conscience like no other. Looking this plot line over, it sounds like “Primal Fear” all over again. How many times have we been down this road? Yes, I agree, far too many.

But alas, while “The Lincoln Lawyer” breaks no new ground in the legal thriller genre, it does contain many clever twists up its sleeve which distinguishes it from others of its ilk. It is based on the novel of the same name by Michael Connelly who is best known for writing detective novels and crime fiction. One of his previous books, “Blood Work,” was turned into a movie by Clint Eastwood, and it is one of the very few Eastwood directed movies which really sucked. It turns out, however, that “The Lincoln Lawyer” was actually Connelly’s first legal novel, and it introduced the world to one of his most popular literary creations, Mickey Haller.

Mickey Haller is a criminal defense attorney who spends his time defending the kind of people we would all rather see behind bars. Instead of a regular office, he works out of his Lincoln Town Car which he gets driven around in by Earl (Laurence Mason), a former client of his who is working off legal fees he owes. He has an ex-wife, Margaret McPherson (Marisa Tomei), whom he is still on good terms with even though she works on the opposite side of the court as a prosecutor, and they have a daughter whom they both dote on, and you at times wonder why these two ever bothered to divorce. If James Carville and Mary Matlin can maintain a marriage, why can’t these two?

Anyway, Mickey ends up defending Louis Roulet (Ryan Phillippe), a Beverly Hills realtor who is accused of viciously assaulting a prostitute. The case, after some research, looks to be an open and shut deal for this ever so confident lawyer. However, more problems arise to where things are not what they appear to be.

That’s all I’m going to say about the plot. To say anymore would be to give away a good deal of what happens. What I will say is that it makes for a good story in how someone has to find a way to find justice without being forever disbarred from practicing law.

Much of the success of “The Lincoln Lawyer” belongs to the actor chosen to play Mickey, Matthew McConaughey. After seeing him in so many useless romantic comedies, he gets one of his best roles to date here. Believe me when I say he is perfectly cast in this role, and he nails Mickey’s sly confidence and cocky demeanor as he works his way through the courtroom to get what he wants and needs. Mickey is to an extent an amoral character, one who appears to care less about whether or not those he represents will commit crimes again after he gets them off. But McConaughey is so cool here that we find it impossible to hate Mickey, and we love his (if you’ll forgive the expression) “Rico Suave” ways which he utilizes around everyone he meets. Whether or not you agree with what he does, we all would love to have his coolness and persuasiveness when it comes to talking with and influencing others.

It also helps that McConaughey is surrounded by a great cast of actors who give him plenty to work with. Tomei remains as terrific and super sexy as ever in her portrayal of Margaret, and she shares strong chemistry with McConaughey throughout. We also get an entertaining turn from the always dependable William H. Macy as investigator Frank Levin, Haller’s right-hand man who succeeds in getting the facts whether he does it legally or illegally. We also get strong turns from John Leguizamo, Michael Peña, and Frances Fisher who all bring their best selves to this material.

But one performance I want to single out here is Ryan Phillippe’s. As a Beverly Hills playboy who has had everything handed to him on a silver platter throughout his life, Phillippe excels in convincing everyone around and the audience of Louis’ intentions. Still, there is that glimmer in Louis’ eyes which suggests not everything he says or implies is on the level. Phillippe has been better known these past few years as Mr. Reese Witherspoon, but however things went down in that relationship, he deserves to be noted for his acting here and in other movies he has been in. Watching him onscreen here is riveting because he always leaves you guessing as to what will happen next.

Directing “The Lincoln Lawyer” is Brad Furman, and the only movie he previously directed is “The Take.” I really liked how vividly he captured the urban environment of Los Angeles, and it never felt like he was filming on some ordinary Hollywood set. With a story like this, Furman could have easily gone in that direction, but he gives each scene a solid reality which doesn’t feel all that far from the one we inhabit. He also keeps the suspense up throughout and gives us some tension filled scenes which keep us at full attention as if someone is about to come from behind us and bash our brains in.

Like I said, “The Lincoln Lawyer” does not reinvent the legal thriller genre, but it reinvigorates the genre with a strong and enigmatic main character and a story with twists we haven’t seen in some time. In a way, this movie brings McConaughey around full circle as he made his big breakthrough in the film adaptation of John Grisham’s “A Time to Kill.” Soon or later, this man who keeps telling us to just “keep on livin’” had to play another lawyer. I hope for his sake he gets to do a follow up to this one as he has this character down flat. Maybe others could have done it better, but who comes to mind as quickly as McConaughey?

* * * out of * * * *

Michael Chiklis Talks About His Acting Career and ‘Parker’

Michael Chiklis in Parker

WRITER’S NOTE: This article was written in 2013.

Michael Chiklis has been a very busy actor lately. Ever since the transformation his career took when he played Vic Mackey on “The Shield,” he has gone on to appear in two “Fantastic Four” movies as the Thing, and he now stars alongside Dennis Quaid on the CBS television show “Vegas.” But now he’s back on the silver screen in “Parker” which stars Jason Statham and is directed by Taylor Hackford, and in it he plays the vicious bank robber Melander. Chiklis has become one of the few actors working today who can go from television to film and from playing a hero to portraying a villain with relative ease. Many actors get typecast to where audiences won’t allow themselves to see them as anything else, and this is why we admire Chiklis because he appears to have completely bypassed that hurdle.

I got to catch up with Chiklis when he was at the press conference for “Parker” which was held at the Four Seasons Hotel in Beverly Hills, California. He told us he would soon be directing an episode of “Vegas,” but this is nothing new for him as he previously directed episodes of “The Shield.”

Michael Chiklis: I have fun with it. I deliberately boss everybody around… No, I’m kidding. I don’t make a big deal of it. It’s usually I take a lot of gut from my fellow actors because they want to give you a hard time. It’s to be expected and I just take it.

One of the reporters told Chiklis that Melander is “a real dick,” and he responded to this description with a big laugh. It was never lost on the actor how his character was a complete bastard, and he reveled in the opportunity to play a full out bad guy. While Vic Mackey from “The Shield” may have been an antihero, Melander has no redeeming qualities whatsoever.

MC: This guy’s a malevolent prick and great. I can just sort of unabashedly get to be a dick which is fun. When you get to do that in real life? You don’t unless you want to be a pariah. One of the wonderful things about being an actor is you get to walk a mile in another man’s shoes, and the other great thing is that you get to step out of them and not be in the shoes anymore. It was wonderful to sort of step into a pair of shoes of a guy who’s all about himself; a narcissistic, sociopathic douche bag and just let that be.

Since he’s become known for playing such hard boiled or douche bag-like characters, it is tempting to think Chiklis is not much different from the ones he played on “The Shield,” “Vegas” or “Parker.” But he didn’t need to convince us he isn’t because if he was like Melander in “Parker,” he would be in jail or even on death row. Chiklis does get a kick out of how people can mistake him for the characters he has played, but it’s clear he’s not out to live up to this image we have of him either.

MC: I think Vic Mackey in particular had an effect on people. I’ve had grown men shake my hand like this (and he showed their handshakes to be full of nervous energy), and I’m like, oh dude it’s all right, I’m not gonna hurt you. That’s happened, but as the father of daughters that’s not such a horrible thing. There are benefits to that. Sometimes it’s scary though because some people really don’t have a capacity to separate truth from fiction. It is a movie and we’re actors playing parts, and I’m not fucking Vic Mackey, I’m not. I’m not a malevolent prick, I’m just not, but I have fun playing one and I’m sure I’ll play others in the future. I like to mix it up and play all kinds of people.

Like I said, Chiklis is one of those actors who can go from playing a good guy to playing a bad one, and we never doubt he will give a strong performance as either kind of character. All of us at this roundtable interview couldn’t help but wonder if he likes playing bad guys more than good ones, or if he likes playing both types of characters equally. But like any other actor, famous or not, Chiklis is not looking to play the same type of person over and over again.

MC: The reason why that’s true is because I don’t prefer to do one or the other. I like to all of that. I’m terrified of complacency and I do not like to be boxed in. I’ve always wanted be diverse, and the more diverse you are, the more of an opportunity you’ll have to play a wide variety of roles. Some people thrive in an area that they have their note in and their terrific at it, and they just sing the note all the way to the bank and good for them. That’s just not my way. I can’t do that.

Chiklis compared his interest in acting roles to his iPod which he said has music by The Tubes and Sergei Rachmaninoff on it. What he ended up saying made perfect sense as none of us like to listen to the same type of music all the time. We need variety, and it’s this same type of variety which Chiklis demands as an actor. Now most actors don’t get to indulge in any kind of variety, but he admits many give him strange looks when it comes to his taste in things.

MC: I have eclectic taste in film and television and musicals. People freak out because I went to see “Glengarry Glen Ross” when I was just in New York, and then the next night I was at “Newsies and they were like, what the? And I dig both because that’s life. I’d hate like hell to look at the same flower every day no matter how beautiful it was. It just makes to me a more interesting life and career, and I’m just blessed that I’ve been able to afford the opportunity to play these characters.

Now Chiklis didn’t always have this diversity in his career as for years he was known for being on the comedy-drama TV series “The Commish” which had him playing a suburban police commissioner in upstate New York named Tony Scali who worked through various problems with humor and creativity. This led to Chiklis to being typecast as a nice guy in film and television, and to him playing the same type of character in many projects like the ill-received television series “Daddio.” It took someone very close to make him realize what he had to do to change his future as an actor.

MC: A lot of the diversity in my career which I always desired, but I didn’t necessarily know how to attain, I credit to my wife because she made the statement to me years ago: it’s not incumbent upon the studios to reinvent you, it’s incumbent upon you to reinvent yourself. And I just looked at her and went that’s right, that’s correct and that’s brilliant. Actors become puzzle pieces in that he fits there, she’s fits there, and you can understand that. So, I was fitting in the rolly polly affable guy place for a lot of these people, and I couldn’t just expect them in osmosis to go like, oh yeah, Chiklis, bad ass mother fucker because they’ve never seen that from me. So, she simply pointed out, you want them to see you that way? You’ve got to show them that and you’ve got to demand that.

Demanded it he did, and Michael Chiklis’ acting career is now stronger than it has ever been. He plays a remorseless bank robber in “Parker,” and at the same time he portrays a Chicago mobster on “Vegas.” It doesn’t look like this actor will ever lack for a variety of roles at this point in his life, and this says a lot about his talent as well as his perseverance in an industry as fiercely competitive as this one is. More power to him!

CLICK HERE TO CHECK OUT THE EXCLUSIVE INTERVIEW WHICH I DID WITH MICHAEL CHIKLIS FOR THE WEBSITE WE GOT THIS COVERED.