Peter Yates’ 1968 neo-noir action thriller film “Bullitt” was my introduction to one of the coolest actors and movie stars ever to inhabit this planet of ours, Steve McQueen. It also starts off with one of the most ingenious opening title sequences I have ever seen as a dozen men are waiting outside of a building for a certain individual whom we later see is waiting for them and already prepared to escape their clutches. Seeing the names of the main actors being revealed and then having them come right at us showed how creative one can get with opening titles, and they have the benefit of being scored by the man who would later create the music which Edgar Wright would call “acid jazz” for “Dirty Harry,” Lalo Schifrin.
The opening titles for “Bullitt” were designed by Cuban-American graphic and film titles designer, Pablo Ferro. His list of credits is extensive, and many of his other film titles may end up on this website at some point. What I love about his work on this particular sequence is how cool it all works and how it gives you a sense of not only characters on the move like John Ross, but also of how we are invited to look much closer at everything which goes on here. While everything might seem crystal clear on the surface, the antagonists are eventually going to get quite a rude awakening when they realize they are not as smart as they think.
Keep in mind, we do not see any of the main characters in these opening titles. What we do see is the beginning of a chase for a certain individual, and it is contained within a motion picture which has one of the greatest car chases in cinematic history. While we are left to guess how everything we see here adds up, this is perfect as the characters we are eventually introduced to such as Steve McQueen’s Frank Bullitt, Robert Vaughn’s Walter Chambers and Don Gordon’s Detective Delgetti are thrust into a situation which has more layers than they initially realize.
“Bullitt” remains one of the greatest cop movies ever this side of “The French Connection,” and I recommend you check it out if you have not yet done so. Please feel free to check out its opening titles down below.
WRITER’S NOTE: This review was written back in 2008. I am publishing it here because Eddie Pence, vice-host of “The Ralph Report” podcast, recommended it on the Video Vault segment much to Ralph Garman’s unhinged annoyance. Frankly, I am with Eddie on this one. This was a lot of fun!
Ahh, “The Delta Force.” One of my many favorite action movies from the 1980’s! Phil Blankenship and Amoeba Music presented a midnight showing of it at New Beverly Cinema. Although the theater was not as packed as usual, the crowd was super excited to see Chuck Norris kicking terrorist ass like we always expect him to.
The first time I saw “The Delta Force,” I was quite surprised at how well made it was. While there are parts of it which are unintentionally hilarious, the first half is actually well written and directed for the most part. The last half is pretty much what you expected it to be, a cheesy action movie with heroics and explosions. But even on that level, it is a kick ass experience.
At this screening, Blankenship welcomed a very special guest from the movie, Natalie Roth. She played Ellen, the young girl with the Cabbage Patch Kid doll, and she took the time to take questions from the audience. She said Norris and Lee Marvin were both very nice to work with and that Marvin was in bad health throughout the production (this ended up being his last film before his death). Roth also talked about watching this movie several dozen times on the silver screen just to see herself. Funny how she was got let into an R-rated movie considering her age at the time, but anyway.
“The Delta Force” comes to us from the purported king of 1980’s action movies, Cannon Pictures. Led by Menahem Golan, who also directed and co-wrote the screenplay, and Yoram Globus, many of their movies would easily rank in the “so bad it’s good” department while others proved to be utter crap as they were more depressing and pathetic than laughable. They made B-movie stars out of Norris as well as Charles Bronson and Jean Claude Van Damme among others. With all this in mind, you really can’t go into a Cannon Pictures movie with a lot of high expectations. In fact, the lower the expectations, the better. This is why “The Delta Force” is unique in this respect. I usually don’t expect the writing or the acting to be any good in movies like these, and while there is some laughable overacting to be found here, the performances for the most part are spot on.
The film was based on the real-life hijacking of TWA Flight 847 on June 14, 1985, and it uses a lot of those same moments from it like the press conference with the pilot in Beirut. It starts off taking some time to introduce us to the soon-to-be hostages like Shelley Winters and her husband played by Martin Balsam, We also meet Harry (Joey Bishop) and Sylvia Goldman (Lainie Kazan) who are celebrating their silver wedding anniversary, Father O’Malley (George Kennedy) and his two sisters from the church, one played by future “NYPD Blue” star Kim Delaney. In addition, we are introduced to the two terrorists who will hijack the plane, and they are played by Robert Forster and David Menachem.
Now having an American actor play an Arab terrorist would be very unlikely in this day and age, but Forster pulls this role off without it ever being laughable. As Abdul, he makes an excellent villain who’s not just another one-dimensional bad guy, but one who is truly threatening to where you believe it when he says he is prepared to die. “The Delta Force” was made back when Forster’s career was heading into oblivion, but he did finally make his comeback with Quentin Tarantino’s “Jackie Brown,” and we have not forgotten how great an actor he is ever since.
Menachem, on the other hand, never knows when to stop overacting. As Moustapha, his eyes open up so wide to where I was convinced they would pop out of his head and ricochet off of a hostage’s head. He is a kick to watch, but his performance did generate a lot of unintentional laughs from the audience at this midnight showing.
Another strong performance comes from Hanna Schygulla who plays the head flight attendant, Ingrid. She is put in a very difficult position as the terrorists force her to pick out the Jews from the passports taken from all the passengers. This is another actor who shows a lot without saying anything, and her close-ups throughout illustrate how she somehow manages to hold it together even when the situation gets worse and worse. I love the moment she has with Forster before she leaves the plane as he perfectly describes her character:
“Ingrid, you’re a brave woman.”
I know I am going to raise a lot of eyebrows by saying this, Norris is not a bad actor. Many think he is flat out terrible, but I disagree. Granted, he is no Laurence Oliver and even he would openly admit this, but as a film actor he has many strong moments. The strength of a film actor is in showing what your character is experiencing without having to spell it out for the audience. Norris has a lot of moments like these, and he is easily a more competent screen presence than others like Jean Claude Van Damme or Steven Seagal, both who have since been consigned to direct to video hell. Just look at his face towards the end as he mourns the loss of a comrade. Seriously, you can feel his pain.
Having Marvin in this movie certainly gives it more dramatic heft and believability even when things get increasingly ridiculous in the last half. His craggy face tells you all you need to know about the many tours of duty his character has ever experienced. He is perfectly cast as the unsentimental leader of an elite anti-terrorist force who has no time for pity, and who is always looking out for his men except if he has a timetable to keep.
Before I forget, I have to bring up the film’s score by Alan Silvestri who would later go on to compose unforgettable music for movies like “Back to The Future” and “The Abyss.” This is a classic 1980’s score which chiefly utilized the synthesizers of the time. It is a cheesy score, but I still liked it a lot as Silvestri hits some strong emotional notes, and the theme song is one which will stay with you long after the movie is over.
“The Delta Force” is easily one of the best movies Cannon Pictures could have ever hoped to make. Sure, it led to a lot of crappy knock offs and sequels which nowhere as good. “Delta Force 2” was a direct rip off of Timothy Dalton’s last James Bond movie, “License to Kill.” Sure, it had a great and a truly despicable villain in Billy Drago, but sitting through it was painful and excruciating. The less said about “Delta Force 3,” the better.
After all these years, I think “The Delta Force” holds up very well despite looking more and more dated. True, it is one of those movies which can look at and say, “Only in the 1980’s could you have made this,” but I still get a huge kick out of watching it all these years later. It has also led to some great retro t-shirts which you can still see popping up on the internet every day. You may have seen them here and there, and one of them has this on the front:
“I don’t negotiate with terrorists. I blow them away.”