Terrence Howard On His Future As An Actor and ‘Dead Man Down’

Dead Man Down Terrence Howard photo

WRITER’S NOTE: This interview took place in 2013.

It was so infinitely cool to hang out with actor Terrence Howard during the Los Angeles press day for “Dead Man Down.” Hearing him speak was endlessly fascinating because, on top of being an actor, he is also very knowledgeable on the subjects of science and the Bible, and his intelligence has led him to make a number of interesting choices in the roles he has played. Throughout the interview, he talked about how he chose to portray crime lord Alphonse Hoyt and what the future holds for him as an actor.

Now when you hear about crime lords in movies, you usually expect actors to give scenery-chewing performances which are way over the top. But at the same time, many actors fall into the trap of making these characters seem like comic book characters as opposed to fully developed human beings. The beauty of Howard’s performance in “Dead Man Down” was that it was never over the top, and he allowed himself to portray Alphonse in a way you wouldn’t necessarily expect. In his conversations with the film’s director Niels Arden Oplev (who made the original version of “The Girl with the Dragon Tattoo“), Howard came to realize he wouldn’t be playing the same old crime lord we have become all too familiar with.

Terrence Howard: That man (Oplev) told me, “I’m going to change your life. I’m going to make you a bad guy that nobody has ever seen before,” and he gave me all the tools necessary to accomplish it. I think he’s a genius for that. What he did in creating these characters where all of them were compromised from the start was a beautiful, beautiful thing. There’s no good guy, there’s no bad guy in the movie. Everyone makes a crucial mistake in trying to make you pay for what you did yesterday with the resources of today.

Having seen “Dead Man Down,” I couldn’t agree with him more. Alphonse Hoyt is a bad guy, but he is also a very complex character who cannot be dismissed as a one-dimensional villain. Even the characters played by Colin Farrell and Noomi Rapace are in a morally gray area as they have suffered tragedies in their own lives and are out to get revenge in the worst way possible. Howard compared the characters to another movie he co-starred in.

TH: It’s like “Crash;” everyone was a bad guy somewhere along the way. Even Ryan Phillippe’s character, who was the good guy, ends up doing something terrible at the end of it. I think that’s what cinema’s about. it’s supposed to teach you about humanity and the choices that we’re making whether it’s good or bad, and the audience can watch and hopefully gain some type of understanding of how to place the stumbling blocks of yesterday in a way on the path that they become stepping stones for those that will follow us. We are all still one person even though we see each other as separate individuals.

During the interview, Howard made it very clear to us that Alphonse was not born a bad guy. While his character leads a life of crime, we come to understand he never meant to go down the dark path that he did. This may not make any of his deeds in “Dead Man Down” forgivable, but it helps us to understand where he came from. Howard talked about how he saw the character at length and how his own personal experiences came to inform his performance.

TH: He (Alphonse) wanted to fit into society. Now mind you, he was part of a disenfranchised social group as a young black man, and in being a light-skinned black man growing up in the 70’s, black people didn’t appreciate him and didn’t like him and white people didn’t like him. When I was a kid, I was called a no nation motherfucker because I couldn’t hang out with black people and I couldn’t hang out with white people, so I had to find some type of foundation within my own family group. When I went down to Brazil, I found my family because everybody looks like me there. My character just wants to be accepted; he wants to be respected. He’s like Michael Corleone who said, “I tell you within five years we are going to be complete and above board. Just give us those five years and all of the businesses are going to be respectable.” That’s what he’s hoping, but Michael Corleone was never able to achieve that because you cannot gain peace by creating problems for someone else.

It’s natural I suppose to assume Howard based his character on another crime lord or that he did research on kingpins from history, but he actually found inspirations from other surprising sources. Among them were a story by writer Khalil Gibran and the story of King Saul and of how he had been anointed to become the King of Israel but was later denied this honor.

TH: When King Saul thought too much of himself and began to break God’s laws, King Saul had the kingdom ripped away from him. Now instead of accepting that and repenting, he fought against the anointed of Jehovah in fighting David, and therefore he had this evil spirit that was always following him, and he knew that he was going to fall and lose his place. That’s a hard place to exist in. But then Khalil Gibran told this story about the criminal, and in the story of the criminal was a young man strong of body and nature who had gone and knocked on the doors to go to work, but people told him ‘well you need education’ and they closed the doors. So, he went to the schools and they said well, you need money, and therefore he went out to beg and they said you’re a strong man, you’re lazy. So, he ended up on the top of a mountain and he looks down and is angry in his heart, and at that moment a lightning bolt strikes a tree and this club falls on him. He’s angry at God and he raises a club and says, “I asked and it was not given. Now I shall take with the strength of my arm,” and he then descended into that city and became the most notorious criminal of all time. Then two years later, a new Amir took over the city and made him the chief of his army and they dominated and desolated that city, and Khalil Gibran made a beautiful commentary that “of good men do we turn criminals out of our inhumanity towards each other. So, it was a combination of those things and a little bit of King Ahab because he refused to take direction from Jehovah also. There’s a lot of people that made Alphonse.

There are rumors Howard is thinking about retiring from acting, and this is a surprise because he still looks like he has many great performances left to give. He did not say he was going to retire, but I quickly came to respect his reasons for why he is considering it. Howard did not set out to be an actor for fame, wealth and glory, but instead to better himself as a person.

TH: I had a conversation with Sidney Poitier where I asked him, are you gonna do another movie? And he said, “No I don’t want to do an impersonation of myself anymore.” I may have 10 years left in my life and I don’t want to waste it doing something I’ve done before. If I can’t learn from a character, if I’m just going in and taking from a bag of tricks and choices, I don’t want to do it. It’s pointless for me because I have to grow as a human being and I don’t want the safe road. If I wanted the safe road I would’ve stayed working as a chemical engineer for New York when I graduated college. If I wanted the safe road I would’ve stayed in Cleveland, Ohio and been a contractor. I think I have greater things that I can contribute to the world of education and science than just as an actor. Now acting pays a lot, but I feel like I’m walking on water for tips as an actor because I know how to do it. I want to achieve my purpose as a human being and the reason I was put on this planet, so I will follow the course. As a sperm, if I knew which way to go and knew how to do it, I wouldn’t have gotten there because I would’ve been bored with it. But because I didn’t know where I had to go and I had to trust my instincts, I beat a half billion of my own brothers and sisters and hijacked my mother’s body and Terrence Howard has come to be. I like following the river as it flows.

Well, here’s hoping Terrence Howard doesn’t retire from acting for a very long time. While there is no doubt as to how smart a human being he is and of how much he can give in other areas of life, he continues to give one great performance after another. Howard also infuses each role he takes on with a strong intelligence, and it was endlessly fascinating to hear him talk about the things he knows as well as his role in “Dead Man Down.”

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‘Dead Man Down’ Reunites Niels Arden Oplev with his Lisbeth Salander

Dead Man Down movie poster

The tagline for “Dead Man Down” is “revenge is coming.” But while revenge is a big theme, it’s really about forgiveness. These characters have been forever wounded by a past which will not let them be, and they spend their time trying to avenge it in order to find some form of peace in their lives. What results is a movie which doesn’t break any new ground (few movies these days do anyway), but it is still a compelling one filled with complex characters and twists I didn’t see coming.

We meet Victor (Colin Farrell), the right-hand man to ruthless New York crime lord Alphonse Hoyt (Terrence Howard), and he defends his boss in a nasty firefight at the movie’s start. Quickly, we assume Victor is as loyal to Alphonse as any gangland player could ever be and that he will soon get a meteoric rise to the top of the criminal food chain. However, it turns out Victor is actually seeking revenge against Alphonse for killing his wife and child, and he is getting closer and closer to exacting his revenge.

But then Beatrice (Noomi Rapace), a woman who lives in an apartment across from Victor’s, enters the picture. Beatrice is still recovering emotionally from a nasty car accident which has left her face permanently scarred. While the scar hasn’t taken away all her beauty, it has destroyed her self-image and left her with a deep-seated rage she is desperate to be rid of.

After a dinner where the two of them make small talk and discover things they have in common, Beatrice makes her real intentions clear to Victor; she wants him to kill the drunk driver who plowed into her car and ruined her face. Moreover, she is willing to blackmail Victor into doing this as she has evidence of him killing another man. Knowing Victor is capable of taking a life, she gives him no choice but to take another. Both have strong motivations for vengeance, but can they tear themselves away from their rage long enough to see the damage they are doing to one another?

Right from the start, “Dead Man Down” is filled with twists and turns which makes this average revenge thriller all the more entertaining to sit through. Even if the twists aren’t entirely plausible, they keep us on the edge of our seats as we can only guess what will happen next. Just when you think you know where things are going, you don’t.

But what I really liked about this movie was how wonderfully complex the characters were. There is nothing black and white about them as everyone exists in a morally grey area. While Victor and Beatrice are clearly justified in having their revenge, we know the ways they are seeking it will do not make them good people. Even Alphonse comes across as much more than an average one-dimensional bad guy as he is someone who certainly wasn’t born evil. While certain characters may deserve some form of punishment over others, no one comes out of this story the least bit innocent.

“Dead Man Down” marks the first English language film from writer and director Niels Arden Oplev, the same man who gave us the original version of “The Girl with the Dragon Tattoo” as well as the recent remake of “Flatliners.” Now when filmmakers from a foreign country come over to America, their talents usually get compromised in the process. But Oplev doesn’t appear to have lost any of his skill here as he gives us a strong motion picture filled with fascinating characters. He also gets terrific performances from each of his actors as well as some strong visual moments such as a descent down the middle of a stairwell.

Colin Farrell has gone from doing needless remakes like “Fright Night” and “Total Recall” to terrific movies such as “In Bruges” and “Seven Psychopaths.” He has become an actor who can go from playing a good guy to a bad guy with relative ease, and this makes him perfect for a character like Victor who could be seen as either. Farrell does excellent work in conveying Victor’s conflicted emotions as he goes about exacting his revenge. As he gets closer to achieving his goal, Victor begins to see how he is becoming just like those who destroyed his life. Seeing the pain in Farrell’s eyes as he makes this clear to the audience without words shows us how great of an actor he can be when given the right material.

Noomi Rapace, the original Lisbeth Salander, is a powerhouse as Beatrice. Watching Rapace deal with her rage as well as the bad luck life has dealt her is enthralling to take in, and the scenes where she is attacked by a group of children who see her as a monster are devastating to witness. Like Salander, Beatrice is stuck in a moment which forever changed the course of her life, but Rapace gets to showcase more of a vulnerability here she wasn’t able to express as much in her star making performance. She remains a compelling actress to keep an eye on, and it’s great to see her reunited here with Oplev.

But I the performance which most impressed me was Terrence Howard’s as Alphonse Hoyt. Now when you see an actor take on the role of an evil crime lord, you expect them to chew the scenery and give an over the top performance. But Howard doesn’t do this here, and it is clear he has given this role a lot of thought. There is no doubt that Alphonse is an evil dude, but Howard is excellent in giving a method to this man’s madness. Howard left such a powerful impression on us with his Oscar nominated performance in “Hustle & Flow,” and his performance in “Dead Man Down” is a reminder of how he never lets us down as an actor.

In addition, there is a really good supporting performance by Dominic Cooper as Victor’s friend Darcy, and he has a wonderful scene at the start where he is holding his baby and talking about how he hopes being a father will lead him to a better future. The great Isabelle Huppert also shows up as Beatrice’s mom, Valentine, and she remains a remarkable actress even in the smallest of roles. There’s also strong cinematography from Paul Cameron and a wonderfully atmospheric film score from composer Jacob Groth to take in as well.

“Dead Man Down” is not the equal of “The Girl with the Dragon Tattoo,” and its climax is a bit over the top for a movie like this, but I liked how character driven it was and you don’t see many movies like that these days. It is also a compelling story about how the power of forgiveness is more important than the need for revenge. In this day and age, it is important to remember that.

* * * out of * * * *

The Girl With The Dragon Tattoo (2009)

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You look at her from a distance, and all you see is just another punk chick who’s nothing but trouble; born under a bad sign. You’d figure she’s pierced her body in lord only knows how many different places, and the mascara applied to her eyes might make you see her as an intimidating threat. Not once does she try to adjust her antisocial behavior or clothing attire in the workplace, and this is a sign of how unwilling she is to compromise her learned set of values.

But once you get to know her, you will find Lisbeth Salander is not your average punk rock girl. In fact, she’s a brilliant hacker and researcher who knows more about yourself than you could possibly realize. Bo Diddley was right when he said you can’t judge a book by looking at the cover. I mean you could, but she would just kick your ass because a rough upbringing has more than prepared her for the harsh reality of life.

Lisbeth Salander is the heroine of “The Girl with the Dragon Tattoo,” a brilliant mystery/thriller based on the best-selling novel by the late Stieg Larsson. Many have said Noomi Rapace gives a star making performance as Lisbeth, and nothing could be more true. She finds the heart of this incredibly intelligent yet mysterious character whose past is hinted at but never explained until the end, but we come to get enough of a glimpse which helps us understand where she is coming from. Lisbeth sets the bar high in terms of compelling characters (and not just females) you can find in movies from any country.

Right from the start, this film absorbs us in its compelling mystery involving the case of a missing girl which has remained unsolved for 40 years. Mikael Blomkvist (Michael Nyqvist), the publisher of Millennium Magazine, is coming off of a trial where he was wrongfully disgraced, and soon after he is hired by rich man Henrik Vanger (Sven-Bertil Taube) who wants him to look into the disappearance of his great-niece Harriet who was last seen years ago when she was only 16. Henrik believes Harriet was murdered by someone in his family, and it’s a very dysfunctional family filled with those who will fight one other for the whole inheritance without a single thought for anyone else.

Please believe me when I say “The Girl with the Dragon Tattoo” puts so many American movies of this genre to utter shame. Seriously, many of the mystery thrillers I have seen in the past few years are full of plot holes Michael Bay could lead both Autobots and Decepticons through no matter how enormous they are. Instead of being enthralled, we come out of them feeling like they are average at best, but they do allow us to feel smarter than the filmmakers since we spotted all their foolish mistakes.

Compared to all those wannabes, “The Girl with the Dragon Tattoo” has a very well-constructed plot to where if it is at all flawed, we certainly don’t realize it because we are too caught up with what’s unfolding onscreen. But where this movie truly succeeds is as a character piece in how deeply it involves us in the lives of two very different people. The two main characters are well developed and are very complex, something I always look forward to seeing. Lisbeth is a wounded person, damaged by life, and the trust she puts in others is exceedingly rare. These two end up coming together as Lisbeth has been hacking into Mikael’s computer as part of his case, and she ends up giving him some clues which have eluded him. While she is hesitant to get involved with Mikael professionally or emotionally, he points out how she contacted him in a way that is easy to track.

Lisbeth and Mikael are indeed an odd couple, and yet perfectly matched to work on the coldest of cases. They are also coming together at a time where they are in a very isolated state, having been largely misunderstood by just about everyone around them. While many view them negatively, they come to see one another as who they really are. The more they work together, the more they gain each other’s trust. In the large scheme of things, these are two people who do not let others define them.

“The Girl with the Dragon Tattoo” was directed by Niels Arden Oplev, a three-time award-winning director from Denmark. He deserves a lot of credit for keeping us deeply involved in a movie that could have easily overstayed its welcome. Not once did I find myself getting bored or restless while watching it. Oplev balances out the story and the acting to where they are on equal footing and never upstaged by style. Never does he indulge in quirky camera angles or other visual elements which would have taken away from this movie. Some directors just love to show off instead of just trusting what is there, and Oplev has clearly laid his complete trust in the story and the actors cast.

Noomi Rapace brings a powerful life force to Lisbeth Salander, a character destined to become as iconic as Clarice Starling from “The Silence of the Lambs.” Beneath her hard exterior is a person whose trust in others is practically non-existent for reasons which eventually become clear. Rapace more than succeeds in making Lisbeth tough as well as sympathetic. Her performance could easily have been a caricature, but she proves to be far too good of an actress to allow this to happen.

Michael Nyqvist does excellent work as Mikael Blomkvist, showing his strong resolve and utter frustration without ever going overboard in his performance. When he is first shown to the audience, it is as a man who has just been found guilty. We don’t know why at first, so we can only assume he had it coming or perhaps he was framed. We see him walking down the street when his picture comes up on television, pretty much defining him in the eyes of those who do not know him personally. But Nyqvist invests his character with a strong moral code which he never surrenders even when it seems smart for him to do so. We sympathize with Mikael as it always seems the wealthiest of people are more than willing to smash down the individual, especially when said individual is correct in what he or she discovers about them. The truth always seems to come at a heavy price.

Peter Andersson doesn’t even try to hide the hideous slime that consumes his utterly immoral character of Bjurman, a sexually abusive bastard who takes advantage of Lisbeth in the worst way possible. Even worse, he is her new legal guardian who takes charge of her trust fund after her original guardian suffers a stroke. Not to worry though, the pain Bjurman inflicts on Lisbeth comes back at him in a most vicious way, showing us once again what you see on the surface does not even begin to tell you the whole story.

Two sequels based on Stieg Larsson’s follow up novels have already been made, and I eagerly await the opportunity to see them on the big screen. They will have a tough act to follow after “The Girl with the Dragon Tattoo,” but with Rapace and Nyqvist reprising their roles, they will continue one of the more interesting and unusual partnerships you can hope to find in cinematic history.

It will be interesting to see who will be the next idiotic human being who foolishly thinks they have complete control over Lisbeth. Even more interesting will be in what way Lisbeth lets said person know just how wrong they are. Pray for whoever it is.

* * * * out of * * * *