The Super Bowl LVI Movie Trailers in Review

The Super Bowl has come and gone again. While the home team, the Los Angeles Rams, got me interested in this monumental event more than usual, what always brings me back to the Super Bowl are the commercials and the trailers for upcoming films which look to bring in the largest audiences possible. Even if some are available to stream on streaming services on opening day, these blockbusters are clearly made for the silver screen. Whether or not COVID mandates are still in place when these films arrive, I look forward to seeing many of them in a theater.

Doctor Strange and the Multiverse of Madness

Following the massive success of “Spider-Man: No Way Home,” Doctor Strange returns to battle the multiverse once again, and it looks badass to put it mildly. Sam Raimi returns to make his first movie based on a Marvel Comics character since “Spider-Man 3,” and it sure feels like a Sam Raimi film with all the crazy images which look like they came from “The Evil Dead.” The only thing I have to wonder now is this, will there be a Bruce Campbell cameo? Moreover, will his classic yellow 1973 Oldsmobile Delta 88 make an appearance as well? If so, that would be groovy.

Granted, the trailer presented during the game was a teaser for the official trailer which is now available to view online. I am just going to leave you the official trailer down below. Just when I thought I was getting burned out by superhero/comic book movies, this “Doctor Strange” sequel has whetted my appetite.

By the way, was that Patrick Stewart’s Professor X voice we heard?

The Lost City

Look, I love Sandra Bullock and Channing Tatum is fun, but this trailer for “The Lost City” makes the film seem like a wannabe “Romancing the Stone” which is too broadly comedic for its own good. Directed by Aaron and Adam Nee and based on a story by Seth Gordon, Bullock plays the brilliant but reclusive writer Loretta Sage who is known for penning romantic adventure novels which take place in exotic locations. While promoting her latest novel, she is kidnapped by an eccentric millionaire played by Daniel Radcliffe whom we see only briefly here, and it is up to Alan (Tatum), the model for Bullock’s book covers to save her. Oh yeah, there is a secret treasure involved. Sound familiar?

It pains when actors are clearly striving to be funny as this trailer. Still, it is worth watching for Brad Pitt who steals the show here just as he stole a certain scene in “Deadpool 2.”

Jurassic World Dominion

As disappointing as “Jurassic World: Fallen Kingdom” was, its conclusion gave its follow-up an interesting scenario to work with, dinosaurs co-existing with human beings. Can such a thing be possible, or will one race dominate the other to where a certain species is rendered extinct?

The trailer presented during Super Bowl LVI is the same one that recently premiered online. The image of cowboys trying to herd some dinosaurs who could easily kill them just by stepping on them is a fascinating image, and the characters played by Chris Pratt and Bryce Dallas Howard now have a daughter because, let’s face it, these two were bound to get it on at some point, and the whole will they or won’t they scenario has long since been played out.

But the real joy of the “Jurassic World Dominion” trailer is seeing the return of the “Jurassic Park” trio, Sam Neill, Laura Dern, and Jeff Goldblum. Neill is always terrific in whatever project he appears in, Dern looks like she hasn’t aged a day since “Jurassic Park III,” and Goldblum looks to get more of a role this time around as opposed to the glorified cameo he got in the previous installment.

The magic of first seeing the dinosaurs in Steven Spielberg’s 1993 film has never been quite the same, and this franchise has taken some embarrassing turns since then. But with “Jurassic World” director Colin Trevorrow behind the camera again, maybe everyone involved will give this trilogy the conclusion it deserves.

The Adam Project (Netflix)

On one hand, this trailer acts as a promotion for the original content Netflix is going to be dropping on us in the coming months. But this trailer’s main attraction is clearly the Shawn Levy film “The Adam Project” starring Ryan Reynolds, an actor no one can ever seem to get sick of. Originally titled “Our Name is Adam,” back when Tom Cruise was attached to star, Reynolds travels back in time to meet his younger self (played by Walker Scobell) in an effort to confront their late father. While the storyline seems like a rip-off of “Looper,” this looks like its own thing despite any similarities which I am hoping are coincidental.

Seriously, seeing Reynolds in this trailer made me as giddy as Will Ferrell was when he spotted him in the audience the last time he hosted “Saturday Night Live.”

Nope

This trailer for Jordan Peele’s latest cinematic opus reminds me of the greatness of the first “Cloverfield” trailer; it gives us a lot of fascinating and unforgettable visuals while leaving the movie’s plotline a mystery. The trailer for “Nope” looks like it takes place at a horse ranch in the middle of nowhere when all the electricity suddenly goes out, and either Armageddon is happening or a UFO is landing as characters flee as fast as they can or get sucked up into the air. Whether it is a political thriller dealing with racism like “Get Out” and “Us” or just a straightforward science-fiction horror thriller, this trailer has me deeply intrigued, and July 22nd cannot come soon enough.

Ambulance

Anybody who knows me well understands how much I despise Michael Bay. Ever since the cinematic atrocity that was “Transformers: Revenge of the Fallen,” I have avoided his movies like the plague. However, I cannot help but be intrigued by his latest film, a remake of the 2005 Danish film of the same name, which is about a bank robbery gone wrong (is there any other kind in movies?) which leads two of the robbers to hijack an ambulance and use an EMT and a wounded police officer as hostages. Plus, with a cast that includes Jake Gyllenhaal and “The Matrix Resurrection’s” Yahya Abdul-Mateen II, this looks to be a film not made with 5-year-old moviegoers in mind. Whether it is made with the mindset of a 5-year-old, however, remains to be seen.

The trailer for “Ambulance” has been out for some time now, but its Super Bowl spot serves as a reminder of how I am honestly excited for it. While it looks to have those typical Bay flourishes like explosions and cameras moving around in circles, there is nary a Transformer to be found here.

Top Gun: Maverick

Delayed by the COVID pandemic more times than “No Time to Die” and hoping to score big at the foreign box office, “Top Gun: Maverick” is FINALLY arriving in theaters this May. For its Super Bowl spot, Paramount partnered with Porsche because when Tom Cruise says he “feels the need, the need for speed,” you either think of “Top Gun” or a Porsche, right? Well, I would certainly love to drive a Porsche with Jennifer Connelly as my passenger, that’s for sure.

With Cruise reteaming with his “Oblivion” director Joseph Kosinski, we can expect some truly intense visuals and real G-force experiences as shown on Maverick’s face. But as with those “Avatar” sequels which James Cameron keeps promising us, I have to say RELEASE THE DAMN MOVIE ALREADY!

The Lord of the Rings: The Rings of Power

Okay, this is not a movie trailer, but it is a trailer to one of the most anticipated television series ever. Now, this trailer proves this is not a remake of Peter Jackson’s “Lord of the Rings” trilogy, but instead a prequel that takes place many, many, many, many, many years before Gollum found his precious. While it looks epic, those CGI effects look fairly obvious and kind of take me out of the spectacle on display. Still, we are in J.R.R. Tolkien territory, and it remains ripe with imagination after all these years.

DC Movies

Instead of a single comic book/superhero movie, DC movies will be giving us four of them in 2022: “The Batman,” “Black Adam,” “The Flash” and “Aquaman and the Lost Kingdom.” Images from each one are featured in one Super Bowl ad, and these are my thoughts: I’m sick of hearing about “The Batman.” I just want Matt Reeves’ cinematic interpretation of Bruce Wayne and his alter ego to come out already. Seeing Dwayne Johnson as Teth-Adam/Black Adam proves to me how passionate he was about bringing this character to the silver screen. Hopefully, Ezra Miller will have more speed on his side than he did with “Justice League.” As for Jason Momoa, he has already proven to me he is the definitive Aquaman, and the upcoming sequel is yet another reminder of the fact I have still not watched the original. With these four movies, perhaps DC will finally give the Marvel Cinematic Universe a run for its money.

Sonic the Hedgehog 2

I have not seen the first “Sonic the Hedgehog,” and the Super Bowl spot for the sequel does not make me want to check either of them out. When it comes to Jim Carrey though, I have no problem defending him as an actor. While he looks to be doing his usual schtick here as Doctor Ivo “Eggman” Robotnik, he is far more than what he appears to be. His lack of an Oscar nomination for “The Truman Show” was tragic, and they should have just handed him the Oscar for his performance as Andy Kaufman in “Man on the Moon.” And when it comes to “Batman Forever,” I still think he was the best thing about it. Anyway, that is all.

First ‘Aquaman’ Trailer Promises a Big Rebound For the DC Extended Universe

Aquaman teaser poster

While the Marvel Cinematic Universe (MCU) continues to thrive with one successful motion picture after another, the DC Comics Extended Universe (DCEU) keeps experiencing hits and misses. The latter failed miserably with “Suicide Squad,” then they redeemed themselves and hit a tremendous home run with “Wonder Woman.” But next we got “Justice League” which was their answer to “The Avengers,” and it did not live up to the fans’ expectations. While Marvel took its precious time setting up its cinematic universe, DC could only play catch up constantly to where they had to offer its biggest movie much sooner than they should have.

But one of the best things about “Justice League” was Jason Momoa who portrayed Arthur Curry, better known to us as Aquaman. Since then, I have been looking forward to a solo movie for this character, and news of its making has only heightened my anticipation. At Comic-Con this past weekend, the first trailer for “Aquaman” was finally unveiled, and it looks awesome.

“Aquaman” is being directed by James Wan who had worked on the indie horror franchises “Saw” and “Insidious,” and he has since graduated to bigger projects like “The Conjuring” and “Furious 7,” one of the very best “Fast & Furious” movies. From this trailer, he appears to have given “Aquaman” some truly amazing special effects, and he looks to keep the human element of this superhero film in balance with them. In addition, you have Amber Heard co-starring as Mera, Aquaman’s love interest who possesses hydrokinetic and telepathic powers, and she looks dazzling with all that red hair.

The moments I loved in this trailer include when Arthur is getting picked on by the school bullies while on a field trip at an aquarium, and all the fishes, a shark in particular, come to his defense. It really is nice to have Jaws on your side, isn’t it? I also liked how Aquaman and his fellow people are able to speak and move around in water as easily as they do on land. Everyone involved in this film’s making have made this seem very believable.

Of course, we learn in this trailer how Aquaman is reluctant to become king of the underwater nation Atlantis, and I fear this may be another one of those “no I can’t be the one” movies where the hero spends way too much time denying the destiny we know he or she will eventually embrace. A lot of these movies have the hero finally embracing the role society begs him to play in the last third, but by then they can seem like wasted opportunities. Hopefully this DC film will not be one of them.

“Aquaman” is set to be released on December 21, 2018. Please check out the trailer below.

‘Man of Steel’ is Not Just a Bird or a Plane

Man of Steel movie poster

I grew up watching reruns of “The Adventures of Superman” with George Reeves playing the iconic character, and I loved how he stood still and never blinked an eye when the bad guys shot bullets at him. Then came the movies with Christopher Reeve playing the sole survivor of Krypton, and I reveled in watching him give us the definitive version of this heroic character. Since then, Superman has not been the same for me as his goody two shoes image makes him seem a little dull compared to Batman, and the character has gone through various interpretations on television and in comic books to where I’m not sure what to make of him, or his alter ego Clark Kent, anymore.

I liked “Superman Returns” more than most people because it reminded me of the effect this iconic character had on me when I was young, and Bryan Singer made it clear we needed a hero like Superman now more than ever. However, the more Singer paid homage to the first two “Superman” movies, the more it paled in comparison to them. The character is now more than 75 years old and in desperate need of a reboot to stay relevant to today’s increasingly cynical society.

Now we have “Man of Steel” which takes Superman back to his beginnings to where we have to go through all the origin stuff yet again. This threatens to make the movie a bit tedious as we all know Superman was born as Kal-El on the planet Krypton and how his parents sent him to Earth before Krypton exploded. But what’s interesting is how director Zack Snyder tells Superman’s story in a non-linear fashion to where we’re never quite sure which direction the movie is going to take. Snyder also shows us how, while it may seem cool to be Superman, being him can also be quite lonely and painful.

For the filmmakers, the real challenge was making Superman more down to earth than he has been in the past and, for the most part, they succeeded. We all have experienced loneliness and alienation in our childhood and the changes our bodies go through, be it puberty or something else, which can drive us to the brink of insanity. But what’s worse for Kal-El, who is now named Clark Kent by his human parents, is he can’t really ask anyone for advice on how to deal with x-ray vision or super hearing abilities. While this kid is capable of doing great things, you can understand why he yearns for the normal life constantly denied to him.

I liked the scenes dealing with Superman’s childhood because they rang true emotionally, and the wisdom his human father Jonathan (Kevin Costner) passes on to him makes sense. Yes, this young man has super powers, but he’s got to keep them under wraps until he can learn the truth about where he came from. It’s frustrating, but it helps to keep Superman from being subjected to crazy medical experiments by the government and from growing an oversized ego which will definitely get the best of him.

Since the first half of “Man of Steel” is told in a non-linear fashion, it doesn’t take long for us to meet Henry Cavill, the latest actor to play Superman. It also doesn’t take long for him to remove his shirt and show us how much time he has spent at the gym. Cavill’s road to playing this iconic character has been a tough one as he came so close to getting cast in “Superman Returns,” and for a while he was known as the unluckiest man in Hollywood as he barely missed out on playing Cedric Diggory in “Harry Potter and the Goblet of Fire” and Edward Cullen in “Twilight.” How nice it is to see Cavill finally get his moment in the spotlight.

Cavill does solid work here as Superman, and he also gives us a Clark Kent who is unlike the four-eyed wimp we all remember him being. This is a Kent who wanders from job to job, haunted by an upbringing he has yet to learn more about, and it is a journey which has toughened him up quite a bit. Cavill also benefits from getting to play a more complex Superman in “Man of Steel” whereas the one we saw in “Superman Returns” was kind of neutered (no offense Brandon Routh). While he doesn’t quite have the same charisma Reeve brought to Superman, Cavill is a terrific choice for the role and he has more than earned the right to play him in this and future movies (and you know there will be more).

But as with “Superman: The Movie,” Warner Brothers put their nerves at ease by surrounding Cavill with a cast filled with stars and Oscar winners. I very much enjoyed Kevin Costner as Jonathan Kent, and he gives a wonderfully understated performance as Kal-El’s human father. However (SPOILER ALERT), I’m pretty certain I have not seen another actor other than him who looked so ridiculously serene as an enormous hurricane came barreling down on him (SPOLIERS END).

Diane Lane is also well cast as Kal-El’s human mother, Martha, and it’s a treat to see this actress in anything and everything she does. Plus, even as Martha heads into old age, Lane still looks irresistibly sexy as she refuses to betray her son’s whereabouts to General Zod. Some credit should go to Snyder for this as he doesn’t plaster Lane with the same hideous old-age makeup he used on Carla Gugino in “Watchmen.” I am so very glad he learned his lesson.

Speaking of General Zod, the great character actor Michael Shannon plays him in “Man of Steel.” Shannon does make him a compelling nemesis to Superman, and I liked how the actor portrays Zod as a man led by a corrupted sense of loyalty rather than just a power hungry villain. His work in “Man of Steel,” however, pales a bit in comparison to his galvanizing turn as serial killer Richard Kuklinski in “The Iceman.” Perhaps I was expecting a bit too much from Shannon this time around as I was hoping he would give us a villain for the ages. But even though he doesn’t, he is still very good here.

In addition, Amy Adams gives us a strong Lois Lane who doesn’t falter in the face of supernatural discoveries, Laurence Fishburne makes for a good Perry White, Antje Traue makes Faora into a tremendously lethal villainess, and it’s hard to think of anyone other than Russell Crowe to play Superman’s biological father, Jor-El. Crowe gives the role a gravitas not easily earned, and you will be pleased to know that he doesn’t sing in this film. I am, however, willing to defend his performance and singing in “Les Misérables.”

The one major complaint I had with “Man of Steel” was the spectacle at times overwhelmed the story and characters. This is not to say the characters are neglected, but I’m not sure I have seen as many high-rise buildings come crashing down in one movie. Just when I think I have seen the loudest action movie ever made, another one comes along to remind me of the necessity of ear plugs. In the process of giving us one tremendous action scene after another, Snyder ends up topping himself a bit too much to where I was desperate for him to tone things down. Still, he respects Superman enough to keep the character’s ideals intact even while taking some liberties.

Part of me still yearns for the “Superman” of yesterday when Christopher Reeve made us believe a man can fly, and of how the first two movies lifted my spirits up high. I think part of how you enjoy “Man of Steel” depends on how willing you are to separate it from all the “Superman” films which preceded it, and for me this is tough. But in the end, there’s no way things can stay the same, and this iconic character was in need of a refresher. With “Man of Steel,” Snyder has given us an exciting piece of entertainment which holds our attention for over two hours, and I am eager to see where Superman will go from here.

* * * out of * * * *

‘Justice League’ Doesn’t Leap Tall Buildings in a Single Bound

Justice League movie poster

You know how the Daytona 500 is the Super Bowl of NASCAR racing, but it’s also the first big race of the season instead of the last? That’s what “Justice League” is. It’s the penultimate motion picture of the DC Extended Universe, and yet it’s coming to us before Aquaman, Flash and Cyborg get their own solo films. With the Marvel Cinematic Universe, every character was in their own movie before “The Avengers” finally arrived on the silver screen. Granted, Hawkeye and Black Widow have yet to get their own movies, but enough groundwork was laid to where the time had come for “The Avengers” to become a reality. With “Justice League,” its long-awaited appearance feels a little premature.

Following the events of “Batman vs Superman: Dawn of Justice,” the world is still mourning the death of Superman (Henry Cavill), and all the other superheroes are trying to move on despite the large void the Man of Steel has left in his passing. Batman/Bruce Wayne (Ben Affleck) remains as dour as ever, but his faithful butler Alfred (Jeremy Irons) threatens to be even more dour to where they seem to be having a contest in that department. Wonder Woman/Diana Prince (Gal Gadot) leads a quiet life working in a museum, Victor Stone/Cyborg (Ray Fisher) spends the days hiding in his apartment because everyone thinks he is dead and he hates his father for saving him through the use of cybernetics, Arthur Curry/Aquaman (Jason Momoa) is busy drinking his life away when he’s not swimming in the ocean, and Barry Allen/Flash (Ezra Miller) spends his days trying to fit in with kids his age while moving at supersonic speed. These superheroes couldn’t be more mismatched, but they of course find themselves working together to stop a fearsome enemy bent on world domination.

This enemy is Steppenwolf (voiced by Ciaran Hinds), a supervillain determined to find three boxes of power known as the Mother Boxes and, in the process, escape the role of servitude he has been consigned to for far too long. Steppenwolf is, you know, the kind of villain bent on gaining the most power of anyone in the world, and we all know what happens to people like them; they are either defeated as we expect them to be, or they become President of the United States.

The movie gets off to a terrific start with Batman battling a common criminal on the streets of Gotham, but it turns out to be a ploy for the Caped Crusader to discover the identity of another evil foe who thrives on the fear of humans. Following this, “Justice League” becomes a labored adventure as Batman and Wonder Woman take their precious time finding all the other superheroes, some of which are hesitant to join the party even though they realize their planet is at great risk of being annihilated. Knowing those holdouts will eventually become a part of the league, this proves to be the film’s most agonizing point as too much time is spent gathering everyone together.

Ben Affleck still makes for a good Bruce Wayne/Batman, but I sense he is already tiring of the role. Gal Gadot left a powerful mark on movies this year as Wonder Woman, and she is every bit as thrilling a presence here. Of the new additions, Jason Momoa proves to be a solid choice as Aquaman, and watching him here makes me look forward to the character’s solo movie coming out next year. Ezra Miller steals every scene he is in as the Flash, and he brings a wonderful edginess to the role while also bringing the character down to earth in an especially unique way. While Miller’s character is thrilled to have these superpowers, he still yearns to fit in with everybody else, and he portrays this inner conflict very effectively.

The same can’t be said, however, for Ray Stone/Cyborg as the character has little more to do in “Justice League” other than brood, argue with his father, and try to tell everyone in hearing range of how his powers can in no way be mistaken as a gift. This is with all due respect to Ray Fisher who does what he can with an underwritten role, but I grew tiresome of his complaining, especially when we all know he’s going to be in this league eventually.

But honestly, the real heart and soul of “Justice League” belongs to Henry Cavill who returns as Clark Kent/Superman. Even I refused to believe the Man of Steel was all but finished off for good at the end of “Batman v Superman” as you can’t keep a good superhero down, and Superman remains one of the very best. Even better is the realization of how Cavill no longer has the shadow of Christopher Reeve hanging over him as he manages to bring the same dedication to this iconic character Reeve did years before, and seeing Superman fight for justice this time around brought a big smile to my face.

Indeed, “Justice League” gets better and better as it enters the third act in which our superheroes band together to defeat Steppenwolf. While I found myself not caring enough about these characters in the first half, I really rooted for their success as the movie went on because the actors looked excited to inhabit these unforgettable characters. There are times when the filmmakers succeed in arousing our childhood love for these superheroes, and this is when the movie works at its best.

Of course, I have to wonder which filmmaker deserves the most credit for “Justice League.” Zack Snyder is credited as director, but Joss Whedon came in during post-production, and it is tempting to believe Whedon, who struck gold with cinematic comic book gold with “The Avengers,” managed to tap into our childhood innocence in a way Snyder could not. With “Man of Steel” and “Batman v Superman,” Snyder focused more on the characters’ darkness which has enveloped their lives, and you can’t blame him for going in this direction as DC Comics tended to veer into darker territory. But they got so dark to where there wasn’t much in the way to be found, and it was said Snyder was going to go in a slighter lighter direction with “Justice League,” but we probably won’t know how much lighter he made it until we get his director’s cut, and the fans are already clamoring for one like crazy.

I also have to give credit to Danny Elfman for composing an excellent score here. Even he is eager to spark our childhood innocence as his score contains themes he created for Tim Burton’s “Batman” as well as John Williams’ theme for “Superman” which remains one of the best superhero movie scores ever composed. Those subtle little touches make a huge difference as they help to reawaken the past in a most welcome way.

Looking back, “Justice League” is enjoyable for the most part as it builds to a strong climax, but it still feels like this all-star superhero movie was brought to us earlier than it should have. The parts which were lacking keep me from giving this movie a solid recommendation. I still look forward to the solo movies like “Aquaman,” but in the end the filmmakers crammed too many characters into a story already overwhelmed by them, and what results is not completely satisfying in a way a film like this should be.

What I am left with is the wonderment over how the visual effects team managed to remove Cavill’s mustache digitally. Because of his commitment to starring in “Mission Impossible 6,” he couldn’t shave it off when “Justice League” went into reshoots. Then again, it would have been interesting to see this Superman with a mustache as it would have allowed Cavill to do something a little bit different with this iconic character. Of course, he would have to explain the unexpected presence of facial hair. How would he go about doing so?

“Well, something happened on the way to heaven…”

* * ½ out of * * * *

‘Wonder Woman’ is the Comic Book/Superhero Movie We Need and Deserve

Wonder Woman movie poster

Wonder Woman” is not just the comic-book/superhero movie we needed, it’s the one we deserve. Audiences have been long overdue for a female-led superhero movie, and this one proves to be well worth the wait. Director Patty Jenkins has taken this famous DC Comics character and given her the cinematic treatment she richly deserves, and it’s a relief she has gotten it considering the failure of “Batman vs Superman: Dawn of Justice” (the theatrical version anyway) and “Suicide Squad.” For once, the DC Comics Extended Universe has a win, and “Wonder Woman” proves to be the best of its kind since Christopher Nolan’s “Dark Knight” trilogy, and that’s saying a lot.

One the main reasons “Wonder Woman” is such a success comes down to the actress playing the title role, Gal Gadot. Many scoffed at her casting as they saw Gadot as nothing more than a Miss Universe contestant who was cast for her looks over everything else. Those same people did not take into account how Gadot served in the Israeli Defense Forces for two years as a combat instructor, or that she studied law for a time. All this experience made her the perfect choice to portray Diana, Princess of Themyscira, Daughter of Hippolyta, who would became better known by her civilian identity of Diana Prince.

Seriously, Gadot shows so much range here as she takes Diana from being an Amazonian princess infinitely eager to become a warrior like her Aunt, General Antiope (Robin Wright), to becoming a total fish out of water when she leaves the island of Themyscira and ventures into World War I-era London. She embodies this immortal Amazonian princess with vigor, strength, intelligence and a lot of heart, and it’s not just her beauty which kept my eyes glued to the screen whenever she graced it.

Also matching Gadot scene for scene is Chris Pine who plays United States Army Air Service Captain Steve Trevor. Pine has long since proven himself a terrific actor thanks to making the role of Captain Kirk his own in the past three “Star Trek” movies, but he really knocks it out of the park here as a man who discovers the meaning of true heroism thanks to both duty and love. Steve could have been portrayed as an overly cheeky character who easily stumbles over his unmistakable attraction for Diana, but Pine gives the character a lot of heart as well as a strong arc as Steve comes to discover he is not so different from the enemy he is pursuing.

In fact, this is what I love about “Wonder Woman;” it explores the dynamics of an immortal princess and the all too mortal human beings she encounters in her journeys. This could have been a simple good girl and guys versus bad guys adventure, but Jenkins and screenwriter Allan Heinberg have more on their minds than giving us the usual summer blockbuster. A good deal of thought went into this one, and while the best visual effects available were put to astonishing use, it is the story and characters which keep us riveted more than anything else. While stories of heroes trying to do good in the world have us scoffing at them with cynicism to where it feels like we cannot take them seriously, “Wonder Woman,” and the “Captain America” movies which proved to be better than we expected them to be, show how virtue can be such an immeasurable strength when portrayed in the right way.

Jenkins, who directed Charlize Theron to Oscar-winning glory in “Monster,” turns what could have been a cheesy spectacle into a thrilling motion picture from start to finish. Memories of the “Wonder Woman” TV show still echo in my brain to this day, and its theme song is one of my all-time favorites. As much as I would have loved to have heard that theme song in this iteration, it’s just as well it wasn’t included as this is a Wonder Woman for a new generation of fans as well as those from the past. There is no invisible jet on display here, nor are there any scenes of Diana Prince turning around in circles and bursting into a flash of light while changing into her Wonder Woman attire. But while Jenkins studiously works to avoid any cheese in her cinematic interpretation, she does not treat the material ever so seriously as she allows for a good sense of fun and spirit which makes this motion picture all the more entertaining. The hero at this movie’s center is not just a powerful one, but a sincere one as well, and this makes it all the more thrilling to sit through to where seeing it once is not enough.

In a summer season which has so far proven to be as underwhelming as it has promised to be, “Wonder Woman” is a much-needed breath of fresh air as superhero/comic book movies have threatened to become stale. But with this thrilling motion picture and “Logan,” we have been given a strong reason to rejoice as filmmakers are intent on providing us with something enthralling to witness.

I do, however, have to say that while not having the invisible jet in this movie was a smart move, having the lasso of truth was. Lord knows we could use this same lasso in today’s frightening world of politics as those in power show no hesitation in lying about what they know. At least with the lasso, we could get to the truth about all the issues which permeate our cynical yet concerned minds today.

Also, I love how Wonder Woman is not the kind of heroic character who shows any hesitation about being “the one.” Too many movies in recent years have featured people who spend the majority of their time complaining about how they are not sure they are “the one.” Princess Diana, however, doesn’t show any hesitation in going up against any nemesis who threatens to lay the world she lives in to waste. Perhaps this should serve as infinite proof of how women are not the weaker sex and never have been.

* * * * out of * * * *