Melissa McCarthy on Playing a Con Artist in ‘Identity Thief’

WRITER’S NOTE: This article was originally written in 2013.

Ever since she first found recognition for her character of Sookie St. James on “Gilmore Girls,” Melissa McCarthy has left an indelible impression on us all. After watching her breakthrough role as the abrasive and shamelessly raunchy Megan in “Bridesmaids,” a role which earned her a deserved Oscar nomination for Best Supporting Actress, there was no forgetting who she was. McCarthy wasn’t just funny in the role, she also made Megan a complex character with wants and needs we could easily relate to, and this made her performance all the more wonderfully memorable.

Now she gets the opportunity to put her comedic skills to solid use again in “Identity Thief” as Diana, a con artist who steals the identity of Sandy Bigelow Patterson (played by Jason Bateman) for her own benefit. This actually marks McCarthy’s first lead role in a motion picture, and it came as the result of Bateman loving her performance in “Bridesmaids.” The role of Diana was originally written as a man, but Bateman had the character’s gender changed to a woman just so he could get her cast in the movie.

Now the role of a con artist is a challenging one to make the least bit sympathetic, but McCarthy proved to be up to the challenge. She got her start at The Groundlings which is an improvisational and sketch comedy troupe located in Los Angeles, but while this character would have made for a hilarious five-minute sketch, McCarthy realized she had to do things differently in a feature length motion picture. She made this clear in her interview with Amy Longsdorf of Delaware Online.

“I wanted to make sure Diana wasn’t just a one-dimensional, mustache-twirling villain because I thought that while that’s kind of interesting for a scene, I don’t know how to play that for a whole movie,” McCarthy told Longsdorf. “I love the thought of someone doing criminal acts but not doing them to be menacing. She does them because she’s lonely and doesn’t have anyone. She kind of steals identities so she can go out to a store and pretend to have these lives. She can pretend to have a husband and a family, pretend to be engaged.”

Whether it is film or television she is doing, McCarthy is a comic force of nature and she appears fearless in what she will do to get a laugh. This was especially the case when she hosted an episode of “Saturday Night Live” and came close to swallowing a whole bottle of ranch salad dressing. I was lucky enough to attend the “Identity Thief” press conference which I covered for the website We Got This Covered, and I asked her if there ever is a limit to how far she will go for a laugh, or if she is willing to do anything to get one.

“For me, I think as long as it makes sense for the character,” McCarthy said. “I like to see if you can, on the worst day or the most extreme circumstance, I like to see how far you can push it. But to me it’s not funny anymore if it doesn’t make sense. And I don’t like to do anything that’s mean-spirited just because I don’t find it funny. I’d rather be the jackass than make fun of somebody else because that just seems too cheap and easy. So those are my only limits.”

The one thing, however, that McCarthy was more fearless about than getting laughs was doing her own stunts. It turns out that she tried to do as many of them as possible on the set of “Identity Thief,” and Bateman was stunned at just how far she was willing to go. She even volunteered to do the stunt where Diana gets hit by a car, and it does look very painful when you watch it onscreen. McCarthy ended up admitting to Kevin P. Sullivan of MTV News that she and Bateman did a lot of hand-to-hand combat in order to make their fight scenes look more believable.

“We hurt each other the most, for real, and the most exhausting,” McCarthy said. “You’re just covered in bruises and muscles are ripped.”

Many also wonder where McCarthy comes up with the inspirations for each character she portrays. It is said most actors base their characters on people they grew up with or whom they remember from their hometowns. McCarthy herself was raised on a farm in Plainfield, Illinois, and during the press conference she realized that her upbringing still plays a big part in the roles she chooses.

“In terms of the characters I think are really fun to play, a lot of times it’s someone in my head saying I know that woman,” McCarthy said. “There are women like that in my hometown and there’s one like that the Midwest. I guess I do kind of always go back to that them and draw from there because I really love them. I find them great and interesting and quirky and eccentric. I think everything that any actor does, I would assume, is shaped by how and where they grew up. I steal a lot from a lot of Midwestern women that I weirdly watch, that’s what I should say.”

We are going to be seeing a lot more of Melissa McCarthy in the near future as her star continues to rise in Hollywood. In addition to her television show, “Mike & Molly,” she has a number of starring roles in movies coming up like “The Heat” with Sandra Bullock. No matter what that thoughtless snob Rex Reed may think of her, McCarthy is a superb comedic actress who has many unforgettably hilarious performances left to give the world.

SOURCES:

Amy Longsdorf, “Melissa McCarthy morphs into ‘Identity Thief,'” Delaware Online, February 9, 2013.

Ben Kenber, “Interview with Jason Bateman and Melissa McCarthy on Identity Thief,” We Got This Covered, February 8, 2013.

Kevin P. Sullivan, “Melissa McCarthy’s ‘Identity Thief’ Fight Bloodied Up Jason Bateman… Kinda,” MTV News, February 8, 2013.

Kelly Reilly on Portraying the Ravages of Addiction in ‘Flight’

WRITER’S NOTE: This article was written back in 2012.

Robert Zemeckis’ “Flight” ended up surprising us all by being a riveting character driven film as opposed to your average Hollywood action movie. It is filled with a number of great performances from very talented actors, and one of the most notable is Kelly Reilly’s as former photographer Nicole Maggen. When we first meet Nicole, she is in the throes of a nasty heroin addiction that almost claims her life. While in the hospital, she meets airline pilot William “Whip” Whitaker (Denzel Washington) who is going through his own substance abuse issues and becomes a kindred spirit of sorts as they both look for ways to escape their demons.

For Reilly, “Flight” marks the first American movie she has appeared in. Before this, she was best known for playing Mary Watson in the “Sherlock Holmes” movies, and she starred opposite Michael Fassbender in the unnerving horror film “Eden Lake.” When it came to playing Nicole in “Flight,” she explained to Christopher Rosen of the Huffington Post how she goes about preparing for a role.

“If it’s there in the script it makes your life a lot easier,” Reilly said. “You’re not searching for something. You’re not trying to figure out how to make this character believable or real. You’re not trying to skirt around bad writing. This character, to me, just jumped out. I already felt a kinship to her; I wanted to play her. I knew that this sort of addiction that got hold of her so tightly was a symptom of this woman’s heartbreak. I knew there was somebody underneath worth fighting for. There are all these stereotypes of heroin addicts being junkies or dropouts or people who we shouldn’t care about. I just thought that can’t be true. They’re somebody’s son or daughter; they’re human beings. They’re just lost. That is something John Gatins got in his script. I really wanted to play that rather than the stereotype of the heroin addict.”

When it came to playing a heroin addict, Reilly explained to Rosen the amount of research she did to better understand her character. She spent a lot of time on Google learning about those addicted to this particular drug, but that only gave her so much information. But while I was at “Flight’s” press conference at the Montage Hotel in Beverly Hills, Reilly went more into depth about who gave her the answers she needed to know the most.

“I did consult a wonderful guy called Mitch in Atlanta who helped me understand the inner life of a heroin addict as much as one can without experiencing it, and he really did open up his story to me,” Reilly said. “There was a technical side of it as well as he taught me how to inject heroin without really injecting heroin. I wanted to honor the truth of somebody in that situation, and I think that was the most difficult part without ever having experienced that.”

But despite “Flight” gaining strong critical praise for its direction and performances, Reilly doesn’t see herself being nominated for an Academy Award. When it comes to the Oscars, they tend to honor the showiest performances above all others. Reilly’s performance as Nicole is powerful largely because it is an understated one which does not draw too much attention to itself. She explained this in more detail to Rosen.

“I know there is a lot of buzz around Denzel and the film. A few people have kind of suggested that it could be a possibility for me. I don’t see it myself,” Reilly said. “That’s just not me being humble or anything. I genuinely don’t imagine that to be the case. Mine is more of a quiet performance and I don’t think it’s an award winner. I still feel incredibly flattered to have people even suggest that. As much as it was never a dream of mine — a dream of mine would be to be on stage in New York — it would still be a mind-blowing thing to happen especially for something you feel proud of.”

Michael Caine once said that in the theater you play a character, but in television and film you are the character. Some of the greatest performances I see from actors in movies come from those who inhabit their characters more than play them, and Kelly Reilly’s performance in “Flight” is no exception. While we all love the showiest of performances, it is those subtle ones which deserve the most credit. My hope is that the Oscars will prove Reilly wrong and give her the credit she deserves for her work here. It’s one of the best portrayals of an addict I have seen ever since Michael Keaton played one in “Clean and Sober.”

SOURCES:

Christopher Rosen, “Kelly Reilly, ‘Flight’ Star, On Why She Probably Won’t Win an Oscar,” The Huffington Post, November 26, 2012.

Ben Kenber, “Interview with The Cast and Crew of Flight,” We Got This Covered, October 30, 2012.

An Ultimate Rabbit Video Review: ‘Napoleon’ (2023)

Hello people. My apologies, I have not been writing much recently. I kind of hit a brick wall and have been a bit depressed about my current living situation. As a result, I am trying something a little different; I will be doing a movie review on camera. Sooner or later, it had to happen.

This review will be of Ridley Scottโ€™s historical epic โ€œNapoleonโ€ which stars Academy Award winner Joaquin Phoenix as Napoleon Bonaparte, the French military commander and leader who came to prominence during the French Revolution, and his brutal military campaigns during the Revolutionary War are the tales of history which are impossible to forget, especially considering how it resulted in millions of lives lost. The movie focuses on Napoleonโ€™s rise to power, and of his all-consuming relationship with Josรฉphine de Beauharnais, played in a fantastic performance by Vanessa Kirby (the White Widow in the โ€œMission: Impossibleโ€ franchise).

Scottโ€™s โ€œNapoleonโ€ works best when it focuses on the tortured relationship between Napoleon and Josephine as Phoenix and Kirby make quite the acting pair whenever they are together onscreen. Watching them face off with one another is endlessly enthralling, and it helps to make up for Scott and company do not dig enough into Napoleonโ€™s psychology. My problem is the film tends to keep him at an armโ€™s length distance, and I came out of it feeling like I could have learned more about the man. Nevertheless, Scott has crafted a four-hour cut of the film which will debut on Apple TV in the near future. Thatโ€™s right, it will be streaming before we all know it.

Please check out the review below and subscribe to The Ultimate Rabbit You Tube channel if you have not already. It is not too long, and I did my best to make sure it only lasts a fraction of โ€œNapoleonโ€™sโ€ running time which is 157 minutes.

Charlie Hunnam on Acting in ‘Deadfall’ and Portraying a Former Boxer

WRITERโ€™S NOTE: This article was written back in 2012.

Best known for his roles in the film “Green Street Hooligans” and on the television series “Sons of Anarchy,” actor Charlie Hunnam gets to do a variation on his tough guy image in “Deadfall.” Directed by Stefan Ruzowitzky, he portrays Jay, an ex-boxer who has just been released from prison. He is contemplating going back home to have Thanksgiving dinner with his parents, but things go awry for him after he seriously injures, albeit accidentally, his former coach who had betrayed him. Fearing he will be sent back to jail, Jay flees the scene and goes on the run.

While talking with Christina Radish of Collider, Hunnam said there was “real poetry” to Zach Dean’s script when he first read it and that he related to Jay’s frustration and anger over how his life felt completely out of his control. When actors study and prepare to play a role, they are always expected to go over the similarities they share with their characters as well as how they are different from them. Hunnam found that his life as an actor was similar to Jay’s career as a boxer.

“I thought that was really interesting and I could relate to it, in a way, living in Hollywood,” Hunnam told Radish. “I’m very disciplined and I have a very clear idea of how I want to be spending my time, but I’m at the mercy of everybody else who decides how I get to spend my time and whether I get to work or not. In classic storytelling terms, with the classic hero’s journey and contemporary male narrative, a man being released from prison is a dynamic that I was predisposed to be interested in and like.”

The other interesting thing Hunnam brought up in his interview with Radish was how Jay was a successful athlete. Now in crime dramas like “Deadfall,” we typically expect boxers like Jay to have failed in their profession in one way or another, be it through drugs or some sort of gambling controversy. But here, Jay proves to be a victim of circumstance which has rendered his past achievements non-existent.

“This guy seemed like a guy who had dedicated his entire life to this goal of becoming a world class athlete and actually achieved it,” Hunnam said of Jay. “We just all inherently understand the dedication and sacrifice that is needed to achieve that because we’ve all grown up watching professional athletes on TV, so I understood that. He seemed like a guy where it was day one of the rest of his life. He had ruined the prior 30 years and he was coming out completely with nothing, at all.”

One of the best things about “Deadfall” is how beautiful the snowy landscapes look and how brutally cold they appear. I got to attend the movie’s press conference at the Four Seasons Hotel in Beverly Hills, and it was surprising to hear Hunnam say how he looked forward to working in the freezing cold. Many actors would give anything not to work in such frigid temperatures, but for Hunnam it offered a change of pace. Still, he did find the snow to be a challenging environment to work in.

“I had actually been really excited about a period in the cold weather because we shoot ‘Sons of Anarchy’ in LA through the course of the summer, and I’m a skinny guy who wants to look as big as possible so I wear several layers of clothing; it gets really old being that hot,” Hunnam said. “But I must say that a couple of days in, I was craving the sunshine. You know when you’re really hot you get miserable and a little bit grumpy, but the cold is really debilitating.”

Hunnam did take the time to train as a boxer which helped him better understand his character. It also turned out he had a unique way of getting into Jay’s psyche which he accomplished by working out a lot and then suddenly stopping. Anyone who has exercised a lot at the gym and then stopped for a period can clearly understand how difficult it is to start all over again.

“I’ve also always been interested in boxing so I put myself through an intense boxing academy where I got up and ran five miles every morning and then went and had breakfast and boxed a couple of hours and then came home and watched fights all day long and then went and swam, and I did this seven days a week for five weeks before filming this movie. Then when I got to Montreal (where the film was shot) I wanted to stop completely and feel the absence, and I knew that was going to have a very negative effect on my psychology. It’s kind of a shortcut, rather than intellectually empathizing, to actually feeling the emotion. I got into a very dark and happy place during shooting because of that preparation,” Hunnam said.

Charlie Hunnam still has “Sons of Anarchy” to work on, and many are excited at what the show’s upcoming season finale has to offer. Up next for him is Guillermo Del Toro’s “Pacific Rim” in which he will be playing Raleigh Antrobus, a washed-up former pilot who has to defend the world by piloting a giant robot and fighting monsters who are rising out of the depths of the ocean. Thar one looks to be Hunnam’s biggest movie yet.

SOURCES:

Christina Radish, “Charlie Hunnam Talks DEADFALL, SONS OF ANARCHY Season 5, PACIFIC RIM, and Writing a Movie About a Drug Lord for WB and Legendary,” Collider, December 5, 2012.

Ben Kenber, “Interview with the Cast and Director of Deadfall,” We Got This Covered, December 7, 2012.

Eric Bana on Portraying Such a Charming Villain in ‘Deadfall’

WRITERโ€™S NOTE: This article was originally written in 2012.

Watching Eric Bana as Addison in Stefan Ruzowitzky’s “Deadfall” will remind many of his breakthrough performance as Chopper Read in “Chopper.” Both films have him playing characters who are charming yet fearsome, and his unpredictability as an actor had us on the edge of our seats throughout. But hearing Bana talk about how he prepared to play Addison is a reminder to all actors on how to approach a role like this; the character may be a bad guy, but he’s still a human being with wants and needs like anybody else. It’s not just about acting evil all the time.

I was lucky enough to attend the “Deadfall” press conference at the Four Seasons Hotel in Beverly Hills, and Bana said he really liked Zach Dean’s screenplay and was “immediately compelled” by Addison. Bana described the character as being “quite hilarious actually,” and this was one of the main reasons he wanted to play him. It was interesting to hear him say that because funny is not an easy adjective to give to a character like Addison who can react violently without little or any notice. Bana, however, started out as a stand-up comedian and saw the opportunity to bring some darkly comedic touches to this role.

“I don’t think there was anything deliberately funny in Addison, but I think the situations that all the characters find themselves in and some of the things he does are inadvertently very funny,” Bana said. “It wasn’t like playing for laughs but I knew the audience probably would laugh at some of the ridiculous nature of what we’re all forced to do.”

Bana also went on to say he thought Addison was “morally straight” and that he really did not see the character as being a bad guy. Now while the crimes he commits in “Deadfall” certainly tell us otherwise, I really liked Bana’s approach to this role. It reminded me of a behind the scenes special on “Die Hard” where Alan Rickman talked about how he saw his character of Hans Gruber:

“As far as I’m concerned, I am not playing ‘the villain.’ I’m just playing somebody who wants certain things in life, has made certain choices and goes after them.”

The same can be said about Bana in the way he portrayed Addison.

“He had a strong sense of purpose in what he was doing and that is what makes those characters so scary, knowing you can’t really negotiate with him,” Bana said of Addison. “In his mind everything he’s doing is completely and morally correct and there’s a real reason for it. It’s not the actor’s place to judge, but I’m more than happy to be morally corrupt for a few months for the benefit of my career.”

This thought process was even more on display when Bana was interviewed by James Rocchi of MSN Entertainment. Rocchi talked about โ€œDeadfallโ€™sโ€ first scene in which Addison’s car crashes and ends up shooting a state trooper in the process, and he described Addison as being spontaneous in his actions as this guy is thinking on his feet and improvising constantly. Bana explained that when the actor commits fully to their character’s actions, they should all come out naturally.

“I don’t like to think too much about what my physicality’s going to be here. I’d rather immerse myself in the character’s brain and allow my body to react accordingly,” Bana told Rocchi. “But that instance in the beginning of the film kind of sets in motion the rest of the stakes really for Liza (Addison’s sister who is played by Olivia Wilde) and Addison from that point on in that it just keeps getting worse and worse and worse. But you’re right. I mean he had no intention of shooting anybody. They got away from the casino, they got the cash, and all was going really well until that freaking deer popped out into the middle of the road and it all changed.”

Throughout โ€œDeadfall,โ€ Addison ends up engaging a couple of nasty fights, some of which are with Jay who is played by Charlie Hunnam (“Sons of Anarchy”). We keep hearing actors say how they did their own stunts in this or that movie, but we can never be too sure as the insurance people are usually dead set against that ever happening. But I believed Bana when he said that he did his own stunts in “Deadfall” because even he couldn’t hide the toll it took on his body.

“My neck was ruined,” Bana told Ariel Kashanchi of Screen Picks. “Charlie Hunnam beat the shit out of me. I don’t think I landed a punch. It was just like bang, bang. I remember after about five takes I was stiff all over and thinking ‘how much more can my neck take.’ I’m used to throwing punches and now I just have to just sort of take it. But it was kind of fun.”

“Deadfall” has received mixed reviews, but there is no denying Bana gives a riveting performance as Addison. Playing a charming bad guy is nothing new for this Australian actor, and he is still great at it. In a year of movies filled with truly intimidating antagonists, Bana’s performance deserves to be held up alongside the best of the bunch.

SOURCES:

Ben Kenber, “Interview with the Cast and Director of ‘Deadfall,’” We Got This Covered, December 7, 2012.

Alan Rickman: Hans Gruber is not a villain,” YouTube

James Rocchi, “Interview: Eric Bana of ‘Deadfall,’” MSN Entertainment, December 7, 2012.

Ariel Kashanchi, “Interview: Eric Bana on ‘Deadfall,'” Screen Picks, December 6, 2012.

Pat Boliver, An Amazing Presence in this Life and the Here After

Photo by Naomi Saito Sweredoski.

Well, the year 2022 has not gotten off to a great start. This morning on Facebook, I read the following post from Cyndi Boliver Texeira:

โ€œVery sad news….

My mom, Pat Boliver, passed away on Sunday night. It was very sudden and my family is very heartbroken. We are coping the best that we can, and are all taking care of each other. She will be missed immensely. We have rough days, months, and years ahead of us. Much love to you all for allowing her to share her loving, giving nature with you. She was an amazing Mom, Grandma and Great Grandma. Love you forever, Mom. ๐Ÿ˜ช๐Ÿ˜”โ™ฅ๏ธโ€

In many ways, Pat Boliver was the Betty White to Team to End AIDS in Los Angeles, California. Along with her husband Ray and her children and grandchildren, she remained a huge supporter of us marathon runners from one season to the next. During our runs which took us through Burbank and Glendale, she made sure we had all the nutrition we needed to get through the last few miles, some of which included hills. This included water, Gatorade, banana bread, gummy worms, salt packets, pretzels, potato chips, candy corn, Chex Mix and the occasional tablets of Tums. Seriously, Tums are a great defense cramps, something I absolutely hate getting during a run.

But the best treat she always had in store for us runners were the peanut butter and pickle covered Ritz crackers. If this concoction sounds rather gross to you, this is because you have never tried it. I could never get enough of these yummy delights as the peanut butter gave me the protein I needed, and the saltiness of the pickles help to absorb much of the water and other liquids I kept drinking. Maybe others around the world came up with this recipe, but I doubt there were ever as delectable as Patโ€™s.

When it comes to the many human beings I have come into contact on this crazy planet we call Earth, the best ones have a tremendous humanity which keeps their spirits high even as life throws an endless number of daggers in their general direction. Pat always struck me as one of those individuals as she always had a big smile on her face no matter what time of day it was. This is especially worth noting as she and Ray suffered a tragedy I would not wish on any parent; they outlived one of their children. Their son, Scott Boliver, was my marathon coach for a time and fought a brave battle against cancer. While he did succeed in โ€œslaying the dragon,โ€ which he described his cancer fight as, his body still gave out and he left us far too soon. Still, Pat and Ray held their heads high even as they mourned the passing of their son, and the smiles never faded from their faces. This was especially the case with Pat as she continued to help us runners out in every which way she could. No one knew better than her how powerful Scottโ€™s spirit was and still is to this day, and she did her best to keep her sonโ€™s mission in life strong in our hearts.

Here are some of the things my fellow T2EA runners have said to Cyndi about Pat:

โ€œI am so sorry! Your parents are just the best people and got me through some brutal training runs. I will never forget their selfless acts of kindness.โ€

                                                                                                              -Jim Crane

โ€œSuch a wonderful person.โ€

                                                                                                             -Bart Tangredi

โ€She was an amazing woman!!! So caring, nurturing and selfless. Thank you for sharing her with all of us for so many years.โ€

                                                                                                              -Ivy Goldblatt

โ€œAlthough it was only a few times that I had interactions with her, I knew that she was a very sweet and kind lady with an amazing personality.โ€

                                                                                                            -Robert Manon

โ€œYour mom was such an amazing woman. I was just thinking about her the other day and reminiscing about her amazing spirit and the beauty of your entire ‘ohana.โ€

                                                                                                              -Beaky Becky

โ€œYour mom was so sweet and I loved seeing her on my runs with APLA. So many fond memories of her kindness. One that sticks out for me is when she and your dad came back around in their truck to check on me during a particularly long and challenging run where I wasnโ€™t doing so well. They made sure I finished safely.โ€

                                                                                                             -Marta Portillo

โ€œShe was one of the most beautiful people I know.โ€

                                                                                                            -Leshawn Hale

โ€œI was just telling my husband how her banana bread saved my life on marathon day. I would not have made it without your family.โ€

                                                                                                      -Askia Underwood

โ€œYour mom was a shining example of goodness and love.โ€

                                                                                                    -Shannon DeVaney

โ€œYour parents made my marathon training such a great experience. Your mom was the best.โ€

                                                                                                              -Jessica Ann

Like I said, Pat was our Betty White. She lived a great life and kept her head held high no matter what. While heaven may now have another angel in its midst, it still would have been nice to have her around a lot longer.

Rest in peace, Pat.

Attending The ‘Die Hard’ Mural Unveilling at Fox Studios

Bruce Willis attends as 20th Century Fox presents a dedication of a permanent sound stage mural celebrating 25 years of “DIE HARD” and “A GOOD DAY TO DIE HARD” in Los Angeles, CA on Thursday, January 31, 2013. (Alex J. Berliner/ABImages)

WRITERโ€™S NOTE: As the first paragraph will indicate, this event took place back in 2013.

I was one of the lucky attendees at the Fox Studios lot on January 31, 2013 where the unveiling of a brand-new mural done in honor of “Die Hard” took place at Stage 8. The action classic which stars Bruce Willis as New York Detective John McClane has now reached its 25th anniversary, and the fifth movie in the long running series, โ€œA Good Day to Die Hard,โ€ is about to be released. Joining Willis in this celebration were Fox Film Entertainment chair Jim Gianopulos and the cast and director of “A Good Day to Die Hard.”

I cannot begin to tell you what a thrill it was to be a part of this historic event. Like so many, I was raised on the original “Die Hard” and its sequels, and the fact this franchise has held up so well is really a testament to the character of McClane and Willis’ portrayal of him. Before McClane, all movie action heroes were indestructible superhuman armies of one who obliterated every single bad guy while barely getting hurt in the process. McClane, however, was a different kind of action hero because he was like the rest of us; vulnerable, easily wounded, scared, and far from ever being indestructible. Gianopulos made this clear when talking about the character and his enduring status.

“While John McClane describes himself as the ‘fly in the ointment, the monkey in the wrench, the pain in the ass,’ I’d like to think his appeal is just that he’s the everyman who just has this uncanny way of being in the wrong place at the wrong time and who never, ever says die,” Gianopulos said. “So, however you try and categorize him, John McClane will live on for audiences in our hearts and the studio’s legacy and so will his ‘yippee-ki-yayโ€ฆ’ Well, it’s a family thing so I can’t really say it.”

Gianopulos also rightly pointed out how, unlike Batman or James Bond, John McClane has been played by the same actor in all five “Die Hard” movies. The crowd was thrilled to see Willis show up for this mural unveiling, and he looked genuinely happy to be there and to see us so excited.

“This is really very nice, really nice,” Willis said of this occasion. “I worked on this lot. I started on Stage 20 here and I moved on to bigger things here at Fox, and I just couldn’t be more pleased that you all came out here. It has been a big, great, fun time doing ‘Die Hard’ for the last twenty-five years and living to talk about it.”

Afterwards, Gianopulos gave Willis a device which looked like a detonator to a bomb and, after the 20th Century Fox Fanfare was played, he pushed the button on it. What followed were some loud pyrotechnics and the dropping of the curtain to reveal the 35- foot “Die Hard” mural which was designed by muralist Van Hecht-Nielsen and painter Fernando Cepeda. It depicts the scene where McClane makes his way through an air vent and pulls out his cigarette lighter to see what’s ahead. This of course led to one of Willis’ famous quotes from the movie:

“Come out to the coast, we’ll get together, have a few laughs…”

I personally got a huge kick out of the whole presentation as did everyone else, and it was greeted with thunderous applause from the onlookers as well as many car alarms which were inadvertently set off by the pyrotechnics (I guess they had to have their say as well). Then again, “Die Hard” did get its name from a car battery, so the irony is hard to ignore.

Following the mural presentation, we were invited to a screening of “A Good Day to Die Hard” held at the Zanuck Theatre on the Fox Lot. Introducing the movie was its director, John Moore, who added he hopes his funeral looks like this and with so many excited people in attendance. He also pointed out while this was a special screening of the new “Die Hard” movie, he also called it a “nerd screening” because of a new sound system being utilized for it.

“This is an Atmos screening of ‘A Good Day to Die Hard,'” Moore said. “To explain what that is, Atmos is a new three-dimensional sound system that Dolby is rolling out over the next few years, and this is only the eighth film to be mixed in Atmos. If I could director direction to the ceiling for a moment, you can see there is an array of nearly 40 speakers, and this creates a three-dimensional sound that’s gonna role of you like nothing you’ve ever experiencedโ€ฆ Or since the last time something’s rolled over you.”

But for many of us, the biggest treat of the evening was when we were invited to the 21st floor of the Nakatomi Plaza where the original “Die Hard” was filmedโ€ฆ Okay, it’s really called Fox Plaza, but to us “Die Hard” fans it will always be known as the Nakatomi. The lobby in the building has changed only so much since 1988, and while the lighting inside was different, it still looks the same as it did back then. You should have seen us when we got into the elevators though because they looked exactly the same as they did in the movie. My friend Phillip was practically hyperventilating from all the excitement of being there, and he later claimed how he almost died of “sheer awesomeness.” We all definitely shared in that feeling, and I had a great grin on my face for the rest of the night.

The 21st floor was decked out with a DJ and food that ran from cheese and apple blintzes to bigger dishes like beef stroganoff and egg noodles, perhaps to reflect how “A Good Day to Die Hard” takes place in Russia. I loved how the floor resembled the one McClane hid out on when he set off the fire alarm and was waiting for the fire trucks to show up. This had a lot of us going up to the windows and looking out while repeating our favorite lines from “Die Hard” such as “c’mon baby, come ta’ papa, I’ll kiss ya’ fucking dalmatian” or “you macho a-holes! No! No!” We didn’t bang our hands on the windows though as that likely would have gotten us into trouble.

Actually, some of us got a really nice security guard to take us up to the 30th floor where the Christmas party in “Die Hard” took place, but it looks nothing like it did in the movie. In fact, much of what we saw in โ€œDie Hardโ€ was done on a soundstage, and the real 30th floor was full of empty office spaces still waiting to be occupied. We were hoping to go up to the roof where the helipad is so we could imitate the scene where McClane shot his machine gun into the air to get the hostages to run downstairs, but unfortunately the guy couldn’t do that for us (he was very nice about it though).

Still, we got to see the front parking area where Sgt. Al Powell (Reginald VelJohnson) drove around in circles before going inside, and we also got to see the place where a terrorist stole a Nestle Crunch candy bar while waiting for SWAT to break into the building. It’s all those little details which got us so excited.

Seriously, this was one of the best evenings I have had in a long time. To be a part of it was an honor, and it was an amazing thrill to go inside the Nakatomi/Fox Plaza and see where “Die Hard” was filmed. I came out to Los Angeles to be a part of the movies and to be close to those involved in their making, and this was an occasion which allowed me to do just that. I’ll never forget this evening, and I look forward to having many more of them.

Jennifer Lopez on Playing Leslie Rodgers in ‘Parker’

Jennifer Lopez in Parker

WRITERโ€™S NOTE: This article was written back in 2013.

Jennifer Lopez has been so deeply involved in the music business for the last few years to where it is easy to forget she is also an actress. Now that her stint on “American Idol” is over, she gets the opportunity to be an actress again in Taylor Hackford’s “Parker.” In it she plays Leslie Rogers, an unsuccessful real estate agent and recent divorcee who has been dealt an unlucky hand in life and is forced to live with her overbearing mother Ascension (Patti LuPone) almost against her will. While “Parker” itself is not a great movie, it allows Lopez to give her best performance since she acted opposite George Clooney in “Out of Sight.”

The part of Leslie Rogers came to Lopez while she was filming a season of “American Idol,” and it made her realize what was missing from her life at that point. In talking with Nina Terrero of NBC Latino, she explained how she was drawn to “Parker’s” screenplay, and being on the set of this movie made her realize how much she wanted to go back to doing this kind of work.

“To be honest, I had been doing music, releasing two albums,” Lopez said. “And when I got the chance to do this movie between two seasons of ‘Idol,’ I realized how much I really missed acting; I hadn’t done enough of it over the past few years.”

“When they offered me a third season of ‘Idol,’ I just had to say no,” Lopez continued. “I made the decision that I was going to go back on tour and after that focus on film for the next few years. It’s just the perfect time in my life with the things that I’ve lived and the things I’ve experienced. I have so much to offer as an actor at this point in my life. I’m going to make music and I’m going to focus on my artistry.”

Filming “Parker” came also came around the time Lopez was divorcing from her husband of seven years, Marc Anthony. Now many have been quick to dismiss Lopez’s performance here as they have gotten so used to seeing her being so glamorous whenever she is in public. Regardless, she has been through a rough and tumble time, before and after she became famous, which people in general are not quick to acknowledge. She explained this in more detail during her interview with Terrero.

“We’re both human beings who’ve gone through hard and difficult times,” Lopez said of the similarities between herself and her character. “At this particular time, she’s recently divorced, a little desperate. When I was filming this role, I had similar feelings. I had recently decided to divorce and it was hard to get out of bed and go to the set every day. I knew what those feelings were, to feel your world was falling apart.”

Hackford himself had zero hesitation about casting Lopez in “Parker.” While it might seem rather odd to see this particular superstar playing a down on her luck character, Hackford had known her long enough to be aware of how she had to fight hard to get to where she is now. He made this clear to me during my one-on-one interview with him.

“I know who that person is, she’s for real,” Hackford said of Lopez. “You see the glamorous person out there in the world of entertainment, rich and famous and a lot of times you get a bad rap because people are jealous. But Jennifer’s the real person. She was a dancer and they can just work and work and work.”

“I trusted the fact that she was good, but I didn’t realize how good she is. She’s a fantastic actress. She walks on the set, she frees herself of all of that Jennifer Lopez stuff and she embodies the character,” Hackford continued. “You tell Jennifer a note and BANG! It’s there in the next take. Not partially there, it’s there. You think, my God she got it, she understood it. Now part of that’s me because if you can’t explain what you want, how do you expect someone to do it? But the other part of it is she’s got an instrument that is real and very developed. She’s a much better actress now that she ever was before, and she’s also gone through some things in her life. She’s got some miles on the treads of those tires, and ultimately she’s incorporated that. I think she’s terrific in this movie.”

Still, Lopez did show some hesitation in her scene with Jason Statham, who plays Parker of the movieโ€™s title, where she has to strip down to her underwear to show him she is not wearing a wire. Even though Lopez said she spent a lot of time eating right and working out before filming this sequence, she is no less nervous about doing stuff like that today than when she first started out in movies.

“Doing scenes like this one are so nerve-wracking,” Lopez said. “You have to get mentally ready because it’s a vulnerable state, being in front of a crew having to do a scene like that. My heart beats getting ready for it, but you know at the end of the day it’s part of the job.”

Now many may still not be willing to give Jennifer Lopez the credit she deserves for her performance in “Parker,” but this will end up saying more about her critics than it will about her. Lopez actually proves to be quite believable as a divorcee who is trying to put her life back together with varying degrees of success, and she proves to be one of the things in this movie which actually works. At this point, her career can go in many different directions, and she is excited about the opportunities which are ahead of her.

“I always want my fans to be happy with what I do,” Lopez said. “But I don’t want to choose my projects based on what I think will please them. I choose projects that are I can excel in and that are real, not stuff that’s fake or forced. I don’t consider genre so much as having a great script, great director and great actors to play off of. Doing an intense drama scene can be as much fun as a romantic comedy. I enjoy all of it!”

SOURCES:

Nina Terrero, “Jennifer Lopez talks ‘Parker’ and her return to acting: ‘I have so much to offer,’” NBC Latino, January 22, 2013.

Ben Kenber, “Interview with Taylor Hackford on Parker,” We Got This Covered, January 25, 2013.

Ewan McGregor on Surviving ‘The Impossible’

Ewan McGregor in The Impossible

WRITERโ€™S NOTE: This article was written back in 2013.

While we endlessly applaud Naomi Watt’s emotional powerhouse of a performance in J.A. Bayona’sThe Impossible,” there’s no leaving out Ewan McGregor who is every bit as good. McGregor stars as Henry, husband to Watt’s character of Maria and the father of three young boys. After the Thailand beach resort they are staying at is laid waste by the 2004 Indian Ocean tsunami, Henry goes on a desperate search for Maria and his eldest son Lucas who are separated from him in its aftermath. McGregor convincingly portrays a man physically and emotionally battered by this horrific tsunami which destroyed thousands of lives, and he gives the movies of 2012 one of its most heartbreaking moments with a cell phone call back home.

I got to catch up with McGregor at the Los Angeles press day for “The Impossible” which took place at the Four Seasons Hotel in Beverly Hills. While there, he said what made him want to do the movie was the script by Sergio G. Sรกnchez which he described as “an amazing read.”

“I didn’t know that it was a true story when I read it but I was grabbed by how there was something very honest and true about it,” McGregor said. “So, when I found out that it was a true story, it wasn’t a surprise. Some of the lines of dialogue were very extraordinarily accurate and powerful.”

Now whereas Watts got to meet Maria Belon, the tsunami survivor her character was based on, McGregor admitted he did not get to meet his real-life counterpart before shooting began. While this might have put the actor at a disadvantage, he was still able to use his imagination for the role and did get the opportunity to talk to other survivors as well.

McGregor in real life is the father of four girls, and we could not help but wonder if he thought about what he would do if they were caught up in the tsunami. Acting sometimes has you asking questions you may not want to know the answers to, but those questions are still hard to ignore. McGregor’s performance feels so emotionally honest to where it seems like he did ask himself that question, but when we asked him if being a father affected his work here in any way, he made it clear to us what his acting process is.

“Well I suppose you’re always acting from two things: your imagination and your experience in life. But it’s not very nice to think about those things and I tried not to make myself think about my kids because I wouldn’t do that,” McGregor said. “But I had these great little boys, these three fantastic kids that Naomi and I were lucky to work with. I was able to think about them and we created this family that I believed in, and it felt that there was a reality to what we created that I was able to use. I just thought about them really and how desperate it would be to be in that situation.”

Speaking of which, McGregor considers his role in “The Impossible” to be the first film where he explores what it is to be a parent. Now while he may have played a dad in other movies, none of them spring to mind as quickly or are anywhere as memorable as this one. McGregor talked about this in more detail with Damon Wise of The Guardian and told him the only other film he could think of where he played a dad was “Nanny McPhee Returns.”

“I’ve certainly never made a film that felt to me like an exploration of that, of what it means to be a parent and that love you have for your kids,” McGregor told Wise. “This is something I’ve been experiencing for 16 years of my life, and it’s not in my work really anywhere. I thought – albeit a really extreme version of that – it was a nice way to look at that specific and unique love you have for your kids.”

“The Impossible” has been criticized in recent months for focusing more on an English family when the real-life family which inspired this movie was Spanish, and for also leaving the Thai people on the sidelines. Those who have seen the movie, however, can verify this criticism is not true and is deeply unfair to the filmmakers who have made a movie which is actually about many families and not just one. McGregor, in his conversation with Wise, was not the least bit surprised by this criticism and went on to describe it as being “not very clever.”

“The truth is it’s a story about this family, this western family, who are on holiday there. And that story is many, many people’s story,” McGregor explained. “But to say that it doesn’t tell the Thai people’s stories โ€ฆ Naomi’s character is saved by a Thai man, and taken to safety in a Thai village where the Thai women dress her. It’s one of the most moving scenes in the film, really. In the hospital they’re all Thai nurses and Thai doctors – you see nothing but Thai people saving lives and helping. Most of the survivors we spoke to had nothing but amazing things to say about the Thai response to the tsunami, in that they mobilized themselves very quickly.”

Ewan McGregor’s defense of “The Impossible” speaks volume of how emotionally involved he became with the film’s story, and it resulted in one of the very best performances he has given to date. Whether or not he gets serious Oscar consideration for his work, you will never be able to forget the impact he has on you here. And once again, the scene where he’s on the cell phone will break your heart.

SOURCES:

Ben Kenber, “Interview With Ewan McGregor On The Impossible,” We Got This Covered, December 19, 2012.

Damon Wise, “Ewan McGregor: ‘The Impossible is my first film about being a parent,'” The Guardian, December 27, 2012.

Jessica Chastain on Portraying an Infinitely Determined CIA Agent in ‘Zero Dark Thirty’

Jessica Chastain in Zero Dark Thirty

WRITER’S NOTE: This article was originally written back in 2012.

It’s utterly fascinating to watch Jessica Chastain go from playing the embodiment of grace in “The Tree of Life” to portraying a willfully determined CIA agent in “Zero Dark Thirty.” The role of Maya represents a huge change of pace for her as she gives this character a razor-sharp focus as she relentlessly pursues Osama Bin Laden and bring him to justice, and she is riveting to watch throughout the movie’s two and a half hour running time. After watching Chastain in Kathryn Bigelow’s critically acclaimed film, I am convinced she can play any role given to her.

I was lucky enough to go the “Zero Dark Thirty” press conference which was held at the Beverly Wilshire Hotel. Chastain said she had three months to prepare for this role, and she went through the screenplay with its writer Mark Boal throughout the production. She ended up nicknaming Boal “the professor” as he had spent several years doing research on the Bin Laden manhunt, and he clearly knows as much as anyone should on the subject. But the real challenge Chastain faced in playing Maya was the fact this character was based on a woman she could not meet, and this forced her to get especially creative.

“Because I was never able to meet the real woman my character’s based on because she’s an undercover agent, I had to use my imagination to fill in the blanks where the research couldn’t answer the questions,” Chastain said. “I tried to answer things like why she was recruited out of school. There’s a child’s drawing in Pakistan and other certain things which would be reminders of the life she was becoming a stranger to. I had to create on my own but still stay faithful to the woman I am portraying.”

One of the most talked about elements of “Zero Dark Thirty” are the torture scenes which have given some the impression that Bigelow has made a pro-torture movie (she has not). Acting in those scenes could not have been much fun, and Chastain acknowledged this in an interview with Christine Kearney of Reuters. In talking about her experience, Chastain makes it clear nobody was about glamourize this part of the story and how it made her fully aware of the differences between her and Maya.

“We filmed in a real Jordanian prison, in the middle of nowhere. The environment wasn’t great, especially as a woman,” Chastain told Kearney. “They had a lot of trust between the actors, nothing was dangerous or unsafe. There was a lot of discussion to make sure that we weren’t doing something that was going to be salacious. They just wanted it to be accurate.”

“I know I am playing a character who has trained to be unemotional. But I have spent my entire life allowing myself to be emotional, and allowing myself to feel everything,” Chastain continued. “There was actually one day that we were doing a scene, and I said, ‘I am sorry’ and I just had to walk away, and I just started crying … it was a very intense experience.”

Chastain is a classically trained actress who earned a Bachelor of Fine Arts degree from Julliard, one of the most prestigious performing arts conservatories in the United States. Now I have heard people say how actors can get trained too much at schools like this one to where they can’t appear natural in film and television. I am always annoyed to hear someone, let alone anyone, say this, so it’s great to see Chastain prove them wrong with her Oscar worthy performance. While at the press conference, she explained how being a student at Julliard prepared her for a movie like “Zero Dark Thirty.”

“I spent four years studying Shakespeare and iambic pentameter and all that, and to be honest this text was more difficult than that,” Chastain said of the screenplay. “Not only has Mark taken the facts of what happened, but he’s also created a subtle character arc within it, and you find the humanity within what he’s created. So Julliard absolutely helped me when preparing to speak very complex language and it gave me the tools for the research I would need to do in order to be believable as a CIA agent.”

What’s beautiful about Chastain’s performance is not just how she takes Maya from being out of her element to becoming an obsessed CIA agent, but also how she imbues the character with such a strong humanity. Chastain also makes us respect not just Maya, but all those who worked diligently alongside her behind the scenes to bring down Bin Laden and continue to fight against terrorists both foreign and domestic. In talking with George Pennacchio of ABC News, Chastain sees her performance as a tribute to the real-life person her character is based on.

“She worked for a decade; she gave up so much. She basically became a servant to her work,” Chastain told Pennacchio. “In a way, making this movie is like acknowledging the sacrifices she’s made and thanking her for what she’s done.”

SOURCES:

Ben Kenber, “Interview with Jessica Chastain, Mark Boal and Kathryn Bigelow On Zero Dark Thirty,” We Got This Covered, December 18, 2012.

Christine Kearney, “A Minute With: Jessica Chastain on ‘Zero Dark Thirty,’” Reuters, December 19, 2012.

George Pennacchio, “Jessica Chastain compares herself to ‘Zero Dark Thirty’ character,” ABC, December 19, 2012.

ย