Movie Interviews

Rolfe Kanefsky On His Horror Movie Satire ‘There’s Nothing Out There’

Posted on by The Ultimate Rabbit

WRITER’S NOTE: This article is about a screening which took place in 2012.

Writer and director Rolfe Kanefsky appeared at New Beverly Cinema where Brian Collins of the Horror Movie a Day website presented a special midnight screening of his directorial debut, “There’s Nothing Out There.” Joining him for this screening were two of the film’s crew members, still photographer Dave Shelton and assistant director Michael Berily. It tells the story of a group of teenagers, one of them a horror movie fan, spending spring break at a cabin in the woods, and it pre-dates Wes Craven’s “Scream” in making fun of the clichés horror movies always deal with.

Kanefsky spoke with audiences about what got him into movie making, and of what spurred the idea for this particular film of his:

Role Kanefsky: I’ve wanted to make movies since I was four years old. As I got older, I watched every horror movie that was ever made which got me to thinking about why people keep making the same mistakes in this genre over and over again. I wrote the script when I was in high school, but no one really liked it.

Kanefsky then went to college where he wrote several scripts, but then he came back to the one he wrote for “There’s Nothing Out There” after he graduated. It was 1988 when he started looking for the money to make it, and he was able to get a few private investors to help him out. He even told the audience his parents helped by selling their house, and after that he had a budget of around $150,000. One audience member asked him if his parents ever got to buy their house back with the profits and he responded:

Rolfe Kanefsky: You don’t get into movies to make money. You get into them because you love to make them.

When asked about the house used in the film, Kanefsky said a friend of his from college found it for him. It was located right near the border of New York and New Jersey, and he described what it was like filming in and around the house:

Rolfe Kanefsky: It was owned by two women who were a couple, and one of them was a sound artist which came in very handy for us. We did, however, have to use three different houses for the interior, and this forced us to cheat certain shots so that everything matched up in the end.

When it came to specific influences, Kanefsky looked mostly to 1950’s monster films, and he made several nods to them throughout. But he was also looking to make fun of the overused clichés in horror movies like the one where a cat jumps out at characters from nowhere, and of how one person warns of the danger ahead while everyone else ignores their advice. Kanefsky did, however, make one thing very clear to us:

Rolfe Kanefsky: It was never my intention to mock the (horror) genre, but instead the lazy filmmaking that has overwhelmed it.

One unique thing about “There’s Nothing Out There,” when compared to other horror movies of the time, is that what’s stalking the characters is not a deranged serial killer, but instead a monster from another planet. Keep in mind, this film was made long before the advent of CGI effects, so there was a lot of puppeteering involved in bringing this creature to life. Kanefsky was specific in what he was looking for:

Rolfe Kanefsky: I didn’t want a guy in a suit for the creature because I wanted to do something different. The way I saw it, the creature was half alligator and half octopus. I also intentionally made it a dumb creature, and you can tell it was not the smartest as there was a big learning curve going on with it. We ended up having to use crowbars just to move its tentacles around.

Kanefsky then invited his fellow crew members to share their experiences of making “There’s Nothing Out There.” Dave Shelton still has very vivid memories of how it all started:

Dave Shelton: I was working at Nickelodeon at the time and there weren’t many things being shot in New Jersey back then. When I met with Rolfe and he talked about his script, I knew right away what his vision was. He also said that no one is getting paid to make this movie and knew it was going to be good as a result. We got a lot of family and friends to be extras in the movie and we improvised a lot of stuff. Not everything worked, but we did the best with what we had. This was such a fun project to be a part of.

Michael Berily was originally hired to be the second assistant director on the set, but things changed for him very quickly:

Michael Berily: The first AD left three days into shooting, so I took over and spent a lot of time yelling and screaming at people because I didn’t know what I was doing. Still, it was an incredible experience working on it, especially when it came to raising the money. Rolfe was very ambitious then as he does a lot of set ups in one day.

Kanefsky attributed his working style of numerous set-ups a day, far more than what most Hollywood productions are able to accomplish, as he and his crew had a twenty-four-day shooting schedule. He has since made over twenty movies since “There’s Nothing Out There,” and to date it still has the longest shooting schedule of any movie he has made.

Horror Movie A Day’s screening of “There’s Nothing Out There” at New Beverly Cinema was certainly a historic one as it marked the first time a 35mm print of the movie had been shown in twenty years. Kanefsky said there were a number of reasons why this was the case:

Rolfe Kanefsky: When we showed it to studios and critics, they were all ambivalent about supporting it because they saw it as too funny to be scary and too scary to be funny. The movie ended up getting a small theatrical release back in 1992, and we managed to get some good reviews from newspapers like the Los Angeles Times. After that it began building up more and more of an audience through midnight screenings… and then the L.A. Riots (following the Rodney King verdicts) happened, and that destroyed us because no one went to the movies for a long time after that.

Kanefsky has attributed its ongoing success to cable and video and now sees this movie as an underground film which people found over the years. The studio which released “There’s Nothing Out There” never really got behind it, he said, and it really found its audience through word of mouth.

Before the evening ended, audience members asked Kanefsky if there would ever be a sequel or a Blu-ray release:

Rolfe Kanefsky: Blu-ray? Maybe, but right now it doesn’t make financial sense to do that and neither does the sequel. We do have the capabilities and original elements to remaster the movie in high definition, but the special edition DVD hasn’t sold enough copies to justify us doing that.

He does however have a title for the sequel:

Rolfe Kanefsky: ‘There’s Still Nothing Out There.’ The tagline for it is, ‘if you were afraid of nothing before, its back!’

Well, hopefully we will get to see a Blu-ray release and a sequel become a reality. There is no doubt “There’s Nothing Out There” was a passion project for Kanefsky and his crew when they made it, and it is clear everyone involved in it worked really hard to make it a reality. That people are still talking about it twenty years later makes it a triumphant motion picture which survived in a marketplace where many other horror movies get swept under the rug, never ever making it to the silver screen.

Joe Swanberg on the Making of ‘Drinking Buddies’

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WRITER’S NOTE: This article was written back in 2013.

Filmmaker Joe Swanberg has been a major figure in the Mumblecore movement, a subgenre of American independent film which is characterized by low budget production values and naturalistic dialogue. Among his films is “Hannah Takes the Stairs” which stars Greta Gerwig and was actually shot without a script. The way Swanberg works, he gives his actors an outline of the plot of what he wants to film, and they improvise their scenes from there. This way of filmmaking offers actors the opportunity to take a lot of risks and make the kind of movie Hollywood studios do not want to right now.

Swanberg’s latest film, “Drinking Buddies,” stars Olivia Wilde as Kate, an employee at a Chicago craft brewery who spends her days flirting with her co-worker, Luke (Jake Johnson). They would make the perfect couple, but Kate is already going out with Chris (Ron Livingston) while Luke is seeing Jill (Anna Kendrick). But when their significant others are out of town one weekend, both Luke and Kate begin to wonder if the feelings they have for one another will eventually come to the surface.

As with “Hannah Takes the Stairs,” “Drinking Buddies” was shot without a script, and the actors improvised all their scenes. Swanberg took the time to talk with us about the experience of making the movie while at the Four Seasons Hotel in Los Angeles, California as well as the fascinating world of craft beers.

What would you say is the difference between a microbrew and craft beer?

Joe Swanberg: Same thing, different terminology. The way that the world is soused out is basically in terms of how many barrels a year that places are outputting between micro-breweries and macro breweries. I would argue that you’re either there because you’re passionate about it, or you’re there because it’s a job, and that’s the difference between the two.

You mentioned “Bob & Carol & Ted & Alice” as one of your influences on this film, and that was a studio comedy with an adult point of view. Your films always have that great point of view and you keep going back to that well time and time again. What keeps you going back there, and what was your motivation to do this film?

Joe Swanberg: Well, a lot of it has to do with operating in a space where I can carve out a little area for myself to play in. Sadly, complex contemporary adult movies, there aren’t many of them. I’ve always been allergic to just doing what everybody else was doing, so it’s kind of just remained a place where there aren’t that many other things happening. I don’t have to be nervous that we’re sort of recycling the zeitgeist or anything like that, then it’s also just one I’m fascinated by. I think if you were to catch me most days of the week and asked me what I was thinking about, it would be a conversation my wife and I had about making time for each other to both be able to do our creative things, or some friend of mine who’s going through a breakup or something. I’m interested in people in that way, how we interact with each other. It’s very easy for me to continue to generate stories that are based around that because it’s kind of always on my mind anyway.

What would you say was your favorite scene in “Drinking Buddies?”

Joe Swanberg: My favorite sequence in the movie is Jake and Olivia playing cards, he’s playing blackjack with her, and Ron and Anna are hiking in the woods. Just the start of the back-and-forth of seeing these two couples we’ve established in terms of each other sort of swapping a little bit and feeling out how to flirt with someone else. I feel like I have this experience in my own life within the context of my relationship with my wife where I’ll just be with another woman and you just sort of get to play make-believe for 45 minutes or something of “oh this is what it would be like if we were together and we went to get lunch or something. This is how we would relate to each other,” and it’s different than the relationship you’re in. These little daydream scenarios, that scene in particular is really fun to me to see play out. I also love listening to Jake and Olivia on the porch. Anna has fallen asleep and they sneak out. I’ve had a lot of those nights in my life where the floodgates open and you just start being really honest and it starts feeding into the other person’s honesty. Before you know it, you’re just talking about things you’ve never told anybody with someone you hardly know. It was fun to try get something like that into the movie and to let them share stories with each other, and I just get to bear witness to it.

Did you have this great cast in mind from the beginning?

Joe Swanberg: No. Usually I’m working with friends of mine so I do know exactly who is going to play the parts before I gear the thing up, but this was one where I just sort of had broad stroke ideas about who the characters were. It’s the first time I’ve ever done a casting process where I met with a lot of actors and try to think about chemistry and placing different people in different roles.

Why did you film in Chicago? Why not Boulder, Colorado?

Joe Swanberg: Well, I live in Chicago, so that’s a big reason. Also, there’s a specificity that I can give the movie because I know what kinds of apartments these people live in and what bars they would drink at. So, every choice gets be a real choice because I know them and I’m friends with them. I’ve been to places I’ve never been to before and done the same process, but then I either have to take somebody else’s word for it like where the hipsters drink, or where it’s just not specific at all. I’m just like choosing places that look nicer something. It was fun to do something at home where I could use the city is an indicator of certain things. Also, I have a kid now so traveling is way less appealing than it used to be. Going to sleep in my bed every night was a huge bonus.

Was the backpack scene in the woods between Ron and Anna when they have that awkward moment completely improvised?

Joe Swanberg: Yeah. It’s the first film that I’ve done where I had an art department and a props master and all these people, so it was really fun as a director to show up to the production office every day and have somebody bring in four different backpacks that I could choose from. It was just too funny to pass up. It says a lot about her (Anna Kendrick). It’s a really great use of a prop.

Beer wise, what are you drinking now especially after you’ve had this little bit of education?

Joe Swanberg: I’m still leaning on the hoppy IPA side of things, but it’s interesting because I didn’t drink at all until I was 25. On my honeymoon I had a beer. I guess I must’ve felt like “alright, I’m here,” so it’s new to me. It’s really been something that I’ve just gotten into in the last five years. It’s interesting because I remember drinking a really hoppy beer early on and just thinking it tasted disgusting, and now I really like the flavor so I’m really curious as to where my taste buds will lead me in terms of the stuff. I find that I go through cycles with it. There was a period of time where I just wanted to drink stouts and dark beers, and then I got into Belgian stuff and then went to the hoppy stuff so I don’t know what the next wave will be.

Any brands you like?

Joe Swanberg: Sure, but too many to even name. I’ll stick to the Midwest: Revolution Bar where we shot, Three Floyds, and Half Acre. We are very spoiled in Chicago. I think twelve new breweries opened this year. It’s a nice time to be in Chicago right now.

“Drinking Buddies” is available to own and rent on DVD, Blu-ray and Digital.

Adam Scott on Acting in ‘A.C.O.D.’

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WRITER’S NOTE: The following interview took place on September 26, 2013.

“A.C.O.D.” is an abbreviation for Adult Children of Divorce and the movie stars Adam Scott as Carter, a man who suffered through his parents’ bitter divorce as a child. Now as an adult, he owns a restaurant and appears to be a well-adjusted person despite what he has been through. But then his younger brother Trey (Clark Duke) informs him that he has just gotten engaged, he asks Carter to see if they can get their parents, Hugh (Richard Jenkins) and Melissa (Catherine O’Hara), to come to the wedding. This proves to be quite a challenge as neither Hugh nor Melissa can stand to be in the same room with one another, and this leads to a number of surprises that no one sees coming.

Scott started off as a dramatic actor, but in recent years he has proven to be quite adept at doing comedy. He starred in the movie “Friends with Kids” opposite Jon Hamm and Kristen Wiig, and he has given memorable performances in “The Aviator,” “Knocked Up” and “Torque.” Many still remember him best for his roles on the television series “Party Down” as failed actor Henry Pollard who rejoins a catering company and on “Parks and Recreation” where he plays the competent but socially awkward government official Ben Wyatt. The star of that show, Amy Poehler, also appears in “A.C.O.D.” as Carter’s stepmother Sondra.

I got to participate in a roundtable interview with Scott when he was at the SLS Hotel in Los Angeles, California for the “A.C.O.D.” press conference, and he talked about working with Clark Duke and Amy Poehler, and he also gave us an update on Ben Stiller’s upcoming adaptation of “The Secret Life of Walter Mitty.”

Question: Adam you were terrific in this movie as the exasperated older brother. What was it like working with Amy Poehler who plays your bitchy stepmother?

Adam Scott: Thank you. It was really, really fun because usually we’re just making googly eyes at each other on “Parks and Recreation,” so it was just fun to hate each other’s guts. I remember when I asked her to do it. I just said, “Would you like to come play my stepmother? Don’t worry, we’re the same age” (we are the same age in real life). Luckily, she said yeah. It was really, really exciting that she would even consider doing it. It’s just always fun working with Amy in whatever capacity. Sometimes I do yard work for her (laughs).

Question: How much of this movie was improvised and how much of it was scripted?

Adam Scott: The movie is pretty much all scripted. There’s not much improvisation at all in the movie. It was just a really strong script. There was no need for improvisation and there wasn’t much time to mess around just because we had to shoot the whole thing so quickly.

Question: When you are playing a character like Carter, how do you keep him grounded in reality?

Adam Scott: I think the script is very grounded in reality. We could all relate to certain bits of it so I think it all starts with that. And the atmosphere and tone that Stu Zicherman (the co-writer and director) was setting with the movie was a very real and grounded one.

Question: There is a lot of family dysfunction to be found in this movie, but the relationship your character has with Trey is one of the more tame, genuine relationships of brotherly love. How did you go about establishing that chemistry and working together?

Adam Scott: We never even talked about it, but I think that Clark and I just sort of get along in regular life so that just kind of carries over.

Question: And does Clark also help out with Amy Poehler’s yard work?

Adam Scott: Yes, we all work full-time for Amy at her mansion. Clark and I are in charge of all of her wigs (laughs).

Question: How did this project come to you and what was it about it that spoke to you?

Adam Scott: I just read it and immediately wanted to do it back I guess it was now a couple of years ago. I just thought it was really funny. It reminded me of “Flirting with Disaster” which is one of my favorite movies. I thought it was really smart and really funny, and I was already a fan of Ben Karlin (the movie’s co-writer) and Stu. I didn’t even hesitate. I just tried to get the job immediately and at that point there was no cast signed on to it, so it was sort of a steady stream of these wonderful surprises of amazing people they were getting to fill out the rest of the roles.

Question: Ken Howard plays Melissa’s current husband, Gary, in the movie. What was it like having the President of the Screen Actors Guild on set?

Adam Scott: Super scary. He carries a pistol (laughs). He deputized Clark and I during filming and we each got a firearm.

Question: What are you working on next?

Adam Scott: I’m doing “Hot Tub Time Machine 2” with Clark, “Parks and Recreation” starts this month, and then I’m in “The Secret Life of Walter Mitty” which comes out on Christmas.

Question: Regarding “The Secret Life of Walter Mitty,” have you seen the original movie before coming into this one?

Adam Scott: Yeah, I saw it years ago and loved it. This is very, very different from the original for sure. The story itself (written by James Thurber) is so short that any movie that’s made out of it is going to have to wildly extrapolate from what it was. It’s a really, really, really good movie.

“A.C.O.D.” is now available to own and rent on DVD, Blu-ray and Digital.

‘Trouble in Mind’ Celebrates Its Anniversary Screening at New Beverly Cinema

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WRITER’S NOTE: This article was written in 2010, back when this anniversary screening took place.

Alan Rudolph’s 1985 neo-noir movie “Trouble in Mind” reached its 25th anniversary in 2010. This is especially significant because it got lost by its distributors about twenty years ago, and they only recently found a print of it. The movie has since been restored and been released in a new special edition DVD. To celebrate its anniversary, the producer of “Trouble in Mind,” Dave Walker, showed a new print of it at New Beverly Cinema. Along with him were actors Keith Carradine who played Coop and Lori Singer who played Georgia, and they were also joined by the composer of the film’s score, Mark Isham.

In talking about working with Rudolph, both Singer and Carradine said they never really rehearsed any scenes. A lot of it came down to them meeting with Rudolph, talking about the screenplay, and getting on the same page with what he wanted to accomplish. Singer explained how he created a “very vivid atmosphere” which came about from an “organic, real feeling.” In summarizing Rudolph’s filmmaking process, Singer said, “Whatever he was shooting, he was capturing his vision. That was our rehearsal.”

Isham described Rudolph as a “jazz director” in that he wanted to get everything right in the first take. When asked how he got the job on “Trouble in Mind,” Isham explained he was being represented by CAA and his agent encouraged him to make a list of directors he wanted to work with. After seeing one of Rudolph’s other movies, “Choose Me,” Isham decided he wanted to work with him. Rudolph ended up listening to one of Mark’s albums, liked it and hired him.

One question asked of Isham was in regards to working with singer Marianne Faithful on two of the film’s songs. Isham said he knew nothing about Faithful beforehand, but that he quickly learned she was an artist of instinct, and they captured a lot of magic on tape whenever she sang. Basically, he did an acoustic piano version of each song she would sing, and he gave her the music through headphones. Isham went on to say he added synthesizers to the soundtrack afterwards.

Isham is also considered one of the best trumpet players ever, and he did perform on one here. He stated how he has been playing the trumpet since he was eight years old and is always looking to put it in any movie he works on.

Another audience member asked Carradine about Coop’s hair and why it got all funky throughout. Carradine said he contributed to the look and described it as an “expression of descent into a kind of netherworld from innocent to deeply urban sensibility he was defenseless against.” Coop saw the change of hair as him becoming beautiful, and he was convinced that Singer’s character would like it. Carradine described it as Coop’s way of trying to fit into a world he was utterly clueless about, and that the hair he used was indeed his own, and these days he doesn’t have much of it left.

Carradine and Singer also spoke of working with Divine, the actor made famous in several films directed by John Waters, “Pink Flamingos” in particular. They said they really loved him because he was the sweetest guy and wonderful to work with.

After twenty-five years, “Trouble in Mind” still holds up very well, and hopefully its DVD release will open it up to a young audience waiting to discover something new and different. Rudolph has said this films is meant to have the look of a dream, and he gave Singer all the credit for that. The dream is still a strong one even with an elongated passing of time.

‘Aliens’ Cast Discuss Their Most Quotable Lines

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While at the Days of the Dead convention held in Los Angeles, California in late August of 2023, I got to attend the “Aliens” panel which featured several actors from the classic film. An audience member told the cast how this is one of the most quotable motion pictures of all time and asked if they ever get their famous lines of dialogue yelled back at them on a daily basis. Indeed, there are a plethora of memorable lines throughout which stay with the viewer long after they watch this film. Whether it is Sigourney Weaver saying, “get away from her you bitch” or the late Bill Paxton yelling out “we’re on an express elevator to hell, going down,” there is no forgetting what is said onscreen. This is saying a lot as James Cameron, who wrote and directed this sequel, is not always known for giving his actors great dialogue to work with. Then again, it is far better than the dialogue George Lucas gave us in those “Star Wars” prequels.

There is no doubt that actors will often find themselves faced with fans yelling lines of dialogue at them as they love what was said, and they always want to see if they can get a reaction out of those particular thespians. I remember interviewing Pierce Brosnan once about his movie “The November Man,” and I walked in to see him pouring himself a cup of coffee and mixing in some milk and sure. To this, I could not help but bring up a famous line he and several other actors have utter throughout history, but with a certain twist:

“Ah, stirred but not shaken!”

Thank goodness Brosnan had a great sense of humor about it.

When it comes to the cast of “Aliens,” their memories of their most well-known dialogue remain very vivid to them, and this provided some of the most entertaining moments during this Q&A session.

Daniel Kash (Private Spunkmeyer): I was in Florida once, and while I was there, someone said, “Nice pet you have there, Bishop.” That was right out of the blue. It was such an average line that no one cares about.

Carrie Henn (Newt): So, there was a line in the movie that, at the time, I asked why I am even saying this. And I know everybody says to me I know you hate the line, but you said it anyway. I learned to love it. The word “mostly,” it is amazing how many times that comes up. People will say it, and my friends will text it to me and they will say, “While I mostly saw this…” And then they always send me a second text saying “mostly.” People, I will be walking by them, and they will say it, and someone will then say “mostly.” If they only knew who was walking next to them. But yeah, it is the weirdest line, but it sticks.

Ricco Ross (Private Frost): This was maybe five years after the movie was made, and I had done a music video with Whitney Houston called “Saving All My Love for You.” I was the guy she was saving her love for. I remember walking in the hood one day and, this is a true story, a guy shouts out, “Hey Mr. Whitney Houston, how’s that Arcturian poontang?”

Cynthia Scott (Corporal Dietrich): I had a next-door neighbor in London, and he would come home from the pup every night three sheets to the wind. If I happened to be entering the house at the same time he’d go, “Oy, say that line again! Say your line!” And I would go, “Borderline malnutrition, but I don’t think there’s any permanent damage.”

Jenette Goldstein (Private Vasquez): People will yell “let’s rock” at me a lot.

William Hope (Lieutenant Gorman): You know, it’s just like, nice to meet you. You always were an asshole. And this happened in a swimming pool!

For myself, I would love to know if Sigourney Weaver ever gets anyone quoting one of Ellen Ripley’s best lines to her,

“Burke, I don’t know which species is worse. You don’t see them fucking each other over for a goddamn percentage.”

Whatever you may think of Cameron’s talent for dialogue, this remains one of the best things he has ever written.

‘Aliens’ Cast Talk About Their Challenges at the Days of the Dead Convention

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On August 26, 2023, I found the time to attend the Days of The Dead convention which was held at the Hilton Hotel outside of LAX airport. The main highlight of the day for me was sitting in on the panel for “Aliens,” James Cameron’s classic film from the year 1986 which remains as exciting now as it was when first released. This brought many of the talent who worked in front of and behind the camera, and they were very enthusiastic to be here to discuss a motion picture you would think they have been asked every conceivable question about before this point.

One of the questions asked of everyone was about the biggest challenge everyone faced on set. The first to answer was Tom Woodruff Jr. He is best known as a special effects supervisor who studied under the tutelage of Stan Winston, and he later, along with Alec Gillis, founded Amalgamated Dynamics, an American special effects company specializing in animatronics and prosthetic make-up. “Aliens” was one of Tom’s earliest projects, and he was very direct with the audience about what he dealt with in this science fiction classic.

Tom Woodruff Jr.: For me, the biggest challenge was being on set with James Cameron (audience laughs). He was very specific. He’s a rare guy. He knows exactly what he wants, and he knows exactly what parts you don’t understand. The first time we had the aliens on set, it was a scene where there were a lot of fire throwers going on, and the alien was supposed to be hidden up in the wall and crawls out and reveals itself. We did a run through, and Cameron stopped the whole thing and he said, “Why is this alien brown and the rest of him is black?!” The answer I knew in my head was, I didn’t check it out. I remember he just grabbed a can of black spray paint, shook it up and sprayed it on the head. I also realized at that point we wasted a lot of time painting alien heads when we could have just grabbed a can of spray paint.

For Carrie Henn who plays the orphaned Newt, she had no prior acting experience when she was cast in “Aliens.” Her career as an actress did not last long as she later decided to become a schoolteacher after earning a degree in liberal studies and child development from California State University, Stanislaus. Her response to question given proved to be quite surprising.

Carrie Henn: One of the challenging things was actually being scared of it (the aliens) because, I mean, look at it. Everyone was in the suits at some point, but then they would turn around or I would see them outside of the suit completely or their head would be off. So, I would try to act like I was scared of it, when in reality I knew it was my friend. I was scared of dogs and still am because I have been bitten by many, so I used to just pretend that it was a dog chasing after me.

Ricco Ross portrays Private Ross in “Aliens,” and his most memorable lines of dialogue include “guess she doesn’t like the cornbread either” and “what are we supposed to use, harsh language?” He ended up turning down the opportunity to act in Stanley Kubrick’s “Full Metal Jacket” in order to appear in this film. Since “Aliens,” he has remained a busy actor in both movies and television and does not look to be lacking in work. This would still be the case were it not for the SAG/AFTRA and WGA strike which still rages on as I write this article.

Ricco Ross: The marines would have lunch and hang out in one area and the aliens would hang out in another area, and we didn’t kick it together. But I remember walking by one day and one of the aliens had his head under his arm and smoking a cigarette, and this was before iPhones, and I wish I had a camera because it was an amazing kind of classic photograph.

Cynthia Scott, also known as Cynthia Dale Scott, portrayed Corporal Dietrich in “Aliens,” and her other credits include “Rush” which stars Jason Patric and Jennifer Jason Leigh. She has long since left acting behind her and now dedicates her life to working in the visual arts. Her answer to this question reminded me of perhaps her most famous line in this film which is, “Maybe they don’t show up on infrared at all.”

Cynthia Scott: I think I am the only one that was grabbed by the alien, and it was extremely challenging because I did half of my own stunt. If you recall, I was taken straight up in the air, and we were so old school that the stunt was achieved with a gigantic sea saw. It was operated by a bunch of crew members. So, I was standing on the downside, and I say my line and the stuntman in the alien suit landed behind me, grabbed me, and simultaneously the crew members pulled down really fast on the other end and we go shooting up in the air so our whole center of gravity changes. And simultaneously I am lowering my live flamethrower and using it ostensibly on my friend Ricco (audience laughs). The first three or four takes, I fell off. I was so terrified of James Cameron that I thought I would be fired today. I’m telling you; it was really hard.

William Hope portrays Gorman, the inexperienced commanding officer of the Marines who would have been best to listen Ellen Ripley (Sigourney Weaver) if he had been quick to think about it. Like Ricco Ross, he turned down a role in “Full Metal Jacket” to appear in “Aliens.” Since then, he has given memorable performances in such movies as “Hellbound: Hellraiser II,” “Shining Through,” the cinematic version of the television show “The Saint,” “Captain America: The First Avenger,” “Dark Shadows,” and the recent reboot of a sequel to “Texas Chainsaw Massacre.” His words about James Cameron rang very true.

William Hope: Jim in those days was cutting his teeth in more ways than one because he knew everybody’s job better than they did apart from the actors. So, I was just obsessed with don’t screw this up. We knew the script was just something of a masterpiece. We knew it was very, very special. As for you guys (the alien actors), the only direct contact that I had was when the aliens come through the roof. It was just the most exciting scene to play. The big challenge was getting it right and Jim saying, “Good, okay, move on.”

Mark Rolston portrayed Drake, a close friend to fellow badass marine Vasquez who was played by Jenette Goldstein. His other credits include playing Hans in “Lethal Weapon 2,” Stef in “Robocop 2,” and Bogs Diamond in “The Shawshank Redemption.” He also acted in “The Departed” which earned its director, Martin Scorsese, his first ever Academy Award, and co-starred in “Saw V” and Saw VI” as Dan Erickson. On television, he portrayed Gordie Liman on “The Shield.”

Mark Rolston: The thing I remember was the creature creation. I actually came back to set to watch the entrance of the queen alien. It is seared in my memory because she was like a two-story puppet which was controlled by guys on the crew. The smallest guy on Tom (Woodruff Jr.’s) crew was the guy who gets stationed in the head, and his sole job, aside from being dressed in black and trying to hide, was to push the queen alien goo out the tail. Cameron at one moment said, “There’s too much goo! Too much goo! You are pushing on the wrong tube!” I was giggling my ass over that one, but it was such an impressive shot. You look at the film and you believe this is a living monster, but onstage you see it’s just a puppet. Such masterful filmmaking.

We are getting closer to the 40th anniversary of “Aliens,” and this sequel still holds up all these years later. Some of us got to see when it debuted in theaters back in 1986, and others like myself watched on VHS. But even on the small screen, this still proved to be one of the greatest cinematic roller coaster rides we ever went on, and it is so great to see new generations of movie buffs feel the same from one new year to the next.

Exclusive Interview with Ashley Rickards about ‘A Haunted House 2’

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I got to attend the press day for “A Haunted House 2” back in 2014. This satirical horror comedy sequel was released one year after the original, and it catches up with Malcolm Johnson (Marlon Wayans) as he moves into a new home with his girlfriend Megan (Jamie Pressly) and her two children, Becky (Ashley Rickards) and Wyatt (Steele Stebbins). As you can imagine, Malcolm and company are soon met by a bizarre series of paranormal events, and the sequel goes out of its way to spoof such horror hits as “The Conjuring,” “Sinister,” “Paranormal Activity” and “Annabelle” among others.

In addition to speaking with Marlon Wayans and Jamie Pressly, I also did get to sit down with Ashley Rickards to talk about her role as Becky. For various reasons, this interview was not published at the time of this film’s release, but I present to you now after rediscovering all these years later.

Rickards is best known for playing Jenna Hamilton on the MTV comedy-drama series “Awkward,” and as the troubled Samantha Walker on “One Tree Hill.” She graduated from high school at the age of 15, and is currently a member of MENSA. In addition, she also published a book entitled “A Guide to Getting it Together Once and For All” which we did talk a bit about during this interview (although she did have a different title for it back then), and she helped to launch the Project Futures Somaly Mam Foundation which works to prevent and end human trafficking and sexual slavery in Southeast Asia.

Please check out my interview with Ashley Rickards down below, and you can also watch the interviews I conducted with Marlon Wayans and Jamie Pressly which I did for We Got This Covered.

Exclusive Interview with the Cast of ‘The Gallows’

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Looking through my vast collection of movie interviews, I came across this one which I did with the cast of “The Gallows.” Released back in 2015, it is a found footage horror film written and directed by Chris Lofing and Travis Cluff, and it opens up on a production of a play called, coincidentally, “The Gallows” which was done at Beatrice High School back in 1993. Everything looks to be going smoothly, but then an actor named Charlie Grimille is accidentally hanged and killed when the prop noose around his neck ends up malfunctioning, and the students and parents look on in horror.

The film then moves forward twenty years later to 2013 when the school attempts to put on a new performance of “The Gallows” in honor of Charlie’s memory. But, as you can expect, the road to hell is paved with good intentions, and the young adults who are part of this production soon find that they are not alone as something ominous is hiding in the shadows. Suffice to say, they find themselves in fear for their lives, and some learn in the worst way how certain things are better left alone.

This interview took place at Hollywood High School in Los Angeles, California, and it quickly proved to be one of the most cinematic press days I have ever been a part of. “The Gallows” stars Cassidy Gifford (the daughter of Frank and Kathie Lee Gifford), Reese Mishler, Pfeifer Brown who would go on to appear in “The Gallows Part II,” and Ryan Shoos who co-starred in “The Red Tie Massacre.” We had fun talking about the improvisation they did on set, working with the video cameras given to them, and of the advantage of playing characters with the same first names as theirs.

Please check out the interview below. “The Gallows” is now available to own and rent on DVD, Blu-ray and Digital. Watch it if you dare…

Exclusive Interview with Tye Sheridan on ‘Last Days in the Desert’

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Credit: François Duhamel / Broad Green Pictures

Continuing my explorations of interviews I have conducted in the past, I came across this one with Tye Sheridan and his performance in “Last Days in the Desert.” Written and directed by Rodrigo Garcia, it focuses on an imagined chapter of when Jesus (played by Ewan McGregor) went on a fasting and praying journey for forty days in the desert. Among the people he encounters on his travels is a character known as The Boy who is portrayed by Sheridan. The Boy is taking care of his ailing mother and building a house for her and his father to live in. But while he is eager to help his parents, he really wants to visit Jerusalem and hopes Jesus can lead the way for him.

I got to talk with Sheridan back in 2015 when he was promoting “Last Days in the Desert.” These days he is best known for playing the young Scott Summers/Cyclops in some of the “X-Men” movies and the lead role in Steven Spielberg’s “Ready Player One.” When I talked with him all those years ago, he was coming off of “The Tree of Life” in which he made his film debut, Jeff Nichols’ “Mud,” “The Stanford Prison Experiment” and “Entertainment” where he played an actor doing an unorthodox clown act.

While talking with Sheridan, I discussed how interesting his resume was in how it led up to him playing his character in “Last Days in the Desert.” We also talked about how he prepared for this role and how his costume helped to inform his performance. In addition, we discussed the challenges of filming in the California desert, and it gave me a strong appreciation of those who have experienced the hottest of summers Texas has to offer.

Please check out this exclusive interview below. “Last Days in the Desert” is now available to own and rent on DVD, Blu-ray and Digital.

Exclusive Interview with Lorene Scafaria about ‘The Meddler’

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While recently going through my large archive of interviews I have done over the years, I came across the one I did with filmmaker Lorene Scafaria on her film “The Meddler.” Released in 2015, it stars the great Susan Sarandon as Marnie Minervini, an aging widow who, to cure herself of loneliness and heartbreak, moves from New Jersey to Los Angles to be closer to her daughter, Lori (Rose Byrne). In the process of trying to restart her life, Marnie starts getting a little too involved in Lori’s life to where her daughter gets increasingly aggravated, she comes to make various new friends she desperately wants to help out, and she becomes especially friendly with a retired policeman named Randall Zipper (J.K. Simmons) to where a new chapter in her life begins to form.

Born in Holmdel, New Jersey, Scafaria previously wrote and directed “Seeking a Friend for the End of the World” which stars Steve Carrell and Keira Knightley as strangers who form an unexpected bond, and she penned the screenplay for “Nick & Norah’s Infinite Playlist,” a romantic comedy starring Michael Cera and Kat Dennings. Since making ‘The Meddler,” she gave us “Hustlers” which featured a critically acclaimed performance by Jennifer Lopez which somehow got snubbed by the Oscars, and she has directed several episodes of the acclaimed HBO series “Succession.”

I had a lot of fun talking with Scafaria about “The Meddler” and how the screenplay was inspired by similar situations with her mother. We also discussed what it was like working with Sarandon and Simmons, and we even talked about the time when she used to fake book reports to get a bunch of Pizza Hut gift certificates. It turns out she was not the only one who did such a thing.

Please check out the interview below, and be sure to subscribe to our YouTube channel if you haven’t already. There are many more videos yet to come!

“The Meddler” is now available to own and rent on DVD, Blu-ray and Digital.