‘Elf’ Movie and 4K/Blu-ray Review

This review was written by Ultimate Rabbit correspondent, Tony Farinella.

“Elf” is a movie which, for all intents and purposes, should have no right being as good as it is when you read its plot description. It’s about an adult elf named Buddy (Will Ferrell) who has been raised by elves. He doesn’t seem to realize that he doesn’t really fit in with the rest of elves, as he’s so much bigger than them and not able to perform some of their day-to-day tasks.  He was adopted by Papa Elf (Bob Newhart) after Santa Claus (Ed Asner) took him in.  Before long, Papa Elf comes clean and tells Buddy his real father, Walter Hobbs (James Caan), lives in New York.  Walter never knew he had a son because he was given up for adoption by his birth mother, Susan Wells, before she passed away.

For all his life, all Buddy has known is the North Pole.  He loves Christmas with all his heart and soul without being obnoxious about it. If Christmas ever had an ambassador, it would certainly be Buddy the Elf.  From here, the film has your fish-out-of-water storyline with Buddy, an oversized elf, trying to find his dad in New York and navigate the big city.  It provides for some hilarious moments as no one really notices the fact he’s dressed up like an elf.  It’s New York, after all. People dress up and portray other people all of the time, so he doesn’t stick out like a sore thumb.  He even ends up being mistaken for an employee at Gimbels.

This is where he meets Jovie (Zooey Deschanel), someone who needs a little bit of a spark in her life as she’s struggling to find happiness and pay her bills. Buddy is the perfect person for her to meet because he’s always in a good mood, filled with Christmas spirit, and knows how to put a smile on her face. He also ends up meeting Walter who, at first, thinks Buddy is absolutely out of his mind.  There is no way he could have had a child thirty years ago, and there is no way it’s a human being who thinks he’s an elf. After taking a DNA test, he ends up finding out that Buddy is indeed his son and introduces him to his wife, Emily (Mary Steenburgen) and son Michael (Daniel Tay).

Emily immediately takes a liking to Buddy as he’s thoughtful, kind and a positive soul.  He might make a mess from time-to-time, but he’s so darn lovable that it’s hard to stay mad at him for too long. Michael, on the other hand, is not sure what to make of Buddy as he sees him as embarrassing.  Before long, he sees him as the older brother he never had since they have snowball fights together, and they eventually build a solid bond and connection.  Walter, however, is struggling with his work at a publishing company, and the last thing he needs right now is Buddy the Elf creating drama in his life.

The number one reason “Elf” works is the cast.  Let’s start with Will Ferrell.  This is a performance where he’s totally and completely committed to whatever the film asks him to do.  Sometimes, he needs to play it a little big and over-the-top, and he hits all of the right notes.  In other scenes, he needs to be a little more innocent and naïve, and he nails these aspects of the character.  I couldn’t imagine anyone else playing Buddy the Elf except for Ferrell.  He has the perfect straight man counterpart in James Caan. This is not the type of film you would expect from Caan, but he fits in perfectly as he expresses so much with his face and body language.  Ferrell and Caan produce comedy gold.

One cannot also overlook the great work of Zooey Deschanel.  Her character of Jovie is incredibly sweet, thoughtful and kind to Buddy.  She never judges or thinks less of him.  He also brings out the best in her.  They are perfect together on screen. The same can be said for Mary Steenburgen as she’s always so warm and inviting with all her film performances.  She sees the good in everyone.  There is also solid supporting work from Faizon Love, Peter Dinklage, Amy Sedaris, Andy Richter and Artie Lange. Director Jon Favreau even makes an appearance as a doctor.

That is another aspect which works just right: the direction of Jon Favreau.  The film is driven by interesting characters, and he finds just the right actors to portray them.  He also knows how to get the most out of David Berenbaum’s script.  He really lets it breathe, and there are so many great lines of dialogue which have stood the test of time and are still repeated to this day, nearly twenty years later. This is my wife’s favorite Christmas movie, and I think it might be mine as well as we watch it together every Christmas.  It’s funny, sweet, heartfelt, and it has a heart of gold.  It feels like an adult Christmas film that also knows how to appeal to kids as well, which is not an easy thing to accomplish. It’s not perfect, but it’s pretty close.

* * * ½ out of * * * *

4K/Blu-ray Info: “Elf” is released on a two-disc 4K/Blu-ray combo pack from Warner Brothers Home Entertainment. It has a running time of 97 minutes and is rated PG for some mild rude humor and language. The film also comes with a digital copy.

4K Info:  This 4K release is absolutely stunning. It’s truly a visual feast for the eyes.  They have upgraded the film in a way as to where it truly feels like you are in New York around Christmas time.  It has great color tones that are enhanced to the max with HDR.  It really is a treat to watch as it looks so bright and colorful on this format.

Audio Info: The audio formats are DTS-HD MA: English 5.1, Dolby Digital: English Descriptive Audio, French, and Spanish. Subtitles are included in English, French, and Spanish. The sound is terrific.

Special Features:

Audio Commentary with Jon Favreau and Will Ferrell

Tag Along with Will Ferrell

Film School for Kids

How They Made the North Pole

Lights, Camera, Puffin!

That’s a Wrap…

Kids on Christmas

Deck the Halls

Santa Mania

Christmas in Tinseltown

Fact Track

Focus Points

Elf Karaoke – We Wish You a Merry Christmas, Deck the Halls, Jingle Bells

Theatrical Trailer

Deleted/Alternate Scenes with optional commentary by Director Jon Favreau

Should You Buy It?

If you don’t want to be a cotton headed ninny muggings, you will go out and buy “Elf” on 4K and add it to your Christmas movie collection.  As with almost all of the older films which have been upgraded to 4K from Warner Brothers, they have transported the same special features from the Blu-ray.  However, this is one of the better looking 4K transfers I’ve seen of a film which is nearly twenty-years-old. There is a lot to like with both the audio and visual aspects of the film.  I was really impressed with the audio quality and crispiness of the picture quality.  That is the great thing about 4K—it really gives you a new appreciation for some of your favorite films.  This is a feel-good film, and we need more feel-good films these days, especially with Christmas around the corner.  I highly recommend you pick up the 4K of “Elf.”  You won’t be disappointed!

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘Casablanca’ Movie and 4K/Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

Casablanca” is a film which conjures up an immediate reaction from film fans whenever they hear the title.  It’s right up there with “Citizen Kane” as one of those films which film buffs and historians consider one of the greatest movies ever made.  There are many reasons for this, but the biggest reason is the love story between Humphrey Bogart and Ingrid Bergman.  There is also the dialogue and the many quotable lines which come to mind when thinking of this film.  I won’t be repetitive here and list all of them for you, but if you have seen “Casablanca,” you know the lines by heart.  It’s one of those films which means a lot to a great deal of people and for good reason.

Set in 1941, the film introduces the audience to Rick Blaine (Humphrey Bogart), the owner of the nightclub Rick’s Café Américain. He refuses to have drinks with any of the customers and mostly keeps to himself.  The audience can tell he’s cynical, unhappy, and something has happened to him to cause him to lose a big part of himself. He tends to stay neutral on almost every topic.  Even though he’s cynical, he’s still a good guy with a good heart.  His world gets turned upside down when his old flame, Ilsa Lund (Ingrid Bergman), shows up with her husband, Victor Laszlo (Paul Henreid), as he’s seeking protection from German Major Strasser (Conrad Veidt) who intends to arrest him.

Victor Laszlo is a fugitive Czech Resistance leader. Rick’s Café serves as a place for all sorts of types, good and bad, because of World War II.  A lot of people there are looking to keep a low profile while others are looking to find someone to arrest.  Rick has some war experience himself, but now he’s focused on his nightclub.  He starts to become very focused on Ilsa when he catches up with her again, and it’s clear there are still strong feelings between the two.  They were in love back in Paris, but when it was time to leave, she just left him hanging with a note that left him with more questions than answers.

Rick has letters of transit, which allow two individuals to get out of Casablanca safe and sound and start over without any consequences. Rick can give the letters to Ilsa, but that also means he will be giving her up as well.  Again, even though he stays neutral on most topics, he can tell the good guys from the bad guys.  He’s not afraid to lend a helping hand to someone in need. However, if he helps her and Victor out, he knows he will never see the love of his life ever again.  That was the beauty of some of the old Hollywood films: the romance felt urgent and very important.  It never felt frivolous or silly.  You can tell that two people really loved each other, and it made a huge impact on their lives.

“Casablanca” is an old-fashioned Hollywood classic in every sense of the word.  You have the black and white picture, the classic romance, and the big stars. You also have great supporting work from actors like Claude Rains, Sydney Greenstreet, and Paul Henreid.  It all feels vital and like it serves a purpose.  It’s old-fashioned Hollywood craftsmanship at its finest.  The story with the war can sometimes bog the film down a little bit, but it’s there to push the love story between the two leads.  They are the heart and soul of this beautiful picture.  Like fine wine, this is the kind of film which gets better with age.  Even if you have seen it multiple times and know how it’s going to end, you still can’t help but get swept up in the story.  “Casablanca” is the kind of movie Hollywood doesn’t make anymore, but I wish they did.

This is Bogart’s best performance in his storied career.  He has a certain vulnerability to him we don’t often get to see on film.  He’s also an everyman in this film, and it’s great to see him connecting with his black piano player, Sam (Dooley Wilson).  He respects people and does the right thing, but it doesn’t feel forced. It’s a completely natural performance. It’s not a big or showy performance, and it doesn’t need to be as we see everything in his face: all of the pain and the agony. Bergman is sweet, tough and very, very smart.  She’s the perfect actress to go toe-to-toe with Bogart in this film.  She looks absolutely stunning and gorgeous on screen.

I was sucked into “Casablanca” from start-to-finish, like I am every single time I watch it.  Even though I know how it’s going to end, I’m still on the edge of my seat when they get to the final scene.  The last line of dialogue is iconic and the perfect note to end this film on as well.  I’m a huge fan of old Hollywood when stars were stars, and they could light up the screen with their presence. It should also be noted that “Casablanca” won Best Picture in 1942 along with Best Director (Michael Curtiz) and Best Screenplay. This is Classic Hollywood at its finest!

* * * * out of * * * *

4K/Blu-ray Info: “Casablanca” is released on a two-disc 4K/Blu-ray combo pack from Warner Brothers Home Entertainment. It also comes with a digital copy of the film as well.  It has a running time of 102 minutes and is rated PG for mild violence.

4K Video Info: “Casablanca” looks pretty good on 4K.  The black and white and older films in particular play pretty well with light and darkness on HDR.  It’s not a fantastic upgrade, but I don’t know how much more they could have done to really upgrade a film from the 40’s. It’s better than the Blu-ray, but it’s not a huge improvement.

Audio Info: The audio for the film comes on DTS-HD MA: English 1.0, and Dolby Digital: French and Spanish.  It also comes with subtitles in English, French, and Spanish.  There isn’t a huge upgrade on the audio here, but it still sounds pretty solid.  I don’t really think this is the kind of film which needed a huge audio upgrade.

Special Features:

Commentary by Roger Ebert

Commentary by Rudy Behlmer

Introduction by Lauren Bacall

Warner Night at the Movies

Now, Voyager trailer

Newsreel

“Vaudeville Days” (1942 WB short)

“The Bird Came C.O.D.” (1942 WB cartoon)

“The Squawkin’ Hawk” (1942 WB cartoon)

“The Dover Boys at Pimento University” (1942 WB cartoon)

“Great Performances: Bacall on Bogart” (1988 PBS special)

Michael Curtiz: The Greatest Director You’ve Never Heard Of

Casablanca: An Unlikely Classic

You Must Remember This: A Tribute to “Casablanca” (1992 TEC documentary)

As Time Goes By: The Children Remember

Deleted Scenes

Outtakes

“Who Holds Tomorrow?” (1955 “Casablanca” TV episode)

“Carrotblanca” (1955 WB Cartoon)

Scoring Stage Sessions (audio only)

Lady Esther Screen Guild Theater Radio Broadcast – 4/26/43 (audio only)

Vox Pop Radio Broadcast – 11/19/47 (audio only)

Trailers

I can’t get too upset over the lack of updated special features, as they transported a ton of special features from previous releases. The fact you get two commentary tracks, especially one with Roger Ebert, is quite a treat.  There are A LOT of special features here.  This one is pretty simple for film buffs and physical media collectors out there—if you love classic Hollywood, you owe it to yourself to pick up this film on 4K and watch it in the best possible format.  As mentioned previously, it’s an upgrade over the Blu-Ray, even if it’s not a massive upgrade.  Nonetheless, this is a film you should add to your collection on day one with the slipcover. Personally speaking, I love a good slipcover on my favorite films, and if you want the slipcover, it’s always better to buy it sooner rather than later. This will make the film lover in your life very happy this holiday season!

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘The Return of the Living Dead’ Movie and 4K/Blu-ray Review

The following review was written by Ultimate Rabbit Correspondent, Tony Farinella.

The Return of The Living Dead” was released the same year I was born, 1985.  Even thirty-seven years later, it is clear to see the impact the film had on horror movies, specifically zombie movies.  It was a film which was truly ahead of its time. I remember watching and enjoying the Scream Factory Blu-ray when it was released many years ago, and I enjoyed it even more on 4K Ultra HD. The blood, the gore and the colors really are vibrant and stunning on this release.  This is a tremendous release from Scream Factory, and it is being released just in time for the Halloween season.  It’s a perfect addition to your 4K horror film collection.

The film is just as funny as it is gory, which is truly saying something. This is not a simple task to pull off, as sometimes zombie films have a hard time with that balancing act.  “The Return of the Living Dead” opens up by introducing us to two lovable but goofy factory workers named Freddy (Thom Mathews) and Frank (James Karen), as they work together at the aptly named Uneeda medical supply warehouse. Frank is hoping to look cool in front of Freddy by showing him some of the dead zombie bodies they have lying around the warehouse. According to Frank, the filmmakers behind “Night of the Living Dead” were ordered by government officials to change certain aspects of the film in order to hide from the public that zombies are indeed real and were used for military purposes. Unfortunately for them, when toxic gas is released from one of the meat lockers, the zombies start to rise from the dead.

The only thing that will take away the pain of the zombies is eating brains.  These zombies really love brains, and they move a lot quicker than zombies we have seen in previous films.  Also, if you take off their head, the rest of the body is still mobile and able to attack.  The only way to truly kill these zombies is to burn them completely.  Before long, there are hundreds of zombies, and the police and the medics can’t keep up with them. Burt (the late Clu Gulager) is trying to navigate this situation as best as he can, but he’s also looking to save the good name of his company and not let the public know that two of his workers are responsible for this mess.

Freddy is part of a punk rock gang that likes to raise hell, listen to music and have a good time with sex, drugs, and rock n’ roll. Freddy’s gang is looking to help him, but they are also finding themselves in over their heads with all these zombies coming for them left and right. Freddy has a girlfriend named Tina along with some friends named Spider, Trash, Chuck, Casey, Scuz and Suicide. Meanwhile, Burt looks to his friend, Ernie (Don Calfa), for help in disposing of the cadaver zombie that was released thanks to his co-workers. Ernie wants to be helpful, but this is above his pay grade as a mortician.  Even though burning a zombie can kill it, it can also lead to toxic rain falling from the sky. This creates even more problems as it burns the skin and also brings more zombies to life from their graves.

This is one of many great things about “The Return of the Living Dead.”  There is nothing about the film which is cut and dry.  There might be a solution around the corner, as mentioned, but it doesn’t come without casualties or consequences. You also tend to feel a little bit of sympathy for these zombies, especially when you notice that Freddy and Frank are starting to become zombies.  They don’t want to eat brains, but it is the only thing that will stop their suffering and pain.  The zombies are also beautifully designed and look fantastic on screen.  Sometimes they pop up out of nowhere, and sometimes they come in large packs that move really, really fast.  These are complex and interesting zombies. These are not your average, run-of-the-mill zombies, and this is a big reason why this film has had such staying power.

“The Return of the Living Dead” also has a ton of quotable lines and quirky characters.  I don’t think I can keep a straight face when I hear the line, “It’s not a bad question, Burt.”  Every time I watch this film, I gain a new appreciation for it.  In my eyes, it is the perfect zombie film.  If I had to choose only one tiny issue with this film, and it is a minor one, it is the fact it ends rather abruptly.  Besides this little picadillo, this is my favorite zombie movie of all time.  Of course, I respect “Dawn of the Dead” and “Night of the Living Dead,” but from a pure entertainment standpoint and for the rewatch factor, “The Return of the Living Dead” is simply horror movie heaven for yours truly.  It is the film which keeps on giving with its gore comedy, and quirky cast of characters.

* * * * out of * * * *

4K/Blu-ray Info: “The Return of the Living Dead” is released on a 3-disc 4K and Blu-ray combo pack from Scream Factory.  One disc is the 4K of the film, another disc is the Blu-ray, and the third disc includes the special features on a Blu-ray disc.

4K Video/Audio Info: We are treated to this film on an absolutely stunning 4K Dolby Digital HDR transfer. As soon as the film started, I was sucked into how beautiful and bright it looked on my television.  They have done a brand-new 4K scan of the original camera negative, and it makes it one of the best-looking horror 4K’s of the year.  The bloody reds are a thing to behold, and the darks are also spot-on with this transfer.  Scream Factory has been on a roll lately. The audio track on the film is DTS-HD Master Audio 5.1, 2.0 with English subtitles.  I thought the audio was perfect, especially during the scenes involving some of the punk rock music.  I didn’t have to adjust my volume on this film at all. I was able to keep it at the same volume throughout the entire film.

Special Features:

DISC 1 – (Feature Film – 4K UHD)

·     NEW 2022 4K Scan of The Original Camera Negative

·     In Dolby Vision (HDR 10 Compatible)

·     DTS-HD Master Audio 5.1, 2.0

·     Audio Commentary with Gary Smart (Co-author of “The Complete History of The Return of The Living Dead”) And Chris Griffiths

·     Audio Commentary with Actors Thom Mathews, John Philbin and Make-up Effects Artist Tony Gardner

·     Audio Commentary with Director Dan O’Bannon and Production Designer William Stout

·     Audio Commentary with The Cast and Crew Featuring Production Designer William Stout and Actors Don Calfa, Linnea Quigley, Brian Peck, Beverly Randolph and Allan Trautman

·     Zombie Subtitles

·     In Their Words – The Zombies Speak

DISC 2 – (Feature Film – Blu-ray)

·     2022 4K Scan of The Original Camera Negative

·     DTS-HD Master Audio 5.1, 2.0

·     Audio Commentary with Gary Smart (Co-author of “The Complete History of The Return of The Living Dead”) and Chris Griffiths

·     Audio Commentary with Actors Thom Mathews, John Philbin and Make-up Effects Artist Tony Gardner

·     Audio Commentary with Director Dan O’Bannon and Production Designer William Stout

·     Audio Commentary with the cast and crew Featuring Production Designer William Stout and actors Don Calfa, Linnea Quigley, Brian Peck, Beverly Randolph and Allan Trautman

·     The Decade of Darkness – Featurette On ’80s Horror Films

·     Theatrical Trailers

·     TV Spots

·     Still Gallery – Posters, Lobby Cards, Movie Stills and Behind-The-Scenes Photos

·     Still Gallery – Behind-The-Scenes Photos from Special Make-up Effects Artist Kenny Myers’ Personal Collection

DISC 3 – (Special Features – Blu-ray)

·     “The Return of The Living Dead” Workprint – Includes 20 minutes of additional footage (in standard definition)

·     More Brains: A Return to The Living Dead – The Definitive Documentary on “The Return of the Living Dead.”

·     The FX of “The Return of the Living Dead” – with Production Designer William Stout, FX Make-up Artists William Munns, Tony Gardner, Kenny Myers and Craig Caton-Largnet, Visual Effects Artists Bret Mixon and Gene Warren Jr. and actor Brian Peck (Expanded Version)

·     Party Time: The Music of “The Return of The Living Dead” – with Music Consultants Budd Carr and Steve Pross and soundtrack artists plus musicians (Expanded Version)

·     The Origins of The Living Dead – An Interview with John A. Russo

·     “The Return of The Living Dead:” The Dead Have Risen – Interviews with cast members Clu Gulager, James Karen, Don Calfa, Brian Peck, Thom Mathews, Beverly Randolph, Linnea Quigley and More…

·     Designing The Dead – Interviews with Writer/Director Dan O’Bannon and Production Designer William Stout

·     HORROR’S HALLOWED GROUNDS – Revisiting the locations of this film

·     A Conversation with Dan O’Bannon – His final interview

Should You Buy It?

Do you have a perfect zombie movie? Check.  Do you have an outstanding 4K picture transfer? Check. Do you have a boat load of special features? Check.  This film is a day one purchase without any hesitation whatsoever. It comes out on October 18, and it is a great horror movie to watch during the spooky season of 2022.  If you haven’t already, you should pre-order this film from Scream Factory.  I promise you that you won’t be disappointed.  I can’t say enough glowing things about this movie or its 4K transfer.  When you factor in how rewatchable this film is (it only runs at 91 minutes), it’s the kind of film that is going to bring something new to the table for viewers each and every time.  It’s a ton of fun, gory, well-acted, cheesy in a good way, and it truly had something new to offer to the horror genre. If you have seen this film before, you have probably already pre-ordered it and can’t wait to watch it again on 4K.  If you haven’t seen it before, you are in for a big surprise when you watch this movie.  Once again, “The Return of the Living Dead” gets a top recommendation from yours truly.

‘DC League of Super-Pets’ Movie and 4K/Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

DC League of Super-Pets” is a film which, on paper, sounded like it would be an enjoyable and entertaining animated film for families to enjoy on a rainy day.  I was especially drawn to the cast of the film, which features such actors as Dwayne Johnson, Kevin Hart, Kate McKinnon, John Krasinski, Natasha Lyonne, Keanu Reeves and Olivia Wilde. However, this feels more like a 10 to 15 animated short than it does a feature length film.  There isn’t a lot of material for the actors to work with here as far as the story is concerned.  It also appears that some of the actors are phoning in their voice performances.

The film opens up by introducing the audience to Superman (John Krasinski) and his best friend, Krypto, a Labrador Retriever, voiced by Dwayne Johnson.  They do everything together, including their daily walk-o’clock.  Krypto, however, is starting to become jealous when he notices that Superman is spending an awful lot of time with Lois Lane (Olivia Wilde), and worries he will be left behind.  After all, who is Krypto going to watch The Great British Bake off with?  He’s feeling left out and drowns his sorrows with ice cream and Taylor Swift songs to deal with the pain.  Meanwhile, Superman is hoping to get a buddy for Krypto, so he doesn’t depend on him so much.

While looking for a friend for Bark Kent (Krypto’s day-to-day dog persona), he stumbles into a shelter with a variety of animals, such as a boxer named Ace (Kevin Hart), PB, a potbellied pig, voiced by Vanessa Bayer, a turtle voiced by Natasha Lyonne, and a red squirrel voiced by Diego Luna. The one bad egg in the bunch is a hairless Guinea pig named Lulu, who has been under the guidance of Lex Luthor (Marc Maron). She was a test subject at LexCorp, and now has evil powers of her own, which help her capture The Justice League.  It is up to all of the animals to work together in order to save The Justice League and stop Lulu.  They now have superpowers of their own which they must harness for good in order to restore peace.

This should have been a film which hit just the right notes in terms of appealing to young kids and also having some adult humor as well.  There is adult humor here, but it feels very on-the-nose and not at all natural or organic.  All of the flying around mixed with the superhero powers makes the film feel very tedious to sit through at times.  There is a story behind Ace becoming a shelter dog that adds some layers to his character, and there are also individual moments in the film which are funny and work within the structure of the film.

Overall, though, I can’t imagine too many kids getting all of the adult jokes which are forced into ‘DC League of Super-Pets” periodically.  I also can’t picture parents or adults enjoying the stuff intended for kids.  The film ends at around 95 minutes even though it has a 105-minute running time.  It still felt too long, and I found myself clock-watching.  It’s a case of a film where they thought as long as they had the right voice actors and the DC name attached to it with pets, they were good to go.  They didn’t take the time to actually craft a script which was worthwhile, interesting or well-developed.  They got lazy when it came time to putting the screenplay together.

I had high hopes for this one, but in the end it fell flat.  What is most frustrating about “DC League of Super-Pets” is the potential that can be seen here for a good movie.  There are some backstories and relatable moments which work quite well, but they are not consistent enough throughout the course of the film. It’s an example of an average movie with good scenes sprinkled throughout.  There is a good movie waiting to come out, but it never fully gets on track because of mediocre writing, lackluster voice work and a very lazy plot.  This is a film with a ton of potential which could have been one of the better animated films of the year, but is instead instantly forgettable.  It’s truly a shame, as this is one of the best casts I’ve ever seen for an animated film.  They should have utilized this cast and gave them interesting things to say in a comedic fashion.  Kevin Hart is subdued and for good reason (when you discover his character’s backstory), but no one really stands out here.  Kate McKinnon even seems to be reaching here.

* * out of * * * *

4K/Blu-ray Info: “DC League of Super-Pets” is being released on a two-disc 4K/Blu-ray combo pack from Warner Brothers Home Entertainment.  The film is rated PG for action, mild violence, language and rude humor.  It has a running time of 105 minutes.  It also comes with a digital copy of the film.

Video Info: The 4K of the film is very bright and colorful.  I will say this—the 4K looks simply stunning with its vivid colors. Certain animated films really pop on 4K HDR, and this is one of them.

Audio Info: The Dolby Atmos track is also on point throughout the film, as it never gets too high or too low, even during the action scenes.  It’s just right. Subtitles are included in Canadian French, English and Latin Spanish.

Special Features:

How to Draw Krypto

Behind the Super Voices

Super-Pets Animation 101

Find the Easter Eggs

The World of Super-Pets

Deleted Scenes

Should You Buy It?

I think it’s safe to say from reading my review that the answer is no.  I felt very bored and disinterested while watching “DC League of Super-Pets.”  As stated in my review, the plot is run-of-the-mill and the characters are so underdeveloped. I love animals, as my wife and I have four of our own.  I know they are animated here, but still; they can be cute and funny in animated form.  Another problem with this film is you know certain actors are voicing the parts.  When you can clearly notice their voices, that’s a problem. It means they haven’t really allowed themselves to get into character fully.  Instead, they are simply reading lines right in front of them without any change to their delivery or speech. This is an average film.  It’s a one and done film for me.  For everyone else?  I can’t recommend you check it out, even as a rental.  The film looks and sounds great, but that isn’t enough to make it worth watching or owning.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘Poltergeist’ Movie and 4K/Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

Poltergeist” is a film I haven’t watched in probably close to sixteen years.  The last time I remember watching it was when I was preparing to interview the late Zelda Rubinstein for the DVD release of the film back in the day.  Upon revisiting “Poltergeist,” I found it to be a mixed bag.  There are certain aspects which feature solid special effects, some good scares, and intense moments of horror.  There are also long-drawn-out scenes that drag the film down at other points.  The film also feels very dated in many ways. I had trouble deciding my feelings on the film even after watching and sitting with it for a few hours.

Poltergeist” introduces the audience to your average suburban husband and wife played by Craig T. Nelson and JoBeth Williams. They are doing their best to raise their children: Carol Ann (Heather O’Rourke), Robbie (Oliver Robins), and Dana (Dominique Dunne). Carol Ann is the mischievous youngest child of the bunch, Robbie is the scared middle child, and Dana is the sixteen-year-old teenager with a bit of sass to her. Their world is turned upside down when strange and bizarre things start happening in their home.  They find that the furniture is moving all around the house, and the house itself seems to have a mind of its own.  When they lose their youngest, Carol Ann, to the TV, they start to become incredibly concerned about their living situation.

One of the positive aspects of “Poltergeist” is the fact that the family can’t just leave the house because their daughter is inside of it somewhere.  In many haunted house films, it’s frustrating to watch as a viewer because you just want to scream, “Leave the house already! Get out of there!” It’s not that easy this time.  They need to stay in the house in order to save their child.  This is causing sleepless nights and a tremendous amount of anxiety for the parents. Dana ends up staying with a friend to get away from the chaos of the home while Robbie stays with his grandmother. Steve and Diane are determined to get to the bottom of this.

This is also where the film falls off the rails a little bit. They end up bringing in some experts to help them with this issue, as they want to find out if it’s a simple haunting or a poltergeist intrusion. All of this is new to them, and they are learning as they go along. They end up bringing in a spiritual medium, played by Zelda Rubinstein, in the hopes of finally getting to the bottom of this.  She is attempting to help Steve and Diane communicate with their youngest daughter and figure out a way to get her back to them safe and sound.  However, this is going to be much easier said than done because of all of the obstacles and roadblocks that are in their way.  There is also a hidden secret that explains why Carol Ann says “they’re here” when she looks at the TV.

Overall, there is a good movie in here somewhere dying to come out. “Poltergeist” maybe needed a spiritual medium of its own to get the most out of its production.  It’s directed by Tobe Hooper and produced by Steven Spielberg.  Many have stated Spielberg was responsible for directing most of the film and, in turn, should have been labeled a co-director on the project at the very least. It has been a Hollywood inside story for a while, but it does feel like a movie in search of a tone and direction.  The “ghost story” aspects are too convoluted at times, which is when it starts to feel a bit tedious and tiresome to watch. The straight-up horror aspects are the ones which really work and are incredibly effective. There are some set pieces and scenes which were really ahead of its time and truly terrifying. Sadly, those scenes are few and far in between.

“Poltergeist” is also bogged down by its PG rating.  It feels like a crowd-pleasing PG horror movie instead of a horror thrill-ride.  Once again, this feels like a film at odds with itself.  The performances by Craig T. Nelson and JoBeth Williams are really, really good.  They show just the right amount of anguish and distress as the parents.  The younger actors are not given a whole lot to do here, which is a shame, because young children in peril, when done right and with no agenda, can also add to the terror. Overall, this film was a mixed bag for me, so I can’t quite recommend it, even though I truly enjoyed certain scenes, the performances, and the special effects.

* * ½ out of * * * *

4K/Blu-ray Info: “Poltergeist” is released on a two-disc 4K/Blu-ray Combo Pack from Warner Brothers Home Entertainment.  It is rated PG and has a running time of 114 minutes. It also comes with a digital copy of the film.

Video Info: The 4K HDR transfer of the film looks incredible. This film was released in 1982, and it looks better than ever here on 4K.  Warner Brothers Home Entertainment has really stepped up their game with their 4K releases from their catalogue of films. The vivid and bright colors are really popping here while the dark and gloomy scenes are done just right.  There is a warning for this film if you are susceptible to epilepsy or have trouble with photosensitivity, so keep that in mind if you are going to buy this film or watch it.

Audio Info: The film comes with two audio tracks in English: DTS-HD MA: English 5.1 and 2.0 along with Dolby Digital: French and Spanish to go along with it.  Subtitles are included in English, French, and Spanish.  The audio is really taken up a notch when it comes to the more intense horror scenes.  It really enhances the strength of the scenes.

Special Features:

“They Are Here: The Real World of Poltergeists Pt. 1- Science of the Spirits”: 15:30

“They Are Here: The Real World of Poltergeists Pt. 2- Communing with the Dead”: 15:31

“The Making of Poltergeist”: 7:15

Trailer: 2:25

Should You Buy It?

As per usual, these special features have been previously released on the Blu-ray of the film.  All in all, they are decent enough special features if you enjoyed the film.  The more I thought about this film, the more I realized I was trying to talk myself into liking it.  I didn’t hate it and it’s not a bad movie.  It’s simply OK.  It could have been a lot better considering the actors and the director and producer behind it.  This should have been a great film and a horror classic.  It’s overrated in many ways.  It’s not a film that is going to have great repeat value or one that I think many will come back to time and time again.  I can’t recommend that you purchase this film, even though I thought I was going to enjoy it quite a bit.  It’s a disappointment, as the potential is there, and it’s shown in certain scenes and with the performances.  It’s just not consistent enough throughout the film. The beginning and the end of the film are really good, but the middle is a mess and quite boring at times.  The 4K of the film is impressive and a major upgrade.  If you are a fan of the movie, you will enjoy the 4K transfer.  If you aren’t a fan of the film or haven’t seen it before, I don’t think you need to spend your money on this 4K.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘The Lost Boys’ Movie and 4K/Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

The Lost Boys” falls into the category of a great horror film I have never seen before until now.  With its release on 4K and Halloween a little over a month away, I couldn’t wait to take a bite into this movie (see what I did there?).  Vampires, zombies and werewolves are familiar creatures used in horror films.  The thing which separates the good films from the bad are two things: the characters and the story.  Are we invested in the characters? Is there a compelling story? In the case of “The Lost Boys,” the answer is a resounding yes.  I loved this film, and even though I’m late to the party in watching it, it’s better late than never.

Lucy (Dianne Wiest) and her two sons Michael (Jason Patric) and Sam (Corey Haim) have relocated to Santa Carla, California following her divorce.  They end up living with her eccentric, oddball father played brilliantly by Barnard Hughes, and he doesn’t want anyone to touch his root beer or his Oreos.  He also spends a lot of time dabbling in taxidermy and often gives Sam some unwanted presents.  Sam is also flanked by his loyal dog Nanook, an Alaskan Malamute. Sam is doing his best to adjust to this beach town by catching up on some comic books. He ends up getting to know the Frog Brothers, Edgar and Allan, played by Corey Feldman and Jamison Newlander, who know a lot about vampires and comic books.  Their performances are comedy gold in this film, and they are their own little “Strangers Things” group here.

Michael ends up falling for a young lady named Star, played by Jami Gertz. She hangs around a biker gang led by David (Kiefer Sutherland).  Something is clearly unusual and odd about them, but Michael is hoping that if they accept him, he can get to know Star.  Lucy ends up getting a job at the local video store which is owned by Max (Edward Herrmann).  Max is a dorky putz, but he means well and seems genuinely interested in getting to know Lucy.  This in spite of the fact that their dates usually always end up in disaster because Sam is convinced something is off with Michael.  Sam wants to protect Michael because that’s his brother, but he’s not entirely happy with how he’s acting lately.  Michael is sleeping all the time and coming home very late now that he has his new friends.

There is plenty to enjoy with “The Lost Boys,” but the key ingredient is the cast.  The actors really sell this material with just the right amount of humor and terror.  Director Joel Schumacher also knows how to get the most out of every single scene.  This film is 97 minutes and frankly, it is the perfect running time for a film like this. We get to know the characters, their dilemma unfolds, and it ends with a bang, literally and figuratively speaking. I really enjoyed the fact the filmmakers went with an R rating.  They build up to the violence, so it really means something when the bodies start to explode and heads begin flying off.  The special effects and make-up are top notch.  When you add in the fact this is a 4K release, everything is enhanced to an even greater degree.

The film also doesn’t lean in too heavily with the vampire gimmick.  Yes, there are characters who are vampires and there are rules to follow, but at the end of the day, it’s a film about a mother and her two sons trying to survive.  Dianne Wiest, a favorite actress of mine, is perfect as the concerned but confused mother.  The late Corey Haim is also top-notch here.  I know I’m singling out their work, but there is not a bad performance in this film.  It also helps that the atmosphere goes back and forth between day and night.  It’s an atmospheric and intense flick which hits all of the right notes you would want in a film like this. I went into it not knowing what to expect, and I ended up having a big smile on my face when the credits were rolling at the end.

“The Lost Boys” is an 80’s gem which deserves to be seen on 4K.  It’s one of those rare examples of a film where everything falls into place: the cast, the acting, the director, the writing, the blood and guts and the twists and turns.  The comedy is done at just the right moments without being too hokey or phony. The action and violence are really turned up a notch without being too much or overdone. This is the perfect Halloween movie to pick up in time to watch for the holiday.  Trust me when I tell you this: You won’t regret it, and you will love it. If you have already seen it, you will love it even more with the 4K upgrade.

* * * * out of * * * *

4K/Blu-Ray: “The Lost Boys” is being released on a two-disc 4K and Blu-ray combo pack from Warner Brothers Home Entertainment. It also comes with a digital copy of the film as well.  It is rated R and has a running time of 97 minutes.

Video Info: The 4K of this film comes with stunning High Dynamic Range (HDR), and it looks incredible.  As I mentioned earlier in my review, the outdoor shots of California are absolutely stunning. When the film is darker and more brooding, it switches to that tone with its color palette.  This is a terrific-looking 4K, and I enjoyed taking it all in for the first time.

Audio Info:  I was hoping they would have a Dolby Atmos track as the audio is good but it’s a little inconsistent at times. It comes on a DTS-HD MA: English 5.1 audio track along with Dolby Digital audio tracks in French and Spanish. Subtitles are in English, French, and Spanish.

Special Features:

4K UHD Disc

·           Commentary by Joel Schumacher

Blu-ray Disc

·           Commentary by Joel Schumacher

·           “The Lost Boys: A Retrospective”: 24:00

·           “Inside the Vampire’s Cave: A Director’s Vision”: 6:58

·           “Inside the Vampire’s Cave: Comedy vs. Horror”: 4:44

·           “Inside the Vampire’s Cave: Fresh Blood-A New Look at Vampires”: 4:23

·           “Inside the Vampire’s Cave: The Lost Boys Sequel?”: 2:25

·           “Vamping Out: The Undead Creations of Greg Cannon”: 14:02

·           “The Return of Sam and the Frog Brothers: Haimster & Feldog-The Story of the 2 Coreys”: 4:30

·           “The Return of Sam and the Frog Brothers: Multi-Angle Video Commentary by Corey Haim, Corey Feldman and Jamison Newlander”: 18:23

·           The Lost Scenes: 15:16

·           Lou Gramm “Lost in the Shadows” Music Video: 4:35

·           Trailer: 1:26

Normally, I would complain about the fact they don’t have any new special features for the 4K here, but considering this was my first time watching the film, all of the special features were new to me.  There is a commentary track with the director and plenty of lengthy special features discussing the film.  Based on the quality of the movie, the 4K upgrade, and the special features, this one comes highly recommended as a day-one purchase.  If you are a horror enthusiast, you owe it to yourself to watch this film at the highest quality available.  As far as the film itself, there is so much to like about it. Even though the film is a vampire film, it doesn’t feel like a vampire film.  I felt the vibes of It and Stranger Things mixed with a family drama.  The acting is really, really good, and it’s a big reason why it’s such an effective film.  The kills featured in the film are also really grisly and blood-soaked.  I loved this movie! I’m really enjoying the fact that Warner Brothers Home Entertainment is going into their vault and releasing a lot of their older titles on 4K.  This is a top-of-the-line upgrade with bright colors and a vivid picture. If you are like me and haven’t seen this movie, you owe it to yourself to add it to your collection.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘Elvis’ Movie and 4K/Blu-ray Review

The following review was written by Ultimate Correspondent, Tony Farinella.

Elvis Presley is, without question, one of the biggest names in music history. As a matter of fact, many think he’s the gold standard. Nearly four decades after his death, he is still worshiped and celebrated by legions of fans.  However, there has never been a true Elvis biopic worth its salt. For a man with such a historic legacy, it seemed rather unusual that a true Elvis biopic with a big studio behind it had never been released.  This changed in 2022 with the release of “Elvis,” directed by Baz Luhrmann.  If there ever was a director to bring the life of Elvis to the big screen, it was certainly Luhrmann.  He’s known for his big productions and big budgets.  There is a reason why he hasn’t directed many films. He puts everything into his work, and he’s involved in many aspects of the filmmaking process as a whole.

I remember hearing about this film back in 2020 as Tom Hanks contracted Covid-19 while filming his part as Colonel Tom Parker. When it was finally able to hit the big screen in the summer of 2022, I noticed it was getting people back in the theaters once again.  Now, it has not grossed anywhere near the level of “Top Gun: Maverick,” but it’s still playing in certain theaters to this day even though it was released in June. I credit this to the power of Elvis as he always had a way of bringing people together.  This is certainly the case with this big screen blockbuster.

While the film is called “Elvis,” it could have easily been called Elvis and Colonel Tom Parker, as it focuses on the relationship between the two.  Colonel Tom Parker is played by Tom Hanks.  If I had to go out on a limb here, I’d say they wanted to cast a big-name actor in Hanks because not many people were familiar with Austin Butler. Prior to seeing the film, I had never heard of Butler myself.  While I understand the casting of Hanks and the reason behind Parker being such a pivotal character in the film, his performance is extremely cartoonish and silly.  Colonel Tom Parker was a character indeed, but this performance feels like Hanks in a fat suit with a forced accent.

ELVIS Copyright: © 2022 Warner Bros. Entertainment Inc. All Rights Reserved. Photo Credit: Courtesy of Warner Bros. Pictures Caption: (L-r) TOM HANKS as Colonel Tom Parker and AUSTIN BUTLER as Elvis in Warner Bros. Pictures’ drama “ELVIS,” a Warner Bros. Pictures release.

This film focuses on how Elvis was discovered by Colonel Tom Parker who took him under his wing as he saw something special in the young man.  Elvis, being loyal to his family, especially his mother, would do anything to help them out financially, so he did whatever Colonel Tom Parker told him to do even if his mother saw right through him. Elvis’ father was a bit of a simpleton and really wasn’t looking out for his son’s best interests as he had problems of his own. Colonel Parker, on the other hand, was a carney who knew how to manipulate and con Elvis into doing anything he wanted him to do.  Elvis was loyal to a fault. As a matter of fact, they had a contract where Colonel Parker would get half of Elvis’ earnings, which is unheard of in today’s entertainment industry.

Elvis was clearly influenced by African American music, and the film is wise to show that here. While many African-Americans say Elvis stole their music, others say he took from their music while adding his own touches to it. There are many opinions on the subject, but the film does give African-American artists their due and shows he was impacted and moved by their music while growing up in the South.  It’s a tricky subject but the film gives African-American artists their due and acknowledges how Elvis was in awe of what they were doing at the time and how heavily inspired he was by the musical scene on Beale Street in Tupelo, Mississippi.

Elvis Presley is also seen as dangerous because of his sexuality and dance moves.  It’s funny to think of this now because of what other artists are doing today and how far they push the envelope with their sexuality. You have to remember that when Elvis was around, it was during the late 1950’s and early 60’s, so audiences were not yet exposed to this type of artist. Some feared his music and dancing would promote sexuality amongst the younger crowd. Luhrmann also touches on Elvis’ film career, his relationship with Priscila Presley, and his time in the Army.  Luhrmann and his fellow collaborators cover a lot of ground in 159 minutes, but the film doesn’t feel too long in the tooth as there is always something happening on screen.

Let’s start with the pros of the film: Austin Butler is now an official movie star. It would not surprise me if he is nominated and even wins an Oscar for Best Actor. The Academy loves musical biopics, and this is the type of performance which seems right up their alley. It’s definitely one of the best performances of 2022, but there are other films yet to be released in this calendar year. It wouldn’t get my Oscar vote if I had one, but I certainly think it’s a phenomenal performance. Butler looks and sounds just like Elvis.

The film also takes the time to dive into the effect the deaths of Robert Kennedy and Martin Luther King Jr. had on Elvis as he wanted to make music about something instead of always playing it safe due to Colonel Tom Parker’s influence.  The soundtrack is also top-notch and it’s incredibly moving at times. It’s flashy, fun, in-your-face, and a real crowd-pleaser.

Now let’s talk about the cons: Tom Hanks.  What in the world is this performance? I read a comment from Scott Mendelson from Forbes who said it seemed like Hanks was trying to win an Oscar and a Razzie at the same time. That is the perfect way to describe his performance.  The film also follows the usual beats of a biopic: the young kid doesn’t believe in himself, has success, hits roadblocks, and it ends on a high-note.  The only difference here is the Elvis story doesn’t end on a high note as we all know. 

The film also seems a little too uncomfortable with criticizing Elvis and a lot of the things he did in his life and career. He was far from perfect, but the film seems content to blame it all on Parker instead of looking at Elvis for some of the blame. When all is said and done, he’s far from innocent.

I enjoyed “Elvis,” but I didn’t love it.  Luhrmann doesn’t show the ugly side of Elvis, and there was an ugly side to him.  It’s not a very deep or relatable film either.  The story could have been a little more meaningful and thought-provoking but, at times, it seems to fall in love with its star much too often.  It’s a good movie, but it’s not a great one.  I recommend you check it out, as you won’t be disappointed, but I would have liked a little more meat on the bone here.

* * * out of * * * *

4K/Blu-ray Info: “Elvis” is being released on a two-disc 4K and Blu-ray combo pack from Warner Brothers Home Entertainment which also comes with the digital copy of the film. It is rated PG-13 for substance abuse, strong language, suggestive material, and smoking.  It has a running time of 159 minutes.

Video Info: “Elvis” comes to 4K on eye-opening HDR 10+ along with Dolby Vision.  It’s a stunning movie filled with life and color, and it truly took my breath away watching it in 4K.  With some films, you don’t really notice the difference with a 4K release.  Bu this is a film where, if you have a 4K player and TV, it is the way to go without hesitation.  It came to life right before my eyes.

Audio Info: The Dolby Atmos track brings all of the great music right into your living room.  This is a great disc, and they really went all out for this release.  Subtitles are also included in English, Spanish and French.

Special Features:

Bigger Than Life: The Making of ELVIS

Rock ‘N Roll Royalty: The Music & Artists Behind ELVIS

Fit for a King; The Style of ELVIS

Viva Australia: Recreating Iconic Locations for ELVIS

“Trouble” Lyric Video

Should You Buy It?

If you are a hardcore Elvis Presley fan, and I know plenty of them in my own life, you have already made up your mind and are buying this on its release date.  If you are not an Elvis fan, I still think this is a solid and well-made flick.  Would I buy the film if I were a casual Elvis fan?  I would because of the 4K release Warner Brothers Home Entertainment has put out along with the great special features on its making.  However, I’d probably wait for the price to drop a little bit as the 4K version is going for $29.99.  This film was made for 4K. 

Elvis Presley fans, this is probably the best Elvis movie which will ever be made, and it makes me happy to see people I care about enjoying it.  From talking to the diehard Elvis fans in my life, they are in love with this film and have seen it multiple times in theaters and started watching it right away when it debuted on HBO Max. It definitely resonated with a ton of people. I liked “Elvis” and recommend it, but I wish it had a bit more of an edge.  It played it safe too often for my liking. Still, this is one of the best 4K releases of the year so far and a great use of the technology.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘Dog Soldiers’ Movie and 4K/Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

It’s amazing what a 4K upgrade can do for a film like “Dog Soldiers.” I remember renting the DVD many years ago, and the quality was so poor that it was hard to even watch the film, let alone enjoy it.  Now, with this 4K Collector’s Edition from the fine folks at Scream Factory, the film is much improved from an image standpoint.  This one comes with a 4K scan of the original negative, and it has never looked better. Keep in mind, it is a low-budget film, so some of the grain and messiness of the film is included here, but that is intentional and adds to the guerrilla filmmaking style of director Neil Marshall. It’s supposed to look that way.  This was Marshall’s debut film, and he came onto the scene with a bang.

After an unsuspecting couple is killed by a werewolf, we are introduced to Cooper (Kevin McKidd) who is being recruited to join a special forces unit.  However, they don’t think he has the killer instinct necessary to do the job because he won’t kill a dog.  This was a direct order from Captain Ryan (Liam Cunningham) who was in charge of picking his team.  Cooper thought the process of killing a dog was unnecessary and didn’t understand the reasoning behind it.

Four weeks later, Cooper is part of a training exercise with six other men in the Scottish Highlands when he happens to discover that Captain Ryan is in bad shape.  Ryan’s team was attacked by something they don’t quite understand.  They receive shelter thanks to a zoologist named Megan (Emma Cleasby) who takes the remaining men along with Captain Ryan to a house where they will figure out what to do in order to survive.

At first, this group of men can’t believe what they have seen.  They don’t know what has attacked them, and they have a hard time believing it was werewolves.  Once Megan explains the situation with the house and the werewolves, they learn they must survive by sunrise while fending off the werewolves that are coming for them.  The film does a great job of letting us get to know Cooper, Megan, Ryan, Sergeant Wells (Sean Pertwee), Joe, and Terry. We are right there with them, and we know all of their quirks and personality traits, such as the fact Joe is really upset about having to miss a football game between England and Germany. We are right there with them in the house, fighting off the werewolves.

At this point, the soldiers are wondering what their best course of action is. Do they wait until sunrise, or do they fight back against the werewolves? There isn’t any help for miles, and it’s not exactly safe to leave the house because the werewolves are ready and willing to maim and kill. They wait for this time of the month where it’s a full moon, and they usually make quick work of whoever gets in their way.

A huge positive about “Dog Soldiers” is that it has a sense of humor about the werewolves. Make no mistake about it, the filmmakers take these animals seriously, but they also realize the absurdity of the situation without making it too campy. It’s a fine line, and the film nails it perfectly by trying to ease the tension with humor while also not mocking the seriousness of the action.

As mentioned earlier, this film had a low budget, but that is part of “Dog Soldier’s” charm.  There is something truly magical and exciting about watching a film make up for its lack of budget with creativity.  The werewolves are very twisted and creepy, and they come out at just the right time.  The fact the majority of the action is set in this house also adds to the terror and tension.  The third act is also filled with a ton of twists and turns where you don’t really know who is going to survive, who can be trusted, and what their individual motives are as things come to a close.  The film is also not afraid to splatter blood all over the screen.  It’s a hugely entertaining ride.

“Dog Soldiers” starts off a little slow at the beginning, but once they enter the house, there is not a wasted scene or moment throughout.  It’s remarkable and has just the right amount of anxiety, humor, heart, and gore. It’s also not afraid to go balls-to-the-wall. With many first-time directors, they don’t know if they will get a chance to make another feature, so they throw a lot into their first project.  All the ingredients work here to make a magnificent horror film where the action is timed just perfectly. We get to spend time with all of these characters, so we care about what happens to them. 

The more I thought about “Dog Soldiers,” the more I loved it.

* * * ½ out of * * * *

4K/Blu-Ray Info: This is the 20th anniversary of “Dog Soldiers,” and it’s released on a two-disc 4K and Blu-ray combo pack from Shout Factory/Scream Factory. The film has a running time of 105 minutes and is rated R for strong violence, gore and language. There are two discs here: one featuring the 4K version, and the other one featuring the Blu-ray.

Audio Info/Video Info: The 4K comes with a 2160p Ultra High-Definition HDR Widescreen (1.85:1) transfer while the Blu-Ray comes on 1080p High-Definition Widescreen (1.85:1). The audio for both films comes on the following formats: DTS-HD Master Audio 5.1 and Stereo 2.0.  I found the video quality to be much improved from the original DVD I watched many moons ago. The film is grainy and dirty at times, as mentioned earlier, but it’s also clear and bright during the rare outdoor scenes. When I say it’s grainy and dirty, I am acknowledging that it adds to the look of the film and that is a positive, not a negative. The high dynamic range is also a huge bonus with any 4K release. You can also watch the 4K of the film in Dolby Vision as well.

Special Features:

DISC ONE (4K UHD):

NEW 4K Restoration from The Original Camera Negative by Second Sight Films – Approved by Director Neil Marshall and Director of Photography Sam McCurdy-Presented in Dolby Vision

NEW Audio Commentary by Writer and Associate Professor of Film Alison Peirse

Audio Commentary with Director Neil Marshall

Audio Commentary with producers David Allen and Brian O’Toole

NEW 4K Restoration from The Original Camera Negative by Second Sight Films Approved by Director Neil Marshall and Director of Photography Sam McCurdy

NEW Audio DISC TWO (BLU-RAY):

Commentary by writer and associate professor of Film Alison Peirse

NEW Werewolves, Crawlers, Cannibals and More – an interview with Neil Marshall

NEW A History of Lycanthropy – author Gavin Baddeley on Werewolf Cinema

NEW Werewolves, Folklore and Cinema – a video essay by author Mikel J. Koven

Audio Commentary with Director Neil Marshall

Audio Commentary with producers David Allen and Brian O’Toole

Werewolves vs. Soldiers – a look at the making of “Dog Soldiers” featuring Interviews with Director Neil Marshall, Producers Christopher Figg and Keith Bell, Actors Kevin McKidd, Sean Pertwee, Darren Morfitt, Leslie Simpson and Emma Cleasby, Special Effects Artist Bob Keen and more!

A Cottage in the Woods – a look at the production design with production designer Simon Bowles

UK Theatrical Trailers and U.S. Home Video Promo

“Combat” – A short film by Neil Marshall

Two Still Galleries – Photos from the film and rare photos from Production Designer Simon Bowles and Special Effects Artist Dave Bonneywell’s archives

Should You Buy It?

Considering there are over three hours of special features, both new and old, and the quality of the film, I cannot recommend this special edition of “Dog Soldiers” enough.  One thing I will say with a great deal of confidence:  Please watch the HDR version over the Dolby Vision version. This is a dark film to begin with, and the Dolby Vision version is too dark at times to fully enjoy the experience.  Dolby Vision is great for certain films, but I don’t think it fully works here. The HDR version is miles ahead in terms of clarity, mood, and picture quality.

As far as the film itself, with the 4K upgrade, I felt like I was watching a whole new movie.  “Dog Soldiers” is in-your-face and unrelenting.  I truly had a blast with it.  I look forward to September and October with some of the releases from Scream Factory, as there are some really cool horror titles coming out. As of right now, if you are a hardcore collector of boutique labels like myself, this one is going to be right up your alley. If you pick up this film, you won’t regret it!

‘Edge of Tomorrow’ Movie and 4K/Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

Edge of Tomorrow” is a film that, on paper, had all the ingredients for a film I would enjoy.  Tom Cruise has always been an actor who has never been afraid to really throw himself into a project.  He takes his work seriously, and it shows with the films he releases.  He has great quality control.  Emily Blunt is one of the best-working actresses in Hollywood with a ton of range and depth.  When you throw in director, Doug Liman (known for action films such as the “The Bourne Identity” and “Mr. and Mrs. Smith”), it seemed like a recipe for a fun action film featuring some impressive action sequences and top-notch performances by its leads. However, the film forgot one of the most important ingredients of any truly successful action film: a great story.  It uses the Groundhog Day gimmick of repeating the same day over and over again.

A group of aliens, which are known as “Mimics,” are coming to destroy Earth.  They are fast, smart, and incredibly difficult to defeat. U.S. Army Major William Cage (Tom Cruise) is thrown into the fire by General Brigham (Brendan Gleeson) to help what is essentially a suicide mission against these Mimics. William Cage makes sure to tell him he has no combat experience, and he is not fit for any type of action. Brigham, however, is only looking out for himself, and he is looking to make Cage the fall guy. When he’s arrested and sent to Heathrow Airport, Cage soon discovers he is in way over his head. He’s part of a ragtag group of misfits known as the J-Squad.

Cage is killed instantly and starts to have the same day over and over again.  If this sounds familiar, it is because this formula has been used countless times in other films, most recently with the “Happy Death Day” franchise. During one of his multiple trips to France, he ends up meeting Sergeant Rita Vrataski (Emily Blunt).  It doesn’t take long for them to connect, and she reveals to Cage she also once had the same power he now possesses, where she had to repeat the same day over and over again.  She has since lost it.  If the two of them can team up, maybe together they can figure out a way to save the world from the Mimics.

“Edge of Tomorrow” is a very complicated film to follow at times. All of this talk about Mimics, alphas, betas, superorganisms and loops starts to become quite tedious after a while.  This should have just been a fun, easy-to-follow film with some action and laughs thrown in the mix.  There is plenty of action, in fact, there is too much of it.  At times, it really took me out of the film. A little bit of character development and a little time to stop and smell the roses would have been appreciated. Any great action film takes the time to really let us get to know about our main characters. We know absolutely nothing about them. Cruise and Blunt are entertaining when paired together, but it doesn’t take long for the film to resort to wall-to-wall action right away.

Between the convoluted story, the non-stop action and lack of character development, I found it hard to really get into “Edge of Tomorrow.” I can’t deny the special effects are impressive and the Mimics look really good, but I didn’t sign up for either of them though, I realize I’m in the minority on this 2014 film, which made quite an impression with a majority of critics. I truly wanted to like this film, and I was prepared to sit back and shut my brain off and enjoy myself for two hours. I just couldn’t suspend my disbelief for that long because the film was throwing too much at me with little rhyme or reason.  It didn’t take the time to explain things or to make us care about what was happening on screen.

* * out of * * * *

4K Info: “Edge of Tomorrow” is released on a two-disc 4K Combo Pack from Warner Brothers Home Entertainment. It comes with the 4K, Blu-ray, and a digital copy of the film.  It has a running time of 113 minutes and is rated PG-13 for intense sequences of sci-fi action and violence, language, and brief suggestive material.

Audio Info: The audio formats for this film are Dolby Atmos-TrueHD: English, DTS-HD MA: French, Dolby Digital: English Descriptive Audio, French, and Spanish. The film has subtitles in English, French, and Spanish. I’m always a huge fan of Dolby Atmos audio, and it really stands out in a film like this.

Video Info: The 4K is released on 2160p Ultra High Definition. The High Dynamic Range really makes the film look moody, dark, and shadowy. It’s an impressive looking 4K. The Blu-Ray is in 1080p High Definition.

Special Features:

Operation Downfall – Adrenaline Cut

Storming the Beach

Weapons of the Future

Creatures Not of This World

On The Edge with Doug Liman

Deleted Scenes

Should You Buy It?

Sadly, I can’t recommend you go out and purchase “Edge of Tomorrow.”  However, if you are a fan of the 2014 film, I would encourage you to upgrade from the Blu-ray to the 4K.  There is a noticeable difference between the two formats in terms of picture quality and audio.  It had been eight years since I watched the film, and I didn’t think much of it back then.  I thought maybe a second viewing would give me a new appreciation for the film.  I’m sad to report that is not the case.  It’s still not a film I enjoy or can recommend you pick up unless you own the Blu-ray and want the 4K experience.  I like all of the participants in the film, but the storyline has been done before and done better. The actors are really hampered by the exhausting script. It’s too much movie and there is no brain behind it.  The characters are also written without a lot of thought behind them. The film is simply eye candy with its special effects.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘The Batman” Movie and 4K/Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

I have stated in the past I’m not the biggest fan of superhero/comic book films. I know they are insanely popular, and they make up most of the current box office these days.  However, they have never quite tickled my fancy. A recent exception to the rule would be 2019’s “The Joker.”  It was my favorite film of 2019. When a superhero or comic book film is dark, gritty, and focused on character development as opposed to explosions and car chases, I can get into the film and appreciate the characters and the story. I’m happy to report “The Batman” is a really, really good movie that surprised the hell out of me.

When Robert Pattinson was named as the latest Batman, a lot of fans of the franchise were disappointed and fixated on his previous work in the “Twilight” franchise. Between “The Batman” and “Good Time,” directed by the Safdie brothers, Robert Pattinson has proven he is a solid actor when given the right material.  Everyone has their favorite Batman from the various films in the franchise. I haven’t seen all of them, so I can’t say with any clarity which one is my favorite or which actor has done the best job. I don’t feel as though Pattinson was asked to do a lot here, but what he does do is slightly above average.

It’s rather tough to judge Pattinson’s performance, as there is a lot going on in this nearly three-hour film.  It wasn’t a standout performance or one that blew me away. At times, it felt like the film was protecting him and didn’t give him a lot to do. When the film was over, I was impressed with the film and not really thinking about his performance as Batman. I would have liked to have seen more from Catwoman, played by Zoë Kravitz.  Considering the film’s length, I felt as though they could have included her a little bit more in the film.  There are also stand-out performances from Paul Dano, Jeffrey Wright, John Turturro, Andy Serkis, and an unrecognizable Colin Farrell.

It’s Halloween in Gotham City, and it turns out to be a night of mayhem after its mayor Don Mitchell Jr. is killed by the Riddler. James Gordon (Jeffrey Wright), of the Gotham City Police Department, calls Batman into action as he feels he can be an ally in this case.  This is not met with open arms by the Gotham City Police Department.  This will also not be the first body that is found dead by Batman and James Gordon. The Riddler is leaving behind cards with various clues, taunting Batman.  In some ways, this film had the feel of “Se7en” to it.  This is much more of a dark thriller/horror film than a superhero film, which was appreciated. It helped that the film was directed by Matt Reeves of “Cloverfield,” “Let Me In,” “Dawn of the Planet of the Apes” and “War for the Planet of the Apes” fame.  He knows how to make a tightly wound thriller with human elements.

What makes “The Batman” work so effectively as a story is that the Riddler, right or wrong, has a motive behind all of his killings. He sees all the lies and coverups that are happening in Gotham City.  He just wants to expose the truth to the public. Speaking of the Riddler, I would have liked to have seen more from Paul Dano in this film.  I understand they want to build up to showdown between Batman and the Riddler, but it left me wanting more.  I imagine that is for us in the eventual sequels.  Again, I would have liked more from the Riddler and Catwoman.

There is also a moral dilemma at the heart of the film.  Bruce Wayne/Batman is looking to figure things out about his family with the help of the family butler, Alfred (Andy Serkis).  He’s piecing the clues together at the same time the audience is figuring them out as well.  There is a rhyme and a reason to everything which happens in this film.  At times, it felt like a smarter “Saw” film with some of the traps, letters, and messages that were being sent out by the Riddler.  The film is an intense ride which really packs a wallop.  That being said, I would have trimmed about 20-30 minutes from it.  That would have made it a four-star film.

I’m really surprised they were able to get away with a PG-13 rating with all of its dark material, which deals with subjects such as mental illness, grief, death, trauma, and explosives.  While I have no issues with films that are willing to be bleak and dark, it felt like an R-rated film to me, which is high praise.  I’m going to give the film three and a half stars because of the run-time.  At times, it really gets bogged down and can feel tedious.  In the end, this is a very enjoyable look at Batman from director Matt Reeves.  The way the film is shot is absolutely brilliant.  The dark, brooding cinematography and tone were very much appreciated.  I really, really liked “The Batman.”

* * * ½ out of * * * *

4K Info: “The Batman” is released on a three-disc 4K Combo Pack from Warner Brothers Home Entertainment. It has a running time of 176 minutes and is rated PG-13 for strong violence and disturbing content, drug content, some language, and some suggestive material.  One disc is the 4K, another disc is the Blu-ray, and there is an entire Blu-ray disc devoted to the special features, which are over two hours long!

Video Info: Released in 2160p Ultra High Definition, “The Batman” is simply stunning with its dark black imagery. It’s a remarkable 4K, and it’s exactly why the format is really finding its way into the homes of more hardcore film collectors.  The film also comes with Dolby Vision. You won’t be disappointed by a single scene in this film.  It’s breathtaking. For the Blu-ray, you get your usual 1080p High Definition.  The special features come on a separate Blu-ray disc as mentioned earlier.

Audio Info: For the 4K and Blu-ray, you receive the following audio formats: Dolby Atmos-TrueHD: English, Dolby Digital: English Descriptive Audio, English, French, and Spanish. Subtitles are also in English, Spanish, and French.

Special Features:

Vengeance in the Making: A Making-of Documentary Featuring Cast and Crew

Deleted scenes with director’s commentary

Anatomy of a Car Chase featuring the Batmobile

The Batman: Genesis

Becoming Catwoman

and more!!

Even though the film is incredibly lengthy, I’d love to watch it again.  I really liked the direction they went with this film as far as the Riddler having an agenda behind his killings.  I also thought the moral dilemma and the code Batman lives by was really tested throughout the film.  It’s an impressive movie.  I’m not going to discredit the work of Robert Pattinson in the film, as I thought he did a fine job, but it did feel like the film really didn’t allow him to show off more of his acting chops.  He’s really hiding behind the Batman character. This might have been by design.  However, I would have loved to have seen a performance that rivaled the film.  Once again, maybe it was not the intention of the filmmaker or the people behind the film.  Still, if you enjoy your superhero movies with a dark edge to them, you will not be disappointed by “The Batman.”  There is no stone left unturned with the special features as well.  Without question, this is a day-one purchase at your local retailer.  I can’t wait to see what they come up with for the sequels.

**Disclaimer** I received a 4K/Blu-ray copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.