‘The Favourite’ is Fantastic and a Sinful Delight

The Favourite movie poster

The Favourite” is the second period film (the other being “Mary Queen of Scots”) I have seen in a week which plays around with historical facts to present us with something which could be more interesting compared to what happened in reality. Thankfully, director Yorgos Lanthimos has not besmirched the advertisements with the terms “based on a true story” or “inspired by actual events” as neither are necessary and would be a severe detriment to the finished film. Instead, he uses history to explore the power dynamics of people who are eager to maintain their place in life, sometimes at the expense of others. When you lose your place in society and have to fight your way back up the social ladder, you will eventually discover you are more devious than you led yourself to believe.

“The Favourite” takes us back to 18th century Britain during the reign of Queen Anne when the British were at war with the French. Queen Anne is played by Olivia Colman, and she makes this historical figure into a wonderfully eccentric human being who finds great glee in racing geese with her friends or playing with her 17 rabbits, each one representing a child she had later lost. She is also beset by a terrible case of gout which has her moaning and wailing in extraordinary pain during the night, and it is only with the help of her many servants that she can get through the day. When it comes to governing, however, she is not really inclined to do so.

Anne’s closest confidant proves to be the Duchess of Marlborough, Sarah Churchill, played by Rachel Weisz. Sarah is more than comfortable with the knowledge that she is the one ruling over Britain as she passing on her confidences and advisements to the Queen. We also eventually learn the two are lovers who share in secret trysts together when the rest of the world isn’t watching. It makes one wonder if love is what’s keeping them together, or if the quest for power conquers everything else.

Into the picture comes Abigail Hill (Emma Stone), Sarah’s cousin whose good name was ruined by her father due to his gambling problems which had him selling her off to a German to settle debts. Poor and desperate for work, Abigail pleads with Sarah to give her a job, and she gets what amounts to an entry level position as a maid where she does the most menial of chores. While scrubbing the floors, she endures a chemical burn which proves to be almost as bad as the one Brad Pitt gave Edward Norton in “Fight Club.”

“The Favourite” gets off to a fantastic start as it introduces the main characters with relish, and this includes Robert Harley (Nicholas Hoult is fantastic), the Earl of Oxford, who is infinitely eager to get the inside coup on the Queen’s plans before they are made public. But the movie really hits its stride when Abigail begins to ingratiate herself not just with Sarah, but also with Queen Anne. It starts with Abigail finding herbs to ease the inflammation in the Queen’s legs, and from there she insinuates herself into the Queen’s life and her bed.

The scenes between Stone and Weisz in which they shoot birds for sport is sinfully delightful as they subtly test one another to see where their vulnerabilities lie. When guns are aimed in directions which threaten their existence or get blood on their faces, its to let the other know they are to be taken seriously and not be trifled with. Not once do either of them have to tell the other “don’t mess with me” or “be careful where you tread” because their actions prove to be much louder than words. Still, it doesn’t stop either from trying to get the upper hand, and they do have their own unique ways of pulling this off.

Weisz has one of her best roles to date here as Sarah as she struggles to maintain her power in spite of Abigail’s deceitful intentions. Just watching her face makes one see how much she enjoyed portraying a character who reveled in a power very few people could ever hope to have without being of royalty. Of course, when the tables turn, her face tells a different story, and I admired how subtle she was in making these painful realizations so subtle and yet deeply felt at the same time. Not once does Weisz mug for the camera or go over the top as she does just enough to show how her world is crumbling slowly but surely.

Stone could have stood out like a sore thumb here, being the sole American actor here among so many Brits. But what surprised me about her performance is how English she appeared to where it almost took me a bit to recognize her. Not only does Stone fit perfectly into this ensemble of actors with what seems like relative ease, she pulls off a remarkably effective English accent. Like Weisz, she is also subtle in the ways of showing her power, and the way she infiltrates the Queen’s home and her life is great as she makes sleeping nude with Queen look like flipping the bird to her flabbergasted opponent.

But let’s face it, “The Favourite” truly belongs to Colman who gives a tour de force performance as Queen Anne. The English actress has appeared in such movies as “Hot Fuzz,” “The Iron Lady,” and Kenneth Branagh’s “Murder on the Orient Express,” and there is no forgetting her after watching her here. Coleman takes this character from ecstatic comedic heights to dramatic depths as she makes this Queen a basket case but also a leader who will rise to the occasion when her rule is threatened (or when Sarah or Abigail lead her to believe so). In her last scene, she makes clear who is in charge as the movie’s title is called into question.

This is the first Yorgos Lanthimos directed movie I have seen. I was hoping to watch “The Lobster” one night with my family, but no one could decide on what to watch other than the opening sequence of “Spectre.” Lanthimos has done a skillful job of making this far more than the average stuffy period movie to where his inclusion of an Elton John song over the end credits doesn’t feel out of place in the slightest. Being a comedy drama, the balance could have easily been uneven, but that’s not the case here as this movie feels perfectly realized. If there any flaws to be found, they probably won’t come up until long after you have walked out of the theater.

I saw “The Favourite” with my parents, and they found it to be a bit weird. True, it’s ending is abrupt as it dissolves into a collage of images to where you wonder what exactly is being said. But I loved watching the power plays between the characters who are rendered not as caricatures, but as human beings driven to extremes for one reason or another. It makes me wonder why certain people can become so selfish to the point where the needs and feelings of others do not matter in the slightest. However, I reminded of a lyric from the Peter Gabriel song “Family Snapshot:”

“If you don’t get given you learn to take, and I will take you.”

* * * * out of * * * *

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Beyond Fest Returns with a Vengeance to Hollywood

Beyond Fest 2017 Poster Art JPG

The most popular genre film festival in the United States, Beyond Fest, is finally back in Hollywood, and movie fans could not be more excited. Starting on September 29th and going through October 10th, Beyond Fest will be reveling in cinematic madness at the Egyptian Theatre in Hollywood with screenings of classic movies and West Coast premieres of new ones, so you can expect a great 12 days of wonderful mayhem featuring special guests and restored versions of movies which were always meant to be seen on the silver screen. Co-produced by Shudder, the festival aims to raise funds for the non-profit American Cinematheque.

Among the most anticipated events this year will be Dario Argento’s “Suspiria” which will be presented in both its 4K restoration and its 35mm Italian cut. Argento will be making an appearance for this along with Udo Kier and Barbara Magnolfi. Arnold Schwarzenegger will also be on hand for the 30th anniversary of two of his most famous films, “Predator” and “The Running Man.” Two of horror’s greatest directors who passed away this year, George Romero and Tobe Hooper, will be honored with screenings of their most famous movies, “Night of the Living Dead” and “The Texas Chainsaw Massacre.”

As for those new movies making their premiere at the festival, they include “Brawl in Cell Block 99” directed by S. Craig Zahler and starring Vince Vaughn, “The Killing of a Sacred Deer” which is Yorgos Lanthimos’ follow-up to “The Lobster,” and the first couple of episodes of the Amazon Prime series “Jean-Claude Van Johnson” which, of course, stars Jean-Claude Van Damme, the Muscles from Brussels.

Tickets are now available through American Cinematheque and Fandango, and you can keep up with the festival’s latest developments on Facebook, Twitter, and their website.

Here are the movies being shown at Beyond Fest 2017:

BABY DRIVER

Director: Edgar Wright

Country: USA

Runtime: 102 min.

Year: 2017

GUESTS: Edgar Wright & Walter Hill in Person

 

BAD BLACK (free screening)

West Coast Premiere

Director: Isaac Nawibana

Country: Uganda

Runtime: 60 minutes / Year: 2016

 

BATMAN: MASK OF THE PHANTASM

Directors: Bruce Timm, Eric Radomski

Country: USA

Runtime: 76 min.

Year: 1993

GUESTS: Andrea Romano plus voice actors TBA in Person

 

BEST F(R)IENDS

World Premiere

Director: Justin MacGregor

Country: USA

Runtime: 95 min.

Year: 2017

GUESTS: Tommy Wiseau, Greg Sestero and Justin Macgregor in Person

 

BRAWL IN CELL BLOCK 99

West Coast Premiere

Director: S. Craig Zahler

Country: USA

Runtime: 132 min.

Year: 2017

GUESTS: S. Craig Zahler, Vince Vaughn and Udo Kier in Person

 

DOUBLE IMPACT

Director: Sheldon Lettich

Country: USA

Runtime: 110 min.

Year: 1991 / 35mm

GUEST: Jean-Claude Van Damme and Sheldon Lettich in Person

 

THE DRIVER

Director: Walter Hill

Country: USA

Runtime: 90 min.

Year: 1978 / 35mm

GUESTS: Edgar Wright & Walter Hill in Person

 

HELLRAISER

Co-presented with Death Waltz Records + Friday Night Frights

Director: Clive Barker

Country: USA

Runtime: 94 min.

Year: 1987 / 35mm

 

ICHI THE KILLER – Digital Restoration

West Coast Premiere

Director: Takashi Miike

Country: Japan

Runtime: 129 min.

Year: 2001

 

HOWARD THE DUCK – 70mm

Director: Willard Huyck

Country: USA

Runtime: 110 min.

Year: 1986

GUESTS: Lea Thompson in Person

 

JEAN-CLAUDE VAN JOHNSON – Episodes 1 & 2

Presented by Amazon

World Premiere

Director: Peter Atencio

Country: USA

Runtime: 60 min.

Year: 2016

GUESTS: Jean-Claude Van Damme, Peter Atencio, Dave Callaham, Kat Foster, Moises Arias.

 

THE KILLING OF A SACRED DEER

West Coast Premiere

Director: Yorgos Lanthimos

Country: UK, Ireland

Runtime: 109 min.

Year: 2017

 

MAYHEM

West Coast Premiere

Director: Joe Lynch

Country: USA

Runtime: 86 min.

Year: 2017

GUESTS: Joe Lynch and cast in person

 

NAPOLEON DYNAMITE – THE BOOTLEGGED EDITION

Theatrical Premiere

Director: Jared Hess

Country: USA

Runtime: 96 min.

Year: 2004

GUESTS: Cast and crew in person

 

NIGHT OF THE LIVING DEAD – 4K Restoration

West Coast Premiere

Director: George A. Romero

Country: USA

Runtime: 96 min.

Year: 1968

GUESTS: Mick Garris & Masters of Horror in Person

 

OPERA (aka TERROR AT THE OPERA)

Director: Dario Argento

Country: Italy

Runtime: 100 min.

Year: 1987

GUESTS: Dario Argento in Person

 

PHANTOM OF THE PARADISE

Co-presented with Creature Features

Director: Brian De Palma

Country: USA

Runtime: 92 min.

Year: 1974

GUESTS: Paul Williams in Person

 

PREDATOR

Director: John McTiernan

Country: USA

Runtime: 107 min.

Year: 1987 / 35mm

GUESTS: Arnold Schwarzenegger in Person

 

RAWHEAD REX 4K Restoration

Co presented with Cinematic Void and Friday Night Frights

West Coast Premiere

Director: George Pavlou

Country: USA

Runtime: 89 min.

Year: 1986

 

THE ROOM

Director: Tommy Wiseau

Country: USA

Runtime: 99 min.

Year: 2003

GUESTS: Tommy Wiseau, Greg Sestero and Guests in Person

 

THE RUNNING MAN

Director: Paul Michael Glaser

Country: USA

Runtime: 101 min.

Year: 1987 / 35mm

GUESTS: Arnold Schwarzenegger in Person

 

SUSPIRIA – 4K Restoration

Los Angeles Premiere

Director: Dario Argento

Country: Italy

Runtime: 100 min.

Year: 1977

GUESTS: Dario Argento, Udo Kier, Barbara Magnolfi in Person

 

SUSPIRIA – 35mm Italian Cut

Los Angeles Premiere

Director: Dario Argento

Country: Italy

Runtime: 98 min.

Year: 1977

GUESTS: Dario Argento and Barbara Magnolfi in Person

 

THE TEXAS CHAINSAW MASSACRE

Director: Tobe Hooper

Country: USA

Runtime: 83 min.

Year: 1974

35mm

GUESTS: Mick Garris & Masters of Horror in Person

 

SHUDDER THEATRE (at Egyptian Theatre)

78/52 (Free Screening)

West Coast Premiere

Director: Alexandre O. Philippe

Country: USA

Runtime: 91 min.

Year: 2017

 

BEFORE WE VANISH (Free Screening)

West Coast Premiere

Director: Kiyoshi Kurosawa

Country: Japan

Runtime: 129 min.

Year: 2017

 

BETTER WATCH OUT (Free Screening)

West Coast Premiere

Director: Chris Peckover

Country: Australia, USA

Runtime: 85 min.

Year: 2016

 

COLD HELL (Free Screening)

West Coast Premiere

Director: Stefan Ruzowitzky

Country: Austria

Runtime: 92 min.

Year: 2017

 

THE GRAPES OF DEATH AKA Les Raisins de La Mort (Free Screening)

Director: Jean Rollin

Country: France

Runtime: 90 min.

Year: 1978

 

HAUNTERS: THE ART OF THE SCARE (Free Screening)

West Coast Premiere

Director: Jon Schnitzer

Country: USA

Runtime: 88 min.

Year: 2017

 

JAILBREAK (Free Screening)

West Coast Premiere

Director: Jimmy Henderson

Country: Cambodia

Runtime: 92 min.

Year: 2017

 

LES AFFAMES (Free Screening)

West Coast Premiere

Director: Robin Aubert

Country: Canada

Runtime: 100 min.

Year: 2017

 

MOHAWK (Free Screening)

West Coast Premiere

Director: Ted Geoghegan

Country: USA

Runtime: 91 min.

Year: 2017

 

MY FRIEND DAHMER (Free Screening)

West Coast Premiere

Director: Marc Meyers

Country: USA

Runtime: 107 min.

Year: 2017

 

REVENGE (Free Screening)

West Coast Premiere

Director:  Coralie Fargeat

Country:   France

Runtime:  108 min

Year:  2017

 

SEQUENCE BREAK (Free Screening)

West Coast Premiere

Director:  Graham Skipper

Country:   USA

Runtime:  108 min

Year:  2017

GUESTS: Graham Skipper, Cast and Crew in Person

 

THE SLUMBER PARTY MASSACRE (Free Screening)

Co-presented by Etheria and Cinematic Void

Director: Amy Holden Jones

Country: USA

Runtime: 77 min.

Year: 1982

GUESTS: Amy Holden Jones in Person

Double Feature with SLUMBER PARTY MASSACRE II

 

THE SLUMBER PARTY MASSACRE II

Co-presented by Etheria and Cinematic Void

Director: Deborah Brock

Country: USA

Runtime: 77 min.

Year: 1987

GUESTS: Deborah Brock in Person

Double Feature with SLUMBER PARTY MASSACRE