The Best Movies of 1998

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Now it’s time to go to take a look back at the movies of 1998, the same year when California started the ban on smoking in bars and restaurants. What else happened that year? John Glenn became the oldest astronaut to go into space, and it gave us a reason to watch the space shuttle launch on television for the first time in years. The Denver Broncos became the first AFC team in 14 years to win the Super Bowl when they beat the Green Bay Packers (I’m so glad I didn’t bet on that game). The whole controversy of President Bill Clinton’s affair with Monica Lewinsky exploded, which the President’s enemies seized upon like teenagers going through their dads’ Playboy magazine issues while he is out of town. And, most ironically, a court in Taliban-controlled Afghanistan ruled Osama Bin Laden was “a man without a sin” in regard to the 1998 U.S. embassy bombings in Kenya and Tanzania. Well, we knew better.

As for myself, I was in my second year at UC Irvine and my fourth year in college. I still had a dorm room all to myself, and I was busy with school work and appearing in plays like “Enrico IV,” “The Scarlet Letter” and “Twelfth Night.” Of course, I tried to get out to the movies as much as humanly possible. Many of the movies on this list were ones I actually didn’t get around to seeing until years later, so it’s probably best I am giving you this list now.

10) There’s Something About Mary

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Bobby and Peter Farrelly gave us one of the most gut bustlingly hilarious movies ever made with “There’s Something About Mary.” I was dying with laughter while watching this, and I wasn’t expecting to. In retrospect, I should have though since this came from the same directors who gave us “Dumb and Dumber” as well as “Kingpin.” On top of having so many funny moments, the movie also has a lot of heart in the way it portrays the two main characters played by Ben Stiller and Cameron Diaz. Those of you who think Diaz can’t act need to revisit this one because she is so good at playing a teenager who we later see as a well-meaning adult with a few too many stalkers.

9) American History X

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So much has been said about the making of “American History X” and the bitter disagreements between director Danny Kaye and actor Edward Norton. Regardless of whoever deserves the majority of the credit, there is no denying this is a powerful and unforgettable motion picture. Norton gave one of his very best performances as white supremacist Derek Vineyard, and the look he gives the camera after killing two people is a very chilling moment which is not easily erased from the conscious mind. Norton also gets great support from Edward Furlong who plays Danny, Derek’s brother, who threatens to tread down the same hateful path Derek has. Kaye, even if he didn’t get final cut, gives the movie an amazing look in black and white which captures the escalating tension of Derek’s journey from a world of hate to a place of compassion.

8) Dark City

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Alex Proyas followed up his brilliant adaptation of “The Crow” with this visionary sci-fi epic about a man who wakes up not knowing who he is, and of those who seek to capture him for their own twisted experiments. Like many great sci-fi movies “Dark City” was a box office flop upon its release, but it has since found an audience to where there’s no denying it is a cult classic. You’re along for the ride with Rufus Sewell as he tries to understand his place in a world ruled over by the Strangers. This movie remains suspenseful to the very end, and the look of the movie feels like no other I have ever seen. Jennifer Connelly also stars in the film and looks beautiful as always, and it is interesting to watch Kiefer Sutherland play a complete wimp after watching him for so long on “24.”

7) Out Of Sight

Out of Sight movie poster

Here’s the film which brought Steven Soderbergh and George Clooney together, and it also serves as one of the very best adaptations of an Elmore Leonard novel. With “Out of Sight,” Clooney proved without a doubt there was going to be life for him after “ER” with his performance as Jack Foley, the most successful bank robber in America. When Jack escapes from jail, he ends up sharing some trunk space with Federal Marshall Karen Sisco (Jennifer Lopez). “Out of Sight” also marked the beginning of a career resurgence for Soderbergh, and he got to work from a truly great screenplay written by Scott Frank. Also starring is the fantastic Catherine Keener, Ving Rhames, Steve Zahn, Dennis Farina, Isaiah Washington, and the always reliable Don Cheadle. This movie was a lot of fun, and Clooney and Lopez had such great chemistry together.

6) Rushmore

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This was my introduction to the highly creative world of Wes Anderson. “Rushmore” is an instant comedy classic with more depth to it than many others of its genre at the time. Max Fischer is an original eccentric character; a young man involved in just about ever extra-curricular activity at school, all at the expense of his report card. Jason Schwartzman is great fun to watch as Max, and Bill Murray gives a performance which damn well should have earned him an Oscar nomination for Best Supporting Actor. With Anderson, his comedy is fueled by the sadness and isolation of his characters, and of the things they desperately want in life. “Rushmore” is filled with as much meaning as it does laughter as both Schwartzman and Murray battle over the same woman played by Olivia Williams. It also owes a lot to the late Mike Nichols’ enduring classic “The Graduate.”

5) Happiness

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Todd Solondz’s follow up to “Welcome To The Dollhouse” may very well be the most ironically titled film in cinema history. Controversy followed “Happiness” all the way to its release, and the MPAA of course just had to give it an NC-17 (it ended up being released unrated). One of the blackest of black comedies ever, it follows the lives of three sisters and the various people who are a part of their fragile lives. The late Philip Seymour Hoffman gives a frighteningly memorable performance as an obscene phone caller, and it was one of the first real examples of the brilliant character actor we came to see him as. But the bravest performance comes from Dylan Baker who plays Bill Maplewood, a psychiatrist, husband and loving father who, unbeknownst to his family, is a pedophile. Baker ends up making you empathize, but not sympathize, with a man who we would instantly despise once we discovered his terrible secret. As unappealing as these characters may seem, Solondz makes us see ourselves in them and to where we cannot see we are not all that different.

4) The Big Lebowski

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I didn’t get to see this when it first came out in theaters, but my parents did eventually strap me down in a chair to watch it, and this should give you an idea of how much they love it. The Coen brothers follow up to “Fargo” did not get the same reception when originally released, but it has since built up an amazing cult following. Much of this is thanks to Jeff Bridges’ brilliant performance as Jeffrey Lebowski, aka “The Dude.” What could have been a performance built on stereotypes of the slackers we know in life turns out to be perhaps the most memorable character in Bridges’ long and underappreciated career. It’s an ingenious comedy with not so much a plot as a connected series of events which start with the theft of Lebowski’s carpet which he says “tied the whole room together.”

3) The Truman Show

The Truman Show movie poster

It still seems criminal how Peter Weir’s film was surprisingly, and infuriatingly, snubbed for a Best Picture nomination. Jim Carrey gives a truly astonishing and powerful performance as Truman Burbank, a man who slowly becomes aware he is the star of a reality show about his life. Yes, he should have been nominated for an Oscar alongside his co-star Ed Harris, but there will always be the unforgivable snubs. “The Truman Show” has become a prophetic movie of sorts as reality shows are the norm in today’s culture, and this obsession we have over them remains very strong to this day. Andrew Niccol’s screenplay was a brilliant examination of how we might view our own life if we found out it was based on a lie, and that everything we know is actually wrong. This stands as one of Weir’s best American movies in a long and justly acclaimed career.

2) Shakespeare In Love

Shakespeare in Love movie poster

While it may have gotten overwhelmed by Miramax’s Oscar campaign, there’s no denying “Shakespeare In Love” is a brilliant and highly entertaining romantic comedy. The film tells the story of how Shakespeare goes about writing “Romeo & Ethel The Pirate’s Daughter” which eventually evolves into “Romeo & Juliet.” Gwyneth Paltrow gives a most entrancing performance, and I loved watching her every second she appeared onscreen. Joseph Fiennes is perfectly cast as Shakespeare himself, a passionate writer who is hopelessly enamored with Paltrow’s Viola. I also got a huge kick out of Geoffrey Rush’s performance as theater manager Philip Henslowe, a brilliant comic creation who steals every scene he is in. “Shakespeare In Love” serves as not just a great story of how Shakespeare may have written one of the most immortal plays ever, but also as a great satire of the film industry and how it deviously profits from unsuspecting participants.

And now, drum roll please…

1) Saving Private Ryan

Saving Private Ryan movie poster

It would be so easy to put this as my top choice thanks to some of the greatest and most vividly realistic depictions of war ever put on film. Steven Spielberg’s depiction of the landing on D-Day is nothing short of amazing, and it was one of the reasons why I saw this film five times before it came out on DVD. But moreover, it is a deeply respectful salute to those war veterans who served in the armed forces during World War II. “Saving Private Ryan” is filled with great performances from a great cast of actors including Edward Burns, Jeremy Davies, Giovanni Ribisi, Tom Sizemore, Adam Goldberg, Vin Diesel, Matt Damon, and Barry Pepper among others. But it also has one of Tom Hanks’ best performances ever as Captain John Miller, a military man who leads his men to find Private Ryan and bring him back home to his grieving mother. Just when you thought Spielberg had peaked with “Schindler’s List,” he gives us yet another astonishing piece of filmmaking which shows him at the height of his powers.

Honorable Mentions:

Primary Colors – Great Mike Nichols movie based on the book by Joe Klein. It features great performances from John Travolta, Emma Thompson, Kathy Bates as well as an extraordinary cameo from Mykelti Williamson.

Bullworth – Warren Beatty’s scathing political satire may be a bit too broad, but it is a very effective indictment of how the Democratic Party let the American people down.

Elizabeth – Definitely worth mentioning for the brilliant breakthrough performance of Cate Blanchett as Queen Elizabeth.

Fear & Loathing in Las Vegas – Terry Gilliam’s adaptation of Hunter S. Thompson’s crazy novel is a true acid trip nightmare with Johnny Depp channeling the reporter all the way to what he was famous for wearing and smoking.

God Said, Ha! – Wonderful concert film of Julia Sweeney’s one-woman show which deals with the time her brother got cancer, and of how she later got cancer herself.

Hurlyburly – Film adaptation of David Rabe’s play dealing with Hollywood players and their dysfunctional relationships with one another. Features a great cast which includes Sean Penn, Chazz Palminteri and Anna Paquin among others.

Affliction – Another emotionally bruising movie from Paul Schrader which is based on the novel by Russell Banks. Features career high performances from Nick Nolte and the late James Coburn who deservedly won an Oscar for his work.

Next Stop Wonderland – An eccentrically unusual kind of romantic comedy which helped introduce actress Hope Davis to a wider audience.

Ronin – One of the last films from the late John Frankenheimer which stars Robert De Niro, Jean Reno, and Jonathan Pryce among others. It also features some of the very best car chases of the 1990’s.

Run Lola Run – Kinetic German thriller with Franka Potente that views her attempts to save her boyfriend’s life in three different ways. This was a great teaser for what would come in 1999, when movies of different kinds proceeded to change the rules of where a story could go.

The Thin Red Line – Terrence Malick’s first movie in over 20 years threatened to be more meandering than anything else, but it is filled with such powerful imagery and to where many considered it more anti-war than “Saving Private Ryan” was.

John Carpenter’s Vampires – It was advertised as a horror movie, but it is really a more of a western and the closest John Carpenter has ever come to making one. James Woods’ performance alone is worth the price of admission as he plays the most badass of vampire hunters, Jack Crow.

Star Trek: Insurrection – Much better than its reputation may suggest, being an odd numbered Star Trek movie and all.

 

 

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‘The Incredible Hulk’ Proves to Be a Decent Marvel Reboot

The Incredible Hulk poster

WRITER’S NOTE: This review was written back in 2008.

Well, it’s not incredible, but it’s still pretty good. “The Incredible Hulk” is not so much a sequel as it is a reboot. Ang Lee’s “Hulk” was not the movie Marvel Comics fans were waiting for, and the backlash against it was pretty severe. This was a shame because Lee’s movie was not at all bad, but I came of it knowing it would get a lukewarm response from audiences because it was more of a character driven piece which the summer movie season typically relegates to arthouse cinemas. But with this action-packed blockbuster, fans will likely get more of what they were looking for the first time around.

“The Incredible Hulk” thankfully sprints past this particular superhero’s origins by doing a quick recap of Dr. Bruce Banner’s accident which turned him into the ferociously mad and enormous beast who tears through all of his clothing with the exception of his underwear (very convenient for a PG-13 rating). We catch up with Dr. Banner, now played by Edward Norton, in Brazil where he has successfully managed to control his anger for over 130 days. While working a menial job at a bottling plant, he continues to look for a cure which will keep him from turning green and becoming super pissed. As a result, Banner is one of the few people on this planet determined not to go green in order to save the environment. But despite all the breathing exercises he does to control his anger, we all know he will soon find it’s not easy to keep from being green.

This Hulk movie is a lot more action packed than the previous one as it starts up quickly and never lets the pace go slack. Directing this superhero reboot is Louis Leterrier who directed “The Transporter 2” and “Unleashed.” He clearly likes the hyperkinetic style of filmmaking and it shows throughout. The direction is not necessarily outstanding and Leterrier doesn’t seem to quite have a style of his own yet, but he gets the job done and he keeps the film entertaining from start to finish.

The cast is different as well, with nobody but Stan Lee and Lou Ferrigno, doing their mandatory cameos, returning from Lee’s film. Norton is in some ways a better fit for Bruce Banner than Eric Bana was, and a lot more animated too. He may not physically look like someone who could become the Hulk, but that’s the point. Norton also did an uncredited rewrite of the script, but the Writer’s Guild of America denied him credit (Zak Penn gets story and screenplay credit). As always, Norton reminds us why he is one of the best actors of his generation, and he comes across as an ordinary joe thrust into circumstances beyond his control.

Liv Tyler takes over the role of Dr. Betty Ross from Jennifer Connelly, and while she doesn’t have much of an acting range, she is always a nice presence to have in any film (not just as eye candy mind you). She holds up well next to Norton as they both work to find a way to stop him from becoming the Hulk again. William Hurt plays her father, Gen. Thaddeus ‘Thunderbolt’ Ross, and he is always an interesting actor to watch. All the same, I have to admit that I liked Sam Elliott better in this role when he played it in Lee’s version. Elliott comes across better as an army general than Hurt does, and he was one of the best things about the previous film.

But the best addition to “The Incredible Hulk” is Tim Roth as Emil Blonsky, chief nemesis to Dr. Banner and his angry alter-ego. After playing a wuss of a man in the highly disturbing remake of “Funny Games,” Roth is in bad ass mode as a soldier who wants to take the Hulk down, but soon finds himself wanting his power. In the film, Emil ends up getting injected, by choice mind you, with the same stuff Banner got injected with. It’s enough to give him the power to overcome the most serious of injuries, but he soon finds that he wants more of that power which leads him to become the Abomination. Roth’s character is actually one of the more complex and most realized characters in the movie.

Roth’s performance here is a reminder of what a strong presence he is and watching him here should help ease the memories of the torture he endured in “Funny Games.” How refreshing it would have been to see he Abomination take out those two young cads who tortured that family. Of course, Michael Haneke would just rewind back from Abomination’s victory to intentionally frustrate the audience.

If there is anything lacking in “The Incredible Hulk,” it is not as strong on character development. One of the strengths of “Hulk” was the attention it paid to its characters and how they really drove the movie. I know Marvel Studios didn’t want to get too caught up with this in this reboot, but it would have been nice to see more character work here to keep this from being just an average action movie. In the end, this was a movie made to please the fans who felt let down by what they saw in 2003.

I wish I could say that I loved this incarnation of the Hulk, but it didn’t quite reach the heights I wanted it to. But it still was a lot of fun and kept me entertained from start to finish. It is a flawed film, but we do get to see Hulk smash in a way we didn’t get to see as much of previously. That was probably the best thing about this film, seeing Hulk smash stuff up. Using two halves of a police car to take out stupid humans makes for great action. All the same, it could have been better.

* * * out of * * * *

Race

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2015 was a year where the biopic genre had a major resurgence with movies like “Straight Outta Compton” and “Love & Mercy.” Most biopics in recent years have been strictly by-the-numbers affairs which give us historical footnotes without going into much depth about the people they are about, but those two movies brought their subjects to life in a most wonderfully vivid way. “Race,” the biopic about gold medalist Jesse Owens which should have made years ago, will not rank among the best of the genre and starts off as a by-the-numbers affair, but it does get better as it goes along as we watch this iconic African American athlete get ready for the Olympics.

Instead of looking at Owens’ whole life, “Race” focuses on the years he went to college and began training with Coach Larry Snyder (Jason Sudeikis) who molds his running talent into something even better. Despite the adversity he and other African Americans face on the university campus, Owens soon becomes a star athlete and gets selected to compete in the Olympic Games. But these are the 1936 Olympics held in Berlin which was under the grip of Adolf Hitler’s Aryan supremacy. On top of dealing with racism in America, Owens also has to deal with a dictator who will not be quick to celebrate any victory he could possibly achieve.

“Race” gets off to a rocky start as it gives us snapshots of Owens’ life without much in the way of introspection. We briefly see the troubled relationship between him and his father in a wordless scene, but it’s never clear why these two aren’t getting along. To its credit, it doesn’t gloss over Owens’ affair which almost destroyed his relationship with his girlfriend and daughter, and it makes for some strong scenes as he desperately tries to win her back.

The movie, however, does get better when we watch Owens finding success, and there is a subplot involving Avery Brundage (Jeremy Irons) and Jeremiah Mahoney (William Hurt) who battle over whether or not America should even participate in these Olympic Games. We also get to see Carice van Houten as Leni Riefenstahl, the German filmmaker whose life could easily inspire a fascinating biopic on its own. Indeed, the politics behind these games help to make “Race” more riveting as it makes us see just how high the stakes were for everyone involved. Had it just focused on Owens, it would have been anti-climactic as we know how successful he would be at those Olympic Games.

“Race” was directed by Stephen Hopkins whose resume is all over the map as he has gone from making “A Nightmare on Elm Street 5: The Dream Child” and “Predator 2” to helming episodes of “24” and the acclaimed HBO movie “The Life and Death of Peter Sellers.” He does give the movie an amazing scene in which Owens enters the Berlin Stadium, and he puts us right into the man’s shoes as he works to tune out all the other voices yelling at him. Some biopics keep you at arm’s length away from their main subject, but this one makes you feel what it’s like to be Owens as Hopkins surrounds him with his camera to where we quickly come to understand what it’s like to be Owens at this moment. The weight of the world is on his shoulders, and he manages to not let this affect him as he makes his way to the starting line.

Playing Owens is Stephan James who played civil rights activist John Lewis in “Selma,” and he has been given the daunting task of humanizing such an iconic human being. But he succeeds as he gives us an Owens full of strengths and flaws like anyone else, and he never succumbs to portraying this gold medalist as some sort of superhuman. Had James done that, this movie could have easily fallen apart.

But the performance in “Race” I was most impressed with was Jason Sudeikis’ as Coach Larry Snyder. Sudeikis is best known for his time on “Saturday Night Live,” but the fact that he pulls off a first-rate dramatic performance here did not surprise me. Any actor or actress who can do comedy can certainly do drama as making people cry is a lot easier than making people laugh, but Sudeikis ends up giving this movie its most complex character. Snyder comes across as a hard ass when it comes to coaching his runners, but we come to see what fuels his commitment to them and of the things he was unable to accomplish as a runner himself. Sudeikis also has a great scene where he shows Owens and his team how successfully one can shout out opposing voices yelling at him in the background. He sells this scene for all it’s worth, and it makes me look forward to whatever this former “SNL” star decides to take on next.

“Race” is not going to go down as one of the best biopics ever made, but it is a compelling one all the same. While it does fall victim to reducing its subject’s life down to mere footnotes at the movie’s start, it does improve as we learn more about Owens and of the obstacles placed in his path when he decides to participate in the Olympic Games. In many ways, we should be thankful any biopic about Jesse Owens finally made it to the big screen as this movie should have been made years ago. Could it have been a better movie? Sure, but this one will do for now.

* * * out of * * * *

 

Captain America: Civil War

Captain America Civil War poster

It’s tempting to call this latest Marvel movie “31 short films about The Avengers” as “Captain America: Civil War” manages to cram in so many characters and various storylines into its nearly two and a half hour running in a way which has one wondering why it didn’t burst at the seams. But despite that, it still works as directors Anthony and Joe Russo (who also helmed the superb “Captain America: The Winter Soldier”) manage to balance everything out as they combine tremendous superhero action scenes with thought provoking storylines. Whereas “The Avengers: Age of Ultron” didn’t leave much of an aftertaste, “Civil War” proves to be one of Marvel Studios best offerings to date.

Actually, this really should be called “The Avengers Part 2.5” as many of the Avengers are reunited here with the exception of the Hulk, Thor and Nick Fury. “Civil War” starts off a year after “Age of Ultron” as Captain America and company take on the bad guys but, as usual, cause a lot of collateral damage in the process. As a result, U.S. Secretary of State Thaddeus Ross (William Hurt) informs them the United Nations are working to establish a panel which will oversee and control The Avengers from here on out. Because of these superheroes’ activities, it’s a good guess many insurance companies went bankrupt while cleaning up what’s left of their mess.

What’s interesting about this is the dynamic it sets up between each superhero character. Tony Stark/Iron Man (Robert Downey Jr.) is quick to accept this accord as he is still smarting from his creation of Ultron and the destruction caused in Sokovia. However, Steve Rogers/Captain America (Chris Evans) refuses to sign on as he feels any government interference will hinder what he sees as the right thing to do. This sets up an interesting conundrum as the need to control the Avengers is understandable, but with limits set on what they can and cannot do, this could severely affect their ability to save the world, and we know they will need to save it again sooner rather than later.

In the midst of all this, the United Nations building is bombed and the chief suspect is revealed to be Bucky Barnes/Winter Soldier (Sebastian Stan). But Steve remembers the last time he saw Bucky up close and isn’t sure he’s the evil man everyone else sees him as, and he becomes determined to bring in Bucky himself. But as the movie’s trailers have shown, this will soon erupt into a major conflict for the Avengers as they are forced to take sides to where alliances may be torn apart forever.

We have been submerged in the Marvel Cinematic Universe since 2008 when “Iron Man” was released, and the filmmakers have smartly allowed the characters to evolve from one movie to the next. As much as this is Captain America’s movie, it is also Iron Man’s as we watch his alter ego Tony Stark change his ways, to a certain extent anyway, as he believes the Avengers have done a lot of bad things in the process of saving the world. While he still thinks all too highly of himself, Tony believes the team does need some supervision in order to keep it in line, and this is something he never would have suggested in the previous “Iron Man” movies.

When “Captain America: The First Avenger” first came out in 2011, many expected that the character would be the dullest Avenger as the comics showed him to be a straight arrow and overly patriotic. But with “The Winter Soldier” and “Civil War,” Captain America has become the most interesting character in this cinematic universe as his morality remains strong and unbreakable. A lot of that is thanks to Evans who invests the character with an unshakable pride and thoughtfulness which makes Steve Rogers more authentically heroic than other superheroes currently occupying your local multiplex.

In addition to Iron Man, the other Avengers who turn up include Natasha Romanoff/Black Widow (Scarlett Johansson), Sam Wilson/Falcon (Anthony Mackie), James Rhodes/War Machine (Don Cheadle), Vision (Paul Bettany), Clint Barton/Hawkeye (Jeremy Renner), and Scott Lang/Ant-Man (Paul Rudd). The Russo brothers are smart not to waste time introducing these characters as we have long since gotten to know them and need no explanation as to who they are. It’s great to see them here, and the actors portraying them continue to do excellent work.

As for the new superheroes in “Civil War,” each makes a memorable impression. Chadwick Boseman comes onboard as T’Challa, prince of the African nation of Wakanda who is later revealed to be Black Panther. Boseman imbues his character with a wounded pride which threatens to get the best of him, and he ends up in the middle of the Avengers’ conflict to where he might lose himself in anger and bitterness. The wonderful Elisabeth Olsen also shows up as Wanda Maximoff/Scarlet Witch whose powers include harnessing magic and engaging in hypnosis and telekinesis. Olsen shows us a superhero slowly coming into her own as she is conflicted on how to use the abilities she has been gifted, or perhaps cursed, with, and she makes the character both flawed and sympathetic.

But make no mistake, the big addition in “Civil War” is Peter Parker and his beloved alter-ego of Spider-Man. After the abominable cinematic mess that was “The Amazing Spider-Man 2,” the character has been rebooted yet again, but this time it may prove to be a good thing. Tom Holland now takes on the role of this web slinger and, like Tobey Maguire and Andrew Garfield before him, succeeds in making it his own as he creates a character who is wonderfully cheeky and super enthusiastic. Spider-Man isn’t onscreen a whole lot, but Holland is a big delight as he leaps all over the place with great abandon. Suffice to say, this bodes very well for this character’s future.

“Captain America: Civil War” is what “Batman vs. Superman: Dawn of Justice” promised but failed to be: a riveting motion picture featuring two superheroes who are prepared to fight to the death. It is also an improvement over “The Avengers: Age of Ultron” which, while not bad, failed to live up to expectations. The Russo brothers revel in showing these superheroes doing battle with one another, and they also provide them with a dramatic scenario which will forever test their relationships. I can’t wait to see how the events here will affect the next Marvel movie as the cinematic universe now enters a new phase which looks to be more interesting than what came before. Captain America and Iron Man don’t have mothers named Martha, so it may take a lot for them to get back on the same page.

* * * ½ out of * * * *