‘Reminiscence’ Movie and Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

Reminiscence” is one of the most underrated and overlooked films of 2021.  From start to finish, I was riveted by the acting, the action, and the many twists and turns throughout.  It is a film which keeps its audience on its toes and keeps them guessing.  There is a lot to like here.  It’s a bit baffling to me to read how the film did poorly at the box office and with critics.  I do have a strong feeling this is the type of film which is going to gain a cult audience with time and now that it’s out on Blu-Ray.  I really think people underestimated it.  That is the beauty of home video: A film can live on and grow with time.

Hugh Jackman stars as Nick Bannister, a lonely and troubled man after the war. He runs a business which allows people to relive some of their favorite memories and moments from their lives.  If they were happier in the past, they can go in this water tank and relive that memory.  It is very comforting for a lot of people, especially if they have lost someone close to them. His partner in business is named Watts, and she’s played by the talented actress Thandiwe Newton. She was with Nick in the war, and they have remained close friends. She has a drinking problem that has ruined her relationship with her daughter and her ex-husband. She is still very loyal to Nick and credits him with giving her a purpose.

One day, a young woman by the name of Mae (Rebecca Ferguson) comes to relive a memory of how she lost her keys.  Watts thinks something is fishy about this, but Nick is quite taken with her.  As a matter of fact, they strike up a relationship which turns out to be quite passionate.  It makes it that much harder for Nick when she disappears out of his life for seemingly no rhyme or reason.  He really thought she was the one, and he had strong feelings for her.  With his memory tank and resources, he goes on a mission to find out what happened to Mae and where she might be in an attempt to save her.

“Reminiscence” has been described as part science fiction and part film noir. Film noir has always been one of my favorite genres in Hollywood.  It’s not used as often these days, but it was quite popular back in the golden days of Hollywood with actors such as Humphrey Bogart, Orson Welles and Burt Lancaster.  The fact writer and director Lisa Joy blended this genre with science fiction is a really bold move. Off the top of my head, I can’t remember too many times this has been done recently in Hollywood.  It works perfectly here, especially with Jackman’s narration. It really adds to the film’s mysterious underbelly. As far as the science fiction, they did it just enough to make it believable without going too over-the-top with the concept.

To quote the legendary wrestler Roddy Piper, “Just when you think you know the answers, I change the questions.” That is exactly what is happening with “Reminiscence.”  I thought I had this film figured out two or three times, and the filmmakers kept surprising me with where they went with the story. Jackman is great in everything he does, but his friendship in the film with Newton is what really gives the film its heart and soul.  Ferguson is also pitch-perfect as the femme fatale, as you really don’t know what’s going on with her and if you should trust her.  Is she the woman she claims to be? Is she a seedy film noir character with bad intentions? I thought the casting in this film was spot-on in all avenues.

I really loved “Reminiscence.” It’s creative, fun, heartfelt, surprising, and different.  Hollywood is known for doing a lot of the same movies over and over again.  I haven’t seen a film even close to this one in quite some time.  It really captivated me, and most of all, I cared about the characters and their individual fates. This is a film I’m proud to champion and encourage people to see now that it’s out on Blu-Ray and DVD.  I have a strong feeling you will be surprised by it.  I know I was, and I’m a tough critic because I see so many movies.  This is a special film. I also really enjoyed the atmospheric world created by the director as well. All of the pieces were lining up with this flick.

* * * ½ out of * * * *

Blu-Ray Info: “Reminiscence” is rated PG-13 for strong violence, drug material throughout, sexual content and some strong language.  It comes on a single-disc Blu-ray from Warner Brothers Home Entertainment.  It also has a digital copy of the film as well.

Video/Audio Info: The film is released on 1080p high definition with audio in Dolby Atmos-True HD: English, Dolby Digital: English Descriptive Audio, and English, Spanish and French. Subtitles are included in English, French and Spanish as well.

Special Features:

You’re Going on a Journey

The Sunken Coast

Crafting a Memory

Reminiscence: A Family Reunion

“Save My Love” Music Video

Should You Buy It?

One of my favorite filmmakers is Richard Linklater, and while I’m not comparing Lisa Joy to him, I did enjoy the way she used time and memory as such a pivotal part of the story.  Much like in Linklater’s films, time and memory plays such a big part in what is happening here. It’s a character in the film.  As someone who often thinks about the past and is big on nostalgia, this film really struck a chord with me.  How much is thinking about the past a good thing? When does it become a bad thing? Are we stuck in the past? Did we learn from the past? There is a lot to chew on with this film. The performances are committed and powerful, especially Jackman’s.  He always brings such an intensity to all of his roles. If you are still a hardcore physical media collector like myself, you will be very pleased to add “Reminiscence” to your collection.  As I mentioned earlier, it’s one of the great surprises of 2021.

**Disclaimer** I received a Blu-ray copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

Michael Clarke Duncan on Acting in ‘The Green Mile’

WRITER’S NOTE: This article was written in 2012.

The news of Michael Clarke Duncan’s untimely passing has us all feeling very sad, and I could not agree more with his “Green Mile” director Frank Darabont when he said “Michael has left us far, far too soon. We lost a great man and a great spirit.” That big, warm smile of Duncan’s always seemed to exude a kindness that was genuine, and he is a man who achieved his dream of becoming a movie star and earned the right to be one. This makes his death all the more painful to accept.

Duncan left us with a number of unforgettable performances, but many agree his greatest role was as the gentle giant John Coffey in “The Green Mile,” and it earned him an Oscar nomination for Best Supporting Actor. Special thanks need to be given to Bruce Willis, who he co-starred with in “Armageddon,” who recommended Duncan for the role to Darabont.

The toughest scene for Duncan, however, in “The Green Mile” came when Coffey tries to save the two young girls he is later convicted of murdering.

“I had a lot of crying to do, a lot of howling to do, and it took a long time to do it and it really drained me,” Duncan said. “I’ll remember that day more so than anything else because as we were filming that, everybody was rushing toward me.”

What made the scene work for Duncan is how everything around him felt “so real,” and he remembered getting incredibly scared every time Darabont said “roll.”

When it came to preparing to play such emotionally charged scenes, Duncan credited the training he received from noted acting coach Larry Moss who taught him “how to dig within myself.”

“I’m an emotional person, a very emotional person,” Duncan said. “All those tears you see in the movie were mine.”

Darabont still vividly remembers how “immersive and incredible” the experience of making “The Green Mile” with Duncan was:

“What sticks most in my mind was his (Duncan’s) devotion to his craft and the strides he made as an artist during that time, which was beyond inspiring to those of us who took the journey with him,” Darabont said. “Never has an actor more richly deserved the recognition of an Academy Award nomination than Michael did for his performance as John Coffey.”

Rest in peace Michael, you will be missed.

SOURCES:

Kimberly Nordyke, “‘Green Mile’ Director Frank Darabont Remembers Michael Clarke Duncan,” The Hollywood Reporter, September 3, 2012.

Meriah Doty, “Bruce Willis helped Michael Clarke Duncan get his Oscar caliber role,” Movie Talk, Yahoo! Movies, September 3, 2012.

Dennis McLellan, “Michael Clarke Duncan dies; Oscar-nominated ‘Green Mile’ star was 54,” Los Angeles Times, September 3, 2012.

‘Space Jam: A New Legacy’ Movie and Blu-ray Review

The following review was written by Ultimate Rabbit correspondent Tony Farinella.

Space Jam: A New Legacy” is a film which was doomed from the start for one major reason: certain people do not like LeBron James and have an agenda against him.  Because they have these feelings, they were not going to like this film no matter what.  Personally speaking, I have nothing but respect for James as an athlete and a human being.  He has been a very charitable individual and someone who is very honest and giving.  However, people have this obsession with comparing him to Michael Jordan and these films.  The original “Space Jam” was released 25 years ago, and it’s not like it was a classic.  Nostalgia wins over a lot of people as they pine over “the good old days.”

I have watched “Space Jam: A New Legacy” twice now, once on HBO Max and once on Blu-Ray. I enjoyed it on the first viewing, probably because I went into the film with such low expectations and allowed other people to get inside my head.  I thought to myself, that was an enjoyable film for both young teens and older adults to watch together. After a second viewing, I must sadly admit it does not hold up very well as I see a lot of flaws. That being said, it’s not as bad as everyone makes it out to be with their ruthless bashing.  It’s merely a well-intentioned misfire.

James plays himself, and he’s trying to be a good father to his son Dominic (Cedric Joe) by pushing him to be the best basketball player he can be, day in and day out.  Dominic, however, is much more interested in video games, specifically developing them and trying to make basketball games more fun with style points and other cool features. In a flashback scene, we see how James was forced to throw away his Game Boy and focus on basketball, which is why he is this way toward his son.  His fictionalized wife, Kamiyah James (Sonequa Martin-Green), is trying to get her husband to lighten up and take it easy on their son.

One day, James is dragged along into a meeting with Warner Brothers where they want to further his brand into other film and television avenues. James would rather focus on basketball and politely rejects their offer.  This does not sit well with Al G. Rhythm (Don Cheadle) who believes James is just the right star to get in his Serververse called Warner 3000, which can put the basketball star into a number of Warner Brothers films and TV shows. The executives at the meeting are played by Sarah Silverman and Steven Yeun, and I wouldn’t have minded seeing more of them here.  As a matter of fact, the best scenes in the film are the ones which take place in the real world and not in the “serververse.”

James is not afraid to have a laugh at his own expense, and this is part of the charm of this film.  They talk about the fact he has been on three teams.    He was great in 2015’s “Trainwreck.”  He has charisma, and I could see a future in acting for him whenever he decides to retire. I’ve always found him incredibly likable.  The heartfelt scenes with him work.  However, when he’s recruiting the Looney Tunes or when he’s playing a game to win back his son from Al G. Rhythm, the film gets really bogged down.

Back to the plot for a moment; once James turns down the opportunity to work with Warner Brothers, Al G. Rhythm is none too happy and decides to brainwash Dominic into playing a game of basketball against his own father using his video game rules.  I don’t think a children’s film should be this convoluted or long.  Seriously, the film is almost two hours long.

Essentially, what you have here is three things in “Space Jam: A New Legacy:” First, you have James trying to get his team together to win his son back and get him back to the real world. The scenes with him trying to recruit the Looney Tunes are enjoyable to a point, but the filmmakers spent too much time on them. Second, you have the basketball game which features incredibly annoying and silly commentary from Ernie Johnson and Lil Rel Howery. This game is just ridiculous.  Finally, the best scenes, as mentioned, are the ones where James gets to be a human being and not a basketball player spouting off cliches or a cartoon character. We needed more of this.

A lot of people were upset with all of the self-promotion Warner Brothers did for “Space Jam: A New Legacy” as far as showing off all of the properties they own such as Harry Potter and “Game of Thrones.” This, however, did not bother me, as if you have these things, why not show them off? I got a kick out of seeing Pennywise at the big basketball game. My issue is this film is too long, uninvolving and uninteresting. I felt they could have made an enjoyable, yet heartfelt, children’s film for the whole family to enjoy together as one.  Instead, I can’t imagine kids understanding a lot of the technology terms, and it’s too foolish for parents to enjoy.  It made money, so there was an audience for it out of curiosity I imagine. I was hoping for more use out of the many basketball stars featured here, but they are all quickly turned into video game characters. Everyone meant well here, but they tried to do too much when a simple and shorter approach would have been best.

* * out of * * * *

Blu-Ray Info: “Space Jam: A New Legacy” is released on a two-disc Blu-ray Combo Pack from Warner Brothers Home Entertainment.  It also comes with a digital copy of the film as well.  It has a running time of 115 minutes and is rated PG for some cartoon violence and some language.

Video and Audio Info: It is released on 1080p High Definition with the audio coming in on Dolby Atmos-TrueHD: English, Dolby Digital: English Descriptive Audio, English, French, and Spanish. Subtitles are in English, French and Spanish as well.

Special Features:

First Quarter: Game On

Second Quarter: Teamwork

Third Quarter: Out of This World

Fourth Quarter: The Looniest

Deleted Scenes

Should You Buy It?

I can’t recommend “Space Jam: A New Legacy” as a purchase.  I can’t imagine it will get any better with multiple viewings. As mentioned in my review, I enjoyed it as nonsensical fun the first time around.  On the second viewing, I saw a lot of holes in the film.  The special features are pretty lacking as well.  The film is very colorful and bright.  I feel like they could have made a good film as LeBron James is a superstar and box-office draw. For as many haters as he has, he does move the needle, and a lot of people do care about him.  He can also act! They just needed to give him a better script. He’s a smart guy, and I’m very surprised he didn’t notice a lot of these flaws when he read the screenplay.  He has shown a knack for making good decisions with his business ventures, but he missed out with this one. I’d rent it at Redbox if you are curious about it.  Just know this: It’s not nearly as bad as everyone says it is. It’s just run-of-the-mill and forgettable.

‘The Many Saints of Newark’ – ‘The Sopranos’ Prequel Drags When it Should Entertain

I guess it was inevitable that David Chase would eventually revisit the world he created with “The Sopranos,” one of the greatest television shows ever. Vince Gilligan did the same with “El Camino,” the sequel to his acclaimed series “Breaking Bad,” and now Chase gives us “The Many Saints of Newark,” a prequel to “The Sopranos.” But while “El Camino” proved to be excellent, this prequel ends up being nowhere as enthralling as even the average “Sopranos” episode. As much as I wanted to like it, I came out of it feeling rather disappointed.

“The Many Saints of Newark” comes with the tagline “Who Made Tony Soprano?” But while Tony is a major character, this movie focuses more on a violent gang war which takes place during the 1960’s and 1970’s in Newark, New Jersey. The main character of this piece is Dickie Moltisanti (Alessandro Nivola), a soldier in the DiMeo crime family who is also Tony’s uncle. As the story begins, Dickie and Tony are welcoming Dickie’s father, “Hollywood Dick” Moltisanti (Ray Liotta) who has just arrived back in America with his new Italian wife, Giuseppina. On the surface, everything and anything seems possible to all the characters, but we know eventually that everything will come crashing down upon them before they know it.

A pivotal moment occurs for Dickie at one point (you’ll know it when it comes), and he ends up visiting his dad’s twin brother, Salvatore “Sally” Moltisanti (also played by Liotta), in the hopes of doing some good deeds which will absolve his soul. It is during these conversations where Salvatore tells Dickie, “Pain comes from always wanting things.” This reminds me of what Mr. Spock once said on the original “Star Trek” series:

“After a time, you may find that having is not so pleasing a thing after all as wanting. It is not logical, but it is often true.”

Salvatore comes to discover this the hard way. While he is serious about doing good deeds, some of us may remember how the road to hell is paved with them, and this is certainly the case here.

The screenplay, which Chase wrote with Lawrence Konner, paints a rich canvas for everyone to work with as it confronts the racial strife in Newark back in the 60’s and 70’s. We watch as African Americans riot against the racist police who abused a black taxi driver just because he was black, and it serves as a depressing reminder of how many still will not learn from history as America remains engulfed all these years later.

At the same time, Chase, Konner and director Alan Taylor, who directed many of the best “Sopranos” episodes, have given themselves too much to work with. While they have vividly captured a turbulent past, the screenplay lacks a center for which to hang everything on, and the movie ends up dragging far too often. As a result, I found my attention wandering in a way I never would have during any “Sopranos” episode.

There is a subplot involving Harold McBrayer (Leslie Odom Jr.) who has returned to Newark to start his own black-led crime operation. The actions of his gang lead to some moments of truly shocking violence which “The Sopranos” was known for, but this does little to alleviate the times where this prequel drags as no one seems to be able to balance out this subplot with all the other varying storylines.

I also got to say there are far too many obvious odes to “Goodfellas” throughout. Maybe I am a little biased because Martin Scorsese’s 1990 crime classic remains my all-time favorite movie, but seeing Ray Liotta getting his head smashed into a steering wheel several times over just takes me out of the story for no good reason.

For me, I was hoping “The Many Saints of Newark” would focus more on Tony Soprano as he is presented here as a young adult, and it was fascinating to see how intelligent he was even when he does not apply himself at school. A lot of this has to do with the performance of Michael Gandolfini, son of the late James Gandolfini who originated this iconic role. It is tempting to say Michael got cast because of resemblance to his father, but he did in fact had to audition which was smart. From start to finish, he does a tremendous job of showing Tony to be a confused kid who struggles to find meaning in his life as he is forced to deal with an absent father and an ineffectual mother. As a result, it is no wonder he looks up to his Uncle Dickie, the only one adult who seems to be looking out for him. Michael is terrific and, more importantly, he makes this role his own.

It feels like it has been far too long since I have seen Alessandro Nivola in anything. I still remember him best for being Nicolas Cage’s brother in “Face/Off” and for playing the guy dumb enough to steal some velociraptor eggs in “Jurassic Park III.” But he is excellent here as Dickie Moltisanti, a man who wants to do some good deeds after having performed a number of heinous ones. Still, Dickie is a man whose passions typically get the best of him, and Nivola is great at showing the constant struggles he endures while struggling with a lifestyle which could see him get killed at any moment.

Indeed, there are many great performances throughout. While some have no choice but to inhabit younger versions of “Sopranos” characters to where they offer mere impersonations of them, others are a bit luckier. Vera Farmiga is tremendous as Livia Soprano, the same role made famous by the late great Nancy Marchand, to where if she decided to utter “I wish the lord would take me,” I would have been perfectly fine with that. In addition, John Bernthal makes for a very tough Johnny Soprano, Corey Stoll is excellent as Junior Soprano, and it is fascinating to watch Michela De Rossi as she makes Giuseppina Moltisanti evolve effortlessly from one scene to the next.

I do have some reservations, however, when it comes to Liotta, or half of Liotta anyway. As “Hollywood Dick” Moltisanti, he overacts to a painful degree as he tries to look and sound older than he really is. Watching him as this character was a bit unnerving, and thankfully this character disappears from the proceedings early on.  

But as the incarcerated Salvatore Moltisanti, Liotta brings an understated menace, the same kind he utilized in “Unlawful Entry,” which makes his performance one of the most compelling here as he dispenses advice which everyone around him would do best to take seriously. Plus, I love how the actor does not have to do much to show how serious Salvatore is about jazz. Seeing him stare at a Miles Davis vinyl record shows the kind of heaven this character seeks in life, and that’s even if it doesn’t bring a smile to his face.

And in a series where the dead characters are still hovering the lives of the living, I liked how Michael Imperioli returns to narrate this movie as Christopher Moltisanti as the character attempts to illustrate how Tony Soprano became Tony Soprano. There’s even a scene when Tony first meets Christopher as a baby, and it proves to be ahaunting sign of things to come.

Look, if you are a fan of “The Sopranos,” you are bound to see “The Many Saints of Newark” at some point. What we got here is not a bad movie, and I am thankful that it is not the kind of prequel which hurriedly tries to tie everything together to match up with the events of the show. Still, despite some strong writing and performances, this movie is unbalanced and is nowhere as enthralling as a “Sopranos” episode should be. It sucks to call this a missed opportunity, but it is what it is. There is a lot to admire, but not enough to enjoy.

And if you are interested, yes, Alabama 3’s “Woke Up This Morning” is featured here. It would be blasphemy for any “Sopranos” episode or movie to be absent of it.

* * ½ out of * * * *

WRITER’S NOTE: “The Many Saints of Newark” is the latest film to be released theatrically while simultaneously being given a month-long streaming release on HBO Max. I have long since found this form of release to be counter-productive as, while it may benefit HBO Max, it completely devalues the theatrical experience. While the COVID pandemic is still a big thing, I truly believe this type of release is one of the main reasons as to why “The Suicide Squad,” “Cry Macho,” “Malignant” and this prequel are dying quickly at the box office. I shudder to think what this will do to “Dune” and “The Matrix Resurrections” as they are being released in the same way, and these two movies demand to be seen on the silver screen. The sooner this simultaneous release pattern ends, the better.  

‘The Shawshank Redemption’ Movie and 4K/Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

As of this writing, “The Shawshank Redemption” is the #1 rated movie on IMDB. I know it has been #1 many times in the past, and it has also been #2 right below “The Godfather.” It is based on a short novel by Stephen King called “Rita Hayworth and the Shawshank Redemption.”  This film is now 27-years-old and has not aged a bit.  It is the same with any great film. The more you watch it, the more you grow to appreciate it. The term “feel good” movie might sound overdone when it comes to certain movies, but this is one which does give the viewer hope and make you happy.  Hope, after all, is a big theme present in this film.

“The Shawshank Redemption” introduces us to Andy Dufresne (Tim Robbins), a banker who is serving two-life sentences in prison after being convicted of killing his wife and her lover.  He claims to be innocent, but one of the running gags in the film is everyone in prison thinks they are innocent. Andy, however, does not seem like the type of individual who would commit murder as there is something about him which does come off as snobby and rather cold to the inmates.  He does endear himself to Red, played by the great Morgan Freeman. Red is the guy who knows how to get things for people in prison.  If you need a pack of smokes, chewing gum, or anything else, Red is the guy who is going to get it for you.

Red takes an interest in Andy because he sees there is more than meets the eye with him.  Andy is smart, well-spoken and really takes in his surroundings. The two of them have great conversations about life in prison, life in general, and regrets. The film, of course, is narrated by Freeman.  His narration is not overdone, however, as it adds to the film and enhances the story.  The Shawshank prison is run by a warden who believes in the Bible and discipline, and he is played by Bob Gunton.  The warden is ruthless, but he sees the value in having Andy at the prison because he’s running the prison’s books, doing taxes for the guards and is a very good hand who works cheaply.

For Andy, it is a chance to be able to create a library for Shawshank, allow certain freedoms for the prisoners there, and a chance to pass the time.  Time is something which goes by incredibly slow when an individual is in prison.  Time also allows the friendship and bond between Red and Andy to grow over the course of the film.  Red keeps getting rejected for release and he believes hope is a dangerous thing, and he is not sure if he will be able to survive outside of prison.  For many of the inmates, all they know is prison.  By the time they get out, they wonder what use they will have in the outside world.  It provides structure for them, even if it comes with the beatings, mental anguish and boredom.

There is a lot to like about “The Shawshank Redemption,” and it starts with Robbins and Freeman. They are the engine which keeps this film moving as it runs at almost two and a half hours.  The film is never, ever boring, and there are also interesting supporting characters such as Brooks (James Whitmore), an elderly man who has spent nearly fifty years in prison and works in the library. There is also the wild and out of control Heywood, played with manic energy by William Sadler. There is Tommy, a young hot-shot who keeps getting in trouble, played by Gil Bellows.  Even though the film is set in prison, there is no shortage of interesting characters to spend time with.

“The Shawshank Redemption” is a film with a huge heart that holds up very, very well nearly thirty years later.  I would most certainly put it in my top ten favorite films of all time. It has heart, humor and a lot to say about the prison system and if it really helps those behind their walls.  It also talks about the adjustment period from prison to the real world.  There is a reason why so many end up back in prison after they are released.  It’s also a gorgeous-looking film with a great sense of time and place.  I’m very happy Warner Brothers decided to upgrade this film to 4K.  The Blu-ray, which I also watched, looks better than the original release. This is a film that really makes one think about their life and how they are living it, each and every single day.

* * * * out of * * * *

4K/Blu-Ray Info: “The Shawshank Redemption” is released on a two-disc 4K/Blu-ray Combo Pack from Warner Brothers. It also comes with the digital copy of the film. The film has a running time of 142 minutes and is rated R for language and prison violence.

Video Info: For the 4K, the transfer comes in 2160p Ultra High Definition while the Blu-Ray comes on a 1080p High-Definition transfer.  The 4K adds rich color and texture to the film.  It makes the film really pop off the screen and shine. This is a tremendous improvement over the Blu-Ray.

Audio Info: For both the 4K and Blu-ray, it has DTS-HD MA: English 5.1 and Dolby Digital: French and Spanish Audio tracks. Subtitles are in English, French and Spanish.  The audio is also very easy to understand and stands out on both the 4K and the Blu-ray.

Special Features:

Commentary by Frank Darabont

“Hope Springs Eternal: A Look Back at The Shawshank Redemption”

“Shawshank: The Redeeming Feature”

“The Shark Tank Redemption”

Stills Galleries

“Bogs Takes a Fall” Storyboards

“New Fish Arrive” Storyboards

Should You Buy It?

Even though the special features are basically the same as the original Blu-ray, this film is worth owning for the upgrade to 4K.  Almost three decades later, this film is still incredibly moving.  I could watch this film at least once a month, and I’d still enjoy it and get something out of it.  This is one of those films where you are swept up in what is happening on screen from start to finish.  There is not a dull or wasted moment on screen. It starts with the acting, as I mentioned, but major credit must also be given to Frank Darabont. He knows how to really slow things down and let them play out in a meaningful way.  Did I mention the stunning cinematography by Roger Deakins? This is a must own for any film collector out there! I cannot recommend it enough.

**Disclaimer** I received a Blu-ray copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

Knock, Knock – The First Trailer for ‘The Matrix Resurrections’ is Here

It is September 9, 2021, and I knew exactly what I needed to do: have breakfast and watch the first trailer for “The Matrix Resurrections.” But of course, breakfast would be second as this particular trailer could not come soon enough. All I can say is, wow! Keanu Reeves, looking more like John Wick than Neo, is back. Lana Wachowski is back. Carrie-Anne Moss is back, and no, she does not look to be playing a grandmother here.

The first thing I want to point out about the “Resurrections” trailer is how excited I am at how part of this movie takes place in San Francisco. It all looks so beautiful here, and it feels like it has been forever since anyone shot anything there. Part of me expected those digits to descend down the screen, but the trailer instead opens up with Thomas Anderson (Reeves) talking with a therapist (played by Neil Patrick Harris) about these strange dreams he has been having. From there, we see him taking what I guess are anti-depressants, and they are blue pills. And one other thing, Harris is wearing blue glasses in his session with Thomas. Coincidence?

What blew me away about this trailer was that it has a unique look to it. Sure, there are many images from the original featured, but “Resurrections” is made to look like its own thing and not a simple repeat of what came before. While its story line feels a bit similar to the original as Mr. Anderson is slowly waking up to the world around him, there is a different feeling this time around.

Quite wisely, this trailer only tells us so much about what we will be seeing this December. Lana Wachowski is not about to give everything away which is smart, and we are left to ponder the reality this sequel takes place in. As a result, I am left with a string of questions I am eager to see answered:

Will this sequel take place following the events of “Matrix Revolutions,” or is this a whole new timeline featuring the same characters?

Is Thomas Anderson (a.k.a. Neo) too woke to use a cell phone while in an elevator?

Why does Neo recognize Trinity but Trinity does not recognize Neo?

Will the bullet time effects be utilized frequently in this film?

Is Morpheus, now played by Yahya Abdul-Mateen II, meant to be a younger version of the character previously played by Laurence Fishburne?

Is this a prequel instead of a sequel?

Christina Ricci is co-starring in “Resurrections,” but did we see her in this trailer?

Is Thomas/Neo dumping those blue pills into the sink meant to be smack in the face to big pharma?

Do we really want to see this on HBO Max instead of on the big screen where it belongs?

Was Keanu Reeves shooting the fourth John Wick movie while filming “Resurrections?” Is this why Neo looks like John Wick?

Is Trinity pregnant with Thomas’/Neo’s baby? Well, whatever the case, she certainly does not look to be a grandmother in this installment.

With Johnny Klimek and Tom Tykwer taking over music scoring duties from Don Davis, will Juno Reactor be along for the ride as well?

Lastly, why is everyone stunned that Laurence Fishburne does not appear in this trailer? For crying out loud, it was announced he would not be appearing in it ages ago! Besides, he will be reunited with Reeves in the next John Wick sequel, so stop complaining!

Suffice to say, I am as excited for this sequel as I am for “Halloween Kills.” As a result, I need to keep my expectations in check as they can be easily ruined for all the wrong reasons. I have enjoyed all “The Matrix” movies, and I include the third one even though its ending really sucked. With this trailer for “The Matrix Resurrections,” we look to be getting something as striking and visually spectacular as the original which wowed us back in 1999. I cannot wait, and I am about to say something I have not said in years: Christmas can’t come soon enough!

Check out the trailer below:

All-Time Favorite Trailers: ‘The Matrix Reloaded’ and ‘The Matrix Revolutions’

As I write this, the first official trailer for “The Matrix Resurrections” is about to be unveiled for the whole world to see. I have been truly enjoying visiting the movie’s official website (www.whatisthematrix.com) as it hints at what is to come, and the way it is being handled is endlessly brilliant as there are so many different images to see. Seriously, visiting this site just once is not enough as not everything is the same.

But more importantly, it reminds me of when I first saw the teaser trailer for “The Matrix Reloaded” and “The Matrix Revolutions” back in 2002. It still feels like yesterday when I was hanging out with my friends and fellow cast mates from Disneyland as we waited in line to check out “Star Wars Episode II: Attack of the Clones.” An eagerly awaited cinematic event, we first had to suffer through some needless commercials (we saw it at an AMC theater in Orange County) and trailers for movies which could not possibly be anywhere as enthralling as the weakest “Star Wars” extravaganza. And by saying that, yes, I do include the dreaded holiday special.

And then came the teaser trailer for “The Matrix Reloaded” and “The Matrix Revolutions.” The screen was dark, but the audience quickly recognized the Don Davis’ music, and this put everyone at attention. Once those digits began descending down the silver screen, everyone went wild as we were about to get our first look at the follow-up to one of the most groundbreaking motion pictures of the 1990’s.

Seeing Keanu Reeves, Carrie-Anne Moss and Laurence Fishburne, who speaks of how “the war” will have an end over this trailer, reprising their roles was exciting, and the images we were shown thrilled me to no end. Furthermore, to see everything climax to the tune of Rage Against The Machine’s “Wake Up” was just perfect.

Of course, this trailer does have one big failing. It ends with “2003” displayed across the screen, and the yells of excitement quickly turned into moans of frustration as we suddenly realized it would be a full year before the first of these sequels would be unleashed. Back then, time still moved a bit slowly.

As for how these sequels turned out, that’s for another set of articles.

Check out the teaser trailer below.  

‘The Conjuring: The Devil Made Me Do It’ Movie and Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

The Conjuring: The Devil Made Me Do” It is yet another intense, smart, funny and well-acted journey in this universe created over a number of films.  It really starts and ends with the love between Ed and Lorraine Warren, played perfectly by Patrick Wilson and Vera Farmiga. The chemistry between the two actors is off the charts. It is so good you would almost believe they are together in real-life. That is top-notch acting. They have also appeared together in “The Nun” and “Annabelle Comes Home.”  The formula works, and I’d be happy with even more “Conjuring” or “Annabelle” films featuring the two of them in the future.

When you have had so many films and various spin-offs, one would imagine they would have run their course by now.  However, this is still a solid flick, even though it is probably the weakest of the three films.  That is not a criticism, as they are all entertaining and enjoyable in their own way.  In “The Conjuring 3” (let’s stick with that title), Ed and Lorraine Warren are overseeing an exorcism of an innocent eight-year-old young boy named David. At this exorcism, his family is there, along with Arne (his sister’s boyfriend) and Father Gordon.  Once this demon starts to really do a number on David, Arne (Ruairi O’Connor) tells the demon to take over his body instead of David, despite Ed telling him it is not a good idea.

Ed suffers a heart attack, which sets him back for a while.  When he finally starts to feel better, he realizes the demon is inside of Arne, and it has to be stopped before more damage is done to other unsuspecting individuals.  He can see bad things around the corner for anyone who is near Arne.  Arne is in danger as well.  Together, as only they can, Ed and Lorraine Warren decide to take this demon down and remove it from the body of Arne and restore some sense of normalcy to all of their lives. Even though they encounter their share of doubters and second-guessers, they know what is really going on and will stick to their beliefs.

Without giving too much away, there is a courtroom element to the film that truly enhances it in a unique way.  It talks about how demonic possession can cause someone to do things they normally wouldn’t do if they weren’t possessed by a demon.  It is almost like the insanity plea a lot of people deal with in the courtroom.  This was a nice touch to the film.  Another thing which is consistent throughout “The Conjuring” films is how they really give you a sense of place and time. This film takes place in 1981, and from the clothes, the music and scenery, you really feel like you are in the early 80’s.  The devil (no pun intended) is in the details with these movies.

The issue with “The Conjuring 3” is the fact it is almost two-hours long.  There are times where the film can feel a little long in the tooth and drag.  It did not need to be this long.  I found myself clock-watching during certain scenes.  Even though I mentioned the devil is in the details, there are some details which can be left out, as not everything needs to be explained to such an extreme degree here.  I’m more interested in the necessary details and the background.  It feels like they are over-explaining things at times to the audience.

Many people ask me after watching one of these films, “Was it scary?” Truth be told, I don’t get scared by movies, really. That is not a knock against the film or any of the people involved in its making.  For me, what makes “The Conjuring 3” an enjoyable watch is the two main actors, their charm and chemistry, the background on these cases (based on true stories) and the way the films are directed and put together. Even though it is the weakest of the three films, it is still an enjoyable ride to take because they take it seriously and put effort into making sure they are producing quality films and not just a sequel for the sake of a sequel.

* * * out of * * * *

Blu-Ray Info: “The Conjuring: The Devil Made Me Do” It is released on a single-disc Blu-Ray from Warner Brothers Home Entertainment. The film is rated R for terror, violence and some disturbing images. It has a running time of 112 minutes.

Video/Audio Info: The film is presented in 1080p High Definition with audio formats of Dolby Atmos-TrueHD: English, Dolby Digital: English Descriptive Audio, English, Spanish and French. Subtitles are included in English, French and Spanish.

Special Features:

By Reason of Demonic Possession-An in-depth look at the true story that inspired the movie

The Occultist-Meet the terrifying new addition to the Conjuring Universe

Exorcism of Fear-Delve into the making of the movie and the chilling exorcism scene that opens the film

DC Horror Presents: The Conjuring: The Lover #1-A Video Comic that goes deeper into the Conjuring Universe.

Should You Buy It?

If you own the “Annabelle” films and the previous two “Conjuring” films like I do, you are going to want to add “The Conjuring 3: The Devil Made Me Do It” to your collection.  There are some really cool special features here that really add a unique backstory to what you have seen in the film.  Also, the opening scene might be one of the best I’ve seen in a horror film in quite some time. Once again, I cannot praise the work of Patrick Wilson and Vera Farmiga enough. They are the heart and soul of the film.  Without them, the story and the intensity simply do not work. They are a couple to root for and a couple that is interested in helping people.  While the running time can stop the film’s momentum occasionally, this is still worth owning and checking out. As long as Wilson and Farmiga keep coming back for these movies and the filmmakers keep finding case files from the Warrens, I’ll keep coming back to watch them.

**Disclaimer** I received a Blu-ray copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘Those Who Wish Me Dead’ Movie and Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

I remember being blown away when I walked out of the theater after watching Taylor Sheridan’s 2017 directorial debut in “Wind River,” which he also wrote. He’s an accomplished writer having written such films as “Sicario,” “Hell or High Water,” and also a number of episodes of “Yellowstone.” While “Those Who Wish Me Dead” is not as powerful and emotional of a film as “Wind River,” it still shows he has a great eye behind the camera and knows how to get powerful performances out of his actors.  He also knows how to build suspense while also keeping a lean pace to his films.  I look forward to what he has up his sleeve next as a writer and director.

Even though he shares the screenwriting credits with Michael Koryta (based on his book of the same name) and Charles Leavitt, his touches are still all over this film. With any thriller, you need to capture the attention of the audience right away.  Sheridan does this by introducing us to Hannah, played brilliantly by Angelina Jolie.  Jolie has always been an underrated actress, but here, she gets to show off her acting chops in an impressive and understated fashion. Hannah is still traumatized by the fact that in her role as a smoke-jumper, three young lives were lost.  She feels completely responsible for it, even though there is always more to the story. Many nights, it is hard for her to fall asleep comfortably without horrible nightmares.

Hannah, however, gets a chance to redeem herself when she stumbles upon an injured and scared 12-year-old boy named Connor (Finn Little), who is all alone due to circumstances beyond his control. Together, they form an unlikely pairing where they must work together in order to stay alive, as Connor has some information which two very bad men are looking for, and they will stop at nothing to obtain from him.  Even though Hannah has the training and the skills, it’s difficult when there is a tremendous fire heading their way at the same time.  This is a film which starts off by allowing us to spend time with the characters, get to know them and care about them.  It’s one of the reasons why it is so effective.

Finn Little and Jolie work so well together. At first, Connor wants nothing to do with Hannah and pushes her away. When he realizes it’s a 12-mile trek to get any help, he quickly realizes he has no choice.  Even though there are horrible lighting storms going on and this intense chase, Sheridan takes time to allow the audience to have a laugh here and there along with some tender moments.  There is also a side story involving Hannah’s ex, played perfectly by the always reliable Jon Bernthal. He still cares about Hannah and her well-being, but he’s also involved in a committed relationship and has a child on the way with Allison (Medina Senghore).

The bad guys are played by Nicholas Hoult and Aidan Gillen. They do a great job in portraying the villains without trying too hard to where they are over-the-top characters. It is more the threat of violence and their presence. Going back to the overall film, I’ve always enjoyed a thriller which knows how to have a good running time. This film runs at 100 minutes, and there is never a dull moment.  It didn’t need to be any longer or any shorter, and it is fine exactly as it is thanks to the performances, the pacing and the action.  They all work together so well.

I wasn’t quite sure what to expect with “Those Who Me Dead,” but it did remind me what a tremendous actress Jolie is and reinforced the fact that Sheridan is a director who is going to be making more thrilling action films in the future I look forward to watching.  The stakes are high and, as an audience member, we feel that urgency.  He’s also emotionally investing time in his characters, so we are happy to spend time with them.  We are also rooting for them and care about their fate.  This is one of the better films I’ve seen in 2021 so far.

* * * ½ out of * * * *

Blu-Ray Info: “Those Who Wish Me Dead” is released on a single disc Blu-ray from Warner Brothers Home Entertainment. It runs at 100 minutes and is rated R for strong violence and language throughout. It also comes with the digital copy as well.

Video Info: The film is presented in 1080p High Definition, and the picture is crystal clear, bright, and incredibly vivid.

Audio Info: The audio comes in DTS-HD MA: English 5.1, Dolby Digital: English Descriptive Audio, French and Spanish. Subtitles are in English, Spanish and French.

Special Features: Making Those Who Wish Me Dead

Should You Buy It?

“Those Who Wish Me Dead” is a great star vehicle for Angelina Jolie, and she knocks it out of the park. As a matter of fact, the cast, top to bottom, is great and there is not a weak link in it. Finn Little really holds his own in his scenes with Jolie. I don’t think the film works without their chemistry. They have a strong bond together. It’s a gorgeous film to look at, and it’s great entertainment. I highly recommend you pick this film up the next time you are out at your local retailer.  You won’t regret it.  It’s one of the more surprising movies of 2021.

**Disclaimer** I received a Blu-ray copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘Godzilla vs. Kong’ Movie and Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

In the interest of full-disclosure, “Godzilla vs. Kong” is not usually the type of film I’m known to seek out.  While I try to keep an open mind about every film, which I believe is one of the most vital parts of being a film critic, there are certain genres that are not my cup of tea.  On paper, however, this film had a lot of good things going for it: Adam Wingard (“You’re Next,” “Blair Witch“ and “The Guest”) as director, a stellar cast, and a concept which was ripe for a 21st century upgrade.  In the end, I’m glad I watched it because I can say I’ve seen it, but my feelings about most big blockbuster science fiction movies remain unchanged.

The major problem with the film lies in the severely unwritten and undeveloped characters we are spending time with here. With five writers attached to the film in some way, I’m not quite sure how they overlooked such an important aspect.  Perhaps they were too focused on the main event stars of Godzilla and King Kong.  When you have actors like Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Demián Bichir and even Kyle Chandler, they need to be more fleshed-out.  There is a lot of talk in this movie, but not a lot of it means anything or amounts to much.

Keep in mind, I barely remember any “Godzilla” or “King Kong” films, so I can’t vouch for how it holds up compared to older versions or how faithful it is.  I know it is big with a lot of genre fans. In “Godzilla vs. Kong,” King Kong is being watched very closely by Ilene Andrews (Rebecca Hall), an expert on all things Kong, linguistics and anthropology. She has an adopted hearing-impaired daughter named Jia she looks after who is played brilliantly by Kaylee Hottle. Much like Ilene, King Kong feels a special bond with young Jia.  Jia and Ilene Andrews sign to one another, and Jia is able to describe when Kong is scared or angry. Kong takes care of Jia in his own sweet, fatherly way.

There is also another side-story which is completely unnecessary and all over the map involving a conspiracy theorist podcaster played by Brian Tyree Henry.  He’s a tremendous actor with great range, and he is a true force on the hit FX show “Atlanta,” but here he’s unfunny and just silly.  While comic relief can be necessary at times, in a film like this it feels so forced by the screenwriters. It’s not his fault the dialogue written for him is flat out lame. He’s doing the best he can with a really bad script. Two young teenagers played by Millie Bobby Brown and Julian Dennison join him in his quest to find out why Godzilla is acting so strangely. It just seemed a bit odd to have a grown man running around with two teenagers. In today’s day and age of children being safe on the Internet, it’s just not a good idea to put in a film.

There is also Dr. Nathan Lind (Alexander Skarsgård), another Kong expert much like Ilene with vast experience in maps and geology. He’s a bit of a goofball, and at times his performance feels goofy and like he’s hamming it up.  Once again, I’m going to blame the writers.  Of course, there are evil mustache-twirling villains in the film who are once again overplayed, and they just ruin the film.  Even though I’m putting a lot of blame on the writers, as actors can only deliver their lines as written, maybe they could have brought something a little extra to the proceedings.  It would have been nice if the actors at least tried to make something out of this mess.

As for the battle scenes with Godzilla and Kong, they are pretty forgettable.  While I’m a huge fan of director Wingard, I can’t help but wonder if he was really the right guy for this project.  He’s mostly known for horror films, and this is not to say he can’t branch out and try different genres. Visually and stylistically, I don’t think he brought a whole lot to the film. It has a lot going on from start to finish, but it jumps back and forth between characters, stories and events. There are things to like in “Godzilla vs. Kong,” but they are few and far between.

* ½ out of * * * *

Blu-Ray Info: “Godzilla vs. Kong” is released on a two-disc Blu-Ray Combo Pack from Warner Brothers Home Entertainment.  The combo pack also comes with a digital copy of the film as well. It is rated PG-13 for intense sequences of creature violence/destruction and brief language.  It has a running time of 113 minutes.

Audio and Video Info: The film is presented in 1080p High Definition.  The audio is Dolby Atmos True HD: English, Dolby Digital: English Descriptive Audio, English, Spanish, and French.  It also has subtitles in English, Spanish and French.

Special Features:

Kong Discovers Hollow Earth

Kong Leaves Home

Behold Kong’s Temple

The Evolution of Kong, Eighth Wonder of the World

Godzilla Attacks

The Phenomenon of GŌJIRA, King of the Monsters

Round One: Battle at Sea

Round Two: One Will Fall

Titan Tag Team: The God and the King

The Rise of MechaGodzilla

Commentary by Director Adam Wingard

Should You Buy It?

I’m so disappointed to have to give this film such a negative review and rating.  I don’t think you should buy it, and I don’t even think it’s worth a rental.  Maybe I’m not the audience for this film.  I can recognize and acknowledge that.  If you like these types of films, maybe you will enjoy “Godzilla vs. Kong,” but I found it laborious and quite tedious.  I received very little enjoyment out of it.  I will say there are plenty of special features on this Blu-ray Combo Pack.  So, if you did enjoy this film and are a fan of Godzilla and King Kong, maybe you will see in the film what I didn’t. I’ll say this, if you were not a fan of these two superstar monsters before watching this movie, I don’t think you will become a fan after watching it.  There isn’t much to hang your hat on here.

**Disclaimer** I received a Blu-ray copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.