Underseen Movie: ‘MacGruber’ – The Best SNL Movie in Years

MacGruber movie poster final high resolution

When I went to see “MacGruber” at Grauman’s Chinese Theater in Hollywood back in 2010, I actually saw Jason Sudeikis while standing in line to buy a ticket. His impersonation of Joe Biden is a still a big hit with fans of the show, and he seemed like a very down to earth guy as he blended in with the crowd and talked with others.

Anyway, enough about him. Let’s get on with my review of this particular SNL sketch turned movie called “MacGruber.” About a decade before this one, movies from the long running comedy show were being released all the time, and many proved to be nowhere as funny as the sketches which inspired them. “The Ladies Man,” “Superstar,” or “A Night at the Roxbury” appeared to underwhelm audiences, and I wondered why none of them could come close to matching up with “Wayne’s World” or “The Blues Brothers.”

Now keep in mind, those movies were based on sketches which lasted 3 to 5 minutes on the average SNL episode. With “MacGruber,” we have a movie based on a sketch which typically lasts for a minute at most. We all know from watching this obvious spoof of “MacGyver” that they all end in the same way, with MacGruber failing to diffuse the bomb and it going off, blowing him and his whole team to smithereens. So therein lies the fascination of this movie; Can MacGruber keep himself from blowing up and killing everyone around him for more than a minute? Can he sustain a full-length motion picture when he can barely sustain himself in every control room known to man?

Well, it turns out he can and for around 99 minutes. Before it was released, “MacGruber” was bursting all over with reviews calling it the best SNL movie since “Wayne’s World.” I find this praise to be completely justified as it is consistently hilarious and filled with moments which had me laughing harder than anything I saw in the remake of “A Nightmare on Elm Street,” and that was supposed to be horrific and serious. But while the jinx on SNL movies finally came to an end with “MacGruber,” this same jinx has unfortunately not been broken at the box office. It ended up grossing only $9.3 million worldwide against a budget of $10 million, but it has since become a cult classic. Trust me, “MacGruber” is great fun and contains many gut-busting laughs, and it deserved a much bigger audience than it initially got back in 2010.

Like “Hot Shots Part Deux,” the movie opens with MacGruber (Will Forte) living a post-Rambo type existence in a monastery where he finds peace from all things explosive. But Col. Jim Faith (the late Powers Boothe) brings him back into service when it is discovered his old nemesis, Dieter Von Cunth (Val Kilmer gone wild), has acquired the X-5 nuclear missile and threatens to use it on a highly valuable target primed for utter destruction. Dieter also turns out to be the same man responsible for killing MacGruber’s fiancé, Casey (Maya Rudolph). To say this is all personal for MacGruber is pointing out the obvious. But seriously, what doesn’t this Inspector Clouseau of bomb experts not take personally? If you piss him off, please make sure he doesn’t memorize your license plate.

Forte never does quite convinces us that MacGruber is this great war hero, but that is part of the joke. He does, however, more than make us believe this character he has won more than a dozen purple hearts (how he earned all those is another story). No longer constricted by the dreaded FCC on network television, Forte really lets it loose here, getting away with stuff which would have had NBC and Lorne Michaels drop kicking him out of 30 Rockefeller Plaza if he pulled this off on live television. He also co-wrote the script, and he takes advantage of every opportunity for his character to make a supreme ass of himself while still remaining one you want to root for.

Plus, Forte does sex scenes here like no one else does in movies today, and I am certain no one has tried to match his acting in bed ever since.

Ryan Phillippe co-stars as MacGruber’s right hand man, Lt. Dixon Piper, a dedicated soldier who is of course infinitely brighter than him, and this causes a lot of violent resentment between the two of them. Phillippe does great work in playing the straight man to Forte’s idiotic lunatic. Had he tried to outdo Forte in terms of getting laughs, this pairing never would have worked. Lord knows MacGruber needs a partner, but he would never admit this unless he became incredibly desperate (and he does, so watch out). He also perfects that stony stare you get from some NFL star turned actor, and his funniest moments come when he reacts honestly to just how stupid this Miata-driving explosive expert truly is. Other actors would have overplayed this role, but Phillippe doesn’t thank goodness.

Kristin Wiig reprises her role as MacGruber’s assistant, Vicki St. Elmo. She is great as always, and MacGruber keeps stupidly putting her in such thoughtless situations where her life is in constant mortal danger. The scene in the coffee shop where she is disguised as MacGruber is nothing short of hilarious as she shivers in utter terror, having no clue what to do if things go bad. Still, you want to see Vicki get together with this clueless idiot because giving up this line of work for her music doesn’t make much sense, and this is especially the case when you listen to the songs she wrote.

Then you have Val Kilmer on board as the evil Dieter Von Cunth , and he gets to act all unhinged and crazy in a way he has not for some time. We know the only way MacGruber can defeat Cunth is through sheer luck, and Kilmer’s rubs in his character’s smug intelligence which he has in spades over this heroic douche bag. This represented a comeback for the actor, but it was sadly cut short due to his continuing battle against throat cancer.

“MacGruber” was directed by Jorma Taccone, one third of the Lonely Island comedy troupe which is responsible for all the “SNL Digital Shorts.” I was also surprised to learn he is actually the son of Tony Taccone, the former Artistic Director of Berkeley Repertory Theater. If you are ever in Northern California, be sure to check out a show there as they continue to challenge their audiences as much as entertain them. Anyway, Jorma keeps the proceedings going at a good pace, and he never lets the movie drag during its running time. While he doesn’t do anything groundbreaking with this movie or its formula driven plot, he does succeed in making this kind of satire feel fresh again. This genre has been so burnt out that we’re lucky if anything works as well as it does here.

The audience I saw “MacGruber” with at Grauman’s Chinese treated the whole thing like a rock concert, cheering when the title character first appeared on screen. It was a great crowd to experience this movie with, so it was surprising and depressing it got such a lackluster reception during its opening weekend. Even with competition from “Robin Hood,” “Iron Man 2,” and even “Shrek Forever After,” I figured it would still make a sizable dent at the box office. Still, it did eventually find its audience years later.

“MacGruber” is by no means a classic, and it is far from original, but it is certainly above average for this kind of movie. Saying it is the best SNL movie in years is faint praise. If you’re looking for a terrific comedy which emanated from the classic late-night show, then this is one you should check out. Even if you never laughed much at the skit on SNL, this movie will give you several belly laughs which we all live for. Just be sure not to eat any celery before you see it.

* * * ½ out of * * * *

Blazing Saddles

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Blazing Saddles” is one of Mel Brooks’ funniest comedies and one which invites repeat viewings as there are always jokes still waiting to be discovered. It acts as a satire of the western genre as well as the racism which was obscured by Hollywood’s creation of myths regarding the American West. But as funny as it is, it also offers the viewer a moving story about a black sheriff who manages to win over a town on the verge of being taken over by murderers and thieves. It also gleefully breaks the rules to where places and people are added that were never really part of the American West in the first place.

The wonderful Harvey Korman plays Hedley Lamarr, the State Attorney General who wants to get his hands on the town of Rock Ridge where the land is worth millions. His attempts to frighten the people out of their town includes getting cowboys to ride in and shoot their guns, creating a havoc which makes everyone living there fearful and anxious. But when that doesn’t work, Lamarr comes up with what he believes is an ingenious idea; he hires a black man to become the new Sheriff of Rock Ridge with the belief his “mere presence” will scare everyone out of there. Of course, things do not go as planned.

Looking back at “Blazing Saddles” all these years later, it still stands up mainly because Brooks is not out to make the actors simply go for the joke. Instead they play many scenes straight instead of trying to be funny, and this makes the humor work even more than it already does. With a satire like this, it helps to have characters you care about regardless of how ridiculous their actions may be. Most movie satires and spoofs these days keep forgetting this as they are more persistent in selling the joke to the audience instead of giving the story any real substance.

The late Cleavon Little portrays Bart who becomes the Sheriff and immediately meets resistance to his presence because of the color of his skin. Regardless of how infinitely intelligent and cool he is compared to the idiotic residents of Rock Ridge, he has to work real hard to win them over. Little has so many inspired moments in the movie like when he sings a Cole Porter song instead of the “Camptown Races” which the racist cowboys assume blacks sing all the time.

Many may accuse “Blazing Saddles” of playing up black stereotypes in order to get easy laughs, but they completely miss the point. Brooks and his team of writers, which included Richard Pryor, turn those stereotypes upside down and expose them for the falsehoods they have always been. Seeing the residents of Rock Ridge overzealous reactions to Bart’s behavior, such as him saying “excuse me while I whip this out” when he takes out his written speech, are indicative of their overt racism more than anything else. Seeing them act so stupidly out of fear and sheer ignorance gives the movie some of its most side-splitting moments.

Another memorable performance comes from the great Gene Wilder who plays Jim, a.k.a. The Waco Kid, the fastest gun in the world. While Wilder is best remembered at times for playing neurotic characters, he is as cool as can be in this film. Seeing him play it so cool in moments where his precision with a pistol is stupidly questioned by others who don’t know him is so much fun to take in. His character is a riff on the one Dean Martin played in “Rio Bravo,” and Wilder is such a blast to watch throughout.

“Blazing Saddles” also provided the late Madeline Khan with one of her most famous roles, the German singer Lili von Shtupp whose name is inexplicably censored on the movie’s television version. She is endlessly brilliant in her rendition of the song “I’m Tired,” and it makes for one of the most unforgettable comic performances ever captured on film.

There are many unforgettably hysterical scenes throughout “Blazing Saddles” which stand up to repeat viewings. The campfire scene is as obscene as it is gut-bustlingly hilarious, and you may find yourself laughing harder than you ever have before. Brooks himself plays a couple of parts like the severely lacking in intelligence Gov. William J. Le Petomane and an Indian Chief who, for some bizarre reason, speaks Yiddish. Other actors like the great Slim Pickens and Burton Gilliam have us gasping with laughter just by looking at the befuddled expressions on their faces.

Along with a great music score by John Morris and beautiful cinematography by Joseph F. Biroc, “Blazing Saddles” has more than earned its place on the list of greatest comedies ever made. There is tremendous delight in watching Brooks throw caution and logic to the wind as he throws in the unexpected like Count Basie and his orchestra performing in the desert while Bart rides by, or having Nazis sign up for Lamar’s final battle at Rock Ridge. It doesn’t matter if it makes sense or because you just want the laughs to keep on coming (and they do). With a comedy like this, you can never be sure what will happen next!

By the way, be sure to watch “Blazing Saddles” in the widescreen version. Brooks shot the movie in Panavision scope, and it has never ever translated well to the realm of pan-and-scan.

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Copyright Ben Kenber 2016.

* * * * out of * * * *

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