Movies

‘A Nightmare on Elm Street’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

It’s hard to believe “A Nightmare on Elm Street” is celebrating its 40th anniversary this year. When legends of the horror genre are discussed, Freddy Krueger is one of the most talked about names that comes up in conversation.  It all started with the original, which was directed by horror icon Wes Craven. It was a film that was wise to not overuse its main antagonist in Freddy Krueger, played by Robert Englund. In fact, the reason why some of the sequels were not as well-received was because they overused Freddy and turned him into a stand-up comedian with silly one-liners.  In the first film, he’s chilling, scary, and intense.  The film is also aided by a strong supporting cast including Johnny Depp, Heather Langenkamp, and John Saxon.

One of the strongest aspects of “A Nightmare on Elm Street” is the fact it focuses on dreams and how Freddy Krueger attacks his victims in their sleep.  When we sleep, we let our guard down and assume we will be protected and safe. Even if we have a nightmare, we are confident we will wake up and return to our normal lives.  Freddy is looking to attack young teenagers when they are at their most vulnerable. It’s an ingenious idea and one of the biggest reasons why this is such a successful film.  The main characters also have to deal with the stress and anxiety that comes from trying to stay awake and fight for their lives in their dreams.

The film opens up with Tina (Amanda Wyss) having a nightmare about a man who is trying to kill her in her sleep.  The man has knives for fingers, a dirty old hat, and wears a filthy red and green sweater.  Because of these recurring nightmares, she has two of her friends and her boyfriend sleep over to make sure nothing will happen to her. Her friends are Glen Lantz and Nancy Thompson, played by Johnny Depp and Heather Langenkamp. Tina’s boyfriend is named Rod Lane, and he’s played by Nick Corri. When Tina ends up murdered in her sleep with blood all over the place, the police are quick to point the finger at Rod.  However, he claims there was another person in the bed with them, which seems not only highly unlikely but also highly unusual. After Rod ends up in prison, Nancy decides it is time to protect herself.

Heather Langenkamp, as the take-no-prisoners final girl Nancy, is absolutely brilliant here.  She’s smarter than her parents, and she’s also one step ahead of Freddy Krueger.  Her father, played by John Saxon, is a police officer who is just trying to protect her. Her mother, played by Ronee Blakley, is having a tough time dealing with this situation and spends way too much time drinking and avoiding reality. Glen Lantz is wily, intuitive and quick on his feet, even if he doesn’t always believe Nancy. Because he loves her, he’s willing to help out and do whatever he can to make her feel safe and secure.

Wes Craven was usually one step ahead of his peers in the horror genre, and “A Nightmare on Elm Street” was no exception.  He not only created an original horror villain, he also gave him an interesting backstory as well.  He also respects teenagers enough to give them a voice in this movie. They are not stupid or vapid.  They are resilient, tough, and they are trying to protect themselves, even if the results don’t always work out in their favor. 

Even with the parents, some are divorced and have their own complex issues they are dealing with. This is why they have difficulty seeing what’s right in front of them.  He gives his characters, good and evil, layers to them.  It makes the plot and the film mean that much more when we spend time with them, get to know them, and understand their motivation.  When it comes to the bloody scenes, he also knows how to leave your jaw on the floor as a viewer, as he builds up the tension until it explodes on screen, sometimes literally!

There is so much to like about “A Nightmare on Elm Street,” from the top-notch acting, the chilling score, the intense gore, and of course, Freddy Krueger himself.  This is my favorite Freddy here as he’s terrifying without being over-the-top.  My main issue with the film is the ending. I understand it, but I don’t like it.  They build up to this big payoff and it ends with sort of a wink at the camera, which seems like it comes from another movie. For a serious and intense horror film, it ends in a rather silly fashion.  Still, I love “A Nightmare on Elm Street” and consider it a great horror film. If only it had a better ending.

* * * ½ out of * * * *

4K Info: “A Nightmare on Elm Street” is released on a single 4K disc from Warner Brothers Home Entertainment.  It has a running time of 91 minutes for both the theatrical cut and the uncut version. I’m not exactly sure what the difference is between the two cuts, as I didn’t notice anything out of the ordinary.  It might have a little more blood in it, perhaps. It is rated R for strong bloody horror violence and gore, language, drug use, and some sexuality/nudity.  There is a digital copy of the film included as well. You can either buy the 4K slipcover version of this movie or a 4K steelbook as well.

4K Video Info:  This is a FANTASTIC looking 4K release from Warner Brothers Home Entertainment.  The picture is so clear and vivid. It looks fantastic and it’s one of the best 4K releases of 2024. When they decided to release this movie on 4K, they really made sure to clean it up and give it the full 4K experience.  As someone who has owned this film on DVD, Blu-ray and now 4K, I can confidently say this is, far and away, the best this movie has ever looked on home video. The HDR is eye-popping.

4K Audio Info:  The Dolby Atmos soundtrack was also an excellent choice.  It really makes for a great at-home theater experience for viewers, as they get to become emotionally invested in the film and really get lost in it.  There are also subtitles in English, French, and Spanish.

Special Features:

Ready Freddy Focus Points

Commentary with Wes Craven, Robert Englund, Heather Langenkamp, Ronnie Blakely, Robert Shaye, and Sara Risher.

Commentary with Wes Craven, Heather Langenkamp, John Saxon, and Jacques Haitkin.

Alternate endings

The House that Freddy Built: The Legacy of New Line Horror

Never Sleep Again: A Nightmare on Elm Street

Night Terrors: The Origins of Wes Craven’s Nightmares

Should You Buy It?

HELL YES. This 4K of “A Nightmare on Elm Street” was released smack dab in the middle of spooky season. If you consider yourself a true horror fan who loves to own horror films on physical media, this is a day one purchase without question. It looks and sounds terrific on 4K.  I’ll also add this: If enough copies of this film are purchased by consumers, there is a good chance we will see more “Nightmare” films in 4K.  This is the original classic, and it comes with a terrific slipcover and an A+ audio and video transfer. Even though the special features are from the previously released Blu-ray, they are still worthwhile and interesting.  I wasn’t sure what to expect from this release when I put it in my 4K player, but I was over-the-moon while watching it.  It’s not a true Halloween viewing experience if you don’t watch “A Nightmare on Elm Street” during the month of October.  Fans have been waiting patiently for it to be released on 4K, and they have been rewarded. This release comes HIGHLY recommended.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘The 4:30 Movie’ Review by Tony Farinella

Posted on by The Ultimate Rabbit

As the title spells out, this review was written by Ultimate Rabbit correspondent Tony Farinella.

Kevin Smith has developed a loyal and dedicated following amongst the film community because he’s a film lover at heart. He’s someone who appreciates cinema and the magic that can occur when you create something powerful on screen. He’s one of the few directors out there where people will see his movies based on his reputation. When they see “Directed by Kevin Smith,” they know they are in good hands. He’s also shown he can dabble in various genres with budgets of all sizes.  His latest film, “The 4:30 Movie,” feels more like an early Smith film in terms of its budget, heart and humor.  It’s a delightful slice of life about growing up, falling in love, and falling in love with the movies.

“The 4:30 Movie” is described as semi-autobiographical and is said to be loosely based on Smith’s early adventures of going to the movies along with his early romantic escapades.  The film’s main character is named Brian David, and he’s played by Austin Zajur. Brian has a huge crush on Melody Barnegat, played by Siena Agudong. He had a chance to take things further with Melody the previous summer, but he was a little too shy and timid. He’s lived with that regret for a full year, so he’s looking forward to connecting with her when he invites her to the movies with his two buddies, Burny (Nicholas Cirillo) and Belly (Reed Northrup). This is a big moment for Brian, one that he has been waiting for and thinking about for a full year.

Of course, Brian and his buddies run into a unique cast of characters along the way, including a pro-wrestler named Major Murder (Sam Richardson), a power-hungry theater manager (played perfectly by Ken Jeong), and an Emo Usher (Adam Pally). The film also includes cameos by Jason Lee, Rachel Dratch, Diedrich Bader, Jenny Mollen, Jason Biggs, Justin Long, Rosario Dawson, and Method Man.  Even if they’re only in the film for a minute or less, they help populate the unique and quirky world of “The 4:30 Movie.”  It reminded me of the classic teen comedies I grew up with in the late 1990’s. Smith is able to make an R-rated teen comedy with just the right amount of R-rated humor and sweetness it needs to succeed.

I’m really glad Smith decided to stick with an R-rating here.  Even though there is nothing in the film which is offensive or obscene, they need to be able to talk how teenagers talked in the 1980’s.  When you try to put a muzzle on that, the audience is going to notice it.  The film is simplistic in its moviemaking approach, but that is exactly what the story calls for, as it’s about friendship, romance, love, humor, and finding yourself.  It is clear that Smith trusts his actors and also his script, so he allows it to unfold in a very authentic way.  The film is barely over eighty-minutes long, when you take away the credits, but that’s exactly what I wanted out of an end-of-summer teen comedy/romance.

The script is also razor sharp with a lot of great winking-at-the-camera moments and references.  Smith is a terrific writer, and he knows how to write dialogue for his characters.  It’s safe to say Brian David is based on a young Kevin Smith: funny, awkward, goofy, and with a lot of passion for cinema. Everyone in the film is also interesting and likable, even the evil goofy manager. This is very much a film that has a sense of place and time.  It feels a lot like “Stranger Things” without the horror elements.  It is about young people in the 80’s who are figuring things out together as a group and also as individuals.

“The 4:30 Movie” is a fun, sweet and heartfelt flick.  It reminded me of being a young teenager who had a crush on a girl, and all I could think about was that girl.  I was also a movie nerd and still am.  The idea of going to the movies with a girl you were crushing on in high school was the ultimate dream at that time.  You also had your buddies you went to the movies with, and you would go each and every Friday to check out a new release.  It was a simpler time in life, and it’s something I would imagine many people are nostalgic for these days. In today’s day and age of streaming and instant access to movies, the big screen experience has lost its luster.  When you factor in dating websites and social media, it’s also not the same when it comes to dating. We live in a world of swiping left or right to pick our next partner in life.

“The 4:30 Movie” is old-school Kevin Smith at his finest.  I had a blast with this movie, especially the fun soundtrack composed by the very talented Bear McCreary, who has made a name for himself in the horror genre with his tremendous musical stylings.  He did a great song in 2019 for the “Child’s Play” remake called “The Buddi Song” with Mark Hamill which I really enjoyed.  There’s also a song in this movie which is sure to be stuck in your head after you hear it.  You have great acting from the young actors, fun cameos, and a witty and sweet script. All of the ingredients are working here to make this one of the best Kevin Smith films in years.

* * * ½ out of * * * *

Should You See It?

“The 4:30 Movie” is opening in theaters on September 13th.  Considering the film is very much a love letter to the big screen experience, I would recommend you see it with some friends at the theater. I’ve noticed the film is playing in a lot of independent theaters around my area, which is the perfect way to see a film like this one. I loved this movie, and it left me with a big fat smile on my face.  It reminded me of why I go to the movies and why I love them in the first place.  It’s a feel-good movie as well.  This one comes highly recommended.

‘Rocky: The Ultimate Knockout Edition’ 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

A little over a year ago, Warner Brothers Home Entertainment released a set which included the first four “Rocky” films along with the director’s cut of “Rocky IV.”  Many fans were dissatisfied with this release and pointed out audio and video issues along with the fact that “Rocky V” and “Rocky Balboa” were not included in the set.  Now, Warner Brothers has released a new edition of the “Rocky” films on 4K in a set entitled “Rocky: The Ultimate Knockout Edition,” and it includes replacement discs for the issues with the first four films and also includes “Rocky V,” “Rocky Balboa” and “Rocky Balboa: The Director’s Cut.” There is also a Blu-ray disc which includes special features for the first four films. I went back and looked at my review from March 2023 for “Rocky: The Knockout Collection,” and I didn’t feel as though the issues were as egregiously bad as other reviewers made them out to be.

With all six of the Rocky films now out on 4K, people are going to be wondering if this set is worth its hefty price tag.  Before I get into all of that, let’s briefly discuss the films.  The original “Rocky,” released in 1976, won Best Picture and put Sylvester Stallone on the map.  It is the ultimate underdog sports movie and a film which is quoted and remembered to this very day.  Even after Stallone is long gone, fans and historians will always remember him as Rocky Balboa.  Of course, he also played John Rambo, but people really connect with Rocky and can even see themselves in the character. It was the right film with the right actor at the right time.

There is much debate and handwringing over the sequels. I love all of the “Rocky” films, warts and all, as they play a part in the story of Rocky Balboa and his ups and downs as a character.  We see him start from nothing, rise, fall, and rise again.  I think you have to appreciate the good, bad and the ugly all of the films as they all serve a specific purpose for this franchise.  Of course, my favorite film will always be the first “Rocky.” After that, I’d probably go with “Rocky II,” “Rocky Balboa,” “Rocky IV,” “Rocky III,” and “Rocky V.”  If you ask me this question in a few months, my answer might change again.

The original “Rocky,” the one which started it all, is about a low-level boxer who is looking for a chance to prove he’s not another bum from the neighborhood.  He mostly takes outlaw fights which make little to no money. One day, Apollo Creed (Carl Weathers) is looking for an opponent in order to sell his next fight.  When he stumbles upon Rocky Balboa, an underdog fighter from Philadelphia, he figures he can use this David vs. Goliath story to sell some tickets and get an easy victory. He ends up getting more than he bargained for from Rocky Balboa, who is feeling the support of his newfound love interest, Adrian (Talia Shire) and her brother Paulie (Burt Young). All he wants is a chance to prove his self-worth.

In “Rocky II,” he needs to prepare for his rematch against Apollo Creed.  Can he defeat Apollo Creed this time, or will Creed destroy him and show that their last fight was simply a fluke? Even though Creed won the first fight by decision, Rocky showed he can last in the ring with the Heavyweight Champion of the World.

In “Rocky III,” Rocky needs to learn how to handle the biggest obstacle of all: success. How will he deal with money and fame?  He also encounters Clubber Lang, played by Mr. T and Thunderlips, played by Hulk Hogan.

In “Rocky IV,” Ivan Drago (Dolph Lundgren), a menacing Russian, awaits him. I mentioned in my initial review of the first set how I preferred “Rocky IV: Rocky vs. Drago” over the original cut of “Rocky IV.”

In “Rocky V,” he has to get a handle on being a dad and life outside of the ring.

In “Rocky Balboa,” he’s past his prime, old and beaten down, but he’s looking to find an outlet to deal with his pain.

I imagine most people reading this review are familiar with each and every film in the “Rocky” series, so I don’t imagine these are major spoilers. They simply serve as a refresher in case you haven’t seen the films in a while.  You are reading this review to see if this box set is worth the money, as mentioned previously.  The answer is both yes and no.  The 4K transfers are cinematic and an upgrade over the Blu-rays.  The “Rocky” films have never looked or sounded better in any other format.  The audio issues are also cleaned up on all of the films, even though I didn’t really notice them with the last “Rocky” set.  This is all of the “Rocky” films, as the “Creed” films are their own separate entity, even though they are in the “Rocky” universe.

This set is going for about $90 to $110 depending on where you purchase it from, as Gruv.com has it for the cheapest I’ve seen. The discs themselves are great. Warner Brothers fails massively with the packaging of this set.  It comes in a flimsy cardboard slipcover with discs that can be looked through in a flipper case.  These movies are important to me, and they are also important to a lot of film fans out there.  They went cheap with the packaging, as the cardboard slipcover is not a thick and sturdy box that can protect the films or the case.  The discs are also stuck in a flipper case which shows a lot of off-gassing, which is this greasy substance that is really difficult to remove from the back of the disc holders.

Overall, I enjoyed watching the films on 4K, and I’m happy Warner Brothers decided to release this “Ultimate Knockout Edition” of all of the “Rocky films.  At its price point, however, I would expect a lot more on the packaging side of things.  The packaging and the case are truly a mess, and it makes it hard to fully enjoy this set.  As a collector, we buy movies for the movies and also the packaging. We are not simply buying the discs of these films.  I wish they would have shown a little tender loving care to this set.  They should have released these in individual cases in a sturdy box set which holds them all together.

Ratings:

“Rocky”: * * * * out of * * * *

“Rocky II”: * * * ½ out of * * * *

“Rocky III”: * * ½ out of * * * *

“Rocky IV”: * * * out of * * * *

“Rocky IV: Rocky vs Drago – The Ultimate Director’s Cut”: * * * ½ out of * * * *

“Rocky V”: * * out of * * * *

“Rocky Balboa”: * * * ½ out of * * * *

“Rocky Balboa: Director’s Cut”: * * * out of * * * *

Video Info:  All of the films are released on Dolby Vision, which leads to some very impressive looking visuals. The best-looking films in this set, in order, are “Rocky V,” “Rocky II,” “Rocky IV: Rocky vs. Drago,” “Rocky IV,” “Rocky,” “Rocky III,” “Rocky Balboa” and “Rocky Balboa: The Director’s Cut.”  It was a bit of a surprise to me that “Rocky Balboa” was the weakest link out of all these films from a visual standpoint. It was the film I was most excited to see upgraded to 4K, but it looks rather bland and vanilla. This is probably because they put both versions of this film on one 4K, which is asking a lot out of one disc, although it didn’t affect both versions of “Rocky IV” for some reason.  It’s surprising to see that the worst film in the “Rocky” franchise, “Rocky V,” is the best-looking one out of the bunch.

Audio Info:  All of the audio issues are fixed here from the previous release, but once again, I didn’t notice a big difference the last time they released these films on 4K. I know that Warner Brothers made sure to correct the issues from the last release based on what I’ve read online.  You don’t have to worry about a disc replacement program with any of the audio tracks here. None of the films come with Dolby Atmos, which is a bit of a bummer, as the Rocky films seem perfect for Dolby Atmos.  The audio is still really good, but this would have given it that extra boost.

Special Features:

“Rocky”

• Audio Commentary with director John Avildsen and producers Irwin Winkler and Robert Chartoff, Talia Shire, Carl Weathers, Burt Young, and Garrett Brown

• Audio Commentary with Lou Duva and Bert Sugar

• Audio Commentary with Sylvester Stallone

“Rocky Balboa”

• Audio Commentary with Writer/Director Sylvester Stallone

• Deleted Scenes

• Skill vs. Will: The Making of Rocky Balboa

• Reality in the Ring: Filming Rocky’s Final Fight

• Virtual Champion: Creating the Computer Fighter

• Fight Makeup

“Rocky” Bonus Disc

• 8MM Home Movies of Rocky

• 3 Rounds with Lou Duva

• Steadicam: Then and Now with Garrett Brown

• Make-Up! The Art and Form with Michael Westmore

• Staccato: A Composer’s Notebook with Bill Conti

• The Ring of Truth

• A Tribute to Burgess Meredith

• Stallone Meets Rocky

• The Making of “Rocky vs. Drago”: Keep Punching

• Trailers

Should You Buy It?

I don’t think Warner Brothers is going to release ANOTHER “Rocky” set, so I would say buy it, but I would wait until it goes on sale.  As of right now, the price is way too high considering the packaging on this set and the lack of original special features. My feeling is this—if you are going to release a set like this, which is near and dear to so many people’s hearts, why not release it the right way and take your time? I would have loaded it up with as many special features as possible and spent a little more money on better packaging and a better case.  The films, for the most part, look good and the audio is solid.  I’m not trying to sound picky here or look a gift horse in the mouth, but this set should cost $60 and not $90 to $110, considering how they threw it all together in this packaging.  You will enjoy the films, which is the most important part, but a little quality control would have gone a long way.  This “Rocky” set on 4K does come recommended, but I recommend you wait for it to go on sale and not rush out and buy it right away.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘Fly Me To The Moon’ – A Pleasant Surprise

Posted on by The Ultimate Rabbit

I came into “Fly Me To The Moon” with a bit of trepidation. On the surface, it looks like a fluffy and light hearted romantic comedy, the kind of film I typically avoid like the plague. Also, a portion of its story seemed determined to prove that the Apollo 11 mission and landing on the moon could have been faked, and I take major exception at anyone attempting trying to prove how that “one small step for man” was all a farce. Seriously, if you think Neil Armstrong and company making it to the moon was all a big fat lie, I invite you to watch the 2019 documentary “Apollo 11” which makes clear the mission did in fact happen, and to believe otherwise would be blasphemous.

Well, I was pleasantly surprised by “Fly Me To The Moon” as it proves to be a warm-hearted any very involving film which has laughs, genuine emotions, and some truly wonderful performances throughout. It also serves as a reminder of how, even back in the 1960’s, people were more interested in getting control of the narrative than they were about facts or what was seen as truth. This is even more the case today for reasons I’m sure I do not need to point out.

Based on a story by Bill Kirstein and Keenan Flynn, we are introduced to Kelly Jones (Scarlett Johansson), an advertising and publicity genius who is, shall we say, recruited by a shady government agent named Moe Berkus (Woody Harrelson) to fix up NASA’s image in preparation for the big Apollo 11 mission to the moon. Upon arriving in Florida along with her assistant (played by Anna Garcia), she comes into direct conflict with NASA director Cole Davis (Channing Tatum) who is determined to see this mission through to completion without any complications. But with these two characters being played by Johansson and Tatum, you know sparks will be eventually fly between them because, you know, why not?

First off, I have to point out what a dynamo Scarlett Johansson is here as Kelly. In her first scene in which she confidently manipulates a trio of automobile executives to include seatbelts in their upcoming models, Johansson is ever so sublime as she commands the screen to an infinitely enjoyable extent. Watching her make her way into places no civilian is allowed and getting the participations of companies willing to hawk their products (Tang, in particular, is an unforgettable standout) is infinitely enjoyable to witness. And when the time is right, she shows a vulnerable side to Kelly which hits right at our hearts.

As for Channing Tatum, I’m a little torn on his performance as Cole Davis. Part of me wishes he didn’t appear so stiff at times, but maybe this was by design. Cole is a NASA official who is as strait-laced as they come, and Tatum plays this to perfection even as I wanted him loosen up a bit. But as the movie goes on, his performance improves as he comes to like Kelly more than he thought he would, and he does have a bit of chemistry with Johansson which certainly helps. And in the end, like him, we want to see this particular Apollo mission succeed.

“Fly Me To The Moon” reaches an especially interesting point when Moe orders Kelly to set up a fake moon landing on a nearby stage in the NASA compound. It is meant to serve as a backup in case the Apollo 11 mission fails, but Moe eventually admits that this fake setup will be the only moon landing anyone will ever see on television as America is determined to win the Space Race no matter what. It is an interesting conundrum as government forces ensuring that there will be footage of astronauts landing on the moon makes sense, and makes even more sense that there would be a serious need for a backup plan to be utilized to ensure some kind of moon landing would take place for the public to see. Still, some things in this world can’t be even better than the real thing regardless of what U2 says.

Director Greg Berlanti (“Love, Simon”) and screenwriter Rose Gilroy do not reinvent the romantic comedy drama, let alone the period romantic comedy drama, but they do give us a lot of inspired dialogue and situations as Kelly and company work to deceive government officials into believing they are watching a staged landing when they are actually, and desperately, trying to broadcast the real deal. With the inclusion of the average black cat, things become more exciting than you might expect them to be.

In addition to Johansson and Tatum, a number of other actors give memorable performances here. Woody Harrelson is a hoot as he made me believe without much doubt how Moe Berkus can hear and see everything from a mile away. His work here is a reminder of how he can play any role given to him, and this has been the case for many years now.

Watching Ray Romano as Cole’s NASA friend, Henry Smalls, is a reminder of what a truly terrific actor he can be. Granted, this was made clear to me years ago with his work in “Rob the Mob” and “The Irishman,” but I’m not sure people know him enough outside of his “Everybody Loves Raymond” and stand-up comedy success. Romano gives Henry a lot of genuine emotion, and he fully humanizes this character in ways any great actor could and should. He is that good here.

If there’s a scene stealer to be found in this film, it is Jim Rash who portrays the obsessive director of the fake moon landing, Lance Vespertine. There’s no forgetting him after this as he makes us understand why Lance is such an exacting filmmaker to where he treats government agents and actual astronauts as if they are the worst actors ever. He is such a flamboyant presence throughout, and yet he also manages to avoid turning Lance into a mere caricature. Others may disagree with this assessment, but there you go.

I really wasn’t sure what to expect from “Fly Me To The Moon” when I walked into the theater as it was not a summer movie I was eagerly waiting for, but I came out of it pleasantly surprised as I enjoyed it much more than I thought I would. It takes familiar elements from the average romantic movie and makes them feel fresh in my eyes, and it once again reminds me of what a tremendous talent Johansson can be. Also, it is further indisputable proof of how Apollo 11 did in fact land on the moon. For some stupid ass reason, there are still many committed to believing the whole thing was faked and that Stanley Kubrick was somehow involved. Seriously, get a life already!

* * * out of * * * *

‘Twister’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

“Twister” is a film that is currently celebrating its 28th anniversary.  It raises two important questions—where has time gone, and when did I become old?  Watching “Twister” for the first-time since its release, it is clear this is a quintessential 1990’s action flick—you have your movie stars, your big budget, and your special effects.  If you are able to shut off your brain and sit back and enjoy the ride, there is plenty to like here. If you are looking for logic or a complex story, you have come to the wrong movie.  Your enjoyment level of this movie is solely dependent on your ability to suspend your disbelief when it comes to flying cows and off-the-wall tornadoes.

In the opening scene, we see a young woman named Jo Harding who unfortunately loses her father in an F5 tornado. This has stayed with her well until her adult life, as she is now entrenched in the world of tornadoes as a professional storm chaser.  She is going through a divorce with her weatherman husband named Bill, played by the late Bill Paxton.  He is hoping she will sign the rest of their divorce papers, so he can finally marry Dr. Melissa Reeves, a reproductive therapist, played by Jami Gertz. Jo (Helen Hunt), however, is dragging her feet as she still has feelings for Bill.  They soon find themselves in a situation where they need to work together in order to survive because a massive tornado is coming their way.

Helen Hunt and Bill Paxton star in Twister.

Jo and Bill have created a storm-device called Dorothy, which can predict if a storm is happening fifteen minutes ahead of time as opposed to the usual three minutes. This will give people more time to prepare for a tornado and make sure they find a safe haven for them and their loved ones.  It needs to get close to a tornado in order for the sensors inside of it to track any weather data. Jo has also assembled a talented team which includes Dustin Davis (Philip Seymour Hoffman) and Rabbit (Alan Ruck). The scene stealer here is Philip Seymour Hoffman. I would describe him as Jeff Spicoli if he ever pursued a career as a storm-chaser, and he steals every scene he’s in throughout.  He’s hilarious, charming and off-the-wall.

“Twister” is an incredibly entertaining action picture that works because of the jaw-dropping special effects and its likable cast. Helen Hunt, in particular, is great as a strongly written female character dealing with grief and trauma by trying to make sure no one ever experiences what she went through as a child. Bill Paxton is a cheesy goofball who doesn’t see what’s right in front of him and the fact he’s better off with Jo. Jami Gertz takes a thankless role as the “other woman” and makes it work to where the audience still likes her, even though we’d rather see Jo and Bill together. 

The special effects and tornado scenes are expected to deliver in a film like “Twister,” and they do not disappoint.  The film is wise to take some time to have the characters interact with one another, so that when the storm scenes kick up a notch, we care about what happens to the participants. They also build up the storm scenes so when they happen, we are waiting for them and are emotionally invested.  “Twister” was directed by Jan de Bont, who had previously directed 1993’s “Speed.” He knows how to blend the action scenes in with the character scenes in an effortless way, and he hits the right balance throughout.  After not seeing the film for over two decades, one of my concerns was it would be too action heavy.  I’m glad to see he strikes the right chord with his direction. It helps that the film was co-written by Michael Crichton, the smart and talented author and screenwriter.

“Twister”is about fifteen minutes too long, and sometimes there are too many characters here, some of which I did not mention.  It’s not a perfect film by any stretch of the imagination. However, for a big-budget action flick, it’s exactly what it needs to be and then some.  As mentioned earlier, there is a build-up to the storm scenes, which are bonkers and over-the-top.  It’s about making the little scenes and the big scenes matter and co-exist together in harmony.  It’s also about having fun.  There is a lot of fun to be had with “Twister” even in 2024.  It’s an entertaining action film with some big laughs and even bigger explosions.

* * * ½ out of * * * *

4K Info: “Twister” is released on a single disc 4K from Warner Brothers Home Entertainment. The film has a running time of 117 minutes and is rated PG-13 for intense depiction of very bad weather. This release also comes with a digital copy of the film along with a really cool looking slipcover.

4K Video:  This is one of my favorite 4K releases of the year from a visual standpoint.  It looks gorgeous, clear, and vivid. When I think of this movie, I think of the colors.  The colors really pop here, especially when the sky outside is green.  It’s a tremendous looking 4K and it’s an early candidate for one of the best 4K releases of the year.

Audio Info:  The Dolby Atmos soundtrack is a fantastic touch here, as this is a big screen movie that is being brought right into your home theater.  This film was made for 4K.  The big scenes feel big with this Dolby Atmos track.  It sounded perfect.  It wasn’t too boisterous or in-your-face, but it gets the point across in an effective manner.  They did a great job here, too.

Special Features:

The Legacy of Twister – Taken by the Wind (NEW)

Chasing the Storm: Twister Revisited

Anatomy of a Twister

The Making of Twister

Van Halen Music Video – “Humans Being”

Commentary by director Jan de Bont and visual effects supervisor Stefen Fangmeier

Should You Buy It?

HECK YES! If you enjoy a good action flick in 4K, “Twister”is exactly why they made this format in the first place. It’s the movie you show your friends and family when you are trying to convince them to switch from Blu-ray to 4K.  It also comes with a brand-new special feature, which is rare on catalog titles from studios. You also have the previously released Blu-ray special features, so you can keep the 4K and have everything that came with the Blu-ray as well.  It’s the best of both worlds.  Even though this film looks and feels like a 1990’s summer blockbuster, I found it to be a blast because it holds up well while also being a good nostalgia piece as well.  If I were you, I’d buy this film on day one of its release. It comes highly recommended.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘Purple Rain’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

When it comes to Prince’s music, I’m a fan, but I wouldn’t say I listen to his albums religiously.  I respect his contributions to the music industry, and I can certainly appreciate and admire the amount of effort and passion that goes into his performances.  He gives it his all when he’s on stage. Because of this, I was curious to see “Purple Rain” for the first time, especially since it was getting a 40th anniversary 4K release.  I love movies about music, so I thought it would be a film that resonated with me as a movie and music fan. I went into “Purple Rain” with high hopes, and I thought it would be a film that would make a powerful impression on me as a first-time viewer.  Even though I’ve seen a lot of movies, there are always a number of them which have slipped through the cracks throughout the years.

Prince stars as The Kid, a front man for a band called The Revolution, and he has a lot of talent, energy and love which shines through in every performance. However, he’s not exactly happy with his life. When he comes home, he sees his father constantly abusing his mother, so his one outlet for his anger and frustration is music.  When he’s on that stage, he bares his soul to the audience. His performances take place at the First Avenue Night Club. The other two acts that perform there are The Time, led by Morris Day, and also Dez Dickerson and his band The Modernaires. It’s a competition every night to see which band can leave the biggest impression on the audience.

In addition to his problems at home, two members of his band, Wendy and Lisa, played by Wendy Melvoin and Lisa Coleman, are not happy with The Kid, as they feel as though their contributions to The Revolution are not being taken seriously.  It is all about The Kid and his vision. There is also a new female musician who has come into First Avenue from New Orleans named Apollonia (Apollonia Kotero) who catches the eye of The Kid.  He is falling hard and fast for her, but he wonders if he can maintain a relationship with her because of his troubled life at home. Will the sins of the father soon become his own sins as well? Apollonia is also getting offers to start an all-girl band from Morris.

“Purple Rain,” sad to say, was a big dud for me. The songs and the music are great in.  From “Purple Rain” to “When Doves Cry” to “Let’s Go Crazy”, the film has some fantastic musical numbers in it, and they really come to life on screen.  When the movie isn’t on stage, however, it suffers in a big way.  The characters are written with very little thought behind them.  The Kid wants to play music and be successful.  His father is a wifebeater. His mother just seems to be there to get beaten up by the father. Apollonia is just there to be an object of desire.  All of this feels very self-serving for Prince. Yes, it is his movie, but there is little to no story here and the plot is paper thin.

For a movie that is almost two-hours long, the music can only sustain the viewer for so long, especially if we don’t care about the people that are on stage performing the music.  When there is a dramatic moment near the end of the film with The Kid’s father, why should we care?  Yes, his performance of “Purple Rain” is powerful and the song is fantastic, but everything leading up to that moment has shown him to be a no-good woman abusing jerk who is selfish.  Purple Rain really needed to get into the nuts and bolts of this character’s mindset in order for us to fully invest ourselves in his story arc. As an actor, Prince is rather lifeless and bland on screen as well.  He’s not a good actor. If they wanted to just make this a Prince concert film, it might have worked. As a narrative film, there is a lot to be desired here.

With “Purple Rain,” I kept waiting for the musical scenes to return as the scenes outside of First Avenue were incredibly run-of-the-mill.  This film needed more balance.  They needed to make The Kid’s life outside of First Avenue a lot more complex and well-written. This way, when he performs on stage, the impact is felt in a more powerful way by the viewer.  I’m not being a contrarian here, but I really don’t understand why this film is so popular.  If I want to listen to Prince’s music, I can listen to it whenever I want to on my iPhone.  I watched “Purple Rain” for an interesting story that would be enhanced by the music.  The story didn’t need to be great or out of this world.  It just needed to have a little more meat on the bones.  All of the attention went to the musical numbers, and the acting scenes are simply there to fill up the movie.  “Purple Rain” left me feeling very underwhelmed.

* ½ out of * * * *

4K Info: “Purple Rain” is released on a single-disc 4K from Warner Brothers Home Entertainment in honor of its 40th anniversary.  The film has a running time of 111 minutes and is rated R for sexuality, some nudity, language, and some violent content.  It comes with a digital copy of the film as well.

Video Info:  For a 40-year-old film, I thought “Purple Rain” looked good but not great on 4K.  It would have definitely been enhanced by a Dolby Vision transfer.  I was hoping they would have gone that way with this release.  As it is, it’s still a solid 4K transfer.  I haven’t seen the film on Blu-ray, but I didn’t notice anything wrong with this transfer.  I also didn’t notice anything that really stood out either.

Audio Info:  For a movie that relies heavily on music, it is of the utmost importance to have good sound on this 4K release.  I’m glad to report they were up to the task with the audio here.  It’s crystal clear and all of the music has a punch to it without being too loud or aggressive. Subtitles are included in English and Spanish.

Special Features:

Commentary by director Albert Magnoli, producer Robert Cavallo and cinematographer Donald E. Thorin

First Avenue: The Road to Pop Royalty – featurette

Let’s Go Crazy – music video

Take Me with U – music video

When Doves Cry – Music Video

I Would Die 4 U/Baby I’m a Star – music video

Purple Rain – music video

Jungle Love – music video

The Bird – music video

Sex Shooter – music video

Should You Buy It?

If you are a diehard Prince fan and you love his music and this movie, this is a no-brainer here.  You will be very happy with “Purple Rain” on 4K.  They also imported the special features from the prior Blu-ray release onto this one as well. The music sounds great with this 4K release, and it is a solid visual offering from Warner Brothers as well. If you are watching this for the first-time and are only a casual fan of Prince, I don’t think there is much of a movie here.  I tolerated the first 90 minutes, and it was tough to sit through as it plods along with no character development whatsoever.  The characters are one-note and thinly-written. “Purple Rain” was really tedious and laborious to sit through, and I expected more from a movie that was so critically acclaimed and well-received.  This one is for diehard Prince fans only. If you are one of them, you will love this flick. For everyone else, you can pass on checking this out, as there’s nothing groundbreaking or out of this world here.

 **Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘American Fiction’ Movie and Blu-ray Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

“American Fiction” is the kind of adult drama which has been sorely missing from Hollywood over the past decade and a half.  Hollywood has become obsessed with the big screen blockbuster and superhero films. Now, of course, there is nothing wrong with those films, but the adult drama along with R-rated comedies are becoming harder and harder to find these days.  It is why a film like “American Fiction” is such a delightful treat for moviegoers who enjoy complex characters and well-rounded stories, and who like to be challenged when they sit down and watch a movie.

The film stars Jeffrey Wright as Thelonious ‘Monk’ Ellison, an author and teacher who is grumpy, defeated and incredibly unhappy with his life.  Thelonious is a difficult person to be around as he’s critical of not only himself but everyone else around him.  It doesn’t help that he isn’t as successful as he used to be with his writing.  He’s finding it harder and harder to connect with audiences as he sees a shift in the literary landscape. The books which are making money and selling are those which profit off the stereotypes that exist in black entertainment.

Thelonius is told to write a “black book,” which is something he wants nothing to do with at all as it goes against his principles and his beliefs. It makes him angry to see a writer like Sintara Golden (Issa Rae) selling books left and right while his own work is financially unsuccessful.  He returns home to spend time with his family, which is another source of stress in his life. His sister, Lisa (Tracee Ellis Ross), is a hard-working physician who is doing her best to get back on her feet after a painful and costly divorce. He also discovers that his mother, Agnes (Leslie Uggams), is suffering from Alzheimer’s Disease.

This is not the pick-me-up visit Thelonius needed, as he’s not exactly close with his brother, Cliff, played by Sterling K. Brown.  Cliff and Lisa have trouble getting along with him because he’s too much like their deceased father who was withdrawn, judgmental and often pushed people away.  With his mother’s health suffering, it is up to Thelonius to take care of her finances and figure out what to do with her care.  He finds a solution when he ends up writing a book under a pseudonym, which gives the public what they are looking for: a stereotypical black book which relies on the offensive and cliché-ridden tropes audiences love. As the old expression goes, “No one ever went broke underestimating the intelligence of the American public.”

Thelonius has also developed a relationship with a neighbor, Coraline, played by Erika Alexander. She likes him, but can he love himself enough to work it out with her? Can he get along with his brother? He’s also discovering through his agent, played by John Ortiz, that his book might even be turned into a movie. This is all happening very fast for him as he’s wrestling with his need to produce substantial material and also his need for money.  In many cases, the two do not go hand-in-hand. He doesn’t want to sell his soul for the almighty dollar, but he also has bills to pay in the meantime. Can his moral compass allow him to “sell out?”

“American Fiction” was my favorite film of 2023. It starts with the screenplay, which won Best Adapted Screenplay at this year’s Academy Awards.  The film has great dialogue in it along with rich and funny characters that really sizzle on screen. It’s a witty, timely and sharp script.  The film reminded me a lot of Spike Lee’s “Bamboozled,” but it’s a more upbeat film and not as bleak. It is hard to overlook how little has changed since “Bamboozled” came out back in 2000, though. The big thing that has changed is there are more platforms and outlets for this kind of material to be digested by audiences.

This film also has a tremendous cast from top-to-bottom. Everyone has effortless chemistry with one another on screen, and they are all likable, interesting and well-developed.  Even though Thelonius is a curmudgeon, he’s never boring.  There is something very quirky and funny about him, and it is because he was written with a lot of different layers to him.  As an audience, we understand his frustration and we know why he feels the way he does about his family and how African Americans are presented in mainstream media. He’s not wrong, even if he goes about it in a way that tends to grate on those closest to him.  He can be preachy and self-righteous, but it’s hard to argue with his points.  This is a man who is learning to love himself, love someone else, and reconnect with his family.  He’s a work-in-progress.

If you are like me and enjoy a film with heart, humor and a bit of edge to it, you will love “American Fiction.”  This is the kind of movie Hollywood used to make but seem to shy away from these days.  I enjoyed every single minute of this hilarious, heartfelt and intelligent piece of moviemaking.  This film allows the audience to spend time with these characters, get to know, care about, and become emotionally invested in them. The ending, without giving anything away, is also perfect. I loved “American Fiction,” and I’m confident you will love it too.

* * * * out of * * * *

Blu-ray Info: “American Fiction” is being released on a single-disc Blu-ray from Warner Brothers Home Entertainment.  It has a running time of 117 minutes and is rated R for language throughout, some drug use, sexual references, and brief violence. It also comes with a digital copy of the film as well.

Video/Audio Info: The 1080p high-definition transfer is very colorful, clear, and bright. Would I have loved a 4K transfer of my favorite film of last year? Of course! However, this is a very good-looking Blu-ray, and I can hold out hope it gets a 4K upgrade at some point as I think this film is only going to grow in popularity as more people see it on physical media. The audio on this Blu-ray is also top-of-the-line. All of the dialogue can be heard very clearly, which is important, because this is a very dialogue-driven film. Subtitles are included in English, French and Spanish.

Special Features:

None

Should You Buy It?

If you are strictly buying “American Fiction” for the movie itself, you should definitely buy it right away. However, this is only available on Blu-ray and DVD, and there are also no special features. This is a supremely bare bones Blu-ray from Warner Brothers Home Entertainment which is pretty disappointing. It does come with a slipcover, though. I’d say buy the Blu-ray with the slipcover as, from an audio and visual standpoint, it still looks and sounds really good. I always like to err on the side of caution, and I’d rather have a great movie on Blu-ray with the slipcover while I can before they stop releasing it with a slipcover. That being said, this film deserved a much better physical media release than it got,

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘The Garfield Movie’ – This is Not the Cat I Was Looking For

Posted on by The Ultimate Rabbit

I grew up on Jim Davis’ “Garfield.” I loved this lazy cat whose affection for lasagna and reveling in his own laziness and selfishness often had me laughing quite uncontrollably. I even got my first-grade teacher to initiate a celebration which I proudly called “National Number One Garfield Day” which my classmates were eager to participate in. And yes, I reveled in those animated classic television episodes in which the orange tabby cat was voiced by the late great Lorenzo Music who perfectly captured Garfield’s sarcasm, gluttony and eventual self-awareness without missing a beat.

Years later, Hollywood brought Garfield to the silver screen, but with limited, if any, critical success. While the 2004 live action “Garfield” movie had the brilliant Bill Murray voicing the infamous cat, the story felt more like a “Toy Story” clone instead of representing the feline we all grew to love in our youth. And seriously, when we see Jon Arbuckle get lucky with someone of the opposite sex, I have to believe something is rotten in the state of Denmark.

Now we have “The Garfield Movie” which brings the infamous cat back to the animation realm with Chris Pratt voicing him. It starts off introducing Garfield into the age of the internet and apps as he proceeds to order an obscene amount of Italian food which he scarfs down in record time. Following this, we jump back in time to when he seemingly gets abandoned by his father and ends up wandering into an Italian restaurant across the street where he meets Jon Arbuckle who is all by his lonesome eating a pepperoni pizza. They quickly form an unbreakable bond as Jon, like us, cannot resist this cat’s infinite cuteness in the slightest.

At the start, it looks like “Garfield The Movie” is going to respect the comic strip’s history perfectly as it acknowledges this feline’s love of lasagna among other things, and it was a kick to see him land flat on Jon’s face while he is in bed as if to tell this human, “Get up asshole, make me breakfast!” But from there, Garfield and everyone else is thrown into a story which is generic at best.

While doing a raid on the refrigerator for midnight snacks, Garfield and Odie get kidnapped by a Shar Pei and a Whippet who take them to an abandoned mall where they meet Jinx, a Persian cat who is bent on revenge against Garfield’s father, Vic, who abandoned Jinx at a very inopportune moment. While Garfield wants nothing to Vic after all they have been through, the both of them quickly realize they need one another in order to secure their freedoms and obtain an obscene volume of milk for just one cat.

From there, this movie goes into the usual tug and pull of a father trying to make amends to a child he wasn’t there for, and a child who wants nothing to do with a parent they feel abandoned by. I think you have a good idea of where the story goes from there as it goes through the usual tropes and cliches father-son motion pictures have to offer, and it quickly became apparent to me that this was no “Indiana Jones and the Last Crusade.”

On top of that, there is a lot of retconning going on here. Those who kept up with the comic strip know Garfield reunited with his mother at one point, and this gave the orange cat more dimension than he had previously. Here, he reunites with his father, and it doesn’t have the same dramatic heft. Also, Odie is made to look like some super genius whom Garfield can only dream of being as smart as. But one of the delights of the comic strip is how Odie is as dumb as a post, so this dog’s genius behavior feels completely out of place.

And when it comes to Garfield’s relationship with Jon Arbuckle, it is much too loving to where there is no drama between owner and cat found here. Garfield revels in his selfish endeavors to where Jon is constantly infuriated beyond repair, and none of this animosity is found here. I kept waiting for Jon to admonish Garfield for playing with the power seat in his car or for eating a fern plant he just bought. But no, they just get along all too well here. Even a trip to the vet feels routine, and I remember just how terrified Garfield was about going to the vet.

As much as I wanted to appreciate what director Mark Dindal and company did here, and there’s no doubt kids will enjoy this movie, I really came out of this cinematic endeavor feeling like this wasn’t the Garfield I grew up on in the slightest. Moreover, as we watch Garfield traverse a critical portion of Lactose Farms where every conceivable form of security was put in place, it only reminded of infinitely superior scenes in Pixar films like “Monsters Inc.” That the “Mission Impossible” theme plays at one point is no surprise, and it made my eyes roll as this addition feels much too obvious.

The voice cast is clearly having a lot fun here. Chris Pratt clearly revels in voicing Garfield, and he does a good job even though he still can’t hold a candle to Lorenzo Music. Samuel L. Jackson is an inspired choice to play Garfield’s father, Vic, and I say this even though I kept waiting for the bad ass motherfucker within Jackson to erupt. Yes, this is a family movie, but still…

If there is one cast member to single out above all others, it is Ving Rhames who voices Otto, a bull and former mascot for Lactose Farms who is pining to be reunited with his long-lost love. While he could have played this lovelorn bull as if he was in on the joke, Rhames instead plays this animated character ever so straight to where his dramatic pauses provide the biggest laughs this film has to offer.

For what it’s worth, “Garfield The Movie” is bound to delight the kids, and their parents are bound to watch it with them hundreds of times once it arrives on physical and digital media. Still, I came out of it frustrated as this really didn’t feel like the Garfield I know and love. Instead, you have an orange tabby cat stuck in a movie with a story unbefitting to his legacy and easily pales in comparison to the average animated classic.

Perhaps Garfield as a character has long since outlived his usefulness in popular culture. Jim Davis’ creation is nowhere as popular today as it was back in the 1980’s, and perhaps studio executives are afraid of making this orange tabby cat look as lazy in this age of Me Too, Times Up and an intense desire for true representation in Hollywood.

All of this reminds me of a scene in “Here Comes Garfield” in which Garfield attempts to explain to Jon, without words, why Odie didn’t come home with him after they both went outside to play. Jon, of course, doesn’t understand what Garfield is describing to him in the slightest, and Garfield ends up telling him ever so dryly:

“What we have here is a failure to communicate.”

When it comes to Garfield and Hollywood, this still remains the case.

* * out of * * * *

‘Ocean’s Trilogy’ Review and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

When you think of the “Ocean’s Trilogy,” you think of big movie stars, high stakes, and witty banter. These are individuals known for being con-artists and having a certain set of skills, but they bring an element of fun to the proceedings. They are interesting, layered, and unique.  These are not your bargain basement crooks and thieves. These films are also aided by the direction of the stellar Steven Soderbergh. He makes everything pop and sizzle on screen. He knows how to add just the right amount of style to these films without taking away from his ensemble cast.  The beauty of a Soderbergh film is the fact he can dabble in a number of genres and make a film successful both commercially and financially. He’s not just pigeonholing himself into one type of film.  He can do an independent film that gets people talking or he can do blockbuster films like the “Ocean’s Trilogy.”

Let’s start with “Ocean’s Eleven,” which is, of course, a remake of the 1960 film starring Frank Sinatra, Dean Martin and Sammy Davis Jr. I don’t think it is fair to compare these two films as they are forty years apart, but I will say that both are entertaining and sleek in their own ways. Remakes in general tend to get a bad rap, but when they are done with the right people involved and the right mindset, they can really deliver the goods.  It’s about taking an idea and making it your own without copying from the original source material.  This is not always easy to accomplish, but they did that with “Ocean’s Eleven” in 2001.

The charming George Clooney stars as Danny Ocean, a professional thief who has recently been released from prison. Even though he served time, he’s on the lookout for his next big caper.  Once he gets involved with the thrill of the chase and the risk and reward that comes with it, it’s hard to turn it down or live a normal lifestyle after that. He meets up with an old partner named Rusty Ryan (Brad Pitt), and they are looking to hit up Las Vegas for their next big heist. When it comes to a heist like this, money is important. They end up securing the money from Reuben Tishkoff (Elliott Gould), and their plan is to rob three casinos in Las Vegas, which are owned by Tishkoff’s rival. The stakes are high, at $160 million, so they need to make sure they are on their A-game.

In order for Danny and Rusty to pull this off, they will need to assemble the right team. They enlist the help of Basher Tarr (Don Cheadle), Livingston Dell (Eddie Jemison), Linus Caldwell (Matt Damon), Frank Catton (Bernie Mac), and Virgil and Turk Malloy (Casey Affleck and Scott Caan). Every one of them brings something unique and special to the table. Julia Roberts also shows up as the Danny Ocean’s ex-wife, Tess, and she has a bone to pick with Danny. Andy Garcia is in the film as well as Terry Benedict, the owner of the three casinos they are trying to rip off in the film.

“Ocean’s Eleven” Cast Bernie Mac, Casey Affleck, Li Dian Feng, Scott Caan, George Clooney ,Brad Pitt ,Matt Damon, Elliott Gould, Don Cheadle, Edward Jemison and Carl Reiner © 2001 Warner Bros. Photo by Sid Avery

For my money, “Ocean’s Eleven” is the best of the three films.  The pacing is terrific, and there is never a dull moment in the film.  Even though there are a lot of moving pieces, it never feels like the movie is overstuffed, boring or too long as it moves at a brisk pace.  Also, when you have top-notch actors and actresses together, you know you are going to get some great performances.  A big part of the fun of these films is seeing these Hollywood legends go toe-to-toe with one another.

Moving onto “Ocean’s Twelve,” which came out in 2004, I don’t want to go into too much detail on this film just in case you are watching this trilogy in order for the first time.  I will say I found it to be a little bit more of a slog to sit through and a bit of a letdown after “Ocean’s Eleven.” It was merely an OK film.  It was successful at the box office, but I didn’t find the story as engaging this time around.  Of course, the characters are still entertaining and fun to spend time with, but since there isn’t a great story or plot to drive them, they quickly run out of steam here.  It ends up being one of those films where the cast had a lot more fun making it than we had watching it.

 In 2007, they came back with “Ocean’s Thirteen” which introduced Al Pacino to the proceedings and was once again directed by Soderbergh. Julia Roberts and Catherine Zeta-Jones are missing here, which makes this film feel a bit off in regards to the female-male ratio.  Roberts, especially, was such a big part of the first film, and Zeta-Jones was also very charming and lit up the screen in “Ocean’s Twelve.”

“Ocean’s Thirteen,” however, is a nice return to form after the lackluster and underwhelming “Ocean’s Twelve.” It’s almost as if Soderbergh sat down and realized what was missing from the last film and made sure to make up for those mistakes this time around.  The addition of Al Pacino to the mix is also a juicy twist as well.  What I enjoyed most about “Ocean’s Thirteen” is how it brought back the fun factor from the first film. “Ocean’s Twelve” was an entertaining film at times, but it was also a lazy one as well.  This time, they work on making sure the fun is included along with a story that can hold its own in the process. 

When these films work best in this franchise, it is when they realize we are just as interested in the story as we are in the characters.  They go hand-in-hand. They play off each other in a sense.  We love to see the characters in action and find out all of the twists and turns along the way.  It was clear they put time, effort and brains into the first and third films. They lost their way a little in “Ocean’s Twelve,” which feels like a sequel they didn’t put a ton of thought into.

“Ocean’s Eleven” – * * * ½ out of * * * *

“Ocean’s Twelve” – * * out of * * * *

“Ocean’s Thirteen” – * * * out of * * * *

4K Info:  The “Ocean’s Trilogy” is released on a three-disc 4K set from Warner Brothers Home Entertainment.  This set only includes the 4K discs, so if you are looking for Blu-rays and 4Ks together, you will not find them here. According to the press release, the 4K remasters of “Ocean’s Eleven,” “Ocean’s Twelve” and “Ocean’s Thirteen” were completed at Warner Brothers Discovery’s Motion Picture Imaging (MPI) with the participation of Soderbergh. All of the films are rated PG-13, and their respective running times are 116 minutes, 125 minutes and 122 minutes.  There is also a digital copy for each film which allows you to own all three copies of the trilogy.  Subtitles are included in English, Spanish, and French.

Video Info:  I really like the look of these movies on 4K.  Having previously seen “Contagion” on 4K, also from Soderbergh, I’m happy to report this is another fantastic looking 4K set.  Its color is vivid, bright and filled with a lot of life.  It’s also dark and mysterious when things turn up a notch. All three of the films look great on 4K.

 Audio Info: There is a lot of talking in these films as they are going over plans and information, and the dialogue comes in crystal clear on all three films.  The soundtrack is just right in covering the dialogue, music and background noise without being too distracting. It captures the essence of each film.

Special Features:

“Ocean’s Eleven”

• Commentary by Steven Soderbergh and Ted Griffin

• Commentary by Brad Pitt, Matt Damon and Andy Garcia

• Are You In or Out? The Making of Ocean’s Eleven

• Pros & Cons: Inside Ocean’s Outfit

• The Style of Steal

• The Look of the Con

• Original Ocean’s, Original Cool

“Ocean’s Twelve”

• Commentary by Steven Soderbergh and George Nolfi

• Ready, Jet Set, Go: The Making of Ocean’s Twelve

• HBO First Look: Twelve Is the New Eleven: The Making of Ocean’s Twelve

• Deleted Scenes

“Ocean’s Thirteen”

• Commentary by Steven Soderbergh, Brian Koppelman and David Levien

• Third’s a Charm: The Making of Ocean’s Thirteen

• Ahab with a Piggyback: The Means & Machines of Ocean’s

• Jerry Weintraub Walk and Talk

• Masters of the Heist

• Deleted Scenes

Should You Buy It?

I’m seeing this set go for about $55 right now online, which is a really good price. That’s a little less than $20 for each 4K.  If you enjoy a good movie collection, this one is definitely recommended.  You get all of the old special features included here along with updated 4K transfers on these films as well.  These are 4K transfers where it is clear they put a lot of care and effort into them. They didn’t just throw them together.  If you enjoy heist movies with great casts, you really can’t go wrong with this trilogy.  I’d recommend you go out and buy this set right now at its current price. You can make a weekend out of watching all three films and really enjoy yourself.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘American Sniper’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

Out of all the films I watched in 2014, “American Sniper” was the one which hit me the hardest.  I had never seen a film like it before, and I was surprised I enjoyed it as much as I did, considering I’m not a huge fan of war films. This is much more than a war film, though.  It’s a personal story, and this part of the film resonated with me much more than any shootings. Although there is one particular shooting that made me wince, Chris Kyle was only doing what he was trained to do as a Navy Seal.

Bradley Cooper stars as Chris Kyle in one of the best performances of his career.  Not only did he put on the weight to play Kyle, but he completely became him.  On the special features, they talked about how they would have moments on set that would cause goosebumps because his performance was so true to life.  It’s always a thing of beauty when you see an actor completely devote themselves to a role and a film.  It helps that the film was directed by the legendary Clint Eastwood.  There’s also a quality screenplay by Jason Hall, adapted from Kyle’s book of the same name.

Kyle believes strongly in America and goes through some intense training that would make most men run for the hills, but he eventually becomes a sniper for the Navy Seals. Before he even attempts to do this, someone informs him that most men quit.  Kyle says he is no quitter.  Meanwhile, he meets his wife, Taya, played by Sienna Miller, and they eventually have a child together, adding even more pressure to Kyle’s life.  He ends up taking part in four tours, which puts a strain on their relationship and his well-being.  He knows he is doing a service to his country and protecting his fellow men, but that doesn’t make things any easier.

Bradley Cooper gained 40 pounds of muscle to play Navy SEAL Chris Kyle in the film American Sniper. “It wasn’t at all like a costume,” he said. “It was like … this sort of transformative experience to me because there was no going home from it.”

One of the things I admired the most about this film was the patience in which it was filmed.  Kyle ends up doing four tours, and we get to see the tours along with him spending time with his family.  For me, the “at home” scenes were far more effective than his time as a sniper.  This is not to take anything away from his time on tour and how it’s filmed.  The scenes are jarring and extremely well shot.  I’m just always more engrossed in the human side of the story, and that truly adds more to what’s happening during his time becoming “The Legend”, a nickname he seems proud of at times, but also a little uneasy about as well.  He is known as the U.S.’s deadliest sniper.

A lot of attention and praise was put on Cooper upon the film’s release, but credit also goes out to Miller as she has an extremely tough role to portray as well as Taya.  She has to be supportive of her husband while also looking out for the best interests of her family.  One thing is certain: her love for Kyle never waivers.  She just worries about feeling disconnected from him.  It’s clear he’s not the same when everything is over.  How can he be?  As he tells his psychiatrist, he thinks more about the men he couldn’t save as opposed to the ones he did.  However, Taya wants her husband back, and she wants the man she married.  The ability to disconnect from the war is a hard one, and that is explored in great detail in this magnificent film.

“American Sniper” made my list of the top ten films of 2014, and it is also one of the best films Eastwood has ever directed.  Everyone watches movies for various reasons. I watch movies to be moved and engrossed by great stories and fascinating people.  On my third viewing, I’m happy to report “American Sniper” holds up incredibly well.  It’s also enhanced by the 4K transfer Warner Brothers has added to the film as well.  It was released a few years before 4K discs became a reality, and with this being the ten-year anniversary of the film, it’s a great time to add it to your collection and upgrade the Blu-ray if you already own it.

* * * * out of * * * *

4K Info: “American Sniper” is released on a single 4K disc from Warner Brothers Home Entertainment. It also comes with a digital copy of the film as well. The film runs at 132 minutes and is rated R for strong and disturbing war violence, and language throughout including some sexual references.

Video Info: “American Sniper” on 4K really takes you into the heat of battle.  I did mention that the war scenes didn’t hit me as emotionally as the sequences between Chris and Taya, but they still had their impact nonetheless.  You would have to be a rock to not be moved and affected by what’s happening on screen.  All of it is shot with just the right number of colors and texture.  It’s sort of a dreary looking film, but that is to be expected with war.

Audio Info: The Dolby Atmos soundtrack is also an improvement over the inconsistent audio on the previously released Blu-ray of the film, which was a bit too loud at times.  This time, it’s right on cue throughout the entire film. It was also fairly consistent during the quieter moments as well.

Special Features:

One Soldier’s Story: The Journey of American Sniper

Chris Kyle: The Man Behind the Legend

Clint Eastwood: A Cinematic Legacy – The Heart of a Hero

Navy SEALs: In War and Peace

Bringing the War Home: The Cost of Heroism

The Making of American Sniper

Guardian

Should You Buy It?

“American Sniper” is finally on 4K, and it was well worth the wait.  The technical aspects are amazing, as they usually are with a Clint Eastwood film, especially on 4K.  Bradley Cooper turns in an astounding performance and one which really hit me like a ton of bricks. Sienna Miller also turns in an underrated and potent performance as well.  This is a film firing on all cylinders, and it will make a great addition to your physical media collection.  This is top-notch filmmaking and a film that comes from a labor of love from everyone involved.  When you have films like this one, the audience is the ultimate winner.  The special features are also ported over the Blu-ray release as well, and they add a lot of context and information on the making of the film and Chris Kyle’s backstory.  This is a day-one purchase, especially with the impressive slipcover which is included with this release.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.