Soundtrack Review: ‘Die Hard with a Vengeance’

Die Hard 3 soundtrack

Anyone remember the RCA Victor release of the “Die Hard with a Vengeance” soundtrack back in 1995? That release was a joke and an unforgivable one as well. It did have some of Michael Kamen’s music score on it as well as a couple of rap songs which I’m not sure were in the movie, and some symphony pieces by Beethoven and Brahms which are not in this movie at all. It was as if RCA just wanted to throw any kind of soundtrack together so they could cash in on this sequel’s expected success, and what resulted was a travesty which any true soundtrack fan would be right to despise.

Well, it took over a decade, but La La Land Records has finally given “Die Hard with a Vengeance” not only the proper soundtrack release it deserves but an expanded one which contains two discs of music. In addition, it also comes with an informative booklet written by Jeff Bond who discusses how this “Die Hard” movie differs from the two which came before it, and it looks at how Kamen came to develop this particular score. But the great thing about this soundtrack release is it forces you to listen to Kamen’s music more closely in a way we didn’t previously.

When I first saw this sequel, I wondered if Kamen had actually bothered to create a new score for this “Die Hard” adventure. Many of the music cues sounded like they came from “Die Hard” and “Die Hard 2,” and it was hard to spot any new musical themes throughout. Listening to the La La Land Records release, however, makes you realize Kamen did not just simply throw something together. Much thought went into this particular score as it presents a somewhat darker John McClane (played by Bruce Willis) than what we have seen previously, and it also captures the joyful qualities of the heist movie that “Die Hard with a Vengeance” is meant to be.

Among the pieces of music I was thrilled to hear on this soundtrack is “Taxi Chase” which has McClane and Zeus Carver (played by Samuel L. Jackson) driving through a populated park in New York in an effort to catch a train before it explodes. “Taxi Chase” sounds unlike any music Kamen has previously composed for a movie with all its urban percussion. In the booklet, Bond quotes Kamen on this cue as it is one of the composer’s favorites which found its inspiration from his living in Manhattan.

“A lot of it (the movie) takes place on the streets I inhabited,” Kamen said. “I was trying to figure out what music to put there and I remembered that Needle Park is just up the street, and all you ever hear is bongo players and people driving past, and that’s why that cue is all native percussion. We’re using drums and drum loops and the normal accouterment of a modern recording studio – even a live drummer from time to time.”

This soundtrack not only contains music which was not on the original release, but also the music which was written for the movie but not included in it. Bond writes how director John McTiernan removed a number of Kamen’s cues from the movie, but Kamen wasn’t bothered by this too much because he was very collaborative and agreed with many of the changes McTiernan wanted to make.

And yes, The Lovin’ Spoonful’s “Summer in the City” which opens the movie is on this soundtrack as well, and it has never sounded better.

When it comes to these expanded soundtracks, I usually say how they have never looked or sounded better. With La La Land Records’ release of “Die Hard with a Vengeance” though, that’s a given as the original release was put together before Michael Kamen even had a chance to finish his score. While it may not have the same exhilarating or emotional sweep as his score for “Die Hard 2,” what Kamen has put together here is great and highly enjoyable to listen to. This release also forces you to realize Kamen was never out to just recycle his own work in the way the late James Horner was often accused of doing.

Sadly, this proved to be the last “Die Hard” movie Kamen scored before his death. Marco Beltrami later took over composing duties for “Live Free or Die Hard” and “A Good Day to Die Hard,” but the music Kamen created for these films will live on forever.

CLICK HERE TO FIND OUT HOW YOU CAN PURCHASE THE “DIE HARD WITH A VENGEANCE” EXPANDED SOUNDTRACK.

Soundtrack Review: ‘Lethal Weapon 3’

Lethal Weapon 3 soundtrack

We are now at the 25th anniversary of the release of “Lethal Weapon 3” in theaters, something I have a hard time accepting as I still remember seeing it for the first time like it was yesterday.

With it being the third movie in a highly successful franchise, “Lethal Weapon 3” settles into a familiar formula which, as this sequel proves, still works. Director Richard Donner and stars Mel Gibson and Danny Glover were interested in making this film more of a comedy, and we get the usual gunfights, explosions and car chases which are all expertly filmed. In addition, we also get another thrilling music score from the composers who worked on the previous “Lethal Weapon” movies: Michael Kamen, Eric Clapton, and David Sanborn.

I still remember the first time I saw “Lethal Weapon 3” and how gleefully entertained I was while watching it. I also loved the score for it as well even if it sounded recycled from the previous two films. After seeing this sequel twice in one week, I couldn’t wait to buy the soundtrack in the hopes it would have more of the music I expected to hear on the soundtracks to “Lethal Weapon” and “Lethal Weapon 2.” But yet again, the commercial release of the “Lethal Weapon 3” soundtrack left me disappointed despite some good tracks (“Armour Piercing Bullets” was the standout) included on it. Furthermore, it only had a portion of Kamen’s, Clapton’s and Sanborn’s music score on it.

But now we have a brand-new expanded and remastered soundtrack for “Lethal Weapon 3” which includes two compact discs containing all of the music cues I prayed would be on the 1992 commercial soundtrack release. It is being released as part of La La Land Records’ “Lethal Weapon Soundtrack Collection” box set, and it is gratifying to listen to this score in its entirety.

This film score starts off with a whimsical feel as Riggs and Murtaugh try to disarm a bomb and end up failing to do so quite explosively. Busted down from detectives to beat cops, they are at the scene of an armored car robbery and immediately jump into action. This leads to one of my favorite tracks on the first disc entitled “Armoured Car Chase.” Hearing the three composers come together to create such a thrilling piece of music made watching this sequence all the more exciting.

My other favorite tracks on this expanded soundtrack are “Gun Battle” which is the same piece of music as “Armour Piercing Bullets,” and it always succeeds in getting me super excited to where I can see myself in appearing in an action movie. Another is “Fire/Fire Battle/A Quiet Evening by the Fire” which gives the movie’s action climax an equally thrilling and highly emotionally effect which reminds you of how the “Lethal Weapon” movies are as big on character as they are on unforgettable action set pieces.

The second disc of “Lethal Weapon 3” features the commercial release of the soundtrack which includes the songs “It’s Probably Me” by Sting and Clapton, and “Runaway Train” performed by Clapton and Elton John. The rest are pieces of the score by Kamen, Clapton and Sanborn, and there are some additional tracks featuring alternate versions of music cues. I have to give credit to La La Land Records for including the original album on this special release instead of just trying to bury it under a rug or something.

Jeff Bond, whose booklet “Some Movies Don’t Invent Genres: They Just Perfect Them” accompanies the “Lethal Weapon Soundtrack Collection,” writes about how Donner decided to put more of an emphasis on comedy and family with this sequel. Still, there were some new additions like renegade ex-cop Jack Travis (Stuart Wilson) and Internal Affairs officer Lorna Cole (Rene Russo) to give “Lethal Weapon 3” the dark edge it needed. It also was revealed Lorna was originally written as a male character. For those who have seen the movie, I think we can all agree the change in gender was a very welcome one. Who else but Russo could have inhabited this role so memorably?

In regards to the score, Bond makes it clear Kamen, Clapton, and Sanborn did not phone this one in at all. Unlike the previous “Lethal Weapon” movies, this one starts out with a song performed by Sting. The song was “It’s Probably Me,” and Bond quotes Sting as saying his idea behind it was that Riggs and Murtaugh are such macho guys to where they wouldn’t express their love for one another right away.

Bond also points out Kamen did intentionally stick with the formula which made the scores to the previous movies work so well. But at the same time, this score shows how talented Kamen and company are in scoring the most humorous scenes as well. In “Lethal Weapon” and “Lethal Weapon 2,” Kamen succeeded at balancing action spectacles with character driven moments. But in “Lethal Weapon 3,” he also proves to be a master at adding to the endless laughs which were to be had in this sequel.

Once again, La La Land Records has given us another great special edition of a soundtrack long overdue for an expanded release. Here’s hoping they release more remastered and expanded soundtracks I have spent decades waiting for in the future. Can an expanded release of Harold Faltemeyer’s film score for “Fletch” be far behind?

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