The following review was written by Ultimate Rabbit correspondent, Tony Farinella.
Guy Ritchie has had an eventful 2023 with two films being released so far in “Operation Fortune: Ruse de Guerre” and now “The Covenant.” On paper, it was a film I was looking forward to with great anticipation, as I firmly believe Jake Gyllenhaal is one of the best working actors in Hollywood today. When I see his name or Oscar Isaac’s name on a movie poster, I’m immediately interested in checking out the film, as they always bring something unique and outside the box to the proceedings. Ritchie, on the other hand, is a stylish director who knows how to make old-school action films with a modern style.
The film is set in 2018 and shows Afghanistan through the eyes of Army Sergeant John Kinley, played by Gyllenhaal. He needs an interpreter in order to communicate with the people of Afghanistan after his previous interpreter was killed. He is introduced to Ahmed Abdullah, played by Dar Salim. John doesn’t always see eye-to-eye with Ahmed, but Ahmed knows how to get the proper results. If the interpreters do their job, they will be granted visas to the United States for their service. One day, John is attacked by Taliban fighters and knocked out in the process. However, he is saved by Ahmed, who makes it his mission to get him back to the base.
Once he gets him back home to the base alive, John is back in Los Angeles with his family trying to piece it all together as he suffered severe head trauma. John then proceeds to try to get in touch with Ahmed and make sure he’s properly taken care of after he saved his life. He feels this bond and connection with him. Even though they butted heads at times, he knows Ahmed saved his life from the Taliban. It was not an easy task to accomplish, and he knows he wouldn’t be alive if not for Ahmed. Ahmed couldn’t take any roads and had to make sure he wasn’t noticed by the Taliban. He accomplished a heroic feat, and it is eating away at John that he can’t do the same for Ahmed in return. Instead, Ahmed has to hide in a cave with his wife and family as he’s number one on the kill list for the Taliban because he turned against them and saved an American Sergeant.
The problem with “The Covenant” is the fact it really lacks an emotional depth and connection. Ritchie has always been great at crafting violence and in-your-face action. He does this here. However, he forgets to take the time to really build a proper relationship between John and Ahmed. He didn’t develop the characters individually or together. Because of this, the film suffers greatly and doesn’t feel urgent. When you have an actor like Gyllenhaal at your disposal, there really isn’t anything the man can’t do on screen. However, he is knocked out for part of the film, and for the other moments he’s on screen, he’s yelling, screaming or in battle.
In the end, I was pretty disappointed with “The Covenant.” It is not a bad movie by any stretch of the imagination. I just figured with a two-hour running time, Ritchie would strike the right balance between action and emotion. Instead, it is about eighty percent action and twenty percent character development. That is not a good percentage for a successful film. The moments which should have carried more weight really, really felt flat. I kept waiting to get into the story, and it never took off for me. I do, however, hope to see Ritchie and Gyllenhaal work together again in a film with a better script. This one was watchable, but it should have strived to do more with its premise. Sometimes Ritchie makes the fatal mistake of making a film which is all style and not substance. This is all action and very little substance.
* * out of * * * *
Blu-ray Info: Guy Ritchie’s “The Covenant” is released on a two-disc Blu-ray and DVD combo pack from Warner Brothers Home Entertainment. It also comes with a digital code for the film. I must admit I was very surprised a film like this did not receive a 4K release. It would not have improved the quality of the film, but it’s the kind of film that really lends itself to the 4K format. It has a running time of 123 minutes and is rated R for violence, language throughout, and brief drug content.
Video Info: The 1080p transfer does look really, really good, but I would have liked to have seen what a 4K transfer of this film would have looked like considering some of the action scenes in the film. The Blu-Ray is impressive looking, though, and holds up its end of the bargain.
Audio Info: We are treated to a great Dolby Atmos soundtrack here along with subtitles in English and Spanish. Considering all of the action in the film, I was happy I was able to keep it on the same sound level throughout the film without it ever getting too loud.
Special Features: None
Should You Buy It?
Guy Ritchie’s “The Covenant” was a letdown for me. It’s nearly impossible to be bored by a Ritchie film, as there is always something happening on screen, but this is a film where I really felt the running time of a little over two hours. I didn’t feel like there was enough going on with the plot. They had a solid idea for a film along with a major star, but it never really took off. I thought it would turn around in the second half, but it never really found its footing. Once again, I’m really surprised this film did not get a 4K release, but I’m guessing it might be because it was not a big box-office hit. If the film had made more money in theaters, I think it would have had a 4K release. It’s still a good-looking Blu-ray, but there are absolutely no special features. I don’t think it’s worth owning at all, but if you catch it on Max, you might find it more enjoyable than I did as a viewer. It’s rare that I’m this underwhelmed by a Jake Gyllenhaal or Guy Ritchie film. I thought the two of them together would make a really exciting action flick. Instead, this is as run-of-the-mill as they come.
**Disclaimer** I received a copy of this film from Warner Brothers to review for free. The opinions and statements in the review are mine and mine alone.
The following review was written by Ultimate Rabbit correspondent, Tony Farinella.
I’m an emotional, sensitive and empathic person, and I tend to seek out films which will make me think, move me to tears and tell a narrative that resonates with me. However, I have a good barometer for films that are trying too hard to tug at my heart strings and doing just a little too much to get an emotional reaction out of me. When you try to watch a movie or two a day, you can usually figure out which direction a movie is going to go either from its trailer or by where the film is taking its audience. “A Good Person,” directed by Zach Braff, started out incredibly promising until its wild and heavy-handed third act.
“A Good Person” stars the always lovely and talented Florence Pugh as Allison, a young woman who is about to get married to the love of her life, Nathan (Chinaza Uche). They are the perfect couple and the film opens with their engagement party where they are at their happiest. But then things spiral out of control for Allison when she gets into a car accident with her fiancé’s sister and husband in the car. She took her eyes off the road for one second to check Google Maps, and while she survived, they both perished. This sends her down a path of becoming addicted to OxyContin to deal with the physical and emotional pain of the car accident.
Allison cuts her hair one day and is making rash and impulsive decisions in her life, which worries her mother, played by Molly Shannon. She hits up an old friend for pills, former classmates, and even curses out the pharmacist. Finally, she decides to go to a meeting, which is being led by Simone (Zoe Lister-Jones). While there, she runs into Nathan’s father, Daniel, played by Morgan Freeman. Allison is hesitant to stay, as she knows the pain and hurt she caused his family, but he insists that she stay. Daniel has his hands full as he’s a recovering alcoholic who is now in charge of taking care of his granddaughter, Ryan (Celeste O’Connor), after her parents were killed in the car accident.
The best thing about “A Good Person” is the back-and-forth interactions between Pugh and Freeman. When you have actors of this caliber, it’s best to just stay out of their way and let them do their thing. Freeman plays an ex-cop who never really knew how to be there for his son Nathan growing up. He used to beat him, which has caused a lot of trauma and resentment in Nathan toward his father. The two of them barely speak and don’t have much of a relationship. For Allison, she’s trying to deal with the grief and guilt of what she has done to Daniel, as she has taken his daughter away from him. However, he could use some help when it comes to figuring out how to talk to a sixteen-year-old teenage girl about safe sex when her parents are now deceased.
I really enjoyed the first hour and a half of “A Good Person.” I thought Pugh really, really went for it with her performance. She’s an actress who really immerses herself in her characters. Physically and mentally, this is a fantastic performance. She looks, sounds and acts like an addict. Freeman is also very good, as he usually is, at portraying many different emotions throughout as he’s trying to be a grandfather, deal with his own demons, and also forgive Allison. Thanks to the two lead performances and a fast-moving plot, I was really enjoying “A Good Person.” Sadly, the film takes a wild and crazy turn in the third act, which really sent things spiraling off the rails.
Yes, this is a drama, and you expect certain emotional moments and sequences to be displayed on screen. In “A Good Person,” it felt forced and like writer/director Braff had an idea for a movie and the right cast, but didn’t know what to say at the end or how he wanted to end it. Instead, it turns into a cheesy soap opera, and he, sadly, wastes the performances of his two leads and his supporting cast. The film is also about 15 to 20 minutes too long. Once again, the drama felt forced at the end and it seemed like they were really trying for an emotional and powerful ending. Instead, I could see right through the fact they were trying to make me feel something instead of letting it happen organically. The film didn’t need to try so hard and throw so much into the last 30-40 minutes of the film.
* * out of * * * *
Blu-Ray Info: “A Good Person” is released on a single-disc Blu-ray from Warner Brothers Home Entertainment. It is rated R for drug abuse, language throughout, and some sexual references. The film has a running time of 128 minutes. It comes with a digital copy of the film as well.
Video Info: The 1080p High-Definition transfer is very, very solid. It’s a clean looking film with a green tint that really translated itself well to the material. Visually, Zach Braff did a great job behind the camera. It’s his script which really needed work.
Audio Info: The DTS-HD MA: English 5.1 audio track is also really good for this film. I did feel like Zach Braff relied on music a little too much throughout the course of this film to get the audience to feel something. I enjoy music in a film, but it needs to be properly placed and not shoved down our throats. There is also a Dolby Digital: English Descriptive Audio track. Subtitles are included in English, French, and Spanish.
Special Features:
None
Should You Buy It?
It’s always disappointing when I want to like a movie and don’t. I know this might sound like a rather simplistic approach to film viewing, but I had high hopes for this one. I’m still a huge fan of 2004’s “Garden State,” and I think Zach Braff is a talented director. When it comes to his writing, I think he can be a little too earnest. He means well and his heart is in the right place, but sometimes it just seems like he can’t keep himself from going a little too far. I didn’t hate the film and I enjoyed a good portion of it, but it was just a little too sappy for me which is saying something. The film looks and sounds good on Blu-ray, so it’s not a huge disappointment they didn’t give it a 4K release. There are no special features on this disc at all. I think it’s worth watching for the performances of its two leads, but I don’t think it’s a film you need to own. If you see it on Max or at Redbox, it’s worth watching. However, this is not a film I need to watch again. This is a case of two performances which deserved a better script.
**Disclaimer** I received a copy of this film from Warner Brothers to review for free. The opinions and statements in the review are mine and mine alone.
The following review was written by Ultimate Rabbit correspondent, Tony Farinella.
I saw “Creed III” in theaters when it came out in March, and I walked away very impressed by the directorial debut of Michael B. Jordan. Even though we were only three months into the new year, I felt it was an early candidate for one of the best films of 2023. I enjoyed his creative and inventive approach to filmmaking, the tremendous acting throughout the film, and the way it was paced just perfectly. Here we are, almost half-way through the year, and I feel even stronger about “Creed III.” It really surpassed any and all expectations I had for the film, and it also shows the “Rocky/Creed” franchise is in very good hands. Much like the “Scream” franchise did with “Scream 6,” it proved you can leave a key player or two from the franchise behind and not miss a beat if you have your heart in the right place, a good script, and you forge your own path while also remembering the pulse of the franchise.
I think by now it is common knowledge that Sylvester Stallone is not in “Creed III.” Stallone expressed his reasons why in interviews, and while I would have enjoyed him in this film, even if it was only in a minor role, I can’t say he was missed. I say this as a huge fan of Stallone and his contributions to the “Rocky/Creed” franchise. It says more about the fact that Jordan took the bull by the horns and really ran with it when it came to “Creed III.” He’s in front of and behind the camera here, and from what he showed me as a director, I can’t wait to see what he does with his next project. He has a keen visual sense and tremendous style without losing the heart and emotional weight of the film.
“Creed III” opens by showing us a young Adonis Creed hanging out with his friend from his group home, Damian Anderson. They are like brothers to one another, and Damian looks out for Adonis. Damian is on the rise as a young up and comer until he finds himself in prison for pulling out a gun while defending a young Adonis. Adonis ran away and never faced any jail time. Damian, on the other hand, spent almost two decades in prison and saw his chance go by the wayside. Adonis is ready for retirement after winning his final fight and leaving as the undisputed heavyweight champion of the world. He’s now a family man with a beautiful house, wife, and young daughter.
Adonis is also running his own gym with the help of Little Duke (Wood Harris) and helping promote a fight for the world heavyweight champion Felix “El Guerrero” Chavez (José Benavidez Jr.) against Viktor Drago (Florian Munteanu). On his way out of the gym one day, he runs into Damian (Jonathan Majors) who is out of prison and looking to make up for lost time. He wants to fight for the heavyweight championship of the world, as he was a top prospect and a Golden Gloves champion before he ended up in prison. Adonis agrees to let him hang around the gym and spar with Felix, but he feels uneasy about having him around and wonders what his true intentions are, especially after all these years.
As a matter of fact, Mary-Anne (Phylicia Rashad) is not too keen about Damian being around, as she remembers some of the trouble he and Adonis would get into as youngsters. Adonis is also dealing with parenthood as his hearing-impaired daughter Amara, played perfectly by Mila Davis-Kent, is having trouble expressing herself in school. When she is being bullied by another student, she resorts to violence instead of working things out in a more peaceful way. This is very troubling to her mother Bianca, played by the lovely Tessa Thompson. She is looking to raise their daughter to express her emotions in a more productive way instead of resorting to violence. For Bianca, she’s been adjusting to her career as a producer. While she enjoys it, she also misses performing and doing her own thing. However, she must also be protective of her hearing as she doesn’t want to cause further damage. She’s also noticing Adonis is pulling away from her and that something is bothering him. It’s clear he has unresolved guilt and anger from his past with Damian. Until he deals with those feelings, he will never be able to move forward in his life and will be stuck in the past.
I have to give major credit to the women of “Creed III” from Rashad to Thompson to Davis-Kent. They are attempting to help Adonis see the forest from the trees and learn that it’s okay for him to open up about his past and talk about his regrets and his pain. It’s not good for him to bottle it all up inside. The two main male characters played by Jordan and Majors are also terrific together on screen. Jordan is fantastic at expressing his emotions on his face and not overacting. That being said, he knows when to tap into an emotion, anger, and turmoil when the scene calls for it. His facials here are terrific, and he knows how to tap into whatever the screenplay needs out of him. Majors reminded me and others of a young Mike Tyson. He will do whatever it takes to win, and he is physically imposing and carries a tremendous presence on screen. When he’s on screen, you can’t take your eyes off him.
For a film which is nearly two hours long, there is rarely a dull moment. There is something dramatic which occurs in the film (no spoilers) that seemed to get glossed over and moved on from very quickly. It seemed rather unnecessary, and that is my only gripe with the film. As with any “Rocky” or “Creed” movie, the best scenes are not in the ring. The best scenes are the characters talking to one another, figuring out their inner conflict, and dealing with the past and the present. Yes, it’s a boxing movie, but the boxing ring serves as a therapeutic canvas for them to work out their pain. That being said, the boxing scenes are beautifully shot and are the best kind I’ve seen in a boxing film in a long time. Jordan makes some really interesting choices as a director, and they worked out perfectly for him.
“Creed III” is a feel-good film with a big heart behind it. It has a great soundtrack with some real bangers on it. It also has some fantastic acting from everyone in the cast. There isn’t a bad performance to be found here. The stakes also seem very high throughout. There is an urgency here. For a first-time director, this is a very, very impressive debut. I can see them carrying on the “Creed” franchise with Jordan working both behind-the-scenes and in front of the camera. He really hit a home run here, and I loved this movie from start to finish.
* * * ½ out of * * * *
4K Info: “Creed III” is released on a two-disc 4K/Blu-ray combo pack from Warner Brothers Home Entertainment. It is rated PG-13 for intense sports action, violence and some strong language. It has a running time of 116 minutes. The 4K combo pack also comes with a digital code for the film.
Video Info: I loved the way this film looked in 4K. Warner Brothers has become one of the top studios for 4K releases, and they do not disappoint here with “Creed III.” I’m always happy when a film gets the Dolby Vision treatment, and this film is spectacular looking. We get a detailed, clean, and smooth look with dark darks to set the mood for the emotional trauma Creed is dealing with inside of him. This film really, really pops on 4K. Dolby Vision and Warner Brothers are always a match made in heaven. I truly was impressed by this 4K transfer and how it lends itself to the film.
Audio Info: More good news—we also get a Dolby Atmos track! For a film like this with great music and intense boxing action, you have to have a good Atmos track. The Atmos track makes the film sound absolutely perfect. Warner Brothers really did the right thing by “Creed III,” and I’m very thankful for that.
Special Features:
Michael B. Jordan: In the Ring/Behind the Camera – Featurette
There’s No Enemy Like the Past: Donnie and Dame – Featurette
Deleted Scenes
Should You Buy It?
If you saw it in theaters like I did, I’m happy to report it holds up very, very well on a second viewing. It’s one of the reasons why I love to watch a movie in the theater and then at home. It’s two totally different viewing experiences, and you pick up on certain things you might have missed initially. It was actually better on a second viewing. I highly recommend you pick this film up on its release date on 4K. It is truly the best way to watch this great film. With Dolby Vision and Dolby Atmos, Warner Brothers really did a magnificent job of putting this film together for a great home-viewing experience. The supplements are a little light, and I would have liked a commentary with director/actor Michael B. Jordan, but still, this is a day-one purchase. I’m not sure how the rest of the year will play out, but this film is still one of the best of 2023, in my opinion. I loved the powerful performances, incredible emotion, ingenious boxing sequences, and how much fun this movie was. I highly recommend “Creed III” as a movie to proudly own on 4K. You won’t be disappointed.
**Disclaimer** I received a copy of this film from Warner Brothers to review for free. The opinions and statements in the review are mine and mine alone.
I first remember watching the trailer for Brian De Palma’s “Blow Out” years ago before a double feature at New Beverly Cinema. While I don’t remember which double feature I was seeing that evening, I do remember the trailer itself and in becoming excited about checking out this underappreciated De Palma classic. Roger Ebert gave it four out of four stars and proclaimed it to be one of those “hidden treasures” at your local video store, and Quentin Tarantino, who bought the building New Beverly Cinema is housed in, has declared this to be one of three motion pictures he would love to take with him to a deserted island.
That little needle bouncing up when a certain sound is detected instantly reminded me of when I recorded my favorite records to audio tape when I was a boy. You had to make sure the levels did not go into the red area as the sound could become distorted and easily lay waste to your expensive stereo system. But when Jack Terry (played by John Travolta) ends up recording a loud sound no one was ever supposed to hear, and which ended up on the red side of the sound mix, we immediately know this was no mere accident.
I love how this trailer shows Travolta, Nancy Allen and John Lithgow giving the performances of their lives here. Seeing them shows how committed they are to the material, and I love the ever so cold look on Lithgow’s face as he is about to take the life of an innocent victim who is completely unsuspecting of someone about to strangle them. They way this trailer builds to a fever pitch made me want to check it out sooner rather than later.
“Blow Out” was a box office disappointment when released back in 1981 despite positive reviews, but thanks to Ebert and Tarantino among others, it has since gained a cult following it richly deserves. I finally got to check it out at the New Beverly Cinema where it played as a double feature with a movie said to have inspired it, Michelangelo Antonioni’s “Blow-Up.” This proved to be quite the cinematic evening for yours truly.
The following review was written by Ultimate Rabbit correspondent, Tony Farinella.
When it comes to the genre of underdog sports films, they don’t make them any better than the original “Rocky.” It was a film that came along at the right place at the right time and with the right actor. After all, Sylvester Stallone was the writer of the original “Rocky” script, and he demanded to star in the film even though the studio wanted a big name. Stallone was unknown at the time. It’s been 47 years since “Rocky” came out, but its staying power will last forever. It is why I was extremely pleased to hear Warner Brothers was going to be releasing a collection of the first four “Rocky” films in 4K and in a set. It was one of my most anticipated releases of the year so far.
Many of you who are reading this review might be asking, “Where is ‘Rocky V?’ What about ‘Rocky Balboa?’ The ‘Creed‘ movies?” I heard rumblings that there are possible director’s cuts coming out for “Rocky V” and “Rocky Balboa.” As far as the “Creed” movies, I would imagine they will get a separate release, as they are part of their own universe. Now with all that out of the way, this review is going to focus on the first four “Rocky” movies and how they are available on 4K for the very first time.
The original “Rocky,” released in 1976, was nominated for 10 Academy Awards and won Best Picture. When revisiting the film, which I’ve seen a number of times, it is easy to see why it has such staying power. It starts with the relationship between Rocky Balboa (Sylvester Stallone) and a shy young woman named Adrian (Talia Shire) who works at a pet store. For my money, “Rocky” is a love story, first and foremost, and it is a sports movie second. The interaction Rocky and Adrian have with one another in his apartment is one of the most tender and genuine love scenes I’ve ever seen on film.
Rocky Balboa is a local southpaw boxer in Philadelphia where he makes little to no money, and he takes a lot of abuse in the process. He also collects for a local loan shark named Tony Gazzo, played by Joe Spinell. He hangs out at a local pub with his friend Paulie (Burt Young), who also happens to be Adrian’s brother. Paulie isn’t always the easiest guy to get along with, but Rocky is a very patient and understanding individual. As a matter of fact, you would be hard-pressed to find anyone that doesn’t like Rocky. It’s a well-known fact these days that Stallone was not someone the studio wanted to portray Rocky. However, the script was written by him, and he knew this character inside and out. He went on to write and direct “Rocky II, III and IV” which are also included in this set, along with “Rocky Balboa.”
That’s the beauty of this film. Stallone was an underdog actor at the time he sold his script, and the film is about an underdog boxer who is given a chance to fight the heavyweight champion of the world, Apollo Creed (Carl Weathers), after Creed’s original opponent ends up injured. Creed, being the shrewd businessman that he is, figures it would be a great idea to give an underdog a shot at the title in order to create a marketable gimmick and make some money. Rocky Balboa knows this is his chance to prove he can go make something of himself and stand out as a winner. He is trained by the cranky yet seasoned Mickey (Burgess Meredith), who is finally willing to give Rocky a chance. The two of them joust verbally back-and-forth with one another for some great comedic relief.
In “Rocky II,” Rocky is dealing with life after the big fight with Creed. Even though he didn’t win, he went the distance with the champion which shocked the world. He lasted all fifteen rounds and lost based on the decision of the judges. Regardless, many people think Rocky was the true winner of the fight. He has to figure out how to live a normal life now that he’s a well-known figure not only in Philadelphia, his hometown, but around the world as well. He starts to do commercials and even ends up with a manual labor job, but he realizes his true calling is as a boxer.
Apollo Creed also has a score to settle with Rocky. He wants to knock him out and prove to the world and himself that he’s truly the world heavyweight champion. Creed wants to show everyone that what happened in their previous fight was a fluke. Rocky, on the other hand, might go blind if he gets in the ring again after what happened in their last fight. He took quite a beating, but he came back for more. He knows he’s a fighter, and he knows the risks, even though he has to think of Adrian now and their child. Mickey has devised a plan for Rocky which he thinks will allow him to win the fight and protect his eyes at the same time.
In “Rocky III,” Rocky is forced to handle success. He learns that Mickey has been protecting him from the really good fighters out there because he wants to keep him safe and look out for him. This causes Rocky to feel like a paper champion and question his manhood. There is also a tough challenger coming for him by the name of Clubber Lang (Mr. T) who is hellbent on embarrassing Rocky in the ring and becoming heavyweight champion of the world. This time, though, he has a new trainer in Apollo Creed. Rocky once again must learn a new fighting style: it is one based on endurance and speed. Clubber Lang is bigger and stronger than Rocky, so it will take everything Rocky has in him in order to defeat him.
“Rocky IV” is where it gets very interesting, as there are two cuts of the film featured here on one disc. There is the original “Rocky IV” theatrical cut and also “Rocky IV: Rocky vs. Drago,” which is the ultimate director’s cut. This time, Rocky finds himself having to fight his biggest opponent yet in Ivan Drago (Dolph Lundgren), who is a foot taller and thirteen years younger than him. He also must train in Russia as the fight will be taking place there on Christmas Day. Rocky will not only train like he never has before, but he will have to win in enemy territory against “The Russian,” as he’s referred to many times throughout the course of the film.
I didn’t want to give four full-length reviews for these films, as I imagine almost anyone reading this has seen and knows them fairly well, much like myself. If I were to give my ranking of the films featured in this set, I would go with the original “Rocky” as the best, “Rocky II” as the second best, “Rocky IV: Rocky vs. Drago” as the third best, and “Rocky III” as the fourth best. I would really advise you to check out the ultimate director’s cut of “Rocky IV” over the theatrical cut. It’s only two minutes longer, but the film is more serious, intense, and flows in a much more effective manner. It’s all in the tone of the film, and I loved the tone of the ultimate director’s cut. It really gave me a new appreciation for the fourth “Rocky” film.
As soon as this set arrived, it only took me two days to go through all four films. It was truly a treat to revisit them. I understand why they released these four films in a set together. It makes sense after watching them. You can also buy them as standalone steelbooks at your local Best Buy, but I believe they have different release dates. This set is out right now and while it is far from perfect, I’ll explain why later, if you are a “Rocky” fan, you have to buy this set for your collection. The original “Rocky” will always be a great, great piece of cinematic history. The second film is very, very good as well. The third one is good, but not great. “Rocky IV: Rocky vs. Drago” is also much improved with the ultimate director’s cut.
4K Info: “Rocky: The Knockout Collection” is released on 4K from Warner Brothers Home Entertainment. This set features five discs. The first three films are on their own individual discs and “Rocky IV” has the theatrical cut and the ultimate director’s cut on it. There is also a Blu-ray disc of special features. The set also comes with a digital code to have all of them in your digital library on 4K. “Rocky” has a running time of 119 minutes, “Rocky II” has a running time of 120 minutes, “Rocky III” has a running time of 100 minutes, and “Rocky IV” has a running time of 91 minutes (theatrical cut) and 93 minutes (ultimate director’s cut). All the films are rated PG. The set comes in a flipper case with a thick cardboard slipcover, so the discs are not stacked on top of each other and can be flipped through with their own slot. On one hand, I would have loved it if they released these films in four separate cases with slipcovers in a box set. However, for space reasons, this set works for me as it’s easy to put on the shelf with all four films together on five discs (including the Blu-ray special features disc) in a single set which isn’t much bigger than your average 4K film with a slipcover. All of the films come with Dolby Vision as well, which I was VERY happy with as a 4K collector.
Video Info: Let’s talk about the look of these films. The original “Rocky” is probably the worst looking film out of the bunch. I say this because of the age of the film and its low budget. It doesn’t look awful or terrible, but I don’t think it’s ever going to be a film that looks spectacular or blows you away. There is noticeable grain here, but in many ways, it adds to the gritty nature of the original film. That being said, if you are looking for a major upgrade with the first film on 4K, you probably are going to be disappointed. “Rocky II” looks very, very good. It’s a clean transfer which is smooth looking and crystal clear. The boxing scenes, in particular, look the best I’ve ever seen them look. This is when you can see the Dolby Vision and the HDR really, really stand out. This is a major upgrade. For “Rocky III,” the transfer is above average. It’s better than “Rocky,” but it’s not as good as “Rocky II.” There was noticeable grain, but it didn’t have the same old-school charm as the original look of the film. The best-looking film out of the bunch, far and away, is “Rocky IV.” I wish the majority of the films looked like this. This counts for both the ultimate director’s cut and the theatrical cut. You can see everything on their faces, and they really cleaned up this film. It looks beautiful and modern.
Audio Info: The following audio formats were used: English DTS-HD 5.1 Master Audio, English/Spanish/French Dolby Digital, and 2.0 Dolby Digital with subtitles in English, French, and Spanish. I’ve read from a lot of people online that are unhappy with how the films sound. Personally, I don’t think the audio issues are as bad as advertised, and the problems don’t take away from the viewing experience. At times, the films can fluctuate in audio, but the dips are not that frequent. They are here and there throughout the four films. Truth be told, I would not have ever noticed these issues unless they were pointed out to me. Overall, though, I think it’s much to do about nothing.
Special Features:
“Rocky” 4K Special Features:
Audio Commentary featuring Sylvester Stallone.
Audio Commentary featuring John G. Avildsen, Irvin Winkler, Robert Chartoff, Talia Shire, Carl Weathers, Burt Young, and Garrett Brown.
Audio Commentary featuring Lou Duva and Bert Sugar
Bonus Features Disc:
The Making of Rocky vs Drago: Keep Punching
8mm Home Movies of Rocky
3 Rounds with Lou Duva
Steadicam: Then and Now
Staccato: A Composer’s Notebook
The Ring of Truth
Tribute to Burgess Meredith
Stallone Meets Rocky
Trailers
* * * ½ out of * * * *
Should You Buy It?
This set was delayed in getting to me as it had a street date of February 28th, and I imagine a lot of that had to do with people complaining about the audio issues. I’m not a film snob by any means, but I am very particular about the audio and visual quality of 4K releases, as I’ve invested heavily into the 4K format. With all that being said, the pros outweigh the cons. Yes, not all of the films look great, but this is the best they have ever looked, with “Rocky II” and “Rocky IV,” in particular, looking fantastic. Yes, the audio is problematic at times, but it’s not so noticeable that it impacted my ability to hear the films or enjoy them. Right now, the set is going for about $53 plus tax, and I think for four films in 4K that are hugely popular, it’s a good value for the price. I would say this set is imperfectly perfect, as I enjoyed watching the films and the quality of them when they were flying on all cylinders. For film fans or Rocky fans, I think there is A LOT more to like than dislike with this collection. You can buy this set with confidence and try to ignore all of those folks out there who are analyzing every little detail to death. I think people are getting way too particular with 4K films, and this is coming from someone with high standards. The key is watching and enjoying the films with quality video and audio, and I felt I was able to do that more often than not. As far as the films themselves, many would argue these are the best films in the franchise, so it’s fine that “Rocky V” and “Rocky Balboa” are not included. “Rocky Balboa” is enjoyable nostalgia, and I imagine it will get a proper 4K release along with “Rocky V” at some point. As I often bring up, the special features are old special features. It’s hard to get people to sit down and do special features anymore, I feel like. At the end of the day, buy this set and enjoy it!
**Disclaimer** I received a copy of this film from Warner Brothers to review for free. The opinions and statements in the review are mine and mine alone.
The following review was written by Ultimate Rabbit correspondent, Tony Farinella.
“Bones and All” is a film I must admit I was not familiar with until I heard of its upcoming release on Blu-ray. After hearing about its premise and the actors involved, I was immediately interested in checking it out. It is an intimate little film which is unique in the way it tells its love story, and it’s filled with great performances and beautiful scenery. We live in a cinematic world where it’s all too commonplace for a film to be a remake, a sequel, or a copy of another film. It is something to admire when a project like “Bones and All” comes along and decides to take an ambitious and outside-the-box approach on young love and mix it with cannibalism. Director Luca Guadagnino (“Call Me by Your Name” and the “Suspiria” remake) is always on the cutting-edge of filmmaking.
The film opens by introducing us to Maren, played by the immensely talented Taylor Russell. Russell has an incredibly expressive face throughout the course of this movie, and she plays this part just right as she balances the vulnerability of Maren along with the inner strength she has been forced to possess because of her situation in life. Her father keeps her under lock and key and for good reason: she is an eater. He never knows when she might decide to eat someone. She first did it to her babysitter when she was younger, and it was something which caused her mother to pull away from her. We find out why later in the film.
Maren’s father is played by André Holland, and he makes the most out of his limited screen time. However, this is really the story of Maren and, later, of Maren and Lee, played by Timothée Chalamet. While on her journey to discover more information about her mother and why she left her and her father, Maren meets Lee in Kentucky. Lee is charming, charismatic, and an eater. For the most part, eaters do not eat other eaters, but they can smell when someone is an eater. The reason they meet is because Maren’s father decided there is nothing else he can do to protect his daughter. He has done all he can for her, and she’s become a threat to anyone she encounters even though she’s very nice, shy, and soft-spoken.
Along the way, the bond between Maren and Lee grows even stronger. This is the first time she has really been outside the house this much and been allowed to interact with people around her age. She likes him, and he likes her. They try to follow a moral code when it comes to the individuals they eat, but they do not always know their backstories, which can sometimes lead to Maren feeling like she’s a bad person. Lee is more experienced in this field and, because of this, he knows he needs to do whatever is necessary to survive.
There is also an older eater named Sully (Mark Rylance) whom Maren runs into earlier in the film. He seems to mean well, but Lee is not exactly sure what to make of him because of the age difference and his overall demeanor. Maren tries to distance herself from Sully, but he seems to be around the corner at every turn. Is he just a harmless old man? Is he a threat to her and possibly Lee? I was fascinated by the cannibalism angle of this film, as it does not really make a judgement on the characters. Cannibalism is part of them, but they are seen as human beings and not monsters. They are trying to live with it as best as they can and forge meaningful friendships and relationships.
“Bones and All” is one of those under-the-radar gems which is shot in such a naturalistic way by Guadagnino . It really allows the audience to spend time with the main characters, get to know, understand and feel for them. The love story between Chalamet and Russell is the lifeblood of this film. It is what makes this film tick. Both on their own and together, they make movie magic on screen. They have strong chemistry from the moment they meet each other, and it only increases as they are put together in various scenarios. Rylance does a fantastic job of keeping the audience guessing as we are left to figure out what his true intentions are with Maren.
This film is truly a journey with its running time of 131 minutes. At certain points, it can lag a little bit and feel a bit disjointed. During other scenes, the pacing is exactly right as it allows things to breathe and have time to resonate with the audience. The more and more I thought about “Bones and All,” the more I liked it. It is not perfect, but the things which work, such as the relationship between the main characters, the gorgeous cinematography and direction are top notch. This is a unique film that packs a powerful punch and is worth seeking out.
* * * ½ out of * * * *
Blu-ray Info: “Bones and All” is being released on a single-disc Blu-ray from Warner Brothers Home Entertainment. The film is rated R for strong, bloody and disturbing violent content, language throughout, some sexual content, and brief graphic nudity. It has a running time of 131 minutes, and it also comes with a digital copy of the film as well.
Video/Audio Info: I really wish this film would have received a 4K release, as it’s a film shot with such scope and beauty. I am a 4K guy and am always going to prefer a 4K release. The Blu-ray, however, is still pretty good, picture-wise. It comes in 1080p High Definition. For the audio, we got a Dolby Atmos track which is really impressive. Subtitles are in English, French and Spanish.
Special Features:
A Look Inside
Luca Guadagnino: The Vision of Bones and All
Meet Lee
Meet Maren
Outsiders in Love
Should You Buy It?
As a firm believer in physical media and independent cinema, I think this is a film worth adding to your collection. Sadly, the special features are noticeably short as they run around two minutes or less. I would have enjoyed a little more detail with them. However, with a film like this, maybe less is more as it allows the audience to come up with their own conclusions as it pertains to how they feel about the film. I am also disappointed about the lack of a 4K release as it would have looked perfect in that ultra-high definition format. The Blu-ray looks good, but a 4K of “Bones and All” would have been stunning. As far as the film itself, if you are like me and enjoy being challenged by a unique story with powerful performances and great cinematography, you will find a lot to like with here. As of right now, the film is going for $27.99, which is a bit pricey for a Blu-ray. If that were the price for the 4K, I would say you should buy it immediately. As it stands, you should buy it, but I would wait for the price to drop.
**Disclaimer** I received a copy of this film from Warner Brothers to review for free. The opinions and statements in the review are mine and mine alone.
The following review was written by Ultimate Rabbit correspondent, Tony Farinella.
If it’s Christmas time, you know it means twenty-four hours of “A Christmas Story” from director Bob Clark on TBS and TNT. It has become a holiday tradition for many people and a good background distraction for families as they gather to open presents, eat and spend time together. As with any Christmas film which is hugely popular, people are known to quote the lines from this one as they hold it near and dear to their hearts. However, how does “A Christmas Story” hold up in 2022?
“A Christmas Story” is set in Northern Indiana and follows young Ralphie Parker (Peter Billingsley), a nine-year-old kid who wants one thing for Christmas—a Red Ryder BB Gun. However, he is told by his mother, his teacher and even a mall Santa that he will shoot his eye out. This does not stop him from pulling out all the stops to get it though, including leaving behind little hints for his mother. Ralphie also has a peculiar little brother named Randy who likes to play with his food and hide in tiny spaces. He’s also joined by his overworked mother (Melinda Dillon) and cranky father (Darren McGavin).
The film is told from Ralphie POV as an adult as he looks back on this particular Christmas. We get to see him at school as he’s trying to focus on his classes while also pining over the Red Ryder BB gun. He’s also dealing with the local school bully named Scut Farkus (Zack Ward) who terrorizes Ralphie and his friends Flick and Schwartz, played by Scott Schwartz and R.D. Robb. They get into the usual tomfoolery at school such as Flick getting his tongue stuck to a post outside school, which causes him to need medical attention.
Ralphie’s father is also obsessed with a leg lamp which he sees as a major award, even though it brings his wife a great deal of shame and embarrassment. The father is also dealing with being hounded by the dogs next door. There is a lot going on in Ralphie’s life, but one thing remains the same—he wants the Red Ryder BB gun. He is counting down the days until Christmas, and he is hoping he will find it under the tree, no matter what it takes. I think we can all relate to that period of time in our lives as a child hoping for that special present as if it were the most important thing in the world.
I do feel though that “A Christmas Story” is overrated simply because of the fact it’s been on TNT and TBS since 1997. Sometimes if an audience sees something enough, they tend to fall in love with it based on repetition or the memories it conjures up for them. It is not a bad movie by any means. It is based on “In God We Trust: All Others Pay Cash” by Jean Shepherd which, according to my research, featured semi-fictional tidbits. I just don’t think there is a story or a plot here. It is filled with movie moments and memorable lines which have stayed with people throughout the years. My favorite Christmas movie of all time is “It’s a Wonderful Life” with “Elf” coming in at number two, which I recently reviewed.
There is humor to be found here, and I understand what they were trying to go for with the story and the theme. I just didn’t feel like it was enough to make a full-length film. Even though it’s only 93 minutes, there are times where the film drags and feels a little insignificant. I didn’t hate the film nor did I love it either. It’s watchable, but there is nothing which really stands out to me. The film doesn’t have an “it factor” like the other two Christmas movies I mentioned. It’s just mindless silliness, which is fine, but it doesn’t make for a great movie. It makes for an average movie.
* * ½ out of * * * *
4K/Blu-ray Info: “A Christmas Story” is released on a two-disc 4K/Blu-ray combo pack from Warner Brothers Home Entertainment that also comes with a digital copy of the film. It is rated PG and runs at 93 minutes.
4K Info: They have done a masterful job of cleaning up this picture. I’ve seen it many times over the years in bits and pieces on TV, but this is, far and away, the best it has ever looked. There is no grain whatsoever on the picture. It is crystal clear, and the HDR gives the film a new life.
Audio Info: The audio formats are DTS-HD MA: English 2.0 Mono and Dolby Digital: English and French. Subtitles are included in English, Spanish, and French. The audio has also never sounded better on 4K. You can hear everything perfectly, and the sound is consistent throughout the film.
Special Features:
Audio Commentary by Bob Clark and Peter Billingsley
Christmas in Ohio: A Christmas Story House
Another Christmas Story
Daisy Red Ryder: A History
Get a Leg Up
“Flash Gordon” Deleted Script Pages
The Leg Lamp Spot
Jean Shepherd Original Radio Reading
Duel in the Snow, or Red Ryder Nails the Cleveland Street Kid (HD, 38:07)
Flick’s Tongue
Theatrical Trailer
Should You Buy It?
If we are strictly talking about the audio and video of this 4K release of “A Christmas Story,” this is a must own if you are a fan of the film. Having seen it on TV at many Christmas parties and also having watched the Blu-ray in the past, this is an incredible transfer on 4K. The film looks great. Keep in mind, the filmmakers have set this story in the 1940’s, even though it was released in 1983. It looks out of this world on 4K. I was really impressed with the audio and video here and every little detail that was popping up on screen. I give the audio and video four stars on this release. You get the special features that were on the Blu-ray in the past, which is expected. If you are a fan of the film, you NEED to own it on 4K, there is no question about it. If you have grown tired of the film or don’t find it funny (I fall into the latter category), you can pass on it. However, I have a feeling this is going to be a hot-seller for fans of Christmas movies. It just doesn’t work for me.
**Disclaimer** I received a copy of this film from Warner Brothers to review for free. The opinions and statements in the review are mine and mine alone.
The following review was written by Ultimate Rabbit correspondent, Tony Farinella.
“Poltergeist” is a film I haven’t watched in probably close to sixteen years. The last time I remember watching it was when I was preparing to interview the late Zelda Rubinstein for the DVD release of the film back in the day. Upon revisiting “Poltergeist,” I found it to be a mixed bag. There are certain aspects which feature solid special effects, some good scares, and intense moments of horror. There are also long-drawn-out scenes that drag the film down at other points. The film also feels very dated in many ways. I had trouble deciding my feelings on the film even after watching and sitting with it for a few hours.
“Poltergeist” introduces the audience to your average suburban husband and wife played by Craig T. Nelson and JoBeth Williams. They are doing their best to raise their children: Carol Ann (Heather O’Rourke), Robbie (Oliver Robins), and Dana (Dominique Dunne). Carol Ann is the mischievous youngest child of the bunch, Robbie is the scared middle child, and Dana is the sixteen-year-old teenager with a bit of sass to her. Their world is turned upside down when strange and bizarre things start happening in their home. They find that the furniture is moving all around the house, and the house itself seems to have a mind of its own. When they lose their youngest, Carol Ann, to the TV, they start to become incredibly concerned about their living situation.
One of the positive aspects of “Poltergeist” is the fact that the family can’t just leave the house because their daughter is inside of it somewhere. In many haunted house films, it’s frustrating to watch as a viewer because you just want to scream, “Leave the house already! Get out of there!” It’s not that easy this time. They need to stay in the house in order to save their child. This is causing sleepless nights and a tremendous amount of anxiety for the parents. Dana ends up staying with a friend to get away from the chaos of the home while Robbie stays with his grandmother. Steve and Diane are determined to get to the bottom of this.
This is also where the film falls off the rails a little bit. They end up bringing in some experts to help them with this issue, as they want to find out if it’s a simple haunting or a poltergeist intrusion. All of this is new to them, and they are learning as they go along. They end up bringing in a spiritual medium, played by Zelda Rubinstein, in the hopes of finally getting to the bottom of this. She is attempting to help Steve and Diane communicate with their youngest daughter and figure out a way to get her back to them safe and sound. However, this is going to be much easier said than done because of all of the obstacles and roadblocks that are in their way. There is also a hidden secret that explains why Carol Ann says “they’re here” when she looks at the TV.
Overall, there is a good movie in here somewhere dying to come out. “Poltergeist” maybe needed a spiritual medium of its own to get the most out of its production. It’s directed by Tobe Hooper and produced by Steven Spielberg. Many have stated Spielberg was responsible for directing most of the film and, in turn, should have been labeled a co-director on the project at the very least. It has been a Hollywood inside story for a while, but it does feel like a movie in search of a tone and direction. The “ghost story” aspects are too convoluted at times, which is when it starts to feel a bit tedious and tiresome to watch. The straight-up horror aspects are the ones which really work and are incredibly effective. There are some set pieces and scenes which were really ahead of its time and truly terrifying. Sadly, those scenes are few and far in between.
“Poltergeist” is also bogged down by its PG rating. It feels like a crowd-pleasing PG horror movie instead of a horror thrill-ride. Once again, this feels like a film at odds with itself. The performances by Craig T. Nelson and JoBeth Williams are really, really good. They show just the right amount of anguish and distress as the parents. The younger actors are not given a whole lot to do here, which is a shame, because young children in peril, when done right and with no agenda, can also add to the terror. Overall, this film was a mixed bag for me, so I can’t quite recommend it, even though I truly enjoyed certain scenes, the performances, and the special effects.
* * ½ out of * * * *
4K/Blu-ray Info: “Poltergeist” is released on a two-disc 4K/Blu-ray Combo Pack from Warner Brothers Home Entertainment. It is rated PG and has a running time of 114 minutes. It also comes with a digital copy of the film.
Video Info: The 4K HDR transfer of the film looks incredible. This film was released in 1982, and it looks better than ever here on 4K. Warner Brothers Home Entertainment has really stepped up their game with their 4K releases from their catalogue of films. The vivid and bright colors are really popping here while the dark and gloomy scenes are done just right. There is a warning for this film if you are susceptible to epilepsy or have trouble with photosensitivity, so keep that in mind if you are going to buy this film or watch it.
Audio Info: The film comes with two audio tracks in English: DTS-HD MA: English 5.1 and 2.0 along with Dolby Digital: French and Spanish to go along with it. Subtitles are included in English, French, and Spanish. The audio is really taken up a notch when it comes to the more intense horror scenes. It really enhances the strength of the scenes.
Special Features:
“They Are Here: The Real World of Poltergeists Pt. 1- Science of the Spirits”: 15:30
“They Are Here: The Real World of Poltergeists Pt. 2- Communing with the Dead”: 15:31
“The Making of Poltergeist”: 7:15
Trailer: 2:25
Should You Buy It?
As per usual, these special features have been previously released on the Blu-ray of the film. All in all, they are decent enough special features if you enjoyed the film. The more I thought about this film, the more I realized I was trying to talk myself into liking it. I didn’t hate it and it’s not a bad movie. It’s simply OK. It could have been a lot better considering the actors and the director and producer behind it. This should have been a great film and a horror classic. It’s overrated in many ways. It’s not a film that is going to have great repeat value or one that I think many will come back to time and time again. I can’t recommend that you purchase this film, even though I thought I was going to enjoy it quite a bit. It’s a disappointment, as the potential is there, and it’s shown in certain scenes and with the performances. It’s just not consistent enough throughout the film. The beginning and the end of the film are really good, but the middle is a mess and quite boring at times. The 4K of the film is impressive and a major upgrade. If you are a fan of the movie, you will enjoy the 4K transfer. If you aren’t a fan of the film or haven’t seen it before, I don’t think you need to spend your money on this 4K.
**Disclaimer** I received a copy of this film from Warner Brothers to review for free. The opinions and statements in the review are mine and mine alone.
The following review was written by Ultimate Rabbit correspondent, Tony Farinella.
There is nothing about “Dog” that will offend your cinematic senses, nor is there anything in the film which will reinvent the wheel. This is a simple movie with a simple concept. For a lot of filmgoers, they probably love the idea of a dog movie starring Channing Tatum, who also co-directed the film with its screenwriter, Reid Carolin. For some people, they are fine with a film that just leaves them feeling happy and does not require a lot of thought behind it. They simply kick back their feet and enjoy themselves. At times, I believe film can be a great form of escapism when done right. In the case of “Dog,” there are individual moments that worked in the film, but as a whole, it’s missing a lot of key ingredients.
“Dog” follows Jackson Briggs (Channing Tatum), a former U.S. Army Ranger, who is having a tough time adjusting to regular life. He has brain injuries and PTSD. When the film opens, he’s making sandwiches at a sandwich shop, which is clearly not the best use of his skills. Because of this, he’s eager to do something that will challenge and excite him. He wants to be put on the rotation for Pakistan, but there are major concerns about his health and if he will be able to handle it. He assures them he is fine, but it is clear he’s struggling.
This image released by MGM shows Channing Tatum in a scene from “Dog.” (Hilary Bronwyn Gayle/Metro-Goldwyn-Mayer Pictures via AP)
When one of his former squad members is killed in a car accident, he is given the task of driving Lulu, a Belgian Malinois military dog, to Arizona for the funeral. If he does this successfully, they will put in a good word for Briggs for a future tour. After the funeral, Lulu, because of its violent nature, will have to be put down. From here, the film turns into a road trip movie with Briggs and Lulu. The dog causes a lot of headaches for him, especially when he’s trying to have sex. There is also a comical run-in with a psychic and her paranoid husband, played by former professional wrestler Kevin Nash. It was great to see Nash on the big screen once again. There is also a cameo by comedian Bill Burr.
There are other encounters along the way for both Briggs and Lulu. Some of them are successful and some of them are unsuccessful. Some of them are funny, and some of them are what you would expect in a road trip movie featuring Tatum and a dog. I imagine that was a big selling point for the film. Considering the low budget for the film and its final box office numbers, it was a low-risk, high reward project for the studio. From an artistic standpoint, the film has real issues with its pacing. It’s very slow-moving and tedious to sit through at times, even though it’s 101 minutes. Tatum is a fine actor, but he’s not the kind of actor who is going to keep my interest for an entire film as the lead. Even though I love animals, the same is true of the dog.
This is a feel-good flick with a lackluster story. It’s not a bad movie. It’s average, run-of-the-mill, and forgettable. After it was over with, there wasn’t anything from the film that really stayed with me. Considering its subject material (the impact and healing powers of animals and the real struggles the military deals with from a mental health perspective), they could have done a lot more here. Instead, they played it safe and easy with a formulaic film that needed a little more bite to it, no pun intended. There are some laughs to be had here, especially with some of the cast members I mentioned, but they are few and far between. I’m sure a lot of families and Tatum fans will enjoy this film. It didn’t do it for me, however.
* * out of * * * *
Blu-ray Info: “Dog” is released on a two-disc Blu-ray and DVD Combo Pack from Warner Brothers Home Entertainment, which also comes with a digital copy of the film. It is rated PG-13 for language, thematic elements, drug content, and some suggestive material. It has a running time of 101 minutes.
Video/Audio Info: The film comes on 1080p High Definition with two audio tracks: DTS-HD MA: English 5.1 and Dolby Digital: English Descriptive Audio. Subtitles are in English and Spanish.
Special Features:
“Dog” Trailer
Should You Buy It?
I can’t think of any reason to buy this film unless you are part of the Channing Tatum fan club. The film has its heart in the right place, so I can’t fault it for that. It just doesn’t want to try to break out of its formula. The film follows all of the familiar beats one would expect in a film like this, and it ends exactly how you would expect it to end. It follows the formula from A to Z. It does not take any chances or have any surprises, whatsoever. I don’t even think it’s worth a Redbox rental. It’s a film you can completely pass on, and you will be just fine. The Blu-ray does not come with any special features, which is a bummer. It would have been nice to see how Tatum worked with the dog and some of the challenges it presented for the actor. I feel like the Grinch giving this film a bad review, but its screenplay is just lazy and the pacing is really rough. I’d pass on this one altogether.
**Disclaimer** I received a Blu-ray copy of this film from Warner Brothers to review for free. The opinions and statements in the review are mine and mine alone.
The following review was written by Ultimate Rabbit correspondent, Tony Farinella.
Even though “Singin’ in the Rain” is celebrating its 70th anniversary with this 4K release, in my 36 years on this planet, I have yet to see it until now. I was familiar with a few of the songs from the film, as they are part of cinema history, but I never sat down to view it from start to finish. It’s better late than never! That is the beauty of film: even if you think you have seen all of the classics out there, there is always one that slips through the cracks from time-to-time. “Singin’ in the Rain” is one of the best 4K releases of this year so far with its vivid colors, lifelike images, and crystal-clear picture. It is truly a treat to enjoy.
The film stars Gene Kelly as Don Lockwood, a Hollywood stuntman and hoofer. He is quite popular in silent films and lives by the motto, “Dignity. Always dignity.” It’s appropriate for his performance in this film, as it’s dignified and classy. You can’t keep your eyes off him whether he is dancing, singing, or acting. He has the “it” factor on screen in this film. He was also the co-director on the film along with Stanley Donen. Don’s leading lady, Lina Lamont (Jean Hagen) is the complete opposite of him as she’s superficial, selfish and rude throughout their time together. Monumental Pictures, the studio behind Lockwood and Lamont, tries to put out this image of the two of them together as a happy couple in order to better increase the gate on their films together.
Don, on the other hand, sees right through Lina and tries to distance himself from her as much as possible. Don’s best friend is Cosmo Brown, played brilliantly by Donald O’Connor. He’s always there to listen, come up with ideas for Don and support him. He understands why Don has to get as far away as possible from Lina at times. It causes him to jump into the car of Kathy Selden (Debbie Reynolds), a stage actress who doesn’t think too highly of the movies Don Lockwood is putting out there. She is there to tell him the truth about exactly what she thinks of him, which opens up Don’s eyes, as he’s used to people telling him how great he is all the time. He sees she is talented and smart, and he quickly takes a liking to her.
With the success of “The Jazz Singer,” talking pictures are becoming more and more popular in Hollywood. This puts Lamont and Lockwood in a position where they have to learn a new way of doing things. Don is a natural and is also willing to put in the work to adapt to the new way of Hollywood. Lina, on the other hand, has a voice which is rough on the ears. However, people are used to seeing the two of them in films together. Because of this, Cosmo comes up with the idea of dubbing over Lina’s lines with Kathy’s voice in an upcoming musical. This idea is spawned after the public laughs at a screening when they hear Lina’s voice and mistakes throughout one of their films.
Kathy and Don start to become closer and closer, which does not make Lina happy at all. She is still unwilling to see her flaws or work on her craft to get better. Kathy, on the other hand, is immensely skilled and talented. I must admit I am not the biggest fan of musicals as it’s not one of my favorite genres. The beauty of “Singin’ in the Rain” and why it’s a classic is the fact they know when to have music and dancing, but also know when to focus on the actors and give them the space they need to act and develop their characters. When the musical numbers hit, they are out of this world. The songs are memorable, and they will stay in your head after the film is over. That is huge in a musical.
The dancing is also top-notch and terrific. There are certain scenes where they keep the camera on the actors dancing, and my eyes were glued to their movements and the poetry in which they were moving. It was truly something to behold. The amount of work, preparation, and time it took to pull this off is why people are still interested in watching this movie 70 years later. It holds up incredibly well. I’ve always been a fan of old-Hollywood. The 50’s created some of the most iconic movies, and “Singin’ in the Rain” is up there. I’m just disappointed it took me this long to check it out. Now, I want to watch it again and again.
For me, the two stand-outs in the film are Gene Kelly and Debbie Reynolds. Kelly has an effortless charm and is so darn likable. He’s the perfect actor for this role. Reynolds is elegant and pure class in her role. As an audience member, I was really rooting for them to end up together. Of course, the “Singin’ in the Rain” moment is one even I was familiar with, even though I hadn’t seen the film. It’s a gorgeous scene to watch and it just put a big smile on my face. This film has it all: humor, romance, heart, love and great, great music. People will still be talking about “Singin’ in the Rain” 70 years from now.
* * * * out of * * * *
4K Info: “Singin’ in the Rain” is released on a two-disc combo pack from Warner Brothers Home Entertainment. It has a running time of 103 minutes and is rated G. It comes with the 4K, Blu-ray and a digital code as well.
4K/Blu-ray Info: The film is released in 2160p High Definition, and it’s leading the way as one of the best 4K releases of 2022. The film might be 70-years-old, but it looks incredible. With high dynamic range, you see every color come to life on screen. This is a visual feast for the eyes. As mentioned earlier, this film was made for 4K. It is a huge improvement over the previous releases.
The Blu-ray comes in 1080p High Definition. The 4K comes with the following audio formats: DTS-HD MA: English 5.1, English Mono, Dolby Digital: French and Spanish. Subtitles are in English, French and Spanish. For the Blu-ray, it comes on DTS-HD MA: English 5.1 and Dolby Digital: French and Spanish. The subtitles are also in English, French, and Spanish.
Special Features:
Commentary by Debbie Reynolds, Donald O’Connor, Cyd Charisse, Kathleen Freeman, Stanley Donen, Betty Camden, Adolph Green, Baz Lurhmann and Rudy Behlmer
“Singin’ in the Rain:” Raining on a New Generation Documentary
Theatrical Trailer
Should You Buy It?
If you are a hardcore physical media collector like yours truly, this one is a no-brainer. If you have seen the film before and don’t own it, it’s an even bigger no-brainer. The one disappointment I always bring up with some of these 4K releases is they are still using previously released special features. I know it’s a 70-year-old film, but I still think you can add a modern-day special feature with new interviews from film historians and actors to the 4K release instead of just recycling the old ones. For the price point and the look of the film, Warner Brothers has knocked it out of the park with this 4K release. It’s simply mesmerizing. As far as the film itself, it’s one of the greatest of all-time for a reason. If you own a 4K TV and player, this is the movie you need to buy right now. You won’t be able to take your eyes off the screen. This one comes highly recommended!
**Disclaimer** I received a 4K/Blu-ray copy of this film from Warner Brothers to review for free. The opinions and statements in the review are mine and mine alone.
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