‘One of Them Days’ Takes a Familiar Store and Infuses it with Stong Characters

I have been around some of the neighborhoods featured in “One of Them Days” as they are not too far from where I live. They all seem to have a nice family vibe going on and are filled with all kinds of blue-collar workers who, like everyone else I know, are living paycheck to paycheck. I keep thinking a lot of people will look at these neighborhoods and apartment buildings as being very “ghetto,” but that is far too easy an assumption to make. Either that, or I am doing everything I can to not sound too white while writing this movie review.

Seeing the way the apartment buildings and inner-city areas are portrayed in “One of Them Days” helps to make this film stand out a bit. The story is old as they come, and we have seen it being done in so many movies of all kinds, but the way certain environments are shown here makes it feel a lot fresher than I ever could have expected. It also helps that the film has a strong cast who portray characters you want to follow from start to finish.

We meet best friends Dreux (Keke Palmer) and Alyssa (SZA) who share an apartment in a building off of Obama Boulevard, the kind that needs a serious visit from the Los Angeles Housing Authority. The ceiling is falling apart, the air conditioning units don’t work, and everyone has one roommate too many because, as we often hear, the rent is too damn high. And into this “jungle,” as the characters like to call it, is a young white woman named Bethany (Maude Apatow) who is all smiles and comes with a dog who clearly needs a lot more training.

To top things off, Dreux gets a visit from her landlord, Uche (Rizi Timane) who informs her if he doesn’t get the rent by six o’clock, she and Alyssa will be drop-kicked out onto the street. Dreux says Alyssa has already given him the rent money, but it turns out Alyssa’s good for nothing, live in boyfriend Keshawn (Joshua David Neal) has run off with it and into the arms of another girlfriend of his, Berniece (Aziza Scott). This leads Dreux and Alyssa to go on a desperate mission to get the rent money before it is too late, and the clock starts clicking like it does on the average episode of “24.”

In a lot of ways, “One of Them Days” is a version of the book “Alexander and the Terrible, Horrible, No Good, Very Bad Day” and so many other stories dealing with missions needing to be completed before the clock strikes midnight. Dreux and Alyssa’s adventures involve parking in the wrong spot at the wrong time in Los Angeles (seriously, those parking enforcement officials are like ninjas), donating blood for money, and attempting to get a loan at one of those quick credit offices who are just waiting to overcharge their customers on interest payments.

Like many cinematic comedies, the jokes are hit and miss as I have seen some of them done better. The donating blood scene goes a bit over the top, and I remember a better example being done with Al Bundy on “Married With Children,” but the credit office scene is a hoot as it shows an employee laughing her butt off at a low credit score, something I have not seen before. But what keeps the movie together are Keke Palmer and SZA. Even as the comedy gets a bit too broad, they both nail their character’s individual strengths and vulnerabilities perfectly as they show how Dreux and Alyssa clearly want better futures for themselves, but life too often gets in the way.

In addition to making the rent, Dreux also has an interview with a corporate company for a job which will allow her to ditch her waitressing job and move up in the world. As for Alyssa, she is one of the many struggling artists out here in Los Angeles whose self-confidence is so low to where they hook up with people who can never truly value who they are.

Palmer is wonderfully energetic here as Dreux, a person eager to rise above her meager place in life, and I especially enjoyed SZA who takes Alyssa from someone lacking in confidence in herself and her work to one who has more than earned their newfound confidence in life. Even as their characters go through the usual routines of loving and hating one another to where they never want to talk to each other again, and we know they will quickly realize how much they need one another long before the story ends, both these actresses kept me wanting to follow their plight throughout.

Palmer and SZA are also supported by a strong cast which includes Katt Williams as a man named Lucky, and this is even though this character is not having any luck at life in the present. You also have Vanessa Bell Calloway whose character of Mama Ruth doesn’t get much screen time, but who remains a very strong presence nonetheless. And there is no forgetting Patrick Cage who plays the interestingly named Maniac, and he is a human being who almost dares you to judge a book by its cover. While his outward appearance might have one thinking he is that kind of a person, the reactions others have to him, let alone to a certain object of hardware he has in his car, are quite telling of those around him. In the end, Cage makes Maniac into a resilient character who gas been through a lot and has evolved a lot in the process.

I also got to say that I love how strong the women are as presented here. I say this because this relates to all the women I have worked with in life, and they often prove to be much stronger than us men for many reasons. “One of Them Days” proved to be a reminder of this for me, and this is not just because many of the male characters are such babies here. Heck, Keshawn is such a man child that you just want to smack him silly. Some out there might say that the female characters are made to look strong to help satisfy certain demographics, but I prefer to believe they simply reflect a reality we should not be the least bit surprised by.

“One of Them Days” is not going to go down as a classic motion picture, but that’s okay because I enjoyed it for what it was. If you are looking for a nice diversion from your problems for an hour or two, I think this one will do the trick.

* * * out of * * * *

The Super Bowl LVI Movie Trailers in Review

The Super Bowl has come and gone again. While the home team, the Los Angeles Rams, got me interested in this monumental event more than usual, what always brings me back to the Super Bowl are the commercials and the trailers for upcoming films which look to bring in the largest audiences possible. Even if some are available to stream on streaming services on opening day, these blockbusters are clearly made for the silver screen. Whether or not COVID mandates are still in place when these films arrive, I look forward to seeing many of them in a theater.

Doctor Strange and the Multiverse of Madness

Following the massive success of “Spider-Man: No Way Home,” Doctor Strange returns to battle the multiverse once again, and it looks badass to put it mildly. Sam Raimi returns to make his first movie based on a Marvel Comics character since “Spider-Man 3,” and it sure feels like a Sam Raimi film with all the crazy images which look like they came from “The Evil Dead.” The only thing I have to wonder now is this, will there be a Bruce Campbell cameo? Moreover, will his classic yellow 1973 Oldsmobile Delta 88 make an appearance as well? If so, that would be groovy.

Granted, the trailer presented during the game was a teaser for the official trailer which is now available to view online. I am just going to leave you the official trailer down below. Just when I thought I was getting burned out by superhero/comic book movies, this “Doctor Strange” sequel has whetted my appetite.

By the way, was that Patrick Stewart’s Professor X voice we heard?

The Lost City

Look, I love Sandra Bullock and Channing Tatum is fun, but this trailer for “The Lost City” makes the film seem like a wannabe “Romancing the Stone” which is too broadly comedic for its own good. Directed by Aaron and Adam Nee and based on a story by Seth Gordon, Bullock plays the brilliant but reclusive writer Loretta Sage who is known for penning romantic adventure novels which take place in exotic locations. While promoting her latest novel, she is kidnapped by an eccentric millionaire played by Daniel Radcliffe whom we see only briefly here, and it is up to Alan (Tatum), the model for Bullock’s book covers to save her. Oh yeah, there is a secret treasure involved. Sound familiar?

It pains when actors are clearly striving to be funny as this trailer. Still, it is worth watching for Brad Pitt who steals the show here just as he stole a certain scene in “Deadpool 2.”

Jurassic World Dominion

As disappointing as “Jurassic World: Fallen Kingdom” was, its conclusion gave its follow-up an interesting scenario to work with, dinosaurs co-existing with human beings. Can such a thing be possible, or will one race dominate the other to where a certain species is rendered extinct?

The trailer presented during Super Bowl LVI is the same one that recently premiered online. The image of cowboys trying to herd some dinosaurs who could easily kill them just by stepping on them is a fascinating image, and the characters played by Chris Pratt and Bryce Dallas Howard now have a daughter because, let’s face it, these two were bound to get it on at some point, and the whole will they or won’t they scenario has long since been played out.

But the real joy of the “Jurassic World Dominion” trailer is seeing the return of the “Jurassic Park” trio, Sam Neill, Laura Dern, and Jeff Goldblum. Neill is always terrific in whatever project he appears in, Dern looks like she hasn’t aged a day since “Jurassic Park III,” and Goldblum looks to get more of a role this time around as opposed to the glorified cameo he got in the previous installment.

The magic of first seeing the dinosaurs in Steven Spielberg’s 1993 film has never been quite the same, and this franchise has taken some embarrassing turns since then. But with “Jurassic World” director Colin Trevorrow behind the camera again, maybe everyone involved will give this trilogy the conclusion it deserves.

The Adam Project (Netflix)

On one hand, this trailer acts as a promotion for the original content Netflix is going to be dropping on us in the coming months. But this trailer’s main attraction is clearly the Shawn Levy film “The Adam Project” starring Ryan Reynolds, an actor no one can ever seem to get sick of. Originally titled “Our Name is Adam,” back when Tom Cruise was attached to star, Reynolds travels back in time to meet his younger self (played by Walker Scobell) in an effort to confront their late father. While the storyline seems like a rip-off of “Looper,” this looks like its own thing despite any similarities which I am hoping are coincidental.

Seriously, seeing Reynolds in this trailer made me as giddy as Will Ferrell was when he spotted him in the audience the last time he hosted “Saturday Night Live.”

Nope

This trailer for Jordan Peele’s latest cinematic opus reminds me of the greatness of the first “Cloverfield” trailer; it gives us a lot of fascinating and unforgettable visuals while leaving the movie’s plotline a mystery. The trailer for “Nope” looks like it takes place at a horse ranch in the middle of nowhere when all the electricity suddenly goes out, and either Armageddon is happening or a UFO is landing as characters flee as fast as they can or get sucked up into the air. Whether it is a political thriller dealing with racism like “Get Out” and “Us” or just a straightforward science-fiction horror thriller, this trailer has me deeply intrigued, and July 22nd cannot come soon enough.

Ambulance

Anybody who knows me well understands how much I despise Michael Bay. Ever since the cinematic atrocity that was “Transformers: Revenge of the Fallen,” I have avoided his movies like the plague. However, I cannot help but be intrigued by his latest film, a remake of the 2005 Danish film of the same name, which is about a bank robbery gone wrong (is there any other kind in movies?) which leads two of the robbers to hijack an ambulance and use an EMT and a wounded police officer as hostages. Plus, with a cast that includes Jake Gyllenhaal and “The Matrix Resurrection’s” Yahya Abdul-Mateen II, this looks to be a film not made with 5-year-old moviegoers in mind. Whether it is made with the mindset of a 5-year-old, however, remains to be seen.

The trailer for “Ambulance” has been out for some time now, but its Super Bowl spot serves as a reminder of how I am honestly excited for it. While it looks to have those typical Bay flourishes like explosions and cameras moving around in circles, there is nary a Transformer to be found here.

Top Gun: Maverick

Delayed by the COVID pandemic more times than “No Time to Die” and hoping to score big at the foreign box office, “Top Gun: Maverick” is FINALLY arriving in theaters this May. For its Super Bowl spot, Paramount partnered with Porsche because when Tom Cruise says he “feels the need, the need for speed,” you either think of “Top Gun” or a Porsche, right? Well, I would certainly love to drive a Porsche with Jennifer Connelly as my passenger, that’s for sure.

With Cruise reteaming with his “Oblivion” director Joseph Kosinski, we can expect some truly intense visuals and real G-force experiences as shown on Maverick’s face. But as with those “Avatar” sequels which James Cameron keeps promising us, I have to say RELEASE THE DAMN MOVIE ALREADY!

The Lord of the Rings: The Rings of Power

Okay, this is not a movie trailer, but it is a trailer to one of the most anticipated television series ever. Now, this trailer proves this is not a remake of Peter Jackson’s “Lord of the Rings” trilogy, but instead a prequel that takes place many, many, many, many, many years before Gollum found his precious. While it looks epic, those CGI effects look fairly obvious and kind of take me out of the spectacle on display. Still, we are in J.R.R. Tolkien territory, and it remains ripe with imagination after all these years.

DC Movies

Instead of a single comic book/superhero movie, DC movies will be giving us four of them in 2022: “The Batman,” “Black Adam,” “The Flash” and “Aquaman and the Lost Kingdom.” Images from each one are featured in one Super Bowl ad, and these are my thoughts: I’m sick of hearing about “The Batman.” I just want Matt Reeves’ cinematic interpretation of Bruce Wayne and his alter ego to come out already. Seeing Dwayne Johnson as Teth-Adam/Black Adam proves to me how passionate he was about bringing this character to the silver screen. Hopefully, Ezra Miller will have more speed on his side than he did with “Justice League.” As for Jason Momoa, he has already proven to me he is the definitive Aquaman, and the upcoming sequel is yet another reminder of the fact I have still not watched the original. With these four movies, perhaps DC will finally give the Marvel Cinematic Universe a run for its money.

Sonic the Hedgehog 2

I have not seen the first “Sonic the Hedgehog,” and the Super Bowl spot for the sequel does not make me want to check either of them out. When it comes to Jim Carrey though, I have no problem defending him as an actor. While he looks to be doing his usual schtick here as Doctor Ivo “Eggman” Robotnik, he is far more than what he appears to be. His lack of an Oscar nomination for “The Truman Show” was tragic, and they should have just handed him the Oscar for his performance as Andy Kaufman in “Man on the Moon.” And when it comes to “Batman Forever,” I still think he was the best thing about it. Anyway, that is all.