Grindhouse Film Festival’s Screening of ‘Blood Beach’ at New Beverly Cinema

Blood Beach poster

WRITER’S NOTE: This screening took place back in 2011.

With the beginning of the fall season, the Grindhouse Film Festival screened a movie at New Beverly Cinema to let the feeling of summer linger just a little bit longer: “Blood Beach.” This 1980 low-budget horror flick has been out of print for many years, and it still has not seen a DVD release in America. It’s amazing anyone was able to find a print of it to show on this particular evening of November 8, 2011. Joining the audience for a Q&A following the screening were the movie’s writer and director Jeffrey Bloom, director of photography Steven Poster, and actor John Saxon.

Bloom told the audience he had not seen “Blood Beach” in 30 years, and Saxon said he remembers its first screening but doesn’t remember audiences laughing at it like they did at this one. Poster sees it as his first real feature, and this is despite the fact he had worked on other movies beforehand, and Saxon confirmed this was the first time he ever played a police chief in a movie. Looking back, Bloom described it as a “beautiful looking film” even if we couldn’t tell it from the faded print which looked like it had been mostly drained of its color.

This was a very low budget production which found life through an Asian financier who was looking to do horror movies. Bloom recalls writing the script for “Blood Beach” in a week and a half, and he had a celebration in order to promote it which had buttons with the following saying: “Blood Beach Sucks You In!”

At this same party, a movie executive accosted Bloom, saw his button and subsequently told him, “Artists don’t promote their movies like this!” He then tried to rip the button off of Bloom’s shirt until Bloom explained to him why he was wearing it in the first place. From there the executive told Bloom, “Give me the script!”

Two weeks later, “Blood Beach” started production.

The special effect of sucking victims into the sand proved to be quite effective, as you can tell from the movie’s poster. To achieve this frightening effect, Bloom said tractors were brought in to dig into the sand. Afterwards, the crew built a platform where a “membrane” was placed where the actors could easily be pulled into the sand. This led to the movie’s clever take on a famous catchphrase from “Jaws 2:”

“Just when you thought it was safe to go back into the water … you can’t get to it!”

As for the monster causing all the murderous havoc, the cast and crew agreed its reveal proved to be a “big disappointment” and that it looked like nothing more than a “giant artichoke.” One audience member asked what the concept of the creature was, and Bloom replied they never had one which was the problem. No one had bothered to draw up pictures as to what they wanted this monster to look like, leaving it up to the creature designer to come up with something.

Poster laments how no one can seem to find out who owns the rights to “Blood Beach.” He has had the opportunity to remaster a lot of the movies he has worked on like “Dead and Buried,” and he says it’s a shame he can’t do more work on this one: It’s a better film than he remembers it being. There is a lot of humor to be found in this low budget horror flick which has since gained a cult following, and critics overseas found it to be hilarious. Like many lost movies out there, hopefully this one will eventually find its way to a digital release.

Since writing this article, there have been a few updates regarding “Blood Beach:”

As of 2012, it has only been officially released on DVD in Germany.

In 2015, Alamo Drafthouse Cinema re-released it in 35mm as part of the “NY! Hudson Horror Show” which was held in Yonkers, a city in Westchester County, New York. It was promoted by a new theatrical poster designed by artist Stephen Romano.

A Nightmare on Elm Street 3: Dream Warriors

A Nightmare on Elm Street 3 Dream Warriors poster

“Sleep

Those little slices of Death

How I loathe them.”

-Edgar Allan Poe

As soon as you see the above quote which opens “A Nightmare on Elm Street 3: Dream Warriors,” you know Wes Craven is back on board in some capacity. After directing the original, one of the all-time great horror classics, he bailed out of the first sequel which he felt betrayed the logic of Freddy Krueger’s character and how he existed in the realm of dreams. This third entry ended up defining the look of the rest of the series until “Wes Craven’s New Nightmare” came along. This one brought forth a Freddy who, while still scary, was more of a stand-up comic with one-liners flying out from his charred face in rapid succession.

“A Nightmare on Elm Street 3” starts off with the character of Kristen Parker (Patricia Arquette, in her film debut) having the first of many nightmares. Freddy’s attack on her is made to look like she tried to commit suicide, and it gets her thrown into a psychiatric hospital with others suffering from serious mental health issues. Of course, when doctors try to give her a sedative to help her sleep, she naturally freaks out and grabs a knife to fight off those who don’t have a clue as to what she’s really up against. This is where she meets up with Nancy Thompson, played once again by Heather Langenkamp.

We learn Nancy has since gone to graduate school where she studied extensively about the nature of dreams. Here she gets assigned to this psychiatric ward where young teenagers are being stalked by the man with razors for fingers. They are being cared for by Dr. Neil Gordon (Craig Wasson) who has long since gained their trust, but he has yet to realize how he can really help them. Nancy sees right away it has everything to do with Freddy, and when she shares this information with the kids they stand at attention and are shocked to realize they have all been dreaming about the same person.

With a budget of around $5 million dollars, the special effects are more impressive than you would expect them to be. It’s always a gas to see what people can do with very little money. There’s one great effect where Freddy comes to life as a marionette, and he immediately returns the favor to its creator by pulling out the veins in his arms to use as strings. Ouch! The sets never reek of cheapness, and the imagination put into this movie is always on display as we see the dreams of the different characters and the forms they each take.

Bringing Craven back to help write the screenplay was a smart move, and he changes the formula to keep it from being just another single kid being chased by Freddy. Also, these kids fight back to stay alive and prepare themselves a lot quicker than the others did in the previous films. One of the screenwriters on “Dream Warriors” is Frank Darabont who later made one of the greatest movies ever, “The Shawshank Redemption.” There is a good amount of work done with the characters here to where they are not your usual one-dimensional horny teenagers which make up the average “Friday the 13th” movie.

The movie also digs deeper into Freddy’s past to make us see how he came to be. Before this film, we knew he was a child murderer who was brought to court but got off on a technicality, and he was later burned by the parents of the town. Dr. Neil Gordon is visited by a mysterious nun who informs him Freddy’s mother, Amanda, was accidentally locked in an insane asylum with the most mentally unstable people one could ever find, or hope to avoid, on the face of the earth. Amanda was raped over and over, and this led to the conception of Freddy who, as the nun puts it, is “the bastard son of a hundred maniacs!” This would make a great title for a movie.

Unlike other horror movies, you care about the characters and what happens to them. Most of these slasher movies have stock characters you hate and root for to die. In all fairness, it makes watching them more fun to watch in a theater, but here the characters, while dealing with obvious stereotypes, are interesting in their own way. Some are geekier than others (don’t get me started on the “Wizard Master”), but they are more real than your average teenagers dealing with ballistic hormones.

“Dream Warriors” is also proof of how wet dreams never end the way we want them to. One of the characters has an understandable crush on a nurse, and he ends up getting seduced by her. Some people get so lucky, but not this kid. What happens to him gives new meaning to the term “tongue-tied.”

Also in the cast is Laurence Fishburne who did this movie before “Boyz N the Hood.” He plays male nurse Max who is one of the more down to earth characters you could ever hope to find in a horror movie. The great John Saxon also returns as Nancy’s father, Lt. Donald Thompson. His character figures prominently in the film’s climax as they find that the only way to defeat Freddy is by burying his remains in consecrated grounds.

It’s hard to believe this was Patricia Arquette’s first film. She has since gone on to a successful career and appeared in great movies like “True Romance,” David Lynch’s “Lost Highway” and “Boyhood” which won her the Oscar for Best Supporting Actress. She creates one of the more sympathetic heroines in a horror movie who has a mother that, of course, does not understand what her daughter is actually going through. No one does initially, but if they did, there wouldn’t be a movie.

And, of course, we have Robert Englund returning as Freddy. In many ways, this was the last “Nightmare” movie where Freddy felt like a truly threatening presence. Just the thought of him was scary, and you didn’t need to show much of him to prove that. After this movie, he became more of a standup comedian than anything else. We had to wait until “Wes Craven’s New Nightmare” for him to come across as a viciously scary presence again. Still, Englund embodies this character in a way no one else could.

While Freddy ended up having an artistic downslide from here, “A Nightmare on Elm Street 3: Dream Warriors” is still one of the best movies in this long-running franchise, and it’s always fun to revisit this entry whenever it is showing on cable.

* * * ½ out of * * * *

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