‘Magic Mike’s Last Dance’ Movie and Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

I thought the first two “Magic Mike” films served two different purposes, but they were entertaining and fun in different ways.  The first “Magic Mike,” directed by Steven Soderbergh, was more artistic and character driven.  It was a good film with great performances and cinematography. In “Magic Mike XXL,” we got some comedic touches to the material, and it was a charming and fun journey.  “Magic Mike’s Last Dance” features style but very little substance and almost none of the charm of the second film.  Instead, we are left with a film which really serves no purpose. I really hope it is Magic Mike’s last dance because what else is left to explore with this franchise at this point?

Mike Lane (Channing Tatum) has fallen on hard times after his furniture business went under because of the pandemic.  He is now a bartender in Miami and trying to keep a low profile.  It’s not that he is ashamed of his past, it’s just that he is looking to leave it behind and move forward. While bartending, one of Mike’s former clients recognizes him, but she plays it cool because she is with her husband.  This information gets passed onto Maxandra Mendoza (Salma Hayek Pinault) who offers him $6,000 for a dance.  He initially asked for $60,000, but they were able to settle on $6,000.  After he dances for her, she offers him a chance to earn that $60,000 in London, but she leaves out the details.

MAGIC MIKE’S LAST DANCE Copyright: © 2023 Warner Bros. Entertainment Inc. All Rights Reserved. Photo Credit: Courtesy of Warner Bros. Pictures Caption: (L-r) SALMA HAYEK PINAULT as Maxandra Mendoza and CHANNING TATUM as Mike Lane in Warner Bros. Pictures musical comedy “MAGIC MIKE’S LAST DANCE,” a Warner Bros. Pictures release.

While in London, we discover Max is in the middle of a divorce and is now in possession of the Rattigan Theatre. She wants Mike to choreograph dance elements into “Isabel Ascende,” a play which was being run there before she arrived and shut it down.  When Mike and Max come together, they come up with the idea of incorporating erotic dance into the production in a way which will spice things up around town.  This, however, does not come without problems from her ex-husband, Roger (Alan Cox).  Max believes Mike can find a way to put something magical out there, even if it is for only one night, as he really made an impression on her back in Miami with his dancing.

One of the biggest problems with this film is the fact it does not feature the previous crew of dancers such as Kevin Nash, Joe Manganiello, Matt Bomer and Adam Rodriguez. They are only shown here on a brief Zoom call, where Mike promises to get them their money back after the furniture business they invested in with him went out of business.  The film was really missing their presence and chemistry together as a group.  Overall, the film does have some great dance numbers, especially the one in the beginning between Mike and Max and some big numbers at the end.  It is everything in the middle which just seems unnecessary and unimportant to the viewers.

I liked the chemistry between Tatum and Hayek Pinault. I wanted their relationship to develop more on screen from a character perspective instead of just being a physical attraction. I thought her personal assistant, Victor (Ayub Khan-Din), had some great one-liners and used his screen time wisely. More of his character would have been appreciated. Max’s adopted daughter, Zadie, played by Jemelia George in her first film role, also showed tremendous timing and screen presence.  There is a genesis for an entertaining film here, but at nearly two hours long, it’s a real slog to sit through from start to finish. The first two films were better than I expected them to be, but this one is a drag.  There is not a lot of enjoyment to be had here as this sequel is really flat and uninspired.

* * out of * * * *

Blu-ray Info: “Magic Mike’s Last Dance” is released on a two-disc Blu-ray/DVD combo pack from Warner Brothers Home Entertainment.  It has a running time of 112 minutes and is rated R for sexual material and language. This combo pack comes with the Blu-ray, DVD, and a digital copy of the film as well.

Video Info: The 1080p High-Definition transfer looks really, really good here. I’ve always been a big fan of the look and feel of Steven Soderbergh’s films, and this is no exception here. It has a crisp, clear look, but it also knows when to light up during the dance numbers.  This is a really, really good-looking Blu-ray.

Audio Info: The DTS-HD MA: English 5.1 audio transfer is also top notch with flawless sound.  It also comes on the following audio formats: Dolby Digital: English Descriptive Audio, French, and Spanish. Subtitles are in English, French, and Spanish.

Special Features:

Magic Mike’s New Moves

Deleted Scene

Should You Buy It?

I understand they wanted to do something different with the third film. They took it to London and added Hayek Pinault. They had good intentions here.  After all, this is Tatum’s baby, and he’s a producer on the film.  However, they left behind the boys from the first two films, and they are such a big part of this franchise. They added the flavor and the fun factor.  The film also takes itself too seriously with these voiceovers which come across as too self-important.  There are good intentions here, as I mentioned, but the execution is very poor. There is no meat on the bone with the screenplay here. I did not feel like I knew any of the other dancers all that well, and I wanted to know more about Hayek Pinault’s character besides the fact she is getting divorced from a wealthy businessman.  If this is on HBO one night, you can check it out.  I would not go out of my way to see it or buy it.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

Pee-wee’s Big Holiday

Pee Wee Big Holiday poster

Pee-wee Herman was a big fixture in our young lives whether we liked it or not. Ever since the character’s first appearance at The Groundlings Theater, he amassed a large audience that grew infinitely beyond anyone’s wildest dreams. Both he and Tim Burton realized their big screen dreams with “Pee-wee’s Big Adventure,” and soon after he had his own Saturday morning show with “Pee-wee’s Playhouse.” Then he disappeared for a time and if we were sick of him, his absence made us realize how much we liked and got used to having him around.

Well in the past couple of years he has made a welcome comeback, and now it culminates in his first big screen adventure in decades, “Pee-wee’s Big Holiday.” Don’t let the fact it is debuting on Netflix turn you off (and why should it?). It’s an infinitely giddy movie which will have kids and adults alike laughing hysterically more often than not. While it seems to take place in an alternate universe where “Pee-wee’s Big Adventure” never took place, please rest assured that this man child has not changed and hasn’t aged a day.

When we meet up with Pee-wee, he lives in the picturesque town of Fairville where everyone seems more than willing to help him out with his Rube Goldberg-like devices and machines which get him up and out of his house in the morning. He is perfectly happy to work as a cook at Dan’s Diner and rehearse with his rock group to where the thought of going outside the city limits seems unthinkable. But this all changes when Joe Manganiello shows up as he plays… Well, you’ll have to see for yourself.

Anyway, Manganiello encourages Pee-wee to go beyond Fairville’s city limits and to find out more about life, and he even invites him to a birthday party taking place in New York City. Despite some hesitation, Pee-wee agrees and endures all sorts of adventures and mishaps as he makes his way from one side of America to the other.

What’s great about “Pee-wee’s Big Holiday” is how the humor succeeds in appealing to both kids and adults without condescending to either group. The kids will definitely enjoy Pee-wee’s antics as he braves a snake farm which is not all it appears to be and performs a balloon trick which has to be seen to be believed. Adults on the other hand will get a huge kick out of the subversive elements hidden throughout the screenplay which includes references to cult classics like Russ Meyers’ “Faster, Pussycat! Kill! Kill!” There’s even a great moment where “Magic Mike” is mentioned, and I wouldn’t dream of spoiling it for you here.

Tim Burton and Danny Elfman, whose movie careers exploded after the success of “Pee-wee’s Big Adventure,” weren’t around for this one. This particular adventure was directed by John Lee who became best known for his work on the MTV2 comedy series “Wonder Showzen” and episodes of “Inside Amy Schumer.” Lee keeps the pace of “Pee-wee’s Big Holiday” tight to where the movie never drags. Granted, the jokes are at times hit and miss, but the ones which do hit had me laughing harder than I had in some time.

Devo lead singer Mark Mothersbaugh composed the film score, and he seems like a natural choice to succeed Elfman. Both Mothersbaugh and Elfman have had long working relationships with unique film directors (Elfman with Burton, and Mothersbaugh with Wes Anderson), and their scores perfectly capture the playfulness and creativity we see unfolding onscreen, Whether or not you think Mothersbaugh’s work equals what Elfman pulled off years before, he is a terrific fit for this material and captures the infinite innocence of Pee-wee.

But what’s really nice is how Paul Reubens brings his man child alter-ego of Pee-wee Herman back to life after such a long hiatus. I figured Reubens had long since grown tired of this character to where it seemed like he had engineered a rather embarrassing escape from playing him. Reubens even went on to show his acting range with terrific performances in “Blow” and “Life During Wartime,” proving to the world there was way more to him than Pee-wee. But you can see on Reubens’ face throughout just how super enthusiastic he was about bringing this iconic character back to life, and he makes you realize just how much we have missed him lo these many years.

The only thing which could possibly take away from Reubens’ thunder here is Manganiello who steals every single scene he’s in. He could have easily screwed up here by playing his role like he was in on the joke, but he doesn’t and it help makes “Pee-wee’s Big Holiday” all the more fun to watch. Manganiello looks like he’s having a blast here, and his fun is very contagious.

There have been a lot of popular characters from the 1980’s resurrected over the past few years with varying degrees of success, and Reubens’ is more successful than others in doing so. His passion is sincere in bringing this character back from the land of syndication and reruns, and seeing him in action makes it seem like he never left us. Here’s hoping we see Pee-wee Herman taking on more big adventures in the near future.

Copyright Ben Kenber 2016

* * * out of * * * *