Soundtrack Review: ‘Die Hard with a Vengeance’

Die Hard 3 soundtrack

Anyone remember the RCA Victor release of the “Die Hard with a Vengeance” soundtrack back in 1995? That release was a joke and an unforgivable one as well. It did have some of Michael Kamen’s music score on it as well as a couple of rap songs which I’m not sure were in the movie, and some symphony pieces by Beethoven and Brahms which are not in this movie at all. It was as if RCA just wanted to throw any kind of soundtrack together so they could cash in on this sequel’s expected success, and what resulted was a travesty which any true soundtrack fan would be right to despise.

Well, it took over a decade, but La La Land Records has finally given “Die Hard with a Vengeance” not only the proper soundtrack release it deserves but an expanded one which contains two discs of music. In addition, it also comes with an informative booklet written by Jeff Bond who discusses how this “Die Hard” movie differs from the two which came before it, and it looks at how Kamen came to develop this particular score. But the great thing about this soundtrack release is it forces you to listen to Kamen’s music more closely in a way we didn’t previously.

When I first saw this sequel, I wondered if Kamen had actually bothered to create a new score for this “Die Hard” adventure. Many of the music cues sounded like they came from “Die Hard” and “Die Hard 2,” and it was hard to spot any new musical themes throughout. Listening to the La La Land Records release, however, makes you realize Kamen did not just simply throw something together. Much thought went into this particular score as it presents a somewhat darker John McClane (played by Bruce Willis) than what we have seen previously, and it also captures the joyful qualities of the heist movie that “Die Hard with a Vengeance” is meant to be.

Among the pieces of music I was thrilled to hear on this soundtrack is “Taxi Chase” which has McClane and Zeus Carver (played by Samuel L. Jackson) driving through a populated park in New York in an effort to catch a train before it explodes. “Taxi Chase” sounds unlike any music Kamen has previously composed for a movie with all its urban percussion. In the booklet, Bond quotes Kamen on this cue as it is one of the composer’s favorites which found its inspiration from his living in Manhattan.

“A lot of it (the movie) takes place on the streets I inhabited,” Kamen said. “I was trying to figure out what music to put there and I remembered that Needle Park is just up the street, and all you ever hear is bongo players and people driving past, and that’s why that cue is all native percussion. We’re using drums and drum loops and the normal accouterment of a modern recording studio – even a live drummer from time to time.”

This soundtrack not only contains music which was not on the original release, but also the music which was written for the movie but not included in it. Bond writes how director John McTiernan removed a number of Kamen’s cues from the movie, but Kamen wasn’t bothered by this too much because he was very collaborative and agreed with many of the changes McTiernan wanted to make.

And yes, The Lovin’ Spoonful’s “Summer in the City” which opens the movie is on this soundtrack as well, and it has never sounded better.

When it comes to these expanded soundtracks, I usually say how they have never looked or sounded better. With La La Land Records’ release of “Die Hard with a Vengeance” though, that’s a given as the original release was put together before Michael Kamen even had a chance to finish his score. While it may not have the same exhilarating or emotional sweep as his score for “Die Hard 2,” what Kamen has put together here is great and highly enjoyable to listen to. This release also forces you to realize Kamen was never out to just recycle his own work in the way the late James Horner was often accused of doing.

Sadly, this proved to be the last “Die Hard” movie Kamen scored before his death. Marco Beltrami later took over composing duties for “Live Free or Die Hard” and “A Good Day to Die Hard,” but the music Kamen created for these films will live on forever.

CLICK HERE TO FIND OUT HOW YOU CAN PURCHASE THE “DIE HARD WITH A VENGEANCE” EXPANDED SOUNDTRACK.

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Soundtrack Review: ‘The Man with One Red Shoe’

The Man With One Red Shoe soundtrack cover

Anyone remember the action comedy “The Man with One Red Shoe” from 1985? It starred Tom Hanks as Richard Drew, a concert violinist who is picked out at random from a crowd to become the target of CIA surveillance. It also features one of my all-time favorite film scores by Thomas Newman, a composer who has given us many unforgettable scores like “Scent of a Woman,” “The Shawshank Redemption” and “Skyfall.” But like many film scores I loved from the 1980’s, this one never got a commercial release, and I was relegated to recording sections of the music from a VHS tape onto an audio cassette. While the dialogue threatened to get in the way, I was determined to enjoy this music any way I could get a hold of it.

But now, 33 years later, La La Land Records has now made Newman’s score to “The Man with One Red Shoe” available as a limited-edition CD. I have been waiting for this soundtrack with extreme patience, and it proved to be well worth the wait as this classic 1980’s score has never sounded better. Seeing the iconic image of the red shoe with a lit fuse on the cover made me want to buy this soundtrack yesterday. The back-cover features Hanks being hugged by the gorgeous Lori Singer while on a bicycle, and it makes me just as envious of him as when this movie first came out. And when you take the disc out, you will see a picture of the late Carrie Fisher who co-starred as Paula. Carrie, you are still missed.

Ever since I first watched the trailer for “The Man with One Red Shoe” on television, I quickly fell in love with its main title. It’s a classic 1980’s theme, and it sounded ever so cool. Listening to this theme, it made me want to walk around town like I was a spy. Granted, I was ten years old when this movie was released, so my imagination was unfettered by the harsh reality of the real world.

While I have long been led to believe Newman’s score was completely electronic, there’s actually a good deal of instrumentation involved in it as well. You can hear this in a number of the tracks throughout. Listening to this soundtrack reminded me of just how much I dug what Newman came up with, and in retrospect it proved to the world what a unique film composer he could be.

La La Land Records has included liner notes written by Jeff Bond entitled “How Thomas Newman Got His Groove On.” A portion of the notes deal with this movie’s making and of how it was released in a time when Hanks was best known as the star of the sitcom “Bosom Buddies,” long before he became the prestigious Oscar winning actor we all know him to be these days. In regards to Newman’s score, Bond described it best in this paragraph:

“Sonically, ‘The Man with One Red Shoe’ not only evokes the jazz fusion/pop electronica vibe of 1980’s popular music, but also presents the distinctive musical voice of composer Thomas Newman at a pivotal point in his development as an up-and-coming talent.”

The liner notes do not go into how the movie was ill-received upon its release with both critics and audiences, or that Hanks himself admitted this is not one of his films he would be quick to put into a time capsule. Nevertheless, I cannot recommend this limited-edition release of “The Man with One Red Shoe” soundtrack highly enough. As far as I am concerned, it was well worth the wait, and having it in my soundtrack collection makes it feel more complete than it already is.

Now, if someone could put out limited edition of Newman’s “Gung Ho” score, all will be right in the world.

Click here to find out how you can order a copy of “The Man with One Red Shoe Soundtrack.”