Steven Soderbergh Teams Up With Gina Carano For ‘Haywire’

WRITER’S NOTE: This review was written back in 2012, long before Gina Carano’s acting career went in a certain direction which she did not benefit from.

Watching Steven Soderbergh’s “Haywire” brought back a lot of great memories I have of watching action heroes kicking serious ass in movies. I grew up watching Steven Seagal snap arms in half in “Hard to Kill” and “Marked for Death,”, and I always found in intensely satisfying to see him lay waste to those enemies who dared to cross him. There was also Chuck Norris who you could always count on to inflict serious pain on his adversaries and perform a pitch perfect roundhouse kick in “The Delta Force.” Those films came out in the 1980’s and 1990’s. Now we are in the year 2011, and it feels like it has been far too long since we have had an action star who can punch and kick in ways I can only dream of doing myself.

With “Haywire,” Soderbergh introduces us to Gina Carano, a now retired mixed martial arts fighter. As he did with Sasha Grey in “The Girlfriend Experience,” he throws Carano into her first mainstream acting role to see how she swims in the competitive world of Hollywood. But whereas Grey had unknown actors to work with, Carano is placed in a sea of top-notch actors which include Ewan McGregor, Michael Fassbender, Antonio Banderas, and Michael Douglas. Taking this into account, I cannot help but think Grey had it a lot easier than Carano.

“Haywire” is another one of those innocent people framed for a crime they didn’t commit movies with Carano playing Mallory Kane, a black ops agent who is assigned to covert operations. Kane is quick to discover she has been set up to take a fall, and she plots her revenge against those who foolishly underestimated her vicious talents. You know she will eventually get the upper hand on her betrayers, and seeing her take them on is terrific fun as she performs stunts which I don’t always see Stallone or Schwarzenegger doing as well.

Yes, Carano’s acting range only goes so far, but she does have a strong presence whenever she’s onscreen. Furthermore, she manages to hold her own against actors who could have easily run her over and embarrass her without remorse. Having said that, she really comes alive during the action sequences which are exhilarating as she doesn’t have some stunt person filling in for her. It should be no surprise that, being MMA fighter, she can really take a punch and dish one out which looks far more painful than the one she was forced to endure.

Actually, when you think about it, Carano gives all the actors opposite her a tough acting challenge as they have to appear as tough, if not tougher, than she is. Certain actors (you’ll know them when you see them) look inescapably sheepish around her, and they look even worse when they prepare to throw punches in her general direction. Even when she’s not strangling a guy with her legs, tackling another, or smothering an unluck bastard with a pillow, those eyes of her stare at you like shiny daggers to where you feel like you should have known better than to mess with her.

The one actor who gives Carano a run for her money is Fassbender with whom she shares a dynamo fight scene where they literally beat the crap out of each other. Fassbender never makes it easy for his co-stars as he challenges them to be better than they already are, and this takes on a new meaning when they tangle to where one character’s victory is truly earned and not easily predicted.

“Haywire” may never be ranked among Soderbergh’s greatest works, but it is diverting fun as it plays around with the action movie conventions set up by the Bourne trilogy and various spy movies released over the years. It also allows him to team up again with his “Ocean’s Eleven, Twelve and Thirteen” composer David Holmes for another groovy music score which always proves to be so much to play on my stereo system. It will be interesting to see where Carano’s acting career goes from here. Will she advance to action star status, or will she end up in straight to video realm where many stars past their prime end up? Whatever you may think of her acting skills, she did create a memorable presence here onscreen.

At the very least, Carano is bound to have more luck on the silver screen than Howie Long has had to date. He may have been a cool dude in “Broken Arrow,” but his lead role in “Firestorm” left little to be desired.

* * * out of * * * *

Fast & Furious 6

Fast & Furious 6 movie poster

After watching “Fast Five,” I kept wondering what the filmmakers would end up calling the sixth film in the franchise. One guy told me they should call it “Sexy Six” which I thought would be pretty cool, but the filmmakers decided not to be all that creative with the title this time and they just called it “Fast & Furious 6.” Then again, you will notice during the opening credits (yes, this one actually has opening credits) that the movie is called “Furious 6.” Why they decided not to put this title on the trailers, posters and TV commercials is beyond me because it sounds perfect.

Anyway, it doesn’t matter because “Fast & Furious 6” proves to be just as much fun as its predecessor, and it delivers the kind of crazy and illogical entertainment we have come to expect from these movies. You can bitch and moan about the plot holes and the absurdity of certain stunts, but this franchise is now over a decade old and we have long since given up trying to make sense of everything which goes on. I’m just astonished director Justin Lin and company still managed to make an incredibly entertaining movie while not introducing much of anything new to this series.

After pulling off the mother of all bank heists in “Fast Five,” the merry band of car racers have retired rich and are enjoying life. Brian O’Connor (Paul Walker) and Mia Toretto (Jordana Brewster) are now the parents of a baby boy, Dominic Toretto (Vin Diesel) has a ridiculously beautiful estate in which he lives with Elena (Elsa Pataky), Gisele (Gal Godot) and Han (Sung Kang) have moved to Hong Kong, and Roman (Tyrese Gibson) and Tej (Chris “Ludacris” Bridges) flaunt their wealth in ways both loud and generous.

But with this being a “Fast & Furious” movie, there’s no way any of these people will stay retired. Into the picture comes Luke Hobbs (Dwayne Johnson) who meets up with Dom not to arrest him, but to ask for his help in bringing down a former British Special Forces soldier named Owen Shaw (Luke Evans) who has taken down various military convoys. Dom, of course, has no interest in working with Hobbs, that is until Hobbs shows Dom a picture of one of Shaw’s crew members: his ex-girlfriend Letty (Michele Rodriguez). From there, the whole crew reassembles to take Shaw down, rescue Letty, get full pardons, and drive some super-fast cars in the process.

It should be of no surprise to anyone that Letty is alive as this was confirmed during a post-credit sequence in “Fast Five,” and it’s good to see Rodriguez return to this franchise. While the explanation of how she survived doesn’t make much sense (these movies have never been high on logic), I’m glad to see her back. Letty looks to have turned bad and is suffering from amnesia, but you’ll have to see the movie for yourself to see how far from grace she has fallen.

It’s a shame this will be Justin Lin’s last film in this long running franchise (James Wan will be taking over for the next installment) as he continues to outdo himself in terms of the stunts he gets onscreen. Even when certain stunts stretch the boundaries of what’s even remotely possible, Lin still leaves us on the edge of our seats and begging for more. He also understands that while we love the action, it’s the characters which bring us back as well as we have come to deeply care about what they go through.

We could get into a long discussion about whether or not Vin Diesel and Paul Walker are really acting in these movies, but this issue has long since been rendered moot. They are these characters, and they are key part of this franchise’s success as we root for them to get away with everything and anything. This also goes for Jordana Brewster who, while a bit underused in this one, is still a kick to watch as Mia. Recent additions like Dwayne Johnson have also given the “Fast & Furious” movies a swift kick in the butt, and we leave this movie wondering if his muscles can get any bigger than they already are. It’s like what Danny DeVito said about Arnold Schwarzenegger in “Twins:”

“You’re all swelled up and you look like you’re ready to explode!”

Actually, the best thing about “Fast & Furious 6” is watching Tyrese Gibson and Ludacris play off of each other. These two are so damn funny as they try to one-up each other as to who’s the cooler dude, and I wonder if the filmmakers would ever consider doing a spin-off series with their characters.

As for the newest additions to the “Fast & Furious” family, Luke Evans gives us the strongest villain this series has seen in a long time with Owen Shaw. This is not to say the villains in the previous installments were weak (the actors playing them were quite good), but they proved to be generic in the large scheme of things. With Shaw, we get a character bound by a philosophy as strong as it is twisted, and Evans sees to it we do not forget about this particular nemesis once we leave the theater.

Gina Carano, whom Steven Soderbergh directed in “Haywire,” is another newbie here as Hobbs’ partner Riley, and you can sure bet she puts her mixed martial arts fighting skills to good use in this movie. Her fight scenes with Rodriguez are exhilarating to witness, and those looking for a good catfight will get more than what they expected here.

Some of the craziest stunts in “Fast & Furious 6” include a tank which mows down every car in its path, regardless if the cars are imports or American made, and a cargo plane which our heroes use everything in their power to bring down. One automobile which stands out in particular is “The Flipper” which Shaw drives, and it’s a car designed to flip over any car foolish enough to get close to it. Whether you’re driving head on at this thing or trying to ram it from behind, you’re in a no-win situation as you will find yourself unexpectedly flying through the air and crashing painfully. Just look at Walker’s face as he finds this out the hard way.

“Fast & Furious 6” does have its share of plot holes which are becoming harder to forgive, and the airplane runway featured in the movie’s climax is even longer than the one in “Die Hard 2,” but it’s still a slam-bang piece of entertainment to where you can only complain about its problems so much. It’s not better than “Fast Five” which was a wicked blast, but it’s still delivers the kind of fun we have come to expect from films like this. As always, be sure to stick around for a post-credit sequence which introduces us to the main villain of the next sequel. While the identity of the actor playing this villain has long since been spoiled, you’ll still get a kick out of seeing this guy appear on the big screen.

* * * out of * * * *