WRITER’S NOTE: It was a shock to learn of Robert Forster’s death on October 11, 2019 after a battle with brain cancer. He was 78 years old. I remain in awe of his performance in Quentin Tarantino’s “Jackie Brown” for which he deservedly earned an Oscar nomination for Best Supporting Actor as he was able to convey so much while doing so little. Having bumped into him once at New Beverly Cinema, I can also confirm he could not have been a nicer guy.
The following article is about a screening which took place at New Beverly Cinema back in 2010 in which Forster was one of the main guests, and I present here in his memory. RIP Robert.
Filmmaker William Lustig appeared at the Grindhouse Film Festival at New Beverly Cinema to talk about his 1983 “Death Wish” exploitation knock off, “Vigilante.” Joining Lustig for this Q&A were some of the film’s stars: Robert Forster, Fred “The Hammer” Williamson and Frank Pesce. For these four men, the evening was full of laughs and great memories as they discussed the making of this movie which was shot in what they called the “real New York” with blue collar workers and all.
The print of “Vigilante” being shown was from Lustig’s own collection and was over twenty years old. The color was pretty faded which the director apologized for. While they could have shown a digital copy of it instead, he was quick to remark, “The great thing about going to the Grindhouse is the prints, warts and all.”
Forster said he got cast thanks to Pesce and Lustig who remembered him from another movie Lustig made called “Alligator.” The role of factory worker Eddie Marino was originally given to Tony Musante who later turned it down by saying he did not want to work with “those guys.” Forster said the three guys onstage with him did more for his career than anybody, and he also got four or five film roles from Pesce alone as well as a set of golf clubs which he still uses.
Forster also had a very positive overview regarding his career as an actor:
“I never ever worried about the jobs I didn’t do. Every single movie I’ve done has been instructive to me in its own way.”
Pesce said he was also responsible for getting Williamson cast in “Vigilante,” but Williamson saw it a bit differently:
“I don’t remember how I got involved and I don’t give a damn!”
Suffice to say, Williamson was the coolest guy in the theater on this evening.
Pesce also gleefully told one story about the scene between him and Williamson where he was chasing him and they get separated by a chain link fence. Between takes, Pesce asked Lustig, “Should I spit through the fence at Fred?” “Do what you want to do,” Lustig replied.
So Pesce did what his instincts told him to do, the director yelled cut, and afterwards Williamson went up to Lustig and told him point blank, “Cut the spit.” Williamson’s reasoning in saying this to the director was very blunt:
“You don’t do that to a brother!”
Lustig also got Williamson to talk about some of the ad libs he came up with on set like when he was asked what he thought about capital punishment:
“Do you think anyone really misses Ted Bundy?”
Pesce also remarked how the scene with the guy in the wheelchair he pushed over was actually an homage to a similar one with Richard Widmark in “Kiss of Death.”
“Vigilante” may not be great cinema, but watching it with an audience was highly entertaining and we were lucky enough to have Lustig, Forster, Pesce and Williamson on hand to talk about it. Lustig summed it up best:
“There always seems to be a need for retribution movies.”
WRITER’S NOTE: This article was originally back in 2012.
I was lucky enough to check out Quentin Tarantino’s latest movie “Django Unchained” at New Beverly Cinema, the same movie theater he bought and kept from going out of business. It was being shown in 35mm instead of a digital print at other theaters because Tarantino is still a big fan of film, and the New Beverly is known for showing movies in 35mm because that’s exactly what the owners and patrons like best.
One of the real treats of seeing “Django Unchained” at New Beverly Cinema is instead of getting coming attractions for 2013 movies, we instead get to watch movie trailers from the past. These ones were especially campy and represent the kind of movies Hollywood no longer makes, and I wondered if the trailers being shown before “Django Unchained” inspired this particular Tarantino film in some way. Many of the prints of movies and trailers shown at the New Beverly tend to come from Tarantino’s own personal collection, so even if they didn’t inspire this movie of his, then they must have been ones he loves watching over and over.
Let’s take a look.
This exploitation film from 1974, one which clearly was inspired by “Spartacus,” stars Pam Grier and Margaret Markov as female gladiators who have been enslaved in Rome and are forced to fight for their freedom. The trailer proved to be hilarious as the acting is over the top, and the narrator embellishes the more explicit elements of this movie by saying how the Romans “enslaved the most sensuous women to titillate the perverted pleasures of the Roman public” and how the main characters are “beautiful unchained women” whose bodies are “shaped into superb fighting equipment.” There’s also a bit of nudity and blood on display, the kinds of things you almost never see in a movie trailer today unless it is a red band trailer being shown for restricted audiences only.
Still, it’s great to see Grier here whom Tarantino cast in his movie “Jackie Brown,” and it is said she and Markov did all their own fights and stunts in “The Arena.” We should all known by now that Grier is as tough as the characters she has played in dozens of movies, and seeing her take on the Romans makes this one worth a look.
The trailer for this 1969 Italian Spaghetti Western runs four minutes long, much longer than the average movie trailer we see in theaters today. It stars Terence Hill as Cat Stevens, but the trailer’s narrator refers to him as “the man with no name.” It also stars football great Woody Strode as Thomas, a man who is quick with a gun and out for revenge over the death of his son. Together, these two help the inhabitants of a gold mining community which is being oppressed by a criminal organization.
This is another trailer which has a male narrator emphasizing the movie’s violence, and it’s fun to hear him say how “Boot Hill” is a town “where death comes quick,” “where death comes hard,” and where “death comes in two colors.” Seeing Hill and Strode walk into town all serious and without a smile on their faces brings to mind how Jamie Foxx and Christoph Waltz roll into town in “Django Unchained.”
“Boot Hill” was actually the last film in a trilogy of movies directed by Giuseppe Colizzi, and it was preceded by “God Forgives… I Don’t!” and “Aces High.”
This 1975 film was based on the best-selling novel of the same name by Kyle Onstott, and it stars James Mason, Susan George, Perry King, Lillian Hayman, former boxer Ken Norton and pro-wrestler Earl Maynard. It takes place in the 1840’s where a plantation owner trains one of his slaves to be a bare-knuckle fighter, and there are some brutal scenes of bare-knuckle fighting to be found in “Django Unchained.” It makes me wonder if Tarantino based the character of Calvin Candie (played by Leonardo DiCaprio) on the ones played by Mason or King in “Mandingo.”
The narrator of this trailer describes “Mandingo” as being “the first true motion picture epic of the Old South,” but it’s a little hard to believe this as certain scenes appear to be very overwrought. The audience couldn’t help but laugh at the actress who told her lover “don’t kiss me yet, unless it’s just a cousin kiss” because the kiss which followed seems to be anything but a cousin kiss.
The movie version of “Mandingo” received a severe bashing from film critics like Roger Ebert, Leonard Maltin and Richard Schickel, all of whom gave it their lowest rating. Tarantino, however, said it represents one of only two instances in the last few decades where “a major studio made a full-on, gigantic, big-budget exploitation movie” (the other being Paul Verhoeven’s “Showgirls”).
Ralph Nelson’s 1970 movie stars another football great, Jim Brown, as Jimmy Price, a black police officer who has just been elected sheriff of a racially divided town in the American South. The fact he beat out the former Sheriff, a white man named John Little (George Kennedy), does not sit well with some of the townspeople. As the movie’s title and the endless ticking in the trailer indicates, the racial tensions will continue to rise until they boil over into a possibly fatal conflict.
“…tick…tick…tick…” has long since become a cult classic for its cutting-edge portrayal of racial tensions and its tense narrative, and of all the trailers shown before “Django Unchained” at New Beverly Cinema, this was the one the audience laughed at the least, if at all. It looks like it still holds up to this day regardless of the passing of time, and the way the white characters treat Jimmy doesn’t seem much different from the way Django is treated in “Django Unchained.” It’s especially cool to see Brown as a Sheriff because he has always had the appearance of someone who can clean up a town single-handedly.
“Take a Hard Ride”
This Western from 1975 also stars Jim Brown as Pike, a rugged trail boss and former criminal who promises Bob Morgan (Dana Andrews) he will successfully transport $86,000 across the border to a ranch in Sonora, Mexico. Pike is forced to team up with a dishonest gambler named Tyree (Fred Williamson) for this mission, and they are soon being pursued by the ruthless bounty hunter Kiefer (Lee Van Cleef) and the corrupt sheriff Kane (Barry Sullivan).
The trailer for “Take a Hard Ride” made it look like a movie I really want to check out. Like “Django Unchained,” it is a mix up of the Blaxploitation and western genres and features one of the best casts a movie like this could ever hope to have. Brown and Williamson have always proven to be ultimate bad asses in whatever movies they appear in, and I love how the trailer’s narrator describes Cleef’s character as being “as sly as a rattlesnake and twice as deadly.” It was also great watching the scene where the cowboys and their horses crash down a hill because now I know where the filmmakers of “Young Guns II” got the idea for a similar scene.
After watching all these trailers and “Django Unchained,” it becomes clearer to see where Tarantino took his cues from as a writer and director. It also shows how brilliant he is at taking all the elements and turning them into a movie which is uniquely his own and not just an uninspired homage that pales in comparison to the films it inspired. “Django Unchained” proved to be a lot of fun, and the trailers which preceded it are for movies which look to be just as entertaining.