‘Hamlet 2,’ A Most Unusual and Unexpected Sequel

WRITER’S NOTE: Eddie Pence selected this as his Video Vault pick on the August 15, 2020 episode of “The Ralph Report.” But while the host of the podcast, Ralph Garman, was not particularly crazy about it, I think it is better than Garman gives it credit.

“Hamlet 2” starts off with an invisible voice telling us that to be an actor, you have to live in a dream. But dreams do die however, and the question posed here is this: Where dreams go when they die? Well, if you are Dana Marschz (played by Steve Coogan), then you go to Tucson, Arizona to spend the rest of your life teaching high school drama. Being an actor myself, there is something quite scary about the fate of this particular actor who is best known for his herpes medication commercials. Here in Arizona, he hopes to pass on his love of acting to high school students, and this is the thrust of the plot which powers up a motion picture dealing with one of the most unlikely sequels ever to be created.

“Hamlet 2” was a big hit at the Sundance Film Festival, and while it didn’t quite live up to the hype in my eyes, it was still a very clever movie which kept me entertained from beginning to end. It is a hilarious look at how art can never truly be suppressed, and this includes art which was never all that good to begin with.

We meet up with Dana Marschz sometime into his career as a high school teacher, and he only has two students, Rand Posin (Skylar Astin) and Epiphany Sellers (Phoebe Strole), who really seem to care about drama and acting. His latest class, he discovers, is largely populated by Latino students who are in attendance because their other electives have been cut, and drama is the only one left. It reminds me of all those high school kids with who were in drama class because was the only one they could get an easy A in other than physical education. Dana, however, is convinced this is being presented to him as a challenge he must face with no fear. While these students may seem unenthusiastic about drama, he is determined to change their minds.

Dana’s existence is a recovering alcoholic with a wife named Brie (played by the great Catherine Keener) who drinks a margarita from a gigantic martini glass. They also have a boarder, Gary, (David Arquette) who is sleeping with Brie while Dana rollerblades to school because he cannot afford a car. His gift to the high school is plays he wrote which are direct adaptations of the movies “Erin Brockovich” and “Dead Poets Society.” Still, they get ripped to pieces by a young critic who shows no mercy for Dana’s passion. Dana’s basic cry for all the negative criticism is, “He fisted us!”

Dana ends up conversing with this unsympathetic teenage critic to seek inspiration, and he suggests to Dana that he write something original and put everything into it. Thus, he comes up with what in many ways is a completely unnecessary sequel to one of William Shakespeare’s most famous plays, “Hamlet.” There is a rather large problem though as just about every character dies at the play’s end. But Dana, still up for an artistic challenge, remains undeterred by this, and he comes up with a device to solve this problem in the form of a time machine. Upon discovering the rather racy nature of the play, the most suburban students do everything they can to keep it from being performed, but Dana ends up proving to everyone that you cannot stop art.

It’s a little hard for me to critique “Hamlet 2” objectively because Dana’s fate is one I hope to avoid. It is made clear from the outset that he is not particularly talented, and we get a montage of scenes featuring him as an actor. The funniest one is a commercial he did for Herpes medication as he tells us, “Right now, I am having a herpes outbreak. But you wouldn’t know it!”

In the process of writing and directing his sequel play, it gets banned from being performed at the high school, and Dana ends up inspiring the Latino kids to put it on at another location. He even gets help from the ACLU to keep his play from being censored. Talk about free publicity!

“Hamlet 2” is a terrific star vehicle for Coogan, and he is never afraid to make himself look completely silly. He shows no fear in portraying Dana as a complete failure both as an actor and a drama teacher. That he somehow inspired these students who have grown up in a far different environment than his is pretty amazing. But in the end, it doesn’t matter if Dana is really bad or good because he gets the play up to the excitement and infuriation of everyone in Tucson, Arizona, the city where dreams come to die. Coogan proves to be a brilliant comic actor here, and he still is all these years later.

The director and co-writer of “Hamlet 2” is Andrew Fleming, and he does a good job of not taking things too seriously. Fleming started off his career as the writer and director of the “A Nightmare on Elm Street” wannabe, “Bad Dreams” (this title tells you all you need to know). From there, he went on to direct “Threesome,” “The Craft,” “Dick,” and “Nancy Drew.” Suffice to say, he has been around for a while, and this film proved to be one of his stronger efforts.

“Hamlet 2” also features a terrific performance from Elisabeth Shue who plays herself here. In this movie, she has given up on acting and appears to be much happier working as a nurse in a sperm bank. Dana goes gaga over Shue and invites her to speak with his class, but they have no idea who she is. We all remember her from “The Karate Kid,” and she earned a much-deserved Oscar nomination for her unforgettable performance in “Leaving Las Vegas,” but over the years her star has not ascended in the way we thought it would. Still, she works constantly and is always on the verge of giving us her next memorable performance. And, as “Hamlet 2” shows, she has a great sense of humor about herself.

Anybody who has ever been involved with community theater or in high school plays will get a kick out of this film. In retrospect, the high school students were the ones who manage to get the show up and running, and this is shown here. That Dana manages to inspire these kids through his embarrassing ways is astonishing. When you are already deep into the production of a show and your director flakes out or becomes useless, you can’t just give up. As Dana’s personal life hits rock bottom, it’s those kids who pull him up from the abyss.

I also like how “Hamlet 2” got into the conflicts Dana has with the school and parents because everyone in these situations always acts in an overly conservative way. As time goes on, I get more interested in what does not offend people because it seems like we are always looking to get mad about something. Granted, you can see why people might object to Jesus Christ kissing Satan or with a song entitled “Rock Me Sexy Jesus,” a song which was criminally robbed of an Oscar nomination. But everyone in the end is saved due to the protected freedom of the 1st amendment of the Constitution. That pisses a lot of people off, but that’s their problem.

The ACLU eventually gets involved when the show is threatened to be shut down, and a lawyer comes to visit Mr. Marschz to lend her help. She is played in a kick ass scene stealing performance by Amy Poehler. Her character of Cricket Feldstein is a ball buster about protecting the production, and she makes sure everyone involved gets to put it up. Her disinterest in whether or not the play is any good (“It’s irrelevant,” she says) is hilarious, and Poehler continues to show why she is one of the funniest actresses ever.

“Hamlet 2” is a lot of fun to watch, and the play which comes out of it is a hoot as it is a quasi-musical in which Hamlet and Jesus team up to change the past. Granted, they take all the drama and tragedy out of Shakespeare’s “Hamlet,” but it is a little hard at times to argue with Dana who calls the play “a real downer.” In addition to “Rock Me Sexy Jesus,” there is another song called “Raped in The Face” which is Dana’s stab at the critics who keep taking apart his plays based on movies. The song title alone demands your complete attention.

All the same, I wished the filmmakers had pushed the envelope a bit more. Seriously, you have to expect some envelope pushing when one of the writers, Pam Brady, is from “South Park.” I’m not saying “Hamlet 2” had to be insidiously evil, I just wished the satire in parts was a little sharper. Or perhaps I got a little depressed with Dana’s station in life because it is one I hope to avoid in my own life, and this made it hard for me to be more objective about what I saw. Still, this comedic film has stayed with me since I first saw it, and at some point, I need to watch it again.

Shakespeare once wrote about how all the world is a stage, and he was absolutely right. We are all merely players in this crazy thing called life, and “Hamlet 2” plays with this to such an enthusiastic extent to where I wonder if another “Hamlet” sequel is in our future. Or better yet, maybe we can get a “Romeo & Juliet” sequel as young love does not have to be so infinitely depressing. Seriously, everyone deserves a second chance.

* * * out of * * * *

Elisabeth Shue on Arriving at the ‘House at the End of the Street’

House at the End of the Street Shue Lawrence

WRITER’S NOTE: This article was originally written back in 2012.

Do not worry about actress Elisabeth Shue because she is doing just fine. To say she has been making a comeback would not be altogether fair as she has never really stopped working. While it has been some time since her heyday in the original “Karate Kid” and her brilliant Oscar-nominated turn in “Leaving Las Vegas,” she has been keeping busy with “CSI” and movies like “Piranha 3D” and “Hamlet 2” among others. But now she gets the opportunity to act opposite one of the hottest movie stars at this moment, Jennifer Lawrence, in Mark Tonderai’s horror movie “House at the End of the Street.

Shue stars as Sarah, a recent divorcee who has just moved with her daughter Elissa (Lawrence) into a new home which they later find has a ghastly history. What makes the dynamic between Shue’s and Lawrence’s characters especially interesting is how they keep trying to figure out who the mother is in this relationship. Shue described Sarah as being a “rock-and-roll groupie type” who is more of a child than Elissa.

“Mark was really wonderful. We worked on the script to create a mother who’s a little more complicated than what was originally on the page,” Shue said.

Having already acted in horror movies, Shue is no novice to this endlessly popular genre. The actress also makes it clear she “definitely likes to be scared” and counts “The Silence of the Lambs” as one of her all-time favorite movies. She also likes how her role in “House at the End of the Street” contrasts to the horror films she previously appeared in.

“Hopefully, this is a bit more real,” says Shue. “I really like the tension in the film, and the way the characters are allowed to live and breathe, so things aren’t jumping out at you all the time.”

Working with Lawrence proved to be a great experience for Shue as she found the “Hunger Games” star to be “incredibly grown up for her age.” This was certainly made clear to the world when Lawrence made a tremendous breakthrough in “Winter’s Bone” in which her character has to take care of her siblings when her parents prove to have more serious problems of their own. Shue has gone on to describe Lawrence as being “much more mature” than she was at her age.

“We didn’t get too much time together before we started filming, but we had some dinners and hung out,” Shue said. “I think we both share those long years of just being a normal person before getting into this business and I think that’s helpful. She never seemed insecure or needy or someone who wasn’t just very, very confident in herself. At that age, I wasn’t that way.”

It is always great to hear when Elisabeth Shue is doing another movie or television show. Those memories we have of her from “Adventures in Babysitting” and “The Karate Kid” have never gone away, and she continues to entertain us today in whatever she does. I think it is safe to say we can be sure will be seeing plenty more of her in the near future.

SOURCES:

Olivia Allin, “Elisabeth Shue on working with Jennifer Lawrence in ‘HATES,’” On The Red Carpet, September 22, 2012.

Nisha Gopalan, “Elisabeth Shue on ‘House at the End of the Street,’ Jennifer Lawrence, and ‘Savvy’ Starlets,” Vulture, September 20, 2012.

Mark Worgan, “Elizabeth Shue Interview: Jennifer Lawrence Was Always Headed To The Top,” Entertainment Wise, September 27, 2012.

Bob Thompson, “Elisabeth Shue is the comeback kid,” Dose, September 20, 2012.

John G. Avildsen’s ‘The Karate Kid’ is Still the Infinite Crowd Pleaser

The Karate Kid 1984 poster

I wanted to write about “The Karate Kid” because it’s one of those movies which stays with me to where I know every piece of dialogue in it. I got to see it at the long-gone Melody Theater back in Thousand Oaks where I saw many classic 1980’s movies. I still vividly remember seeing it with my older brother and mom, and it was one of the few movies she would ever take us to see in a theater back then.

It has now been more than 30 years since the original it came out, so I guess it’s safe to say you all know the story by now. Ralph Macchio plays Daniel LaRusso, a high school teenager who moves with his mom from New Jersey to California. Having moved a lot as a kid, I can appreciate his frustration at having to adapt to new surroundings which are not prepared to welcome you with open arms. He runs afoul of a tough gang known as the Cobra Kais, and they are led by Johnny Lawrence (William Zabka). When he sees Daniel flirting with his girlfriend Ali (Elisabeth Shue), Johnny lays down the law and kicks Daniel’s ass without any pity.

“The Karate Kid” had a strong impact on me. I got picked on a bit when I was a kid, and seeing him get messed around with filled me with a sadness and anger in how unfairly people get treated. You want to see him get his revenge against these guys even though it will likely bring the same vicious reaction from the Cobra Kai. When you see him get beat up again, I remember how angrier and angrier I got. But that’s when this movie gave us one of its best moments as Mr. Miyagi came to the rescue and kicked ass. Seeing Miyagi coming from behind in the shadows got my heart and excitement up, and it was a pleasure to see him give those bullies the beating they deserved.

Mr. Miyagi is one of the best characters to come out of the 1980’s, and he remains one of my favorites from that decade. He is basically an Okinawan Yoda, and he is brought to life by the late Pat Morita in a performance I was so hoping would snag him the Best Supporting Actor Oscar he was nominated for. Although this character became a cliché for many other movies, the guy who does a low profile and lonely job but who is actually a war hero with the greatest of skills and training, Morita is brilliant in how he shows the seriousness of Miyagi as well as his joyous and humorous side as well. I did not realize Morita was a stand-up comedian before he did this movie. Then again, he was on “Happy Days” for a while.

After all these years, “The Karate Kid” still proves to be one of the few movies which really shows us the truth about karate. Karate is a spiritual thing more than anything else, and it was not about being trained to attack the way John Kreese (Martin Kove) taught others to do. It was about defense more than anything else. Moreover, it was about making yourself a better person on the inside as opposed to just the outside. I have heard from my closest friends about how studying karate helped raise their self-esteem to where they felt better about themselves. I even studied karate for a bit to experience it for myself, and it’s something I hope to continue in the near future.

The friendship between Daniel and Miyagi is one of the best I have ever seen portrayed onscreen. You are pretty much in Daniel’s shoes as he tries to figure out what the heck is going on when Miyagi has him washing his cars, painting his fence, sanding his floor and painting his house instead of teaching him karate. This leads to one of my favorite moments where Daniel realizes Miyagi has trained him in karate without him even knowing it. All these chores give him reflexes which have become ingrained in his consciousness to where they are practically automatic, and it is then that he realizes he has long since learned how to defend himself.

As Daniel LaRusso, Macchio gave us his quintessential performance from the 80’s. In the first two “Karate Kid” movies, he found a balance between being obnoxious and sincere, and he makes LaRusso a likable guy to where his transformation into a true karate student feels real and authentic.

Shue was so beautiful in this movie, and I liked how she embodied her character to where she practically spits at the clichés of the typical spoiled rich girl we have seen in far too many movies. Shue and Macchio might seem like a highly unlikely couple, but these two convince you they could be together. I always hated how Shue’s character got dumped in “The Karate Kid Part II.” I never really bought how that all came about, and I thought it was really shitty to not include her in the sequel. Shue was a wonderful and vivacious presence here, and she went on to give an unforgettable performance in “Leaving Las Vegas.”

Morita’s career went downhill after appearing in “The Karate Kid.” Seeing him doing local car center commercials was frustrating, but what he does here with Miyagi is amazing. It’s one of those performances where the actor becomes the character to where you never really see him acting, and that’s great film acting.

John G. Avildsen, best known for directing “Rocky,” helmed this movie with the same level of confidence as he did with the one he won a Best Director Oscar for, and he gives us a rousingly good time at the movies in the process. Since he has two great actors in the lead roles, he doesn’t waste time trying to manipulate our emotions because he makes everything in “The Karate Kid” feel very real. You’re not just watching this movie, you’re experiencing it along with the characters.

I also want to mention Kove’s performance as John Kreese as he proves to be the real villain of “The Karate Kid.” He trains his students viciously as if they are in a constant state of military basic training you would rather see end sooner than later. Kreese has programmed these kids to hurt and inflict punishment, any they look up to him for all the wrong reasons. But towards the end, they come to see Kreese is not all he is cracked up to be. There’s a great moment where he looks at Zabka as he is taking a break in the climatic fight with Daniel LaRusso and tells him to “sweep the leg.” Zabka’s character of Johnny Lawrence looks at Kreese like he is out of his mind, and it adds another to where it keeps the characters from becoming a pair of one-dimensional jerks we have seen too often.

“The Karate Kid” is a well written movie directed to near perfection and acted with supreme skill. After all these years, I never get sick of watching it, and I don’t think I ever will.

* * * * out of * * * *