‘Black Adam’ Movie and 4K/Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

I always make sure to preface my review of any superhero film by informing the reader that I go into these films as a novice. I do not know anything about the backstories, the characters, or if it’s true to its source material. However, I am a firm believer that if a film is good, it can be enjoyed without an audience member knowing anything about the superhero.  It should be able to stand on its own merits. There is no denying the movie star appeal of Dwayne “The Rock” Johnson, but I do have serious questions about some of the film roles he has picked for himself. He has proven both in wrestling and in certain films like “Central Intelligence” that he has a charisma very few can match.  He is an authentic human being who is filled with charm for days, and I would like to see more of that in his future projects. This film, though, called for a different type of performance out of him.

Black Adam” is initially set in 2600 B.C. where a crown was created by Ahk-Ton of Kahndaq in order to give him the powers of a demon. The film then moves to the present day, and it shows Kahndaq in a state of distress at the hands of Intergang, a crime syndicate that doesn’t like to play by the rules. Adrianna Tomaz (Sarah Shahi) is looking to obtain the Crown of Sabbac, and she has enlisted the help of her brother, Karim (Mohammed Amer), along with their associates Samir (James Cusati-Moyer) and Ishmael (Marwan Kenzari). It should be noted she has good intentions for the Crown. Once Adrianna gets her hands on the crown, she awakens Teth-Adam (Dwayne Johnson) from a lengthy slumber. She is under the impression that he is the hero of Kahndaq after he saves her from Intergang.  Government officials from America, however, believe Teth-Adam is dangerous and not a hero, and they bring in the Justice Society to make sure he will not inflict any harm on anyone.

The Justice Society consists of Hawkman (Aldis Hodge), Doctor Fate (Pierce Brosnan), Cyclone (Quintessa Swindell) and Atom Smasher (Noah Centineo). However, Adrianna’s son, Amon (Bodhi Sabongui), believes there is good inside of Teth-Adam as, after all, he saved his mother from Intergang.  There might be some darkness and a past to Teth-Adam, but Amon believes if Teth-Adam can come up with a cool catchphrase and harness his powers for the right cause, he can be a really special superhero.  There is a past with Teth-Adam, one which still haunts him to this day, and he is a complex character with an interesting backstory and more layers than one would expect.

I found the story of “Black Adam” interesting, layered and geared more toward adults than children.  I cannot imagine this is the kind of superhero film that will appeal to many children.  The first half does a good job of laying out the stakes, allowing the characters to develop, and letting us spend time with them where we get to know them.  This is a more restrained performance from Johnson. As soon as you find out his backstory and what happened to him in his past, you understand why.  This is not the Dwayne Johnson we are used to seeing in his other films, and he gives a solid and understated performance. He has to express a lot of emotions throughout the film, and he does a great job with that. Sarah Shahi is really, really good here and shows just the right amount of powerful vulnerability and humanity throughout.

With the Justice Society, the standout performer was clearly Aldis Hodge. I have been enjoying his work for a while now, and he holds his own with Johnson and even steals a few scenes. I felt like Pierce Brosnan was not given a whole lot to do with his role as Doctor Fate, but he does come across as wise and insightful with his performance.  He is an observer of what’s going on and trying to come to terms with what he knows is going to happen because he’s aware of when people are going to die.  The younger actors, Quintessa Swindell and Noah Centineo, are very, very effective, but again, they are not given enough screen time to really shine and show off their acting chops. I liked what I saw from them, but I wanted to see more.

Overall, “Black Adam” is an entertaining superhero film with a dark backstory that I enjoyed.  The special effects, action, and pacing are lacking, however, and they hold the film back.  I wish they had a tighter script as the last forty-five minutes are really lagging and keep everything from ending on the right note.  I see elements of a really, really good superhero film here, but they don’t all come together.  There are actors, moments, and scenes where I said to myself, “Now, this is working.  Let’s stay here.”  Other times, I was thinking to myself, “This is sound and fury, signifying nothing.” It is an average film but with good to great signs of life sprinkled throughout its running time.

* * out of * * * *

4K Info: “Black Adam” is being released on a two-disc 4K/Blu-ray combo pack from Warner Brothers Home Entertainment. The set also comes with a digital copy of the film.  It has a running time of 125 minutes and is rated PG-13 for sequences of strong violence, intense action, and some language.

4K Video Info: We do get Dolby Vision here, but I have to say, I was pretty let down with the visuals of this film.  Don’t get me wrong, it is very clear and crisp, but it doesn’t quite pop like it should.  I understand the film is called “Black Adam,” and it’s supposed to have muted and hushed tones, but there is a way where you can use these to create an interesting 4K transfer with great visuals.  I thought it looked just OK.  There was not anything which really impressed me or stood out.

4K Audio Info:  The Dolby Atmos track brings the power.  It really enhances the action scenes without being too loud or overpowering to where it is distracting and you are reaching for your remote to turn the volume down on your soundbar.

Special Features:

The History of Black Adam

Who is The Justice Society?

From Soul to Screen

Black Adam: A Flawed Hero

Black Adam: New Tech in an Old World

Black Adam: Taking Flight

Kahndaq: Designing a Nation

The Rock of Eternity

Costumes make the hero

Black Adam: A new type of action

Should You Buy It?

I do not think “Black Adam” as a film or as a 4K disc is something you need to add to your collection at its current price.  It was entertaining for two hours, but it did not reinvent the wheel or leave me with any lasting impressions which stayed with me after the credits rolled. I did not hate it nor did I love it.  It was an entertaining superhero film which, of course, is fine, but I think fans are looking for something a little more than just “fine.”  There are some good special features here, though.  I was disappointed with how the film looked on 4K, as I was expecting an impressive and powerful transfer.  It is just OK as well.  The audio is really good, as I mentioned earlier.  I can see what they were going for here and what their intentions were, but the pacing and the special effects really stop this film dead in its tracks. I recommend you check it out on HBO Max, but I would not add it to your collection.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘DC League of Super-Pets’ Movie and 4K/Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

DC League of Super-Pets” is a film which, on paper, sounded like it would be an enjoyable and entertaining animated film for families to enjoy on a rainy day.  I was especially drawn to the cast of the film, which features such actors as Dwayne Johnson, Kevin Hart, Kate McKinnon, John Krasinski, Natasha Lyonne, Keanu Reeves and Olivia Wilde. However, this feels more like a 10 to 15 animated short than it does a feature length film.  There isn’t a lot of material for the actors to work with here as far as the story is concerned.  It also appears that some of the actors are phoning in their voice performances.

The film opens up by introducing the audience to Superman (John Krasinski) and his best friend, Krypto, a Labrador Retriever, voiced by Dwayne Johnson.  They do everything together, including their daily walk-o’clock.  Krypto, however, is starting to become jealous when he notices that Superman is spending an awful lot of time with Lois Lane (Olivia Wilde), and worries he will be left behind.  After all, who is Krypto going to watch The Great British Bake off with?  He’s feeling left out and drowns his sorrows with ice cream and Taylor Swift songs to deal with the pain.  Meanwhile, Superman is hoping to get a buddy for Krypto, so he doesn’t depend on him so much.

While looking for a friend for Bark Kent (Krypto’s day-to-day dog persona), he stumbles into a shelter with a variety of animals, such as a boxer named Ace (Kevin Hart), PB, a potbellied pig, voiced by Vanessa Bayer, a turtle voiced by Natasha Lyonne, and a red squirrel voiced by Diego Luna. The one bad egg in the bunch is a hairless Guinea pig named Lulu, who has been under the guidance of Lex Luthor (Marc Maron). She was a test subject at LexCorp, and now has evil powers of her own, which help her capture The Justice League.  It is up to all of the animals to work together in order to save The Justice League and stop Lulu.  They now have superpowers of their own which they must harness for good in order to restore peace.

This should have been a film which hit just the right notes in terms of appealing to young kids and also having some adult humor as well.  There is adult humor here, but it feels very on-the-nose and not at all natural or organic.  All of the flying around mixed with the superhero powers makes the film feel very tedious to sit through at times.  There is a story behind Ace becoming a shelter dog that adds some layers to his character, and there are also individual moments in the film which are funny and work within the structure of the film.

Overall, though, I can’t imagine too many kids getting all of the adult jokes which are forced into ‘DC League of Super-Pets” periodically.  I also can’t picture parents or adults enjoying the stuff intended for kids.  The film ends at around 95 minutes even though it has a 105-minute running time.  It still felt too long, and I found myself clock-watching.  It’s a case of a film where they thought as long as they had the right voice actors and the DC name attached to it with pets, they were good to go.  They didn’t take the time to actually craft a script which was worthwhile, interesting or well-developed.  They got lazy when it came time to putting the screenplay together.

I had high hopes for this one, but in the end it fell flat.  What is most frustrating about “DC League of Super-Pets” is the potential that can be seen here for a good movie.  There are some backstories and relatable moments which work quite well, but they are not consistent enough throughout the course of the film. It’s an example of an average movie with good scenes sprinkled throughout.  There is a good movie waiting to come out, but it never fully gets on track because of mediocre writing, lackluster voice work and a very lazy plot.  This is a film with a ton of potential which could have been one of the better animated films of the year, but is instead instantly forgettable.  It’s truly a shame, as this is one of the best casts I’ve ever seen for an animated film.  They should have utilized this cast and gave them interesting things to say in a comedic fashion.  Kevin Hart is subdued and for good reason (when you discover his character’s backstory), but no one really stands out here.  Kate McKinnon even seems to be reaching here.

* * out of * * * *

4K/Blu-ray Info: “DC League of Super-Pets” is being released on a two-disc 4K/Blu-ray combo pack from Warner Brothers Home Entertainment.  The film is rated PG for action, mild violence, language and rude humor.  It has a running time of 105 minutes.  It also comes with a digital copy of the film.

Video Info: The 4K of the film is very bright and colorful.  I will say this—the 4K looks simply stunning with its vivid colors. Certain animated films really pop on 4K HDR, and this is one of them.

Audio Info: The Dolby Atmos track is also on point throughout the film, as it never gets too high or too low, even during the action scenes.  It’s just right. Subtitles are included in Canadian French, English and Latin Spanish.

Special Features:

How to Draw Krypto

Behind the Super Voices

Super-Pets Animation 101

Find the Easter Eggs

The World of Super-Pets

Deleted Scenes

Should You Buy It?

I think it’s safe to say from reading my review that the answer is no.  I felt very bored and disinterested while watching “DC League of Super-Pets.”  As stated in my review, the plot is run-of-the-mill and the characters are so underdeveloped. I love animals, as my wife and I have four of our own.  I know they are animated here, but still; they can be cute and funny in animated form.  Another problem with this film is you know certain actors are voicing the parts.  When you can clearly notice their voices, that’s a problem. It means they haven’t really allowed themselves to get into character fully.  Instead, they are simply reading lines right in front of them without any change to their delivery or speech. This is an average film.  It’s a one and done film for me.  For everyone else?  I can’t recommend you check it out, even as a rental.  The film looks and sounds great, but that isn’t enough to make it worth watching or owning.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

The Super Bowl LVI Movie Trailers in Review

The Super Bowl has come and gone again. While the home team, the Los Angeles Rams, got me interested in this monumental event more than usual, what always brings me back to the Super Bowl are the commercials and the trailers for upcoming films which look to bring in the largest audiences possible. Even if some are available to stream on streaming services on opening day, these blockbusters are clearly made for the silver screen. Whether or not COVID mandates are still in place when these films arrive, I look forward to seeing many of them in a theater.

Doctor Strange and the Multiverse of Madness

Following the massive success of “Spider-Man: No Way Home,” Doctor Strange returns to battle the multiverse once again, and it looks badass to put it mildly. Sam Raimi returns to make his first movie based on a Marvel Comics character since “Spider-Man 3,” and it sure feels like a Sam Raimi film with all the crazy images which look like they came from “The Evil Dead.” The only thing I have to wonder now is this, will there be a Bruce Campbell cameo? Moreover, will his classic yellow 1973 Oldsmobile Delta 88 make an appearance as well? If so, that would be groovy.

Granted, the trailer presented during the game was a teaser for the official trailer which is now available to view online. I am just going to leave you the official trailer down below. Just when I thought I was getting burned out by superhero/comic book movies, this “Doctor Strange” sequel has whetted my appetite.

By the way, was that Patrick Stewart’s Professor X voice we heard?

The Lost City

Look, I love Sandra Bullock and Channing Tatum is fun, but this trailer for “The Lost City” makes the film seem like a wannabe “Romancing the Stone” which is too broadly comedic for its own good. Directed by Aaron and Adam Nee and based on a story by Seth Gordon, Bullock plays the brilliant but reclusive writer Loretta Sage who is known for penning romantic adventure novels which take place in exotic locations. While promoting her latest novel, she is kidnapped by an eccentric millionaire played by Daniel Radcliffe whom we see only briefly here, and it is up to Alan (Tatum), the model for Bullock’s book covers to save her. Oh yeah, there is a secret treasure involved. Sound familiar?

It pains when actors are clearly striving to be funny as this trailer. Still, it is worth watching for Brad Pitt who steals the show here just as he stole a certain scene in “Deadpool 2.”

Jurassic World Dominion

As disappointing as “Jurassic World: Fallen Kingdom” was, its conclusion gave its follow-up an interesting scenario to work with, dinosaurs co-existing with human beings. Can such a thing be possible, or will one race dominate the other to where a certain species is rendered extinct?

The trailer presented during Super Bowl LVI is the same one that recently premiered online. The image of cowboys trying to herd some dinosaurs who could easily kill them just by stepping on them is a fascinating image, and the characters played by Chris Pratt and Bryce Dallas Howard now have a daughter because, let’s face it, these two were bound to get it on at some point, and the whole will they or won’t they scenario has long since been played out.

But the real joy of the “Jurassic World Dominion” trailer is seeing the return of the “Jurassic Park” trio, Sam Neill, Laura Dern, and Jeff Goldblum. Neill is always terrific in whatever project he appears in, Dern looks like she hasn’t aged a day since “Jurassic Park III,” and Goldblum looks to get more of a role this time around as opposed to the glorified cameo he got in the previous installment.

The magic of first seeing the dinosaurs in Steven Spielberg’s 1993 film has never been quite the same, and this franchise has taken some embarrassing turns since then. But with “Jurassic World” director Colin Trevorrow behind the camera again, maybe everyone involved will give this trilogy the conclusion it deserves.

The Adam Project (Netflix)

On one hand, this trailer acts as a promotion for the original content Netflix is going to be dropping on us in the coming months. But this trailer’s main attraction is clearly the Shawn Levy film “The Adam Project” starring Ryan Reynolds, an actor no one can ever seem to get sick of. Originally titled “Our Name is Adam,” back when Tom Cruise was attached to star, Reynolds travels back in time to meet his younger self (played by Walker Scobell) in an effort to confront their late father. While the storyline seems like a rip-off of “Looper,” this looks like its own thing despite any similarities which I am hoping are coincidental.

Seriously, seeing Reynolds in this trailer made me as giddy as Will Ferrell was when he spotted him in the audience the last time he hosted “Saturday Night Live.”

Nope

This trailer for Jordan Peele’s latest cinematic opus reminds me of the greatness of the first “Cloverfield” trailer; it gives us a lot of fascinating and unforgettable visuals while leaving the movie’s plotline a mystery. The trailer for “Nope” looks like it takes place at a horse ranch in the middle of nowhere when all the electricity suddenly goes out, and either Armageddon is happening or a UFO is landing as characters flee as fast as they can or get sucked up into the air. Whether it is a political thriller dealing with racism like “Get Out” and “Us” or just a straightforward science-fiction horror thriller, this trailer has me deeply intrigued, and July 22nd cannot come soon enough.

Ambulance

Anybody who knows me well understands how much I despise Michael Bay. Ever since the cinematic atrocity that was “Transformers: Revenge of the Fallen,” I have avoided his movies like the plague. However, I cannot help but be intrigued by his latest film, a remake of the 2005 Danish film of the same name, which is about a bank robbery gone wrong (is there any other kind in movies?) which leads two of the robbers to hijack an ambulance and use an EMT and a wounded police officer as hostages. Plus, with a cast that includes Jake Gyllenhaal and “The Matrix Resurrection’s” Yahya Abdul-Mateen II, this looks to be a film not made with 5-year-old moviegoers in mind. Whether it is made with the mindset of a 5-year-old, however, remains to be seen.

The trailer for “Ambulance” has been out for some time now, but its Super Bowl spot serves as a reminder of how I am honestly excited for it. While it looks to have those typical Bay flourishes like explosions and cameras moving around in circles, there is nary a Transformer to be found here.

Top Gun: Maverick

Delayed by the COVID pandemic more times than “No Time to Die” and hoping to score big at the foreign box office, “Top Gun: Maverick” is FINALLY arriving in theaters this May. For its Super Bowl spot, Paramount partnered with Porsche because when Tom Cruise says he “feels the need, the need for speed,” you either think of “Top Gun” or a Porsche, right? Well, I would certainly love to drive a Porsche with Jennifer Connelly as my passenger, that’s for sure.

With Cruise reteaming with his “Oblivion” director Joseph Kosinski, we can expect some truly intense visuals and real G-force experiences as shown on Maverick’s face. But as with those “Avatar” sequels which James Cameron keeps promising us, I have to say RELEASE THE DAMN MOVIE ALREADY!

The Lord of the Rings: The Rings of Power

Okay, this is not a movie trailer, but it is a trailer to one of the most anticipated television series ever. Now, this trailer proves this is not a remake of Peter Jackson’s “Lord of the Rings” trilogy, but instead a prequel that takes place many, many, many, many, many years before Gollum found his precious. While it looks epic, those CGI effects look fairly obvious and kind of take me out of the spectacle on display. Still, we are in J.R.R. Tolkien territory, and it remains ripe with imagination after all these years.

DC Movies

Instead of a single comic book/superhero movie, DC movies will be giving us four of them in 2022: “The Batman,” “Black Adam,” “The Flash” and “Aquaman and the Lost Kingdom.” Images from each one are featured in one Super Bowl ad, and these are my thoughts: I’m sick of hearing about “The Batman.” I just want Matt Reeves’ cinematic interpretation of Bruce Wayne and his alter ego to come out already. Seeing Dwayne Johnson as Teth-Adam/Black Adam proves to me how passionate he was about bringing this character to the silver screen. Hopefully, Ezra Miller will have more speed on his side than he did with “Justice League.” As for Jason Momoa, he has already proven to me he is the definitive Aquaman, and the upcoming sequel is yet another reminder of the fact I have still not watched the original. With these four movies, perhaps DC will finally give the Marvel Cinematic Universe a run for its money.

Sonic the Hedgehog 2

I have not seen the first “Sonic the Hedgehog,” and the Super Bowl spot for the sequel does not make me want to check either of them out. When it comes to Jim Carrey though, I have no problem defending him as an actor. While he looks to be doing his usual schtick here as Doctor Ivo “Eggman” Robotnik, he is far more than what he appears to be. His lack of an Oscar nomination for “The Truman Show” was tragic, and they should have just handed him the Oscar for his performance as Andy Kaufman in “Man on the Moon.” And when it comes to “Batman Forever,” I still think he was the best thing about it. Anyway, that is all.

Dwayne Johnson on Getting Pumped Up for ‘Pain & Gain’

Pain and Gain Dwayne Johnson

WRITER’S NOTE: This article was written in 2013.

Many like to laugh at athletes who decide to try acting because while they may excel in their chosen sport, it doesn’t necessarily mean they will be equally successful on stage and screen. Dwayne Johnson, however, has proven to be an exception as he keeps getting better and better with each movie he appears in. In “The Scorpion King,” he proved to have a strong screen presence which would serve him well in future movies like “The Rundown” and “Fast Five,” and he gave one of his best performances to date in “Snitch” as John Matthews, a father who goes undercover for the DEA so he can get his son out of prison. Now he stars in “Pain & Gain,” Michael Bay’s action comedy based on the Miami New Times articles about the Sun Gym Gang who kidnapped a rich businessman in the hopes of extorting him for money so they could live the American dream.

Johnson plays Paul Doyle, an ex-con who has clearly spent hours upon hours in the prison gym. A former drug addict, Doyle has since become a born-again Christian who yearns to do good in life. Still, when his friend Daniel Lugo (Mark Wahlberg) comes to him with a plan to kidnap spoiled rotten businessman Victor Kershaw (Tony Shalhoub), Doyle cannot resist the pull towards a life of crime.

“Pain & Gain” plays around with Johnson’s image as a bodybuilder, but in an interview with Erin O’Sullivan of Yahoo Movies, he explained there was something more than the physical training which made him want to play this character.

“I was really fortunate because I was coming off of ‘G.I. Joe: Retaliation,’ and I was coming off of ‘Fast & Furious’ at that time too. So, a lot of those projects supported and fostered the type of training I was doing,” Johnson told O’Sullivan. “The biggest thing with a movie like this — the biggest departure (for me) was the vulnerability and showing this type of vulnerability, and playing a character who is easily influenced and who’s just out of prison and looking for salvation.”

The movie has garnered quite a bit of controversy as it is said to be based on a true story which involved a brutal kidnapping, torture and murder. The survivors of the Sun Gym Gang’s crimes have been very open about their opposition to “Pain & Gain” as they don’t want the audience to sympathize with the characters played by Johnson, Wahlberg and Anthony Mackie as they are all based on real life killers. None of this was lost on Johnson who told Colin Covert of the Star Tribune he said a prayer every day for the victims of the gang’s crimes and explained how the story hit close to home for him as he lives in Miami where the crimes took place.

“The story rocked our city. It was a crazy time for us down there then. It’s painful for many people to remember it even to this day,” Johnson told Covert. “It’s been a passion project of Michael Bay’s for years, and he had a very clear idea of how to present it; a kind of ‘Pulp Fiction-y,’ fast-moving version that shows what boneheads these criminals actually were. Of course, whenever there is a story based on actual crimes, you have a responsibility to tell it in a way that’s respectful, we were fully aware of that.”

Now you’d think after doing several action movies in a row that Johnson would have all of the muscle and physical training he’d ever need, but even on a movie like “Pain & Gain” which cost only $25 million to make (way below the budgets of Bay’s “Transformers” movies), the actor and pro-wrestler still had a strict training regimen to follow. Johnson discussed his training schedule with the website Bodybuilding.com, and it makes you wonder how he found any free time to work out.

“My routine for this film was training six times per week with George Farah (an IFBB professional bodybuilder and trainer). Many people who go on Bodybuilding.com know who my strength and conditioning coach is. I also have a training coach in Dave Ramsey,” Johnson told the website. “This was a hell of a prep. For a movie like this, that revolves around the world of bodybuilding and the culture of bodybuilding-that we love, by the way, and that we grew up on-the prep was a good 8-10 weeks, six workouts per week, training twice per day. I did my cardio in the morning.”

According to USA Today, Johnson added 12 to 15 pounds of muscle to his 6-foot 4-inch body, and he maxed out at 250 pounds. As a result, it shouldn’t be much of a surprise that he recently had emergency hernia surgery even though it was attributed to the WWE match he wrestled in last month. To all this, Johnson said the following:

“When you’re young, you think you’re invincible. When you’re older, you have to start listening to your body.”

Over the past few years, Dwayne Johnson has proved he can handle comedy, drama and action with equal success, and he’s become one of the true bona fide action stars in movies today. We look forward to seeing him again in “Fast & Furious 6” as Luke Hobbs, and he also has “Hercules: The Thracian Wars” to look forward to as well. At this point there should be no doubt, for an athlete turned actor, that Johnson is the real deal.

SOURCES:

Erin O’Sullivan, “‘Pain & Gain:’ Mark Wahlberg & Dwayne Johnson Talk Bulking Up for Action Movie,” Yahoo Movies, April 20, 2013.

Colin Covert, “Mark Wahlberg and Dwayne Johnson talk about new Michael Bay movie ‘Pain & Gain,'” Star Tribune, April 24, 2013.

‘Pain & Gain’ Exclusive with Mark Wahlberg and Dwayne ‘The Rock’ Johnson,” Bodybuilding.com, April 22, 2013.

Bryan Alexander, “Dwayne Johnson, Mark Wahlberg pumped for ‘Pain & Gain,'” USA Today, April 25, 2013.

Anthony Mackie on Playing a Criminal Bodybuilder in ‘Pain & Gain’

Pain and Gain Anthony Mackie

WRITER’S NOTE: This article was written in 2013.

While much of the attention on Michael Bay’s “Pain & Gain” has been focused on Mark Wahlberg and Dwayne Johnson, there’s another actor in the cast audiences are taking notice of as well: Anthony Mackie. The Julliard School graduate made his movie debut opposite Eminem in “8 Mile,” and he has since gone on to give memorable performances in the Best Picture winners “Million Dollar Baby” and “The Hurt Locker.” “Pain & Gain” is one of several 2013 movies Mackie will be appearing in, and he does not appear to be suffering from a shortage of roles in the slightest.

In “Pain & Gain,” Mackie portrays Adrian “Noel” Doorbal, a bodybuilder and personal trainer who works with Daniel Lugo (played by Wahlberg) at the Sun Gym in Miami. Lugo ended up recruiting Doorbal to help him kidnap rich businessman Victor Kershaw (Tony Shalhoub) so they can steal his money and live out the American dream. In an interview with Billy Donnelly of the website Moviefone, Mackie recalled being blown away by the script when he first read it and couldn’t believe it was based on a true story. The actor also took the time to explain how his character differs from the ones played by Wahlberg and Johnson.

“What I love about Doorbal is that he’s the grounding force of this movie,” Mackie told Donnelly. “Everybody else does this crime so they can move into a nice neighborhood and sleep with strippers and buy sports cars. When everybody else got a sports car, he got a minivan. When everybody else blew their money on all kinds of random shit, he got married and bought a house. So, he is the true testament, the epitome of wanting to have the American dream. And I think that’s why the character works so well. Because he’s logical with every aspect of it. But in real life? He was the henchman. He was the dude who was cutting the body up and killing people and doing all the crazy stuff that Mark’s and Dwayne’s characters couldn’t do.”

For Doorbal, living the American dream means having a nice home, a loving wife, a dog and a white picket fence. Compared to Lugo and Paul Doyle (played by Johnson), he is not as greedy in his desires even though he’s every bit as guilty of the crimes they all committed. While talking with Brennan Williams of The Huffington Post, Mackie explained what playing this character had to offer him which others in the past had not.

“I have never portrayed a character in this vein before,” Mackie told Williams. “He was so dynamic and so convoluted. And I’m, for some reason, at this point in my life am really interested in people justifying their wrongs. I feel like there’s so many people that do awful things in their day-to-day life, but some kind of way in their minds, they can justify them. And that was something that I’ve become so interested in. So, I wanted to explore that in a movie. And this movie came at the right time for me to do that.”

Now a lot has been said about the weightlifting and intense workouts Wahlberg and Johnson had to endure for “Pain & Gain,” but Mackie was not an exception. Furthermore, Mackie said he and Wahlberg worked out together every morning and that they were very competitive with one another. They would constantly challenge each other to see who could bench press the most weight, and Wahlberg got to where he could lift almost 400 pounds. Mackie detailed both his workouts and the strict diet he stuck to while making this movie.

“Bodybuilding and weightlifting is more of a lifestyle than anything else, so the diet part was easy because it was just about staying focused and staying on your regimen,” Mackie said. “It wasn’t like I had to eat anything or I couldn’t eat anything. It was all about putting together what nutrients I needed day-to-day to get enough of one thing or another in my body. So, it was fairly easy for me. I ate a lot of lean protein like turkey and chicken. I got my carbs from sweet potatoes. So, it became easier as time went on. But I tell you what, after three months of doing that, I don’t want to see a piece of turkey or chicken for a long time.”

Actually, one big issue Doorbal quickly has to confront at the movie’s start is his use of steroids. He uses them to enhance his body structure, but they end up rendering him impotent and made a certain part of his body horrifically small. We all know by now how steroids are incredibly bad for your body when they are abused, but during a press conference for “Pain & Gain,” Mackie explained what his research into steroids taught him.

“From what I understand, it depends on what type you take,” Mackie said. “When doing research, they just talked about all kinds of stuff, and you cycle on this stuff and you would be very surprised at how very easy it is to get caught into it. But there ain’t no lovin’ when you’re juicin’ (laughs). That’s the message I get from the movie; if you want some lovin,’ put down the needle!”

From here, Anthony Mackie has a lot to look forward to as he has “Runner, Runner” coming up in which he co-stars with Justin Timberlake, and he is set to play Falcon in the superhero sequel “Captain America: The Winter Soldier.” While Doorbal took the wrong path in life in pursuing his dreams, Mackie did not make that same mistake and he is now one of the busiest actors in Hollywood today. In fact, Mackie made it very clear what his version of the American dream is.

“To not go to jail,” Mackie said. “I grew up in New Orleans at a time where everybody was getting killed or going to jail, so my goal in life was to go to college and not spend one night in a jail cell.”

He has succeeded in doing just that.

 

SOURCES:

Billy Donnelly, “Anthony Mackie, ‘Pain & Gain’ Star, on Excess, the American Dream, and ‘Captain America: The Winter Soldier,'” Moviefone, April 26, 2013.

Brennan Williams, “Anthony Mackie Talks ‘Pain & Gain,’ And Filming ‘Runner, Runner’ With Justin Timberlake,” The Huffington Post, April 26, 2013.

“Anthony Mackie on his Lil’ ‘Pain & Gain’ Pickle,” eurweb.com, April 12, 2013.

“Anthony Mackie, Vivica Fox & More Talk ‘Pain & Gain’s’ American Dream,” Eurweb.com, April 30, 2013.

‘The Fate of the Furious’ has the Franchise Running on Fumes

The Fate of the Furious poster

So here we are again in the land of fast cars and unabashedly mindless entertainment. We all know what to expect when we walk into a “Fast & Furious” movie, so we should only complain so much, right? “The Fate of the Furious” is the eighth film in this now 16-year-old franchise, and the filmmakers bring most of our favorites back including Vin Diesel, Michelle Rodriguez, Dwayne Johnson, Tyrese Gibson, Chris “Ludacris” Bridges and Nathalie Emmanuel, and “Furious 7” co-stars Kurt Russell and Jason Statham are back to do more damage as well. And yes, there are fast cars aplenty on display here, and you can gleefully expect Gibson to pick the sexiest one even if it is not well-equipped for where he is taking it.

Still, I came out of “The Fate of the Furious” feeling surprisingly underwhelmed. What we have here is not a bad movie, but one which barely rises to the level of being okay. I didn’t get the same rush I typically get as this family of characters drive through one city after another at breakneck speeds while giving every insurance company a lot of grief. Part of me wants to blame the fact that the franchise’s last entry, “Furious 7,” was one of the best and most emotionally of the bunch, but perhaps these films are now drifting on fumes as it feels like we have finally gone too many laps around the same track.

Anyway, Dominic Toretto and Letty Ortiz are on their honeymoon in Havana, Cuba when Dom comes across the alluring Cipher (Charlize Theron), a criminal mastermind and cyberterrorist who makes him an offer he can’t refuse, and it involves betraying those closest to him. Why does Dom go out of his way to betray family? You have to watch the movie to find out, but it involves him stealing an EMP device and some nuclear codes which Cipher wants for her own nefarious purposes.

Having been betrayed by Dom, Luke Hobbs somehow ends up in prison despite all his years of service to law enforcement, and he ends up in a cell right across from his nemesis, Deckard Shaw. After an over the top prison fight which has them both escaping, they run into Frank Petty who informs him and the team they will be working together to bring Dom to justice. Yes, there is only so much plot to be found in “The Fate of the Furious,” but there is still much to take in here. In retrospect, maybe there’s too much.

When it comes to these “Fast & Furious” movies, you are obligated to suspend disbelief, and they usually move at a pace which keeps you from thinking too much about what’s going on. But with this one clocking in at over two hours, my brain was thinking a lot more about the crazy scenarios than usual to where I was taken out of the movie more than twice. For starters, having Statham become a good guy seems far-fetched considering how evil and dangerous he was in “Furious 7.” Granted, his scenes opposite Johnson make for the best moments in this entry as they bait and insult each other as they constantly threaten to beat one another to a bloody pulp. Still, the change in loyalties can only go so far even in this series.

Also, the majority of the car chases on display feel more like special effects than the real deal. There are some cool moments like when Cipher manages to hack into dozens of cars to where they rain on everything and everybody. Still, it felt more like I was watching a video game instead of a movie as the filmmakers stretch credibility beyond its limits from start to finish. In the end, they can only get away with so much.

Directing “The Fate of the Furious” is F. Gary Gray who gave us “Friday,” “The Negotiator,” “Set It Off” and one of the best biopics in recent memory, “Straight Outta Compton.” There’s only so much he can bring to the table as this franchise thrives on familiarity and cars to an infinite degree, but he lets certain scenes drag out when the pedal should be put to the metal. And when that submarine jumps out from under the ice, I couldn’t help but wonder if perhaps this franchise had finally jumped the shark as it tried to outdo itself in terms of stunts. For all I know, the next installment will have this family teaming up with aliens from Mars as they battle another nemesis who’s even worse than the previous one.

This sequel does have the invigorating appearance of Charlize Theron who portrays perhaps the coldest and cruelest villain Dom and company have ever faced. Theron gives us a deliciously evil antagonist in Cipher, and her strength comes from never having to overplay the character. She keeps a cool demeanor throughout as she makes us see Cipher is always one step ahead of her opponents without even having to show us why. Those beautiful eyes reveal to us a corrupted soul who has those in her command under in her complete control. Theron has always been great at playing a badass whether it’s in a movie like this, “Mad Max: Fury Road” or the upcoming “Atomic Blonde,” and she is a memorable addition to this franchise.

Aside from that, a lot of what I saw in “The Fate of the Furious” felt kind of worn out compared to what came before. Diesel delivers his usual stoic performance as Dom, but his veiled threats to Cipher could have felt more threatening. Even the banter between Gibson and Bridges, who can always be counted on to provide comic relief, feels tired as they constantly yell at one another as if they were in the latest Michael Bay movie. As for bad characters switching alliances, it’s a little difficult to believe Deckard Shaw would help Dom so easily after he killed off one of Dom’s best friends. People like these don’t just forgive each other easily.

Regardless, there will be a ninth “Fast & Furious” movie in the near future as this franchise shows no signs of slowing down. I just hope the filmmakers bring a fresh energy to the next installment as “The Fate of the Furious” lacks it more than I could have anticipated. Instead of trying to outdo the stunts which came before, maybe everyone can bring renewed focus to the characters and give us real stunts instead of ones generated by CGI. This isn’t a terrible movie, but it could have and should have been much better than it was.

For the record, there is no post-credits sequence, so feel free to take care of your urine ache sooner rather than later.

* * ½ out of * * * *

Furious 7

Furious 7 movie poster

Some franchises really overstay their welcome, but that’s never been the case with “The Fast and The Furious.” While it looked like this series was running on fumes by the time “Tokyo Drift” came around, the main characters from the original came back for the fourth entry which re-energized everything to a major extent. Now we arrive at “Furious 7” where the action remains top notch even as the filmmakers defy logic more than ever before, but there’s also a lot of emotion and poignancy as we are reminded of what brings us back to these films more than anything else: the characters. Deep down, we care a lot about Dom Toretto and his family and of what happens to them.

After vanquishing Owen Shaw in “Fast & Furious 6,” Toretto and company now have a new nemesis to deal with in Owen’s older brother, Deckard Shaw. Played with villainous relish by Jason Statham, Deckard vows vengeance against Dom and his crew for what they did to his brother, and he starts off by eliminating Han Seoul-oh (Sung Kang) and then obliterating the Toretto family home. This disrupts their lives as Brian O’Connor (the late Paul Walker) tries to settle down into a regular suburban life with Mia (Jordana Brewster), bur the death of one of their gang forces them to take matters into their own hands.

There’s actually something quite nice about calling “Furious 7” a sequel instead of a prequel or intra-sequel. The three previous entries took place before “Tokyo Drift,” but now we have a “Fast & Furious” film which actually takes place after “Tokyo Drift.” As a result, the fates of these characters are now up in the air more than ever, and we can’t be sure of what will happen next.

The presence of the late Paul Walker casts a heavy shadow over “Furious 7” as there is no way we can watch this film without being reminded of the fiery car crash which claimed his and Roger Rodas’ life in November 2013. It’s nice to see Walker play his star-making role one last time, and his entrance into it is very inspired. Walker died halfway through filming this movie, so the filmmakers had to use stunt doubles and CGI effects to fill in the missing blanks. Honestly, the results look seamless, and I couldn’t tell how exactly they pulled it off. Just like Brandon Lee in “The Crow,” Walker gets one last ride which is more than worth the trip.

It’s also fun to see Vin Diesel back in action even as his dialogue becomes rather cringe-inducing at times. There’s certainly no replacing him as Dom Toretto, and he has a number of nice moments with Michelle Rodriguez whose character of Letty is still struggling to remember who she once was. It’s also nice to see Jordana Brewster and Dwayne Johnson back as well, and this is even though we don’t see enough of them this time around. As for Johnson, he looks more massive than ever and has a nice little Incredible Hulk moment which will have the audiences cheering. And yes, he sure can wield an enormous machine gun just like the one Jesse Ventura wielded in “Predator.”

Among the new additions to the franchise in “Furious 7” include Kurt Russell, and it’s always great to see him in anything. Russell plays Frank Petty, a.k.a. Mr. Nobody, who heads an ultra-secret covert ops group which comes to help Dom and his crew take down Deckard. After all the law-breaking Toretto and his gang did, it only makes sense they team up with a group which bends the law as well. The “Escape from New York” star remains as cool as ever, and if they do decide to make another film in this franchise, I hope they bring him back for more.

Djimon Honsou also shows up as a bad guy named Mose Jakande, a character whose last name reminded my friend Courtney of some lyrics from the song “Iko Iko.” The “Gladiator” actor lends another strong villainous presence to a movie which already has one with Statham. Ronda Rousey, one of the few bright spots in “The Expendables 3,” makes a cameo as a character who tries to beat the crap out of Letty. And of course, you can always count on Tyrese Gibson and Chris Bridges (a.k.a. Ludacris) to keep chewing each other out with infinite glee as Roman and Tej.

“Furious 7” employs a number of stunts which defy the laws of gravity and logic among other things, but it’s our love of the characters which keep us from being bothered about that too much. This is especially the case when Dom and Brian drive an incredibly fast car from one high-rise building to another in Abu Dhabi. This moment almost tops Tom Cruise climbing up another building in the same country in “Mission: Impossible – Ghost Protocol.”

Also, as I’m sure you’ve seen in the trailer, the gang parachutes out of a plane in their cars, and they manage to land on the ground below with relative ease (their shock absorbers may need some work though). Lord knows how you can steer a car while it is skydiving to the ground, but these drivers are all about the impossible, and they make us want to buy into their craziness.

I do have to give Diesel some extra credit here. His character of Dom Toretto ends up surviving so many car crashes and head-on collisions in this sequel, not to mention driving out of a parking garage as it collapses around him, to where I’m not sure how many other actors could pull this off and make you believe they would come out with only a few cuts and scratches (at least, until the movie’s last half). Only an actor like Diesel can sell this kind of survival to an audience these days, so it should be no surprise we are willing to accept all he endures here no matter how improbable it all gets.

With Justin Lin out of the director’s chair for this installment, James Wan of “Saw” and “Insidious” fame steps behind the camera to direct this, his first mega-budget blockbuster. This is kind of a hard franchise to bring anything new to at this point, but Wan does bring an unexpected amount of emotion to the material. Granted, a lot of this emotion comes from Walker’s tragic demise, but even Wan understands the need for the audience to be emotionally invested in these characters for a movie like this to work at all. Jumping from small budget films to a studio tent pole franchise is no easy feat, but Wan makes “Furious 7” work as a go for broke action extravaganza which never ever lets up. He is also backed up by another kick ass music score by Brian Tyler who returns to the franchise after sitting out “Fast & Furious 6.”

I have to believe there’s an eighth “Fast & Furious” movie coming our way, but if this is to be the last one, then the franchise is certainly going out on as high a note as any franchise could ever hope to. Still, I’ve got to believe there’s still some life left in this series as I am very much impressed at how long it has lasted.

At the very least, Walker gets a better and more heartfelt sendoff here than he did in “Brick Mansions.” Even the toughest guy in the audience is likely to shed a few tears at the dedication made to the actor’s memory at the movie’s conclusion. He’ll tell you he didn’t get choked up, but you will be able to tell if he’s lying to you.

* * * ½ out of * * * *

Fast & Furious 6

Fast & Furious 6 movie poster

After watching “Fast Five,” I kept wondering what the filmmakers would end up calling the sixth film in the franchise. One guy told me they should call it “Sexy Six” which I thought would be pretty cool, but the filmmakers decided not to be all that creative with the title this time and they just called it “Fast & Furious 6.” Then again, you will notice during the opening credits (yes, this one actually has opening credits) that the movie is called “Furious 6.” Why they decided not to put this title on the trailers, posters and TV commercials is beyond me because it sounds perfect.

Anyway, it doesn’t matter because “Fast & Furious 6” proves to be just as much fun as its predecessor, and it delivers the kind of crazy and illogical entertainment we have come to expect from these movies. You can bitch and moan about the plot holes and the absurdity of certain stunts, but this franchise is now over a decade old and we have long since given up trying to make sense of everything which goes on. I’m just astonished director Justin Lin and company still managed to make an incredibly entertaining movie while not introducing much of anything new to this series.

After pulling off the mother of all bank heists in “Fast Five,” the merry band of car racers have retired rich and are enjoying life. Brian O’Connor (Paul Walker) and Mia Toretto (Jordana Brewster) are now the parents of a baby boy, Dominic Toretto (Vin Diesel) has a ridiculously beautiful estate in which he lives with Elena (Elsa Pataky), Gisele (Gal Godot) and Han (Sung Kang) have moved to Hong Kong, and Roman (Tyrese Gibson) and Tej (Chris “Ludacris” Bridges) flaunt their wealth in ways both loud and generous.

But with this being a “Fast & Furious” movie, there’s no way any of these people will stay retired. Into the picture comes Luke Hobbs (Dwayne Johnson) who meets up with Dom not to arrest him, but to ask for his help in bringing down a former British Special Forces soldier named Owen Shaw (Luke Evans) who has taken down various military convoys. Dom, of course, has no interest in working with Hobbs, that is until Hobbs shows Dom a picture of one of Shaw’s crew members: his ex-girlfriend Letty (Michele Rodriguez). From there, the whole crew reassembles to take Shaw down, rescue Letty, get full pardons, and drive some super-fast cars in the process.

It should be of no surprise to anyone that Letty is alive as this was confirmed during a post-credit sequence in “Fast Five,” and it’s good to see Rodriguez return to this franchise. While the explanation of how she survived doesn’t make much sense (these movies have never been high on logic), I’m glad to see her back. Letty looks to have turned bad and is suffering from amnesia, but you’ll have to see the movie for yourself to see how far from grace she has fallen.

It’s a shame this will be Justin Lin’s last film in this long running franchise (James Wan will be taking over for the next installment) as he continues to outdo himself in terms of the stunts he gets onscreen. Even when certain stunts stretch the boundaries of what’s even remotely possible, Lin still leaves us on the edge of our seats and begging for more. He also understands that while we love the action, it’s the characters which bring us back as well as we have come to deeply care about what they go through.

We could get into a long discussion about whether or not Vin Diesel and Paul Walker are really acting in these movies, but this issue has long since been rendered moot. They are these characters, and they are key part of this franchise’s success as we root for them to get away with everything and anything. This also goes for Jordana Brewster who, while a bit underused in this one, is still a kick to watch as Mia. Recent additions like Dwayne Johnson have also given the “Fast & Furious” movies a swift kick in the butt, and we leave this movie wondering if his muscles can get any bigger than they already are. It’s like what Danny DeVito said about Arnold Schwarzenegger in “Twins:”

“You’re all swelled up and you look like you’re ready to explode!”

Actually, the best thing about “Fast & Furious 6” is watching Tyrese Gibson and Ludacris play off of each other. These two are so damn funny as they try to one-up each other as to who’s the cooler dude, and I wonder if the filmmakers would ever consider doing a spin-off series with their characters.

As for the newest additions to the “Fast & Furious” family, Luke Evans gives us the strongest villain this series has seen in a long time with Owen Shaw. This is not to say the villains in the previous installments were weak (the actors playing them were quite good), but they proved to be generic in the large scheme of things. With Shaw, we get a character bound by a philosophy as strong as it is twisted, and Evans sees to it we do not forget about this particular nemesis once we leave the theater.

Gina Carano, whom Steven Soderbergh directed in “Haywire,” is another newbie here as Hobbs’ partner Riley, and you can sure bet she puts her mixed martial arts fighting skills to good use in this movie. Her fight scenes with Rodriguez are exhilarating to witness, and those looking for a good catfight will get more than what they expected here.

Some of the craziest stunts in “Fast & Furious 6” include a tank which mows down every car in its path, regardless if the cars are imports or American made, and a cargo plane which our heroes use everything in their power to bring down. One automobile which stands out in particular is “The Flipper” which Shaw drives, and it’s a car designed to flip over any car foolish enough to get close to it. Whether you’re driving head on at this thing or trying to ram it from behind, you’re in a no-win situation as you will find yourself unexpectedly flying through the air and crashing painfully. Just look at Walker’s face as he finds this out the hard way.

“Fast & Furious 6” does have its share of plot holes which are becoming harder to forgive, and the airplane runway featured in the movie’s climax is even longer than the one in “Die Hard 2,” but it’s still a slam-bang piece of entertainment to where you can only complain about its problems so much. It’s not better than “Fast Five” which was a wicked blast, but it’s still delivers the kind of fun we have come to expect from films like this. As always, be sure to stick around for a post-credit sequence which introduces us to the main villain of the next sequel. While the identity of the actor playing this villain has long since been spoiled, you’ll still get a kick out of seeing this guy appear on the big screen.

* * * out of * * * *

Fast Five

Fast Five movie poster

This review was written in 2011.

With “Fast Five,” the fifth movie in “The Fast & The Furious” franchise, the filmmakers have seemingly run out of ways to include both “fast” and “furious” together in the same movie title. Does this mean this sequel is less furious than others? Granted, this franchise started a decade ago, but you’d think they would still find a way to put those two words together in such a clever fashion. What, “2 Fast 2 Furious” wasn’t clever enough? How about these?

“Fast & Furious Times 5”

“Faster & Even More Furious”

“Fast & Furious to The Fifth Power”

“Infinitely Fast & Furious”

“Ocean’s Fourteen”

Well, while only “fast” made it onto the marquee this time, this movie is most definitely not lacking in any fury. “Fast Five” is gloriously mindless entertainment, filled with one preposterous action sequence after another. It won’t be mistaken for any cinematic classic and much of what’s on display is very improbable, but it’s so much fun so who cares? This was to the Summer 2011 movie season what “The A-Team” was to the Summer 2010 movie season; an over the top blockbuster unapologetic in its quest to entertain action movie fans. You can complain about its flaws, but that would just be taking all the fun out of the proceedings.

Now I did put “Ocean’s Fourteen” on the list for a good reason. Whereas the previous movies dealt with car racing, “Fast Five” is more of a heist film as Vin Diesel, Paul Walker and company work out a plan to steal $100 million from a corrupt businessman. If they succeed with their destructive cleverness, they will be able to buy the freedom they can no longer afford.

This one starts where “Fast & Furious” ended as Dominic Toretto (Vin Diesel) is being hauled off to prison in a bus to serve a 20 plus year sentence, but his sister Mia (Jordana Brewster) and Brian O’Conner (Paul Walker) end up breaking him out after making the bus he’s on crash in such spectacular fashion. Seriously, the bus crash here puts the one from “Another 48 Hours” to shame, and it’s designed to let audiences know just how bad the car crashes are gonna hurt this time around.

From there, the story moves to Rio de Janeiro, Brazil where Dom and company choose to hide out from the law. But since being on the run sucks your wallet dry, they take a job to steal three very valuable cars from a moving train. This heist, however, goes awry when it turns out the cars are the seized property of the DEA, one of which has important information regarding this sequel’s main bad guy, businessman Hernan Reyes (Joaquim de Almeida) and all the cash he has saved and probably doesn’t pay taxes on. From there, the heist is on even as a relentless DSS agent, Luke Hobbs (Dwayne Johnson), arrives to take Dom and his elusive team down for good.

Justin Lin returns for his third movie as director in this series. I still haven’t gotten around to checking out “The Fast & The Furious: Tokyo Drift,” but I felt he did good work with the previous entry. But this time he really outdoes himself with stunts which, while highly improbable, have us feeling their dramatically LOUD impact to where we’re saying to ourselves:

“WHOA!”

“DAMN!”

“OUCH!”

“MAN!”

If Lin made any mistakes in the last two sequels, he has certainly learned his lessons from them. Even if its characters are stealing cars from a train which is moving as fast a bullet, he’s got the audience enthralled as he moves the story along at a rapid pace, preventing us from examining the logistics of what we’re seeing. Many will look at “Fast Five” as your basic guilty pleasure, but something this entertaining should not make you feel guilty about enjoying it at all. “Troll 2” on the other hand…

I’m also glad to see Brian Tyler back as “Fast Five’s” music composer. His combination of symphonic music and electronic elements matches the maximum propulsion of what’s speeding past us onscreen. However fast the cars are traveling, Tyler’s film score matches their velocity and gives those OUCH moments some extra oomph.

It’s great to see the gang back once again, especially Vin Diesel who made a welcome and much-needed return to this franchise in “Fast & Furious.” While his style of acting hasn’t changed much, he owns his role as Dom like no other can. Trying to substitute another actor in his place has already proven to be a mistake, and his presence alone infuses Dom with a “don’t mess with me” attitude which is irreplaceable.

Even Paul Walker is a welcome presence here, long after many called him bland and unconvincing as undercover cop Brian O’Conner. I don’t know, maybe it’s all the stubble on his chiseled face, but he has long since grown into the role whether critics like him or not. If his presence ever bothered me in previous installments, it didn’t this time around.

I was also glad to see Jordana Brewster get more to do this time around as Mia Toretto. While her character was underused the last time, she has a much more central part to this movie in ways I’d rather not get into, but which will become obvious to the audience in no time. She gets to drive a little more in this one, and she looks out for everyone whether or not they are behind the wheel.

“Fast Five” acts as a greatest hits collection as it brings together characters from the other films. Joining this crazy heist film are Roman Pearce (Tyrese Gibson) from “2 Fast 2 Furious,” Vince (Matt Schulze) from “The Fast & The Furious,” Han Lue (Sung Kang) from “Tokyo Drift,” Gisele Harabo (Gal Gadot) from “Fast & Furious,” and Tej Parker (Ludacris) from “2 Fast 2 Furious.” Seeing them interact with each other is a kick, especially when Gibson and Ludacris keep busting each other’s’ balls over who is better at what. With these two, it’s like they’re in one rap battle after another without the mics in their hands while the audience cheers them on.

But the big addition this time around is Dwayne Johnson as DSS agent Luke Hobbs. With his bulging muscles and pronounced tattoos, Johnson hasn’t looked this badass since “The Rundown.” Watching him drowning in all those dopey family movies like “The Tooth Fairy” got increasingly depressing over time. While he still ain’t no Laurence Olivier, his relentless presence in “Fast Five” gives Dom and company one of their toughest adversaries yet.

The series overall (specifically Parts 1, 4 and 5) has kept a solid longevity not just because of the spectacular action, but also with strong characters who, despite their law-breaking ways, make you want to root for them even after they pass the finish line. Even while we may not buy two muscle cars driving at high speed while towing an enormous metallic bank safe through the busy streets of Brazil, we care about them enough to see them get away with it.

Having watched “Fast Five,” it feels like it’s been forever since I have seen so many cars get gleefully destroyed. Is this the end of this franchise? Well, all I can tell you is to make sure you stay through the end credits as it should easily answer your question. Of course, they need to come up with yet another clever title. Somehow “6 Fast & 6 Furious” doesn’t make much sense, but how about these?

“Fast & Furious to the 6”

“6 Times as Fast, 6 Times as Furious”

“Still So Damn Fast & Furious”

“Beyond Fast & Furious”

“The Furious Six”

“Faster Than 6”

“Faster and More Furious Than 60”

“Sexy Six” (a guy sitting next to me in the movie theater suggested this one).

Or how about “The Toretto Brothers?” Jake and Elwood Blues may outdo these guys in the music business, but not in racing a quarter mile at a time!

* * * ½ out of * * * *