Anne Hathaway on Becoming Catwoman in ‘The Dark Knight Rises’

Anne Hathaway in The Dark Knight Rises

WRITER’S NOTE: This article was written back in 2012.

Anne Hathaway being cast as Selina Kyle/Catwoman in “The Dark Knight Rises” raised a lot of eyebrows when it was announced. Some screamed she cannot act, but those naysayers forgot she earned a well-deserved Oscar nomination for her performance in “Rachel Getting Married.” Hathaway has come a long way from her days of making Disney movies like “The Princess Diaries,” and she is more than ready to play tremendously complex characters. But above all else, the homework she put into transforming herself into Catwoman illustrates just how seriously Hathaway took this role.

While this famous comic book character has been given various interpretations over the years from actresses like Michelle Pfeiffer, Julie Newmar and Halle Berry among others, Hathaway said she did not look at any of the previous Catwomen for inspiration.

“What’s come before doesn’t limit or even affect this new version. It doesn’t affect me because each Catwoman – and this is true in the comics as well – she is defined by the context of the Gotham City created around her. Catwoman is so influenced by Gotham and whoever is creating Gotham at the time. Michelle Pfeiffer’s Catwoman was informed by Tim Burton’s Gotham and Eartha Kitt was informed by Adam West’s Gotham. You have to live in whatever the reality of the world is and whatever Gotham is.”

From the start, director Christopher Nolan made it clear to Hathaway that Catwoman would be doing a lot of fighting. Hathaway said she “went into the gym for 10 months and didn’t come out,” during which time she toned her body and learned the various martial arts her character uses. She said her training “wasn’t just about looking a certain way. I had to learn how to fight. I had to become strong.”

Hathaway’s other big challenge was being able to fit into the infinitely sexy leather suit Catwoman is famous for wearing. Eventually, she came to describe the suit as “a psychological terrorist” as the thought of it dominated her time in the gym. Once she put it on, however, her mood towards it changed significantly:

“I love the costume because everything has a purpose,” Hathaway said. “Nothing is in place for fantasy’s sake, and that’s the case with everything in Christopher Nolan’s Gotham City.”

As for filming the fight scenes, Hathaway ended up having to do them while wearing spiked heel shoes. The way she saw it, wearing heels was “part of being a woman in this world.” She credited her role in “The Devil Wears Prada” as great preparation for this as she had to run up and down the streets of Manhattan in spiked heels for that movie. Now she gets to do the same thing in the streets of Gotham.

Former Catwoman Julie Newmar has given her blessing to Hathaway, and she believes the actress will be “marvelous” in the role. Judging from the early reviews “The Dark Knight Rises” has gotten so far, many critics are in agreement. Hathaway’s interpretation of Catwoman looks to be wonderfully unique and well thought out, and it should stand proudly alongside the other interpretations. But in the end, Hathaway is not here to outdo everyone else in this role, but to add her own take to a famous character which is bound to see another actress playing her again when Warner Brothers reboots the “Batman” franchise in the future.

SOURCES:

Geoff Boucher, “‘Dark Knight Rises’ star Anne Hathaway: ‘Gotham City is full of grace’,” Los Angeles Times, Hero Complex, December 29, 2011.

Molly McGonigle, “HOW ANNE HATHAWAY SLIMMED DOWN TO BECOME CATWOMAN,” Wonderwall, MSN.com.

Mary Margaret, “Anne Hathaway: Becoming Catwoman ‘Was a Complete Transformation’,” Parade.com, July 9, 2012.

Cindy Pearlman, “‘Dark Knight’ star Anne Hathaway adds heels to Catwoman’s arsenal,” Chicago Sun Times, suntimes.com, July 16, 2012.

Booth Moore, “Catwoman’s blessing: Julie Newmar says Anne Hathaway will be ‘marvelous’,” Los Angeles Times, Hero Complex, January 24, 2011.

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Tom Hardy on Becoming Bane in ‘The Dark Knight Rises’

Tom Hardy in The Dark Knight Rises

WRITER’S NOTE: This article was written in 2012.

With “The Dark Knight Rises,” we need to look at its actors more closely. In this chapter, all eyes are on Tom Hardy who is playing Bane, the mysterious and physically imposing revolutionary who was excommunicated from the League of Shadows but still intent on completing Ra’s al Ghul’s legacy by destroying Gotham. The question, however, is not whether Bane will be a more memorable villain than the Joker, but of how Hardy transformed himself into this brutal character and made him his own in the process. “Inception” and “This Means War” showed him as being physically average for his age, but his role as Bane has him portraying a massive tank of a human being who maims, if not outright kills, those who attempt to defy him and his ultimate plan.

Now Hardy is no stranger to transforming himself for a role as he did so for Nicolas Winding Refn’s “Bronson” in which he portrayed one of the world’s most dangerous criminals who spent almost his entire life in solitary confinement. But here, he is playing a character made famous in comic books for learning to be a brutal fighter. Bane ended up serving the life sentence meant for his father, and he became the one who defeated Batman in the worst way possible.

To prepare for the role, Hardy gained 30 pounds and learned various fighting styles to use in “The Dark Knight Rises.” The actor also described Bane as an “absolute terrorist,” and “brutal,” but also “incredibly clinical in the fact that he has a result-based and oriented fighting style. The style is heavy-handed, heavy-footed… it’s nasty. It’s not about fighting, it’s about carnage!”

Surprisingly though, when Hardy first learned about the origins of Bane, he thought he was the wrong actor to play him. It was through Nolan’s interpretation of the Batman universe, however, which convinced Hardy he could play this role effectively.

“Chris Nolan’s take on [Bane] was intrinsically lateral because he has a way of wanting and desiring to breathe a realism and a lateral thought into that which has already come through the comic book world. I think largely that’s going to upset some people, and there are some people that are going to really hang on to that. And I’m one of those people that really enjoys that actually, to be quite honest – carving a new way through something that’s already a set piece on the planet.”

As for Bane’s accent, Hardy found inspiration in Bartley Gorman who was the undefeated bare-knuckle boxing champion of the United Kingdom and Ireland. Hardy ended up describing him in more detail:

“The choice of the accent is actually a man called Bartley Gorman, who was a bare-knuckle fighter. A Romani gypsy. I wanted to underpin the Latin, but a Romani Latin opposed to Latino. His particular accent is very specific, which was a gypsy accent. So that’s why it was difficult to understand. But once you tune into it, you get it. I hope.”

Clearly a lot of thought went into preparing this role, so it should go without saying Nolan picked the right actor to portray Bane. While it is easy to say Hardy’s interpretation of this character easily bests Robert Swenson’s in “Batman & Robin,” it is also a testament to how great an actor he truly is. Whether or not his performance compares favorably to Heath Ledger’s Joker in “The Dark Knight,” his portrayal of Bane is will never be easily forgotten once you leave the movie theater.

SOURCES:

“The Dark Knight Rises” IMDB trivia page

Kevin P. Sullivan, “Dark Knight Rises Star Tom Hardy Worried He Was ‘Wrong’ For Bane,” MTV.com, July 18, 2012.

Josh Wilding, “TDKR: Tom Hardy Reveals That Bane’s Accent Is Based On ‘The King of the Gypsies,’” comicbookmovie.com, July 17, 2012.

 

‘The Dark Knight’ is the Best Comic Book/Superhero Movie Ever Made

The Dark Knight poster

WRITER’S NOTE: This review was written in 2008.

OK, let’s just get it out of the way: “The Dark Knight” is fucking brilliant! It is a triumph not just of action and direction, but also of acting and characters. This is not simply a story of good guys versus bad guys, but of flawed human beings whose childhood scars have long since formed them into people who can never lead a truly normal life (whatever that means anyway). How thrilling it is to see a movie which actually lives up to the hype. I was desperately trying to control my expectations before going in, but it was hard to with all the glorious reviews it has been getting. How relieved I am to see that all these reviews are more than justified!

No longer burdened by the traditional origin story, “The Dark Knight” thrusts us right into the action with a brilliantly staged robbery sequence. Christopher Nolan has said “Heat” was a big inspiration in this movie’s making, and it does have the look of a Michael Mann movie. It also allows the Joker, the Caped Crusader’s main nemesis here, a truly inspired introduction. Unlike other movie villains who are interested in money and power, the Joker really has no discernable movie other than creating total chaos. This makes him the scariest kind of villain as he has nothing to lose while everyone else does.

We catch up with Bruce Wayne (Christian Bale) as his alter ego of Batman is beginning to take its toll on him psychologically. Like Peter Parker in “Spider-Man 2” or Clark Kent in “Superman II,” he is starting to tire of the role he is playing, and he yearns to spend his days with the love of his life, Rachel Dawes (Maggie Gyllenhaal, replacing Katie Holmes), as she represents the best chance for him to lead a normal life. This is even more so as Batman is now seen more as a vigilante and a danger to Gotham City, despite all he has done to clear the streets of the crime which nearly consumed it. This is made all the more complicated when the Joker gets everyone’s attention by saying he will kill one person a day until the Batman takes off his mask and reveals who he really is to the world. Naturally, the public blames Batman for what the Joker’s actions, and this adds to his desperation to rid himself of his alter-ego. But while Bruce may be able to live without Batman, can Gotham City?

Of all the Batman movies to date, this one gives us a Gotham City totally rooted in reality. All the previous installments have presented Gotham as a place of gothic buildings and ominously dark colors which come to consume the spirits of those living there. This is not the fantastical city we have seen in the past, but instead a city like others we know which are forced to deal with high levels of crime and corruption. As a result, the look and locale really add a lot to the story and the characters in it, and this makes everything seem more dangerous and precarious as a result. To do this I think is a brilliant move on Nolan’s part and, along with this summer’s “Iron Man,” it helps to completely redefine how a comic book movie can be cinematically realized.

I saw “The Dark Knight” on opening day with colleagues from my day job, and some of the people I work with have lived in the rougher parts of Los Angeles for a long time. They definitely saw some of those rougher parts in this movie, and when we exited the theater, one of them said, “Gotham is even worse than South Central!” To quote a line from “Pulp Fiction,” that’s a bold statement!

Bale now effectively owns the role of Bruce Wayne/Batman. Before him, it was Michael Keaton who gave us the strongest portrait of this character. With Bale, you get a Batman and Bruce Wayne with different levels which he plays ever so effectively. Bruce goes from being a swinging playboy to a fighter of crime in no time at all, and even when he comes off as a cad, you still care about and root for him because it seems like no one can take care of crime the way he does.

The one person Bruce believes is the one who can relieve him his Batman duties is Harvey Dent (Aaron Eckhart), a lawyer with a big ego and endless integrity which he vows never to relinquish. If “The Dark Knight” does not make Eckhart into a star, nothing will. It should have happened already last year with Jason Reitman’s “Thank You for Smoking” where he played a lobbyist for the tobacco industry, but this one should do the trick. Seeing Harvey’s transformation to strong district attorney to a tragic figure when he becomes the villainous Two Face is devastating. Eckhart makes you believe in him as a public servant, and when it seems like so much has been taken away from him, you feel tremendous sympathy for him while even as he makes which may forever destroy his valiant reputation.

By the way, his changing into Two Face was one of the movie’s best kept secrets throughout its advertisements. His transformation to this sinister character is hideous in its look and a brilliant mix of both makeup and technology. It is a face burned to where an eyelid is missing as well as part of the lip and gums, and it is a shocking visual when we first see it.

The movie has a strong cast with actors who ably fit the roles they have been cast in. Maggie Gyllenhaal fits the role of Rachel Dawes much better than Katie Holmes did, and she makes it all her own by creating a character who you can believe is not easily intimidated by the criminals she prosecutes. When she is caught between with Bruce and Harvey, Gyllenhaal believably makes her character seem like anything other than a pushover.

Michael Caine returns as Bruce’s loyal butler and silent partner in justice, Alfred. Caine is always a welcome presence in any movie he appears in, and the moment where he compares the Joker to another criminal from his past is a strong one as he makes it clear to Bruce and the audience what kind of nemesis he is facing up against this time around.

Morgan Freeman is also back as Lucius Fox who is to Batman as Q is to James Bond. The moment where he stares down an employee making a threat against him and Bruce Wayne is a brilliant piece of stone faced acting which reminds us of why we love him so much as an actor. Even as a supporting player in the movies, he remains a force to be reckoned with.

We also have Gary Oldman back as one of Gotham’s few incorruptible cops, James Gordon. In the past, Oldman has given us some of the scariest and deadliest of villains we could ever hope to see onscreen. Since then, he has moved on to portray the good guy, and while this may seem like a bland choice for an actor like him to make, he succeeds in making his goodness and unstoppable nature in getting the bad guys very appealing. There are not many other actors I can think of who could pull this off, and you come to truly respect the kind of man Gordon is through his terrific performance.

But then there is Heath Ledger in what sadly became his final completed onscreen before his shocking death. There was a lot of talk, before “The Dark Knight” came out, of if he should be nominated for an Oscar and perhaps even become the first posthumous Academy Award winner since Peter Finch in “Network.” Some like Terry Gilliam have found this to be utterly annoying and simply see it as Warner Brothers’ way of juicing up the excitement for this movie so it can have one hell of an opening weekend. While this criticism is certainly justified, I now count myself on the bandwagon for Ledger getting the damn Oscar as he took on a role already made famous by Jack Nicholson and others, and he more than succeeded in making it his own. This seemed unthinkable when it was first announced he would playing the Joker, but Nolan was correct in saying Ledger was “fearless.”

Seriously, Ledger’s performance is a work of art. Whereas Nicholson made us share in his gleefully sadistic nature as the Joker to where we couldn’t deny we were endlessly entertained, Ledger gives us a Joker who is a viciously terrifying psychotic and one to be feared whenever he is onscreen. God only knows what depths the actor went to in order to play this role, but it is easy to see why he lost a lot of sleep over it. His Joker is indeed the scariest of villains as he has no real motive for doing what he does. This guy is in it for all the chaos and anarchy he can get out of Gotham, and he couldn’t seem to care less about money and power. Ledger makes his Joker a live wire, and the tension when he is in a room with one he is taunting is so thick, you need a heavy-duty chainsaw cut through it. There is no real back story to this Joker other than a story he tells about his daddy cutting his face to explain why his face is scared, but then again, can you really be sure he is telling the truth?

Seriously, I would put Ledger’s Joker on the same level with Hannibal Lecter from “The Silence of the Lambs” as well as Robert DeNiro’s Max Cady from “Cape Fear.” I would even go as far as to put him on a pedestal alongside Ben Kingsley’s ragingly raw performance as Don Logan in “Sexy Beast.” I love a bad guy who totally gets under our skin to such an effect to where it feels like he or she is reaching out of the screen to choke you. I get such a fiendish delight out of this, and Ledger’s performance makes it seem like it has been so long since we have had a truly unnerving villain show up on the silver screen.

While we revel in the brilliance of Ledger’s performance as Joker, it makes his loss seem all the more tragic because he succeeded in completely disappearing into the character he played in the same way Marlon Brando and De Niro have in the past. We were tragically robbed of an actor who would have easily become one of the greatest actors of his generation had he lived. His role as the Joker is one hell of an exit, but it feels so unfair that he now has to join the ranks of actors like James Dean who left us way too soon.

Unlike other summer movie blockbusters, this one is not afraid to take us on a journey to the darkest and most despairing depths of its characters short-lived triumphs and endless sorrows. This is a movie about how blurred our moral and ethical boundaries can get when we are pushed beyond our limits. Many big choices are made not just by the main characters, but by the people of Gotham. What will they do to survive? What choices will they make? But more importantly, what will their choice say about them, and are they prepared to live with the consequences of their actions?

These questions hit everyone hard, but no one gets hit harder than Bruce as he finds, in order to defeat the Joker, he has to become almost as bad as him. But can he live with that? Can the others close to him live with that as well? Bruce starts to find himself boxed into a corner as the Joker continually taunts him in a ways which turn the public against him. In the end, he becomes a lot like Jack Bauer from “24” as he protects the people as much as he can, but in the process comes to pay a very high price for what he does. Batman says he is not a hero, and while his actions are heroic, he does have a point. And in order to protect what integrity Gotham has left, he has to make some hard sacrifices.

Nothing in the city of Gotham is black and white, but an endless sea of grey as people are challenged to see who they really are. No one is innocent, and everyone is guilty of something. “The Dark Knight” finds its power and tragedy in the characters who start off good, but who soon lose their way as they head down a path they can never easily turn back from. As Harvey Dent says, “You either die a hero or you live long enough to see yourself become the villain.”

Nolan is now officially one of the best directors working today, and I am thrilled he got away with making a film as dark as this one and still get a PG-13 rating in the process. He started his career off with a bang with “Memento,” and he gave us his one of the few genuinely great remakes with “Insomnia” in which he directed Al Pacino and Robin Williams to some of their best performances ever. With “The Dark Knight,” he has continued to make Batman and the world he inhabits very much his own, and he may very well have made the best superhero movie ever. Even while it clocks in at about two and a half hours, you never feel the length because Nolan fully immerses you into what everything going on.

After the movie was finished, I went right out and bought the soundtrack which is composed by Hans Zimmer and James Newton Howard. It is a fantastic and intense score, and they easily best the work they did on “Batman Begins.” For me, this is a sign of a truly great motion picture as I did the exact same thing after I saw “Pulp Fiction” and “Boogie Nights.” I loved this movie. I LOVED IT!! I hope it makes a HUGE killing at the box office because this is the kind of summer movie I want to see more often.

As of right now, “The Dark Knight” is the movie to beat for 2008.

* * * * out of * * * *

First ‘Aquaman’ Trailer Promises a Big Rebound For the DC Extended Universe

Aquaman teaser poster

While the Marvel Cinematic Universe (MCU) continues to thrive with one successful motion picture after another, the DC Comics Extended Universe (DCEU) keeps experiencing hits and misses. The latter failed miserably with “Suicide Squad,” then they redeemed themselves and hit a tremendous home run with “Wonder Woman.” But next we got “Justice League” which was their answer to “The Avengers,” and it did not live up to the fans’ expectations. While Marvel took its precious time setting up its cinematic universe, DC could only play catch up constantly to where they had to offer its biggest movie much sooner than they should have.

But one of the best things about “Justice League” was Jason Momoa who portrayed Arthur Curry, better known to us as Aquaman. Since then, I have been looking forward to a solo movie for this character, and news of its making has only heightened my anticipation. At Comic-Con this past weekend, the first trailer for “Aquaman” was finally unveiled, and it looks awesome.

“Aquaman” is being directed by James Wan who had worked on the indie horror franchises “Saw” and “Insidious,” and he has since graduated to bigger projects like “The Conjuring” and “Furious 7,” one of the very best “Fast & Furious” movies. From this trailer, he appears to have given “Aquaman” some truly amazing special effects, and he looks to keep the human element of this superhero film in balance with them. In addition, you have Amber Heard co-starring as Mera, Aquaman’s love interest who possesses hydrokinetic and telepathic powers, and she looks dazzling with all that red hair.

The moments I loved in this trailer include when Arthur is getting picked on by the school bullies while on a field trip at an aquarium, and all the fishes, a shark in particular, come to his defense. It really is nice to have Jaws on your side, isn’t it? I also liked how Aquaman and his fellow people are able to speak and move around in water as easily as they do on land. Everyone involved in this film’s making have made this seem very believable.

Of course, we learn in this trailer how Aquaman is reluctant to become king of the underwater nation Atlantis, and I fear this may be another one of those “no I can’t be the one” movies where the hero spends way too much time denying the destiny we know he or she will eventually embrace. A lot of these movies have the hero finally embracing the role society begs him to play in the last third, but by then they can seem like wasted opportunities. Hopefully this DC film will not be one of them.

“Aquaman” is set to be released on December 21, 2018. Please check out the trailer below.

The Best Movies of 2008

2008 Year in Review

2008 was a year more memorable for those who died as opposed to the movies which were released. We lost Heath Ledger, Brad Renfro, George Carlin, and Paul Newman among many others, and their individual deaths spread through the news like an uncontrollable wildfire. Their passing left a big mark on us all. When we look back at this year, I think people will remember where they were upon learning of their deaths more than anything else. Many of us will remember where we were when we got the news that Ledger died, but they will not remember how much money they wasted on “Righteous Kill,” the second movie featuring Al Pacino and Robert De Niro sharing the screen at the same time.

2008 did pale in comparison to 2007 which saw a wealth of great movies released. Many said this was a horrible year for movies as high expectations ruined some of the big summer tent pole franchises, and that there were too many remakes being made. The way I see it, 2008 had a lot of really good movies, but not a lot of great ones. There was a big drought of good ones worth seeing at one point in this year, and I started to wonder if I would have enough of them to create a top ten list. If it were not for all those Oscar hopefuls released towards the year’s end, I am certain I would have come up short.

So, let us commence with this fine list, if I do say so myself, of the ten best movies of 2008:

  1. The Reader/Revolutionary Road

I had to put these two together for various reasons. Of course, the most obvious being Kate Winslet starred in both movies and was brilliant and devastating in her separate roles. Also, these were movies with stories about relationships laden with secrets, unbearable pressures, and deeply wounded feelings. Both were devoid of happy endings and of stories which were designed to be neatly wrapped up. Each one also dealt with the passing of time and how it destroys the characters’ hopes and dreams.

The Reader” looked at the secret relationship between Winslet’s character and a young man, and of the repercussions from it which end up lasting a lifetime. There is so much they want to say to one another but can’t, as it will doom them to punishments they cannot bear to endure.

Speaking of escape, it is what the characters in “Revolutionary Road” end up yearning for, and the movie is brilliant in how it shows us characters who think they know what they want but have no realistic way of getting it. Each movie deals with characters who are trapped in situations they want to be free from but can never be, and of feelings just beneath the surface but never verbalized until too late.

Both Stephen Daldry and Sam Mendes direct their films with great confidence, and they don’t just get great performances from their entire cast, but they also capture the look and setting of the era their stories take place in perfectly. All the elements come together so strongly to where we are completely drawn in to the emotional state of each film, and we cannot leave either of them without being totally shaken at what we just witnessed.

 

Doubt movie poster

  1. Doubt

Looking back, I wondered if I was actually reviewing the play more than I was John Patrick Shanley’s movie of his Pulitzer Prize winning work. But the fact is Shanley brilliantly captures the mood and feel of the time this movie takes place in, and it contains one great performance after another. Meryl Streep personifies the teacher you hated so much in elementary school, Philip Seymour Hoffman perfectly captures the friendly priest we want to trust but are not sure we can, and Amy Adams illustrates the anxiety and confusion of the one person caught in the middle of everything. Don’t forget Viola Davis who, in less than 20 minutes, gives a galvanizing performance as a woman more worried about what her husband will do to their child more than the possibility of her child being molested by a priest who has been so kind to him. Long after its Broadway debut, “Doubt” still proves to be one of the most thought provoking plays ever, and it lost none of its power in its adaptation to the silver screen.

 

Vicky Cristina Barcelona movie poster

  1. Vicky Cristina Barcelona

This is the best Woody Allen movie I have seen in a LONG time. Woody’s meditation on the ways of love could have gone over subjects he has long since pondered over to an exhausting extent, but this is not the case here. “Vicky Cristina Barcelona” is a lovely and wonderfully character driven piece filled with many great performances, the best being Penelope Cruz’s as Javier Bardem’s ex-wife. Cruz is a firecracker every time she appears on screen, and she gives one of the most unpredictable performances I have seen in a while. Just when I was ready to write Allen off completely, he comes back to surprise me with something funny, lovely and deeply moving.

One day, I will be as sexy as Javier Bardem. Just you wait!

 

Slumdog Millionaire poster

  1. Slumdog Millionaire

Danny Boyle, one of the most versatile film directors working today, gave us a most exhilarating movie which dealt with lives rooted in crime, poverty and desperation, and yet he made it all so uplifting. It is a love story like many we have seen before, but this one is done with such freshness and vitality to where I felt like I was seeing something new and utterly original. Boyle also reminds us of how “Who Wants to Be A Millionaire” was so exciting before ABC pimped it out excessively on their prime-time schedule. “Slumdog Millionaire” was pure excitement from beginning to end, and it was a movie with a lot of heart.

 

 

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  1. Frost/Nixon

Ron Howard turns in one of the best directorial efforts of his career with this adaptation of Peter Morgan’s acclaimed stage play, “Frost/Nixon,” which dealt with the infamous interview between former President Richard Nixon and TV personality David Frost. Despite us all knowing the outcome of this interview, Howard still sustains a genuine tension between these two personalities, one being larger than life. Howard also has the fortune of working with the same two actors from the original stage production, Frank Langella and Michael Sheen. Langella’s performance is utterly riveting in how he gets to the heart of Nixon without descending into some form of mimicry or impersonation. You may think a movie dealing with two people having an interview would be anything but exciting, but when Langella and Sheen are staring each other down, they both give us one of the most exciting moments to be found in any film in 2008. Just as he did with “Apollo 13,” Howard amazes you in how he can make something so familiar seem so incredibly exciting and intense.

 

Rachel Getting Married movie poster

  1. Rachel Getting Married

Jonathan Demme’s “Rachel Getting Married” had a huge effect on me with its raw emotion, and I loved how he made us feel like we were in the same room with all these characters. When the movie ended, it felt like we had shared some time with great friends, and Demme, from a screenplay written by Jenny Lumet, gives us a wealth of characters who are anything but typical clichés. Anne Hathaway is a revelation here as Kym, the problem child of the family who is taking a break from rehab to attend her sister’s wedding. Kym is not the easiest person to like or trust, but Hathaway makes us completely empathize with her as she tries to move on from a tragic past which has long since defined her in the eyes of everyone. Great performances also come from Bill Irwin who is so wonderful as Kym’s father, Rosemarie DeWitt, and the seldom seen Debra Winger who shares a very intense scene with Hathaway towards the movie’s end. I really liked this one a lot, and it almost moved me to tears.

 

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  1. The Wrestler

Darren Aronofsky’s “The Wrestler” has grown on me so much since I saw it. While it may be best known as the movie in which Mickey Rourke gave one hell of a comeback performance, this movie works brilliantly on so many levels. To limit its success to just Rourke’s performance would not be fair to what Aronofsky has accomplished as he surrounds all the characters in the bleakness of the urban environment they are stuck in, and he makes you feel their endless struggles to keep a roof over their heads and food on the table. “The Wrestler” succeeds because Aronofsky’s vision in making it was so precise and focused, and he never sugarcoats the realities of its desperate characters. Rourke more than deserved the Oscar for Best Actor, which in the end went to Sean Penn for “Milk.” Furthermore, the movie has great performances from Marisa Tomei and Evan Rachel Wood as those closest to Rourke’s character, and who look past his faded fame to see the wounded man underneath. The more I look at “The Wrestler,” the more amazed and thrilled I am by it.

 

Let The Right One In movie poster

  1. Let the Right One In

Tomas Alfredson’s film of a friendship between a lonely boy and a vampire was so absorbing on an atmospheric level, and it surprised me to no end. What looks like an average horror movie turns out to actually be a sweet love story with a good deal of blood in it. Widely described as the “anti-Twilight,” “Let the Right One In” gives a strong sense of freshness to the vampire genre which back in the early 2000’s was overflowing with too many movies. The performances given by Kåre Hedebrant as Oskar and Lina Leandersson as Eli are pitch perfect, and despite the circumstances surrounding their improbable relationship, I found myself not wanting to see them separated from one another.

 

Wall E poster

  1. Wall-E

Pixar does it once again and makes another cinematic masterpiece which puts so many other movies to shame. With “Wall-E,” director Andrew Stanton took some big risks by leaving a good portion of the movie free of dialogue, and this allowed us to take in the amazing visuals of planet Earth which has long since become completely inhospitable. Plus, it is also one of the best romantic movies to come out of Hollywood in ages. The relationship between Wall-E and his iPod-like crush Eve is so much fun to watch, and the two of them coming together gives the movie a strong sense of feeling which really draws us into the story. The fact these two are machines quickly becomes irrelevant, especially when you compare them to the humans they meet in a spaceship who have long since become imprisoned by their laziness and gluttony.

I gave the DVD of this movie to my mom as a Christmas present, and she said you could do an entire thesis on it. Nothing could be truer as it is such a brilliant achievement which dazzles us not just on a visual level, but also with its story which is the basis from which all Pixar movies originate. “Wall-E” is the kind of movie I want to see more often, a film which appeals equally to kids and adults as this is not always what Hollywood is quick to put out.

 

The Dark Knight poster

  1. The Dark Knight

The biggest movie of 2008 was also its best. I was blown away with not just what Christopher Nolan accomplished, but of what he got away with in a big budget Hollywood blockbuster. “The Dark Knight” is not just an action movie, but a tragedy on such an epic scale. Many call it the “Empire Strikes Back” of the Batman series, and this is a very apt description. Many will point to this movie’s amazing success as the result of the untimely death of Heath Ledger whose performance as the Joker all but blows away what Jack Nicholson accomplished in Tim Burton’s “Batman,” but the sheer brilliance of the movie is not limited to the late actor’s insanely brilliant work. Each performance in the movie is excellent, and Christian Bale now effectively owns the role of the Caped Crusader in a way no one has before.

Aaron Eckhart also gives a great performance as Harvey “Two-Face” Dent, one which threatened to be the most underrated of 2008. The “white knight” becomes such a tragic figure of revenge, and we come to pity him more than we despise him. The movie is also aided greatly by the always reliable Michael Caine and Morgan Freeman. Everyone does excellent work here, and there is not a single weak performance to be found.

Whereas the other “Batman” movies, the Joel Schumacher ones in particular, were stories about the good guys against the bad guys, “The Dark Knight” is a fascinating look at how the line between right and wrong can be easily blurred. Harvey’s line of how you either die a hero or you live long enough to see yourself become the villain perfectly personifies the dilemmas for every character here. To capture the Joker, Bruce Wayne may end up becoming the very thing he is fighting against. I can’t think of many other summer blockbusters which would ask such questions or be as dark. “The Dark Knight” took a lot of risks, and it more than deserved its huge success. It set the bar very high for future comic book movies, and they will need all the luck they can get to top this one.

‘Man of Steel’ is Not Just a Bird or a Plane

Man of Steel movie poster

I grew up watching reruns of “The Adventures of Superman” with George Reeves playing the iconic character, and I loved how he stood still and never blinked an eye when the bad guys shot bullets at him. Then came the movies with Christopher Reeve playing the sole survivor of Krypton, and I reveled in watching him give us the definitive version of this heroic character. Since then, Superman has not been the same for me as his goody two shoes image makes him seem a little dull compared to Batman, and the character has gone through various interpretations on television and in comic books to where I’m not sure what to make of him, or his alter ego Clark Kent, anymore.

I liked “Superman Returns” more than most people because it reminded me of the effect this iconic character had on me when I was young, and Bryan Singer made it clear we needed a hero like Superman now more than ever. However, the more Singer paid homage to the first two “Superman” movies, the more it paled in comparison to them. The character is now more than 75 years old and in desperate need of a reboot to stay relevant to today’s increasingly cynical society.

Now we have “Man of Steel” which takes Superman back to his beginnings to where we have to go through all the origin stuff yet again. This threatens to make the movie a bit tedious as we all know Superman was born as Kal-El on the planet Krypton and how his parents sent him to Earth before Krypton exploded. But what’s interesting is how director Zack Snyder tells Superman’s story in a non-linear fashion to where we’re never quite sure which direction the movie is going to take. Snyder also shows us how, while it may seem cool to be Superman, being him can also be quite lonely and painful.

For the filmmakers, the real challenge was making Superman more down to earth than he has been in the past and, for the most part, they succeeded. We all have experienced loneliness and alienation in our childhood and the changes our bodies go through, be it puberty or something else, which can drive us to the brink of insanity. But what’s worse for Kal-El, who is now named Clark Kent by his human parents, is he can’t really ask anyone for advice on how to deal with x-ray vision or super hearing abilities. While this kid is capable of doing great things, you can understand why he yearns for the normal life constantly denied to him.

I liked the scenes dealing with Superman’s childhood because they rang true emotionally, and the wisdom his human father Jonathan (Kevin Costner) passes on to him makes sense. Yes, this young man has super powers, but he’s got to keep them under wraps until he can learn the truth about where he came from. It’s frustrating, but it helps to keep Superman from being subjected to crazy medical experiments by the government and from growing an oversized ego which will definitely get the best of him.

Since the first half of “Man of Steel” is told in a non-linear fashion, it doesn’t take long for us to meet Henry Cavill, the latest actor to play Superman. It also doesn’t take long for him to remove his shirt and show us how much time he has spent at the gym. Cavill’s road to playing this iconic character has been a tough one as he came so close to getting cast in “Superman Returns,” and for a while he was known as the unluckiest man in Hollywood as he barely missed out on playing Cedric Diggory in “Harry Potter and the Goblet of Fire” and Edward Cullen in “Twilight.” How nice it is to see Cavill finally get his moment in the spotlight.

Cavill does solid work here as Superman, and he also gives us a Clark Kent who is unlike the four-eyed wimp we all remember him being. This is a Kent who wanders from job to job, haunted by an upbringing he has yet to learn more about, and it is a journey which has toughened him up quite a bit. Cavill also benefits from getting to play a more complex Superman in “Man of Steel” whereas the one we saw in “Superman Returns” was kind of neutered (no offense Brandon Routh). While he doesn’t quite have the same charisma Reeve brought to Superman, Cavill is a terrific choice for the role and he has more than earned the right to play him in this and future movies (and you know there will be more).

But as with “Superman: The Movie,” Warner Brothers put their nerves at ease by surrounding Cavill with a cast filled with stars and Oscar winners. I very much enjoyed Kevin Costner as Jonathan Kent, and he gives a wonderfully understated performance as Kal-El’s human father. However (SPOILER ALERT), I’m pretty certain I have not seen another actor other than him who looked so ridiculously serene as an enormous hurricane came barreling down on him (SPOLIERS END).

Diane Lane is also well cast as Kal-El’s human mother, Martha, and it’s a treat to see this actress in anything and everything she does. Plus, even as Martha heads into old age, Lane still looks irresistibly sexy as she refuses to betray her son’s whereabouts to General Zod. Some credit should go to Snyder for this as he doesn’t plaster Lane with the same hideous old-age makeup he used on Carla Gugino in “Watchmen.” I am so very glad he learned his lesson.

Speaking of General Zod, the great character actor Michael Shannon plays him in “Man of Steel.” Shannon does make him a compelling nemesis to Superman, and I liked how the actor portrays Zod as a man led by a corrupted sense of loyalty rather than just a power hungry villain. His work in “Man of Steel,” however, pales a bit in comparison to his galvanizing turn as serial killer Richard Kuklinski in “The Iceman.” Perhaps I was expecting a bit too much from Shannon this time around as I was hoping he would give us a villain for the ages. But even though he doesn’t, he is still very good here.

In addition, Amy Adams gives us a strong Lois Lane who doesn’t falter in the face of supernatural discoveries, Laurence Fishburne makes for a good Perry White, Antje Traue makes Faora into a tremendously lethal villainess, and it’s hard to think of anyone other than Russell Crowe to play Superman’s biological father, Jor-El. Crowe gives the role a gravitas not easily earned, and you will be pleased to know that he doesn’t sing in this film. I am, however, willing to defend his performance and singing in “Les Misérables.”

The one major complaint I had with “Man of Steel” was the spectacle at times overwhelmed the story and characters. This is not to say the characters are neglected, but I’m not sure I have seen as many high-rise buildings come crashing down in one movie. Just when I think I have seen the loudest action movie ever made, another one comes along to remind me of the necessity of ear plugs. In the process of giving us one tremendous action scene after another, Snyder ends up topping himself a bit too much to where I was desperate for him to tone things down. Still, he respects Superman enough to keep the character’s ideals intact even while taking some liberties.

Part of me still yearns for the “Superman” of yesterday when Christopher Reeve made us believe a man can fly, and of how the first two movies lifted my spirits up high. I think part of how you enjoy “Man of Steel” depends on how willing you are to separate it from all the “Superman” films which preceded it, and for me this is tough. But in the end, there’s no way things can stay the same, and this iconic character was in need of a refresher. With “Man of Steel,” Snyder has given us an exciting piece of entertainment which holds our attention for over two hours, and I am eager to see where Superman will go from here.

* * * out of * * * *

‘Justice League’ Doesn’t Leap Tall Buildings in a Single Bound

Justice League movie poster

You know how the Daytona 500 is the Super Bowl of NASCAR racing, but it’s also the first big race of the season instead of the last? That’s what “Justice League” is. It’s the penultimate motion picture of the DC Extended Universe, and yet it’s coming to us before Aquaman, Flash and Cyborg get their own solo films. With the Marvel Cinematic Universe, every character was in their own movie before “The Avengers” finally arrived on the silver screen. Granted, Hawkeye and Black Widow have yet to get their own movies, but enough groundwork was laid to where the time had come for “The Avengers” to become a reality. With “Justice League,” its long-awaited appearance feels a little premature.

Following the events of “Batman vs Superman: Dawn of Justice,” the world is still mourning the death of Superman (Henry Cavill), and all the other superheroes are trying to move on despite the large void the Man of Steel has left in his passing. Batman/Bruce Wayne (Ben Affleck) remains as dour as ever, but his faithful butler Alfred (Jeremy Irons) threatens to be even more dour to where they seem to be having a contest in that department. Wonder Woman/Diana Prince (Gal Gadot) leads a quiet life working in a museum, Victor Stone/Cyborg (Ray Fisher) spends the days hiding in his apartment because everyone thinks he is dead and he hates his father for saving him through the use of cybernetics, Arthur Curry/Aquaman (Jason Momoa) is busy drinking his life away when he’s not swimming in the ocean, and Barry Allen/Flash (Ezra Miller) spends his days trying to fit in with kids his age while moving at supersonic speed. These superheroes couldn’t be more mismatched, but they of course find themselves working together to stop a fearsome enemy bent on world domination.

This enemy is Steppenwolf (voiced by Ciaran Hinds), a supervillain determined to find three boxes of power known as the Mother Boxes and, in the process, escape the role of servitude he has been consigned to for far too long. Steppenwolf is, you know, the kind of villain bent on gaining the most power of anyone in the world, and we all know what happens to people like them; they are either defeated as we expect them to be, or they become President of the United States.

The movie gets off to a terrific start with Batman battling a common criminal on the streets of Gotham, but it turns out to be a ploy for the Caped Crusader to discover the identity of another evil foe who thrives on the fear of humans. Following this, “Justice League” becomes a labored adventure as Batman and Wonder Woman take their precious time finding all the other superheroes, some of which are hesitant to join the party even though they realize their planet is at great risk of being annihilated. Knowing those holdouts will eventually become a part of the league, this proves to be the film’s most agonizing point as too much time is spent gathering everyone together.

Ben Affleck still makes for a good Bruce Wayne/Batman, but I sense he is already tiring of the role. Gal Gadot left a powerful mark on movies this year as Wonder Woman, and she is every bit as thrilling a presence here. Of the new additions, Jason Momoa proves to be a solid choice as Aquaman, and watching him here makes me look forward to the character’s solo movie coming out next year. Ezra Miller steals every scene he is in as the Flash, and he brings a wonderful edginess to the role while also bringing the character down to earth in an especially unique way. While Miller’s character is thrilled to have these superpowers, he still yearns to fit in with everybody else, and he portrays this inner conflict very effectively.

The same can’t be said, however, for Ray Stone/Cyborg as the character has little more to do in “Justice League” other than brood, argue with his father, and try to tell everyone in hearing range of how his powers can in no way be mistaken as a gift. This is with all due respect to Ray Fisher who does what he can with an underwritten role, but I grew tiresome of his complaining, especially when we all know he’s going to be in this league eventually.

But honestly, the real heart and soul of “Justice League” belongs to Henry Cavill who returns as Clark Kent/Superman. Even I refused to believe the Man of Steel was all but finished off for good at the end of “Batman v Superman” as you can’t keep a good superhero down, and Superman remains one of the very best. Even better is the realization of how Cavill no longer has the shadow of Christopher Reeve hanging over him as he manages to bring the same dedication to this iconic character Reeve did years before, and seeing Superman fight for justice this time around brought a big smile to my face.

Indeed, “Justice League” gets better and better as it enters the third act in which our superheroes band together to defeat Steppenwolf. While I found myself not caring enough about these characters in the first half, I really rooted for their success as the movie went on because the actors looked excited to inhabit these unforgettable characters. There are times when the filmmakers succeed in arousing our childhood love for these superheroes, and this is when the movie works at its best.

Of course, I have to wonder which filmmaker deserves the most credit for “Justice League.” Zack Snyder is credited as director, but Joss Whedon came in during post-production, and it is tempting to believe Whedon, who struck gold with cinematic comic book gold with “The Avengers,” managed to tap into our childhood innocence in a way Snyder could not. With “Man of Steel” and “Batman v Superman,” Snyder focused more on the characters’ darkness which has enveloped their lives, and you can’t blame him for going in this direction as DC Comics tended to veer into darker territory. But they got so dark to where there wasn’t much in the way to be found, and it was said Snyder was going to go in a slighter lighter direction with “Justice League,” but we probably won’t know how much lighter he made it until we get his director’s cut, and the fans are already clamoring for one like crazy.

I also have to give credit to Danny Elfman for composing an excellent score here. Even he is eager to spark our childhood innocence as his score contains themes he created for Tim Burton’s “Batman” as well as John Williams’ theme for “Superman” which remains one of the best superhero movie scores ever composed. Those subtle little touches make a huge difference as they help to reawaken the past in a most welcome way.

Looking back, “Justice League” is enjoyable for the most part as it builds to a strong climax, but it still feels like this all-star superhero movie was brought to us earlier than it should have. The parts which were lacking keep me from giving this movie a solid recommendation. I still look forward to the solo movies like “Aquaman,” but in the end the filmmakers crammed too many characters into a story already overwhelmed by them, and what results is not completely satisfying in a way a film like this should be.

What I am left with is the wonderment over how the visual effects team managed to remove Cavill’s mustache digitally. Because of his commitment to starring in “Mission Impossible 6,” he couldn’t shave it off when “Justice League” went into reshoots. Then again, it would have been interesting to see this Superman with a mustache as it would have allowed Cavill to do something a little bit different with this iconic character. Of course, he would have to explain the unexpected presence of facial hair. How would he go about doing so?

“Well, something happened on the way to heaven…”

* * ½ out of * * * *

‘The Dark Knight Rises’ Caps Off a Perfect Batman Trilogy

The Dark Knight Rises poster

With “The Dark Knight Rises,” filmmaker Christopher Nolan has completed one of the greatest trilogies in cinematic history. It is a thrilling spectacle with tremendous emotional power, and I came out of it not just fulfilled, but quite shaken. Regardless of whatever plot holes this movie may have, or if it has one too many characters to deal with, it is still as brilliant as its predecessors.

Now I’ll give you more or less a brief outline of “The Dark Knight Rises” without giving away major plot points. I know you all have been seriously pissed about reviewers ruining this movie for you like Homer Simpson ruined “The Empire Strikes Back” for a crowd waiting to see it outside a Springfield movie theater on “The Simpsons,” and I wouldn’t dare to do the same thing here.

Eight years have passed since Batman/Bruce Wayne (Christian Bale) took the fall for Harvey Dent’s death in order to hide the murders he committed and let him remain a hero in the eyes of Gotham’s citizens. Since then, Gotham has entered a time of peace and prosperity, all of which is based on a lie. Enter Bane (Tom Hardy), a brutal and methodical terrorist who plans to reduce Gotham to ashes slowly but surely. This brings Batman out of hiding, but he also has to deal with cat burglar Selina Kyle (Anne Hathaway) who catches him off guard, a beautiful corporate executive named Miranda Tate (Marion Cotillard), and the idealistic young cop John Blake (Joseph Gordon-Levitt) whose “hot head” ways make him much smarter than his fellow officers. So that’s it for the movie’s story.

Actually, to go into full detail over the plot of “The Dark Knight Rises” would take forever as it goes in various directions to where seeing it once is not enough to take everything in. Nolan has said part of his inspiration for this film was Charles Dickens’ “A Tale of Two Cities” which is known for this famous quote:

“It was the best of times; it was the worst of times.”

Now while this quote is never spoken in “The Dark Knight Rises,” it never needs to be. Nolan is fascinated with how the lie over Dent’s death has helped Gotham while at the same time turned it into a prison state where freedoms are eroded. It also parallels current events in the real world by taking into account the continuing gap between the rich and the poor and how people will go out of their way to manipulate the collective anger regarding it. This movie is a huge action spectacle, but it has a lot of things to say about the world we live in today which makes it all the more powerful.

Many have been calling this the “darkest” Batman movie of them all, as if the two which came before it were a sunny paradise in the realm of “Batman & Robin” (they most certainly were not). But while “The Dark Knight Rises” is indeed a dark vision of a city under siege, it also has a strong ray of hope emanating from it. Bruce Wayne has always wanted to hold Batman up as a symbol to inspire people, and you revel in seeing the impact he has on the characters around him.

People have also been saying Nolan has put far too many characters into this movie. Newsflash, Nolan has done this with each of his “Batman” movies, but what truly amazes me is how he has gotten away with doing so each time. Every single character in “The Dark Knight Rises,” from Matthew Modine’s bone-headed Deputy Commissioner Peter Foley to Ben Mendelsohn’s greedy businessman John Daggett, informs the movie’s main characters and overall themes throughout. Not a single one of them feels extraneous to the plot as each illustrates examples of justice and personal responsibility, and of how easily misconstrued they can end up being.

Christian Bale completes his tour of duty as Batman with a deeply felt performance. In many ways, “The Dark Knight Rises” is more about the rise of Bruce Wayne than anything else as he is forced to deal with who he is than what his alter ego can do. While Spider-Man and Superman are endowed with super powers, this movie renders him all the more vulnerably human as he starts off walking with a cane and dealing with injuries not easily healed. It’s those human flaws, however, which make Bale’s portrayal of Bruce Wayne all the more powerful and enthralling.

With Bane, Nolan has fashioned a villain far different from Heath Ledger’s Joker which was a smart move. While the Joker was far more desirous of watching the world burn, Bane simply wants it to suffer right down to its dying breath. With Tom Hardy, Nolan has found the perfect actor to portray Bane as he brings to life the character’s twisted code of ethics and his utter brutality which allows him to batter his helpless opponents with sheer efficiency. Thanks to Hardy, Bane proves to be Batman’s most formidable foe yet.

As for Anne Hathaway, she is excellent as the character known as Catwoman but who is never actually called Catwoman in “The Dark Knight Rises.” Her portrayal of Selina Kyle never invites easy comparison with the actresses who played her in the past as her version exists in the world of realism created by Nolan. Hathaway succeeds in giving this movie the feeling of exuberance and fun it needs from time to time, and she more than holds her own against Bale and Hardy. But then again, this should be no surprise to those who remember her Oscar nominated performance in “Rachel Getting Married.”

And, of course, you have the usual cast of supporting characters played by Sir Michael Caine, Morgan Freeman, and Gary Oldman. All of them are fantastic as always, and they give this movie the emotional heft it calls for throughout. We also get a great bunch of franchise newcomers like Joseph Gordon-Levitt who is sensational as the intelligent John Blake, and Marion Cotillard who radiates both beauty and mystery as Miranda Tate.

Technically, “The Dark Knight Rises” looks flawless with cinematographer Wally Pfister capturing the dark corruption consuming the citizens of Gotham which they are forced and inspired to rise out of. And with Hans Zimmer, minus James Newton Howard this time around, we get another rousing and thrilling music score which keeps our adrenaline pumping along with movie’s thrilling action set pieces.

Yes, the movie has some plot holes which I’m sure you will discover for yourself. None of them, however, were enough to derail my enjoyment of this awesome spectacle Nolan and company have put together. I’m not sure where I would rate this in the series, but while it doesn’t best “The Dark Knight,” it still comes very close to doing so and continues Nolan’s reign one of the best movie directors working today. I don’t think I am overreacting in the least when I declare “The Dark Knight Rises” to be a brilliant motion picture.

Oh yes, some will say that the movie’s final scenes seem to spell out a potential new direction for this franchise to take as if it were a set up for a sequel. I’d like to think it speaks to the influence Batman hoped to have on the citizens of Gotham, to inspire them to do good. Thanks to Nolan, Batman is a hero we can appreciate and applaud.

* * * * out of * * * * 

‘Batman Begins’ Revisited

Batman Begins poster

Before “The Dark Knight Rises” was released, I took the time to revisit director Christopher Nolan’s first stab at the Batman. I remember seeing “Batman Begins” at Grauman’s Chinese Theater when it first came out and thought it was very good, but I don’t remember thinking it was a masterpiece the way I thought “The Dark Knight” was. But now having watched it again, I have a better appreciation of “Batman Begins” and agree it has earned its place among the best comic book movies ever made.

The real difference here is, unlike the Tim Burton and Joel Schumacher “Batman” movies, Bruce Wayne and his alter ego are not upstaged by the villains. In fact, Bruce Wayne is a much bigger character this time around and also far more complex. This is a credit to both the screenwriters (Nolan co-wrote the screenplay with David S. Goyer) and actor Christian Bale who more than makes this iconic role his own.

We first see Bruce as an 8-year-old (played by Gus Lewis) running around his parents’ garden when he accidentally falls down into a well. It is there he is met by dozens of angry bats, giving him a serious phobia of the creatures. From there, the movie establishes its main theme of fear and how Bruce works to overcome it as well the fears he has about himself.

Now a lot of times when we get a backstory to a character, it ends up taking away their mystery by telling us more than we need to know. Burton’s “Batman” and “Batman Returns” never fully explored how Bruce became this crime fighter, and this proved to be a positive and a negative. While it made Michael Keaton’s portrayal more intriguing, it also made his Bruce Wayne/Batman a lot less complex. But a good portion of “Batman Begins” is dedicated to discovering how Bruce developed his fighting skills, and we get to see different sides of him throughout.

Tortured by the memory of his parents being shot to death in front of him, Bruce yearns for justice. His journey for it takes him from the criminal underworld in South Asia to the temple of the League of Shadows led by Ra’s al Ghul (Ken Watanabe). With the help of Henri Ducard (Liam Neeson), Bruce is trained as a ninja and vows to fight the crime and corruption which is engulfing his hometown of Gotham.

When it comes to origin stories, I get seriously impatient with them as they take too much time to set up a character, and they can simply feel like a commercial for the sequel we know will eventually follow. I have had that issue with many comic book movies like “Blade” to where I feel the movie is nothing more than a setup for a potential franchise. But I never felt this way with “Batman Begins” and was utterly enthralled by Bruce Wayne’s transformation from a man obsessed with vengeance to one determined to not become as bad as the criminals threatening Gotham. Seeing Bruce become this instrument of justice makes him a compelling character you want to keep on watching.

In the past, the “Batman” movies have been dominated by their villains. In “Batman Begins,” the villains come in different shapes and sizes. There’s mob boss Carmine Falcone (Tom Wilkinson), corrupt police detective Arnold Flass (Mark Boone Junior), the greedy CEO William Earle (Rutger Hauer), and the twisted psychopharmacologist Dr. Jonathan Crane (Cillian Murphy) who becomes better known by his alter ego of The Scarecrow. Of all these villains, The Scarecrow proves to be Batman’s most vicious threat here as his fear-inducing toxins devour the human mind into an almost permanent state of psychosis. Murphy, best known for his performance in “28 Days Later,” casts a spell on the viewer as he lets you look deep into his bright blue eyes to where you wonder how nasty the monster inside of him truly is.

Actually, the great thing about “Batman Begins” is how the good guys prove to be far more interesting than the villains. Until this movie came along, who would have ever thought this would be the case in a “Batman” movie?

Bale came to own the role of Bruce Wayne/Batman in a way only Keaton did before him. After Keaton left the franchise, the role basically became interchangeable to where it didn’t matter who played him. But Bale is lucky as he gets to play all the different parts of Bruce here; the vengeful son, the arrogant playboy, and the injustice-fighting warrior who likes to dress as a bat. Bale brilliantly captures each facet of Bruce to where you wish the character was this charismatic in the previous films.

Then there’s Gary Oldman, an actor who has given us some of the most intense and scariest villains in cinematic history, playing the role of Sgt. James Gordon. It would seem almost unthinkable for Oldman to play a good cop, but then again this may show how our respect for him as an actor may not have been as high as we thought. Some of the best actors can go from playing good guys/gals to bad ones with relative ease, and Oldman proves here he can do just this by making Gordon genuine in his intentions and a real cool dude overall.

As Henri Ducard, Neeson does kind of a variation of his Jedi master role from “Star Wars: The Phantom Menace,” and I think we all came out of “Batman Begins” wishing that Qui-Gon Jinn was as cool as Ducard. A man with fighting skills and the confidence to match them, Neeson is perfect in the role as his character trains Bruce without restraint and who ends up going in a different direction than we expect him to.

Katie Holmes plays Rachel Dawes, a character not in the original comic book series. When “Batman Begins” was first released, Holmes was in the midst of her whirlwind romance with Tom Cruise, and the way their relationship was perceived ending up spilling over to how people saw her in this movie. The general feeling at the time was that Holmes was miscast in the role, and many thought she was too young to be playing an assistant district attorney. Looking back though, Holmes was much better than we gave her credit for at the time. Either that, or her brilliantly staged divorce from Cruise gave me a new respect for her I didn’t have previously. Whatever the case, she gives her character a strong intelligence and a beautiful empathy that shines in various scenes, and that’s especially the case in her last scene with Bale.

As for Sir Michael Caine and Morgan Freeman, they are two veteran character actors you can never go wrong with. Caine gives Alfred a tremendous humanity in overseeing not just Bruce but the legacy his parents left behind. And Freeman makes Lucius a really fun character to be around as well as one who deserves the upper hand he eventually gets. Other great performances come from Tom Wilkinson, Linus Roache, and Rutger Hauer.

Watching “Batman Begins” again, I am amazed with what Nolan got away with. Each “Batman” movie he has done has him dealing with a large number of characters to where he should have too many to deal with. But here, each character plays a big part in the overall story, and none of them feel extraneous to it. There was a lot of thought put into this reimagining of the caped crusader, and it paid off big time.

Nolan’s other masterstroke in making “Batman Begins” stand out from its predecessors was in giving it a contemporary realism and humanity. Gone were the gothic qualities of Burton’s movies and the overly campy qualities which waylaid the Schumacher films, and in their place we got a Bruce Wayne we could actually relate to. No longer was this a character we watched from a distance, but one we could get up close and personal with. Bruce, after all, is not an alien from another planet, but a flesh and blood human being with a lot of wealth and emotional problems he needs to overcome. He was never designed to be your average superhero.

“Batman Begins,” when looked at on closer inspection, gave this DC Comics character the respect which eluded him on a cinematic level for far too long. Sure, the Burton movies were great in bringing the character back to the darker realm he originally inhabited, but Nolan was the first director to devote more attention to him as a character over the villains surrounding him. His achievement here has made him one of the best filmmakers working today, and this movie marked the start of one of the greatest movie trilogies ever.

Bring on the Bat!

* * * * out of * * * *

‘Wonder Woman’ is the Comic Book/Superhero Movie We Need and Deserve

Wonder Woman movie poster

Wonder Woman” is not just the comic-book/superhero movie we needed, it’s the one we deserve. Audiences have been long overdue for a female-led superhero movie, and this one proves to be well worth the wait. Director Patty Jenkins has taken this famous DC Comics character and given her the cinematic treatment she richly deserves, and it’s a relief she has gotten it considering the failure of “Batman vs Superman: Dawn of Justice” (the theatrical version anyway) and “Suicide Squad.” For once, the DC Comics Extended Universe has a win, and “Wonder Woman” proves to be the best of its kind since Christopher Nolan’s “Dark Knight” trilogy, and that’s saying a lot.

One the main reasons “Wonder Woman” is such a success comes down to the actress playing the title role, Gal Gadot. Many scoffed at her casting as they saw Gadot as nothing more than a Miss Universe contestant who was cast for her looks over everything else. Those same people did not take into account how Gadot served in the Israeli Defense Forces for two years as a combat instructor, or that she studied law for a time. All this experience made her the perfect choice to portray Diana, Princess of Themyscira, Daughter of Hippolyta, who would became better known by her civilian identity of Diana Prince.

Seriously, Gadot shows so much range here as she takes Diana from being an Amazonian princess infinitely eager to become a warrior like her Aunt, General Antiope (Robin Wright), to becoming a total fish out of water when she leaves the island of Themyscira and ventures into World War I-era London. She embodies this immortal Amazonian princess with vigor, strength, intelligence and a lot of heart, and it’s not just her beauty which kept my eyes glued to the screen whenever she graced it.

Also matching Gadot scene for scene is Chris Pine who plays United States Army Air Service Captain Steve Trevor. Pine has long since proven himself a terrific actor thanks to making the role of Captain Kirk his own in the past three “Star Trek” movies, but he really knocks it out of the park here as a man who discovers the meaning of true heroism thanks to both duty and love. Steve could have been portrayed as an overly cheeky character who easily stumbles over his unmistakable attraction for Diana, but Pine gives the character a lot of heart as well as a strong arc as Steve comes to discover he is not so different from the enemy he is pursuing.

In fact, this is what I love about “Wonder Woman;” it explores the dynamics of an immortal princess and the all too mortal human beings she encounters in her journeys. This could have been a simple good girl and guys versus bad guys adventure, but Jenkins and screenwriter Allan Heinberg have more on their minds than giving us the usual summer blockbuster. A good deal of thought went into this one, and while the best visual effects available were put to astonishing use, it is the story and characters which keep us riveted more than anything else. While stories of heroes trying to do good in the world have us scoffing at them with cynicism to where it feels like we cannot take them seriously, “Wonder Woman,” and the “Captain America” movies which proved to be better than we expected them to be, show how virtue can be such an immeasurable strength when portrayed in the right way.

Jenkins, who directed Charlize Theron to Oscar-winning glory in “Monster,” turns what could have been a cheesy spectacle into a thrilling motion picture from start to finish. Memories of the “Wonder Woman” TV show still echo in my brain to this day, and its theme song is one of my all-time favorites. As much as I would have loved to have heard that theme song in this iteration, it’s just as well it wasn’t included as this is a Wonder Woman for a new generation of fans as well as those from the past. There is no invisible jet on display here, nor are there any scenes of Diana Prince turning around in circles and bursting into a flash of light while changing into her Wonder Woman attire. But while Jenkins studiously works to avoid any cheese in her cinematic interpretation, she does not treat the material ever so seriously as she allows for a good sense of fun and spirit which makes this motion picture all the more entertaining. The hero at this movie’s center is not just a powerful one, but a sincere one as well, and this makes it all the more thrilling to sit through to where seeing it once is not enough.

In a summer season which has so far proven to be as underwhelming as it has promised to be, “Wonder Woman” is a much-needed breath of fresh air as superhero/comic book movies have threatened to become stale. But with this thrilling motion picture and “Logan,” we have been given a strong reason to rejoice as filmmakers are intent on providing us with something enthralling to witness.

I do, however, have to say that while not having the invisible jet in this movie was a smart move, having the lasso of truth was. Lord knows we could use this same lasso in today’s frightening world of politics as those in power show no hesitation in lying about what they know. At least with the lasso, we could get to the truth about all the issues which permeate our cynical yet concerned minds today.

Also, I love how Wonder Woman is not the kind of heroic character who shows any hesitation about being “the one.” Too many movies in recent years have featured people who spend the majority of their time complaining about how they are not sure they are “the one.” Princess Diana, however, doesn’t show any hesitation in going up against any nemesis who threatens to lay the world she lives in to waste. Perhaps this should serve as infinite proof of how women are not the weaker sex and never have been.

* * * * out of * * * *