‘Scream 4’ – The More Things Change, The More They Stay The Same

WRITER’S NOTE: This review was written back in 2011.

Honestly, we needed another “Scream” movie. Since the original was released back in 1996 (YIKES!), we have had dozens upon dozens of horror movies thrust upon us. Many of them had an endless number of clear-skinned teenagers and were given PG-13 ratings which, after a while, indicated the horror genre was being watered down too much. Of course, there is the “Saw” franchise which makes the MPAA go nuts with all the copious blood and guts on display, but those plot twists always give me a massive migraine. Horror went at times from being laughingly lame to hardcore bloody, but they could never top what Asian or Japanese movies achieved. However you look at it, we needed Wes Craven and Kevin Williamson more than ever to give us their take on the continually evolving rules of surviving a horror movie.

Each generation has its own ongoing horror franchise(s) along with the occasional “remake” or “reboot.” When I look at movies from decade to decade, I eventually come to see the more things change, the more they stay the same. This is definitely the case with “Scream 4” which, while having a strong level of suspense, also has a weariness about it. In the process of dealing with a new generation of horror fans, this sequel feels no different from ones which preceded it as the old rules still apply when new ones should be installed.

So, the whole gang is back along with Craven, Williamson (sorely missed on “Scream 3”) and composer Marco Beltrami. Neve Campbell returns as Sidney Prescott who arrives back in her hometown of Woodsboro to promote her new self-help book, and she is reunited with her friends Dewey (David Arquette) who is now the Sheriff in this town, and Gayle (Courtney Cox) who has long since gotten married to him and retired from tabloid journalism. Soon after Sidney arrives, the Ghostface killings start up again. You might think this killer would be more imaginative and use another mask instead, but horror sequels are not heavy on originality, are they?

This time though, the focus of the killer’s rage appears to be on Sidney’s cousin, Jill (Emma Roberts), and it also puts her best friends Kirby (Hayden Panettiere) and Olivia (Marielle Jaffe) in the crossfire. Ghostface’s priority targets are usually teenagers, but after a while he (or she) proves to be indiscriminate as adults become easy targets as well. Oh yeah, Jill has an ex-boyfriend named Trevor (Nico Tortorella) who still wants to be a part of her life regardless of the fact she wants nothing to do with him. Does any of this sound familiar?

With “Scream 4,” the chief thing to expect is to expect the unexpected, just like with any Peter Gabriel album. I do have to hand it to Craven and Williamson though because, even after a decade, they still leave us guessing throughout who the real culprit is (or if there is more than one) and of what will happen next. The movie moves along fairly swiftly to where you really have no time to examine the logistics of everything going on. I imagine you could punch a few holes in the plot, but only after you have watched this movie. I also got a huge kick out of the beginning which plays on the reality of what we are seeing on top of the monotony of a franchise which, like Michael Meyers, just won’t die.

But it’s also the inescapable problem with “Scream 4;” we have gotten so used to expecting the unexpected to where while there is tension, the whole thing is not as scary as it used to be. I kept waiting for this sequel to get seriously scary, but it never does. Even the moments designed to make us jump up out of our seats aren’t as effective as they once were. The first “Scream” was more than just a simple satire of the horror genre, but a movie going experience which was more intense than we expected, and it reinvigorated the horror genre at a time where it was not particularly popular. With each installment, the filmmakers gleefully deconstructed horror movies while scaring us out of our wits. But with this fourth film, the enthusiasm and inventiveness are at an all-time low.

It is nice to see Neve Campbell, David Arquette, and Courtney Cox back as their infamous characters. I could not help but expect Campbell to be this Ellen Ripley/Paul Kersey character by now, so used to seeing people and those closest to her get killed off in brutal fashion to where she now desires to bring her own brand of vigilante justice to whatever nemesis chooses to cross the Prescott path. Perhaps Sidney could have used a bit more of this attitude as Campbell looks a bit worn out from all those sharp pointed knives that always get pointed in her general direction. Let’s face it, running from a demented killer is nothing new for her.

Of all the veterans, Cox shines the most as we watch Gale Weathers emerge from being just another desperate housewife to someone who is desperate overcome an unwelcome writer’s block. Seeing Gale get back to her bitchy self is fun to watch. In the other movies you hated her for it, but knowing Gale for this long makes you long for her inevitable return to greedy selfishness. As a result, it gives this sequel much of its bite.

In regards to the newcomers, they are more or less designed to be types, and part of me wished they were given more dimension and depth. Emma Roberts is fun to watch as Jill Roberts, but she gets the show stolen from her by “Heroes” star Hayden Panettiere whose character of Kirby is part tease, part sharp retort, and part movie geek more than she would ever admit. She’s got a lot of sass about her which reminded me of the girls from my high school I couldn’t stand, and of the heart and soul they do have which I never took into account back then.

It’s also nice to see Rory Culkin here, having made a strong impression in “You Can Count on Me,” “Mean Creek” and “Signs.” As Charlie Walker, he represents the chief movie geek Randy Meeks was in the previous “Scream” movies. Charlie is not exactly a geek nor is he exactly one of the cool guys. In the end, he’s kind of in between those crowds like most people I know. Culkin is truly one of the perfect actors to play someone very knowledgeable about movies in general, and he gives this sequel some of its more satirical moments.

But when all is said and done though, I still came out of “Scream 4” feeling rather weary. I didn’t dislike it, and it did keep me interested throughout to where I wasn’t looking at my watch. But in the process of creating a new formula for satirizing horror movies, it ends up getting caught in the clichés of them all. Also, I felt it could have spent more time examining the endless films which came out in the past few years. This franchise was incredibly influential, and we continue to realize this with the passing years.

Still, I am open to seeing a “Scream 5.” Whatever problems this particular sequel has, I believe and hope they can be compensated for in the future. And like I said, we always need movies like “Scream” because the horror genre will constantly be its own worst enemy from one generation to the next. As it was described before, the more things change, the more they stay the same.

* * ½ out of * * * *

‘Hamlet 2,’ A Most Unusual and Unexpected Sequel

WRITER’S NOTE: Eddie Pence selected this as his Video Vault pick on the August 15, 2020 episode of “The Ralph Report.” But while the host of the podcast, Ralph Garman, was not particularly crazy about it, I think it is better than Garman gives it credit.

“Hamlet 2” starts off with an invisible voice telling us that to be an actor, you have to live in a dream. But dreams do die however, and the question posed here is this: Where dreams go when they die? Well, if you are Dana Marschz (played by Steve Coogan), then you go to Tucson, Arizona to spend the rest of your life teaching high school drama. Being an actor myself, there is something quite scary about the fate of this particular actor who is best known for his herpes medication commercials. Here in Arizona, he hopes to pass on his love of acting to high school students, and this is the thrust of the plot which powers up a motion picture dealing with one of the most unlikely sequels ever to be created.

“Hamlet 2” was a big hit at the Sundance Film Festival, and while it didn’t quite live up to the hype in my eyes, it was still a very clever movie which kept me entertained from beginning to end. It is a hilarious look at how art can never truly be suppressed, and this includes art which was never all that good to begin with.

We meet up with Dana Marschz sometime into his career as a high school teacher, and he only has two students, Rand Posin (Skylar Astin) and Epiphany Sellers (Phoebe Strole), who really seem to care about drama and acting. His latest class, he discovers, is largely populated by Latino students who are in attendance because their other electives have been cut, and drama is the only one left. It reminds me of all those high school kids with who were in drama class because was the only one they could get an easy A in other than physical education. Dana, however, is convinced this is being presented to him as a challenge he must face with no fear. While these students may seem unenthusiastic about drama, he is determined to change their minds.

Dana’s existence is a recovering alcoholic with a wife named Brie (played by the great Catherine Keener) who drinks a margarita from a gigantic martini glass. They also have a boarder, Gary, (David Arquette) who is sleeping with Brie while Dana rollerblades to school because he cannot afford a car. His gift to the high school is plays he wrote which are direct adaptations of the movies “Erin Brockovich” and “Dead Poets Society.” Still, they get ripped to pieces by a young critic who shows no mercy for Dana’s passion. Dana’s basic cry for all the negative criticism is, “He fisted us!”

Dana ends up conversing with this unsympathetic teenage critic to seek inspiration, and he suggests to Dana that he write something original and put everything into it. Thus, he comes up with what in many ways is a completely unnecessary sequel to one of William Shakespeare’s most famous plays, “Hamlet.” There is a rather large problem though as just about every character dies at the play’s end. But Dana, still up for an artistic challenge, remains undeterred by this, and he comes up with a device to solve this problem in the form of a time machine. Upon discovering the rather racy nature of the play, the most suburban students do everything they can to keep it from being performed, but Dana ends up proving to everyone that you cannot stop art.

It’s a little hard for me to critique “Hamlet 2” objectively because Dana’s fate is one I hope to avoid. It is made clear from the outset that he is not particularly talented, and we get a montage of scenes featuring him as an actor. The funniest one is a commercial he did for Herpes medication as he tells us, “Right now, I am having a herpes outbreak. But you wouldn’t know it!”

In the process of writing and directing his sequel play, it gets banned from being performed at the high school, and Dana ends up inspiring the Latino kids to put it on at another location. He even gets help from the ACLU to keep his play from being censored. Talk about free publicity!

“Hamlet 2” is a terrific star vehicle for Coogan, and he is never afraid to make himself look completely silly. He shows no fear in portraying Dana as a complete failure both as an actor and a drama teacher. That he somehow inspired these students who have grown up in a far different environment than his is pretty amazing. But in the end, it doesn’t matter if Dana is really bad or good because he gets the play up to the excitement and infuriation of everyone in Tucson, Arizona, the city where dreams come to die. Coogan proves to be a brilliant comic actor here, and he still is all these years later.

The director and co-writer of “Hamlet 2” is Andrew Fleming, and he does a good job of not taking things too seriously. Fleming started off his career as the writer and director of the “A Nightmare on Elm Street” wannabe, “Bad Dreams” (this title tells you all you need to know). From there, he went on to direct “Threesome,” “The Craft,” “Dick,” and “Nancy Drew.” Suffice to say, he has been around for a while, and this film proved to be one of his stronger efforts.

“Hamlet 2” also features a terrific performance from Elisabeth Shue who plays herself here. In this movie, she has given up on acting and appears to be much happier working as a nurse in a sperm bank. Dana goes gaga over Shue and invites her to speak with his class, but they have no idea who she is. We all remember her from “The Karate Kid,” and she earned a much-deserved Oscar nomination for her unforgettable performance in “Leaving Las Vegas,” but over the years her star has not ascended in the way we thought it would. Still, she works constantly and is always on the verge of giving us her next memorable performance. And, as “Hamlet 2” shows, she has a great sense of humor about herself.

Anybody who has ever been involved with community theater or in high school plays will get a kick out of this film. In retrospect, the high school students were the ones who manage to get the show up and running, and this is shown here. That Dana manages to inspire these kids through his embarrassing ways is astonishing. When you are already deep into the production of a show and your director flakes out or becomes useless, you can’t just give up. As Dana’s personal life hits rock bottom, it’s those kids who pull him up from the abyss.

I also like how “Hamlet 2” got into the conflicts Dana has with the school and parents because everyone in these situations always acts in an overly conservative way. As time goes on, I get more interested in what does not offend people because it seems like we are always looking to get mad about something. Granted, you can see why people might object to Jesus Christ kissing Satan or with a song entitled “Rock Me Sexy Jesus,” a song which was criminally robbed of an Oscar nomination. But everyone in the end is saved due to the protected freedom of the 1st amendment of the Constitution. That pisses a lot of people off, but that’s their problem.

The ACLU eventually gets involved when the show is threatened to be shut down, and a lawyer comes to visit Mr. Marschz to lend her help. She is played in a kick ass scene stealing performance by Amy Poehler. Her character of Cricket Feldstein is a ball buster about protecting the production, and she makes sure everyone involved gets to put it up. Her disinterest in whether or not the play is any good (“It’s irrelevant,” she says) is hilarious, and Poehler continues to show why she is one of the funniest actresses ever.

“Hamlet 2” is a lot of fun to watch, and the play which comes out of it is a hoot as it is a quasi-musical in which Hamlet and Jesus team up to change the past. Granted, they take all the drama and tragedy out of Shakespeare’s “Hamlet,” but it is a little hard at times to argue with Dana who calls the play “a real downer.” In addition to “Rock Me Sexy Jesus,” there is another song called “Raped in The Face” which is Dana’s stab at the critics who keep taking apart his plays based on movies. The song title alone demands your complete attention.

All the same, I wished the filmmakers had pushed the envelope a bit more. Seriously, you have to expect some envelope pushing when one of the writers, Pam Brady, is from “South Park.” I’m not saying “Hamlet 2” had to be insidiously evil, I just wished the satire in parts was a little sharper. Or perhaps I got a little depressed with Dana’s station in life because it is one I hope to avoid in my own life, and this made it hard for me to be more objective about what I saw. Still, this comedic film has stayed with me since I first saw it, and at some point, I need to watch it again.

Shakespeare once wrote about how all the world is a stage, and he was absolutely right. We are all merely players in this crazy thing called life, and “Hamlet 2” plays with this to such an enthusiastic extent to where I wonder if another “Hamlet” sequel is in our future. Or better yet, maybe we can get a “Romeo & Juliet” sequel as young love does not have to be so infinitely depressing. Seriously, everyone deserves a second chance.

* * * out of * * * *