‘Gremlins’ 4K Ultra HD Blu-ray Review

Gremlins 4K Ultra HD cover

The following review is written by Ultimate Rabbit Correspondent Tony Farinella.

Gremlins” came out a year before I was born, but the true test of any good to great movie is how it holds up, regardless of how old it is.  While watching this 1984 classic for the first time in what feels like ages, it does show its age in some respects.  However, there is something rather charming about the 80’s comedy/horror film that still holds true to this day.  The film is rated PG, although if it were released today, I would imagine it would get a PG-13 rating.  There is nothing overly graphic about it, but it’s partially a children’s horror/comedy and partially a young adult horror/comedy. Oddly enough, the PG-13 rating was put into place two months after this film, according to research.

Everything gets set into motion when a quirky and outside-the-box inventor named Randall Peltzer (Hoyt Axton) wants to buy something special for his son on Christmas.   He happens to come across a very special creature known as a Mogwai.  The man in charge of the antique shop does not want to sell it, but his grandson does a side deal with Randall in order to get some much-needed money.   He tells the man to remember three things: Don’t get it wet, don’t expose it to the sun, and don’t feed it after midnight.  Randall thinks this sounds simple enough and proceeds to take the Mogwai home to give to his son Billy for Christmas.

All is fine and dandy with the Mogwai, which ends up being named Gizmo, until one night it gets wet.  They learn that this creates even more Mogwais in the process. Things turn even worse when Billy (Zach Galligan) feeds them accidentally after midnight. Now, Gizmo is one of the good ones.  He is adorable and harmless.  The rest of them, however, turn evil and create mayhem and mischief at every corner.  It is up to Billy and the girl he likes, Katie (Phoebe Cates) to stop these gremlins from destroying everything in their path.

Gremlins 4K scene clip

Considering all of the various films that came out in the 80’s that dealt with teenagers/young people in peril trying to figure things out, it’s easy to see why this film was such a success.  We are seeing a lot of that with “It” and “Stranger Things.”  What’s old is new again. People hold a certain affinity for the 80’s and the films that came out during that period.   They also like to see the young kids taking control of a situation.  That is what happens here.  It doesn’t take long for things to get out of hand.

“Gremlins” is a very fast-paced film directed by Joe Dante, and he mixes the comedy and horror together just right. The screenplay by Chris Columbus is also very well-written, and this helps the proceedings.  It is not a scary film at all, but it is a film which knows what it is trying to accomplish for audiences. This is a film which is a lot of fun and over-the-top with its use of the various creatures inhabiting it.  While they garner a lot of screen time, it is impossible not to notice the cast which also includes Judge Reinhold and Corey Feldman.  It is also great to see a horror film where the parents actually believe the children instead of doubting them, and they are fighting alongside the children against these hideous creatures.

In the end, thirty-five years later, “Gremlins” does show some signs of aging, but as mentioned earlier, considering how people are gravitating toward the horror comedies of the 1980’s with young teens in peril, it works quite well in today’s cinematic world.   With it being released on 4K, this is the perfect time to pick it up and add it to your collection.  The transfer is a solid upgrade, and it’s the perfect movie to watch with Halloween fast approaching.   While there is a lot going on here, it never feels overstuffed or overpopulated.  It feels just right in terms of the pacing, the acting, and the outcome.

* * * ½ out of * * * *

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Video Info: The 4K is released on 2160p Ultra High Definition 16×9 1.85:1, and the Blu-Ray is 1080p High Definition 16×9 1.85:1.  While the 4K transfer is a solid improvement over the Blu-Ray, it’s not a huge improvement.  The Blu-Ray is pretty basic and does not stand out all that much. It is still grainy in certain scenes, and they didn’t add anything new to the Blu-Ray.  With the 4K, it adds more color with the high dynamic range.  For those like myself who are really big into audio and video, you want to own the best version of this film. Again, it’s the same Blu-Ray that’s always been out there, but you are buying this for the 4K transfer.

Audio Info:  I did not notice a huge difference in the audio on the 4K disc as much as I do with the video quality. However, there is still a slightly noticeable difference here with the audio on 4K, and this is what makes it an especially worthy purchase.  The audio on the 4K is DTS-HD MA: English 5.1, Dolby Digital: French 5.1, Dolby Digital: Spanish 5.1 (Both Castilian 5.1 and Latin 2.0).   The subtitles are in English, French, and Spanish. For the Blu-Ray, you get Dolby TrueHD: English 5.1, Dolby Digital: English 5.1, Dolby Digital: English 2.0, Dolby Digital: French 5.1, Dolby Digital: Spanish 5.1 (Both Castilian 5.1 and Latin 2.0).   The subtitles are in English, Spanish, and French.  There are no problems to report with the audio, and it is consistent throughout.

Special Features:

Filmmakers’ Commentary with Director Joe Dante, Producer Michael Finnell and Special Effects Artist Chris Walas:  If you are looking for the behind the scenes commentary track on the filmmaking process, this is the special feature for you.  They cover a lot of ground here, and it is especially interesting to hear from Chris Walas who would go on from here to win an Academy Award for Best Makeup on “The Fly.”

Commentary with Joe Dante, Zach Galligan, Phoebe Cates, Dick Miller, and Howie Mandel:  If you are looking to hear from the actors and how they approached this project, this is the right commentary track to listen to as they tell some great stories.  These commentary tracks are on both the 4K and the Blu-Ray.  They are both worth listening to, as they offer something different.

Theatrical Trailers

Photo/Storyboard Gallery

Gremlins Behind-The-Scenes Featurette (06:21):  This was put together when “Gremlins” was being shot, so it is not a modern special feature.  It features interviews with Joe Dante, Hoyt Axton, Zach Galligan, Chris Walas, Phoebe Cates, and Steven Spielberg. Oddly enough, Spielberg did not consider it a horror film or a spoof when talking about it on this special feature from the 80’s.  I wonder what he thinks of the film today.  He said “Gremlins” was unlike anything he had read which was why he bought it and gave it to Dante to direct.  It would have been great to see a more modern special feature which looked back on the film thirty-five years later.

Additional footage which includes an extended opening, an extension of Judge Reinhold’s character, and more with commentary by Joe Dante (10:26): Joe Dante talks about the editing process and how the original rough cut was two hours and forty minutes. He talks about why these scenes were deleted as some were repetitive.  Other voices are heard on the commentary track, but they are not identified.  I believe some of them are from the actors like Phoebe Cates and Zach Galligan. You can listen to this with or without commentary.

Should You Buy It?

While there are no new special features, “Gremlins” is a good addition to add to your collection if you own a 4K TV and 4K Blu-Ray player.  The 4K transfer is an improvement, and the price is only $24.99. That said, it would have been nice to see some new special features as well as an updated Blu-Ray release to go with the 4K disc. If they had just put a little more time and effort into that, this release would have been a home run.

‘Friday the 13th Part V: A New Beginning’ Remains the Franchise’s Worst Sequel

Friday the 13th Part V A New Beginning poster

The “Friday the 13th” movies have always divided critics and moviegoers. The utter hatred of from critics like Gene Siskel and Roger Ebert ended up giving people more of a reason to see them. But that’s the great thing about “Friday the 13th Part V: A New Beginning” because it’s the first movie in this endless franchise which succeeded in bringing critics and fans together as everyone agrees this one is flat out terrible. After all these years, it remains the worst “Friday the 13th” movie ever, and it proved to be an utterly pathetic attempt to keep the series going. It was not unlike when Blake Edwards tried to continue “The Pink Panther” series after Peter Sellers passed away, and we all know how that turned out.

This sequel is the second in the Tommy Jarvis trilogy which started with “The Final Chapter” and concluded with “Jason Lives.” Corey Feldman returns briefly as Tommy, and we see him visiting Jason’s grave and hiding behind trees when two guys show up with shovels. They are the first of many stupid characters introduced here as they dig up Jason’s grave, and he immediately rises again and slashes them with a minimum of vicious effort. Following this, Jason then spots Tommy and goes over to get his revenge, and then Tommy wakes up. From there he is played by John Shepherd, and we see Tommy is still dealing with the psychological aftermath of killing Jason years later. Feldman’s presence in the film is a mere cameo as he was busy making a much better one called “The Goonies.”

We learn Tommy has gone from one mental hospital to another with increasing regularity, and “A New Beginning” starts with him arriving at the Pinehurst halfway house. Poor Tommy has been prescribed just about every antidepressant and anti-psychotic drug on the market, but this hasn’t stopped him from working out in the gym as he looks more buff than the average mental patient. It’s enough to help him beat the crap out of others, and we should at least admire Tommy for managing to survive puberty as killing Jason changed him for the worst.

Here’s what separates “A New Beginning” from all the other “Friday the 13th” movies with the exception of the original; Jason Voorhees is not the killer. This sequel is actually a whodunit, and you won’t know who the real killer is until the end. Or maybe you will if you look at the suspects very closely, especially their eyes. The Scooby Doo ending is unbelievably ridiculous as we learn the killer’s motive and how thy dressed up like Jason to keep from getting caught. This just adds to the unintentional humor this sequel elicits from scene to scene.

The characters in the “Friday the 13th” movies have never been more than one-dimensional human beings who are out to party and get laid, and this one doesn’t change that dynamic. What is different though is how infinitely annoying they are. Two teens named Pete and Vinnie bitch and moan at each other while they’re fixing their car (talk about a friendship which never should have been). Just check out their dialogue:

“Aww, what’s the matter, Vinnie? You scared of the dark? You all creeped out by that murder at the nuthouse?”

“Oh yeah, sure. Look, as far as I’m concerned, all those loonies should be killed off one by one. Can you try it now?”

“Geez, man, can’t you do anything? Stop screwing’ around! Get this thing done by the time I get back. I gotta take a crap.”

“Crap my ass!”

“Just do it, man! I mean it.”

Then there’s Billy, an employee at the halfway house, who gets all coked up to where he believes he is god’s gift to women. There’s at least one of these schmucks in every sequel:

“That’s it. That’s the whole frackin’ thing right there. There it is, you just stay right there, doll. That’s just what the doctor ordered. Nothing’ like a little prevented medicine. And, the forecast is; Cloudy in the mountains, sunny in the valleys, and snow flurries, up your nose!”

For some utterly bizarre reason, a local waitress named Lana can’t wait to screw Billy. Seriously, nobody can be that desperate:

“LANA! HEY, LANA!”

“Sorry buster, we’re closed.”

“It’s alright; I just want a take-out order.”

“You do, huh? Well, what would you like?”

“I would like Lana to go with nothing on her.”

“Oh, and who wants her?”

“The pride of the Unger Institute of Mental Health who has just dumped his last bedpan and would like very much to party.”

A developmentally challenged boy named Joey walks around with a chocolate bar in his hand offering help to anyone who needs it, but he inadvertently stains clothes that have just been washed. His gift of a candy bar is also melting in his hand, and this does not make it particularly appetizing. Not to give anything away, but he is the first to be killed off.

But these characters are nothing compared to Ethel and her man child of a son Junior whom she treats like crap. You’ll never find a more repellent set of characters in any “Friday the 13th” movie, and this includes “Jason Takes Manhattan.” Just imagine if Lenny from “Of Mice and Men” had a mother:

“That is one fucking ugly man that goes there.”

“That’s one fucking ugly man, Mama.”

“Would you shut your trap? You ain’t so pretty yourself, you know.”

“I ain’t so pretty myself, I know.”

In terms of the kills in “A New Beginning,” they are unimaginative and puny compared to what we saw in the previous films. The gag with the flare in a guy’s mouth was put to much better use in “Dead Calm.” Same thing goes with those gardening shears plucking out a character’s eyes as there have many knock offs which used this because Jason already had dibs on the machete.

But what this sequel is missing most is Tom Savini who gave us deaths and copious amounts of blood and gore combined with a vicious sense of reality. Savini stuck to his word that “The Final Chapter” would be his last “Friday the 13th” since it allowed him to kill off Jason for good, but those who took over from him cannot equal what he accomplished.

Also, time has not been kind to this sequel. There is a young boy named Reggie (Shavar Ross) who gets to meet up with his older brother, Demon (Miguel A. Núñez Jr.), who lives in a van outside of town. Demon looks like he came straight out of one of those 1980’s breakdancing, and seeing this style today makes an unintentionally hilarious sequel even more hilarious than it was ever intended to be.

Jason is played by Tom Morga, a stuntman who has worked on “Pirates of the Caribbean: At World’s End” and “Spider-Man 3” among other movies. His work as Jason is not bad, but it’s hardly memorable compared to what other actors like Kane Hodder brought to this character. Then again, this is not a role which requires method acting. Of course, if someone were to try method acting in this role, they would end up in solitary confinement or death row.

As Tommy, Shepherd gives us the most intense and screwed up version of this character as he manages to convey Tommy’s extreme mental anguish without having to say too much. In fact, Shepherd has only 24 words of dialogue throughout the whole movie, and this does not include all the laughing and yelling he does.

The director of this fiasco is the late Danny Steinmann whose other credits include “Savage Streets” and “The Unseen,” and “A New Beginning” ended up being his last film. Learning of this makes me feel sorry for him because no one wants their movie career to be cut short, and it sucks to be remembered for directing such a horrible movie.

You could say “Friday the 13th Part V: A New Beginning” is one of those movies which is so bad it’s good. Watching the bad acting, terrible dialogue and weak direction is an entertainment unto itself. But even though it has long since gained a cult following, nothing changes the fact this is the worst sequel in this franchise. After this one, it didn’t matter if bringing Jason back from the dead defied all logic. Anything was better than seeing the series take the course of Tommy Jarvis becoming the new Jason.

½* out of * * * *

‘Friday the 13th Part IV: The Final Chapter’ – Yeah, Whatever

Friday the 13th Part IV The Final Chapter movie poster

I was in the second grade when this movie came out in 1984. It was also one of the few movies in this endless series to actually open on Friday the 13th. Looking back, it was interesting to see 8 and 9-year-old kids get excited about a movie they had no business watching at that age. Whether adults liked it or not, these movies played a big part in our lives, and they were to my generation as the “Saw” and “Paranormal Activity” movies are to today’s. The sight of bloody violence on the big screen, as opposed to real life, is still exciting to watch, and this has been the case for much longer than we realize.

Friday the 13th Part IV: The Final Chapter” was the first film in what became known as the Tommy Jarvis trilogy, the other two being “Part V: A New Beginning” and “Part VI: Jason Lives.” Tommy is played here by Corey Feldman in a gleeful performance as he delights in making scary masks he can hide behind, but this glee eventually becomes undone by Jason’s bloody rampage. This film marked the beginning of Tommy’s descent into madness which was eventually cut short by a much-needed franchise retcon after “Part V.”

When Jason got an ax to the head in “Part 3-D,” it was the first time in the franchise in which he actually got killed off. Jason didn’t appear in “Friday the 13th” until the very end when he gave us one of the biggest jump scares in movie history, and he wasn’t even killed off in “Part II.” Sure, he got his ass kicked, but it was not a fatal blow for he was slowly grabbing his machete as the virginal heroes walked away. When “Part III” came along, it was assumed Jason finally met his maker. That is, until Paramount Pictures realized they made $36 million off a movie with a $2.5 million budget.

When “The Final Chapter” starts, the police have arrived at Crystal Lake and Jason, wearing the hockey mask first introduced in “Part III,” is being shipped off to the morgue. When he arrives at the hospital, he is left in the care of the biggest slob of a doctor/coroner ever, Axel (Bruce Mahler). Seeing him slobber all over his burrito while watching women in skin tight spandex clothing doing aerobics makes one wonder how he got hired in the first place. For some bizarre reason Axel ends up making out with Nurse Morgan (Lisa Freeman) even though she is utterly repulsed by him. Then again, if common sense was used by any of the characters, this movie would not exist. These two get murdered (big surprise), and Jason somehow makes it pass security with his hockey mask on and heads back to Crystal Lake.

Actually, he ends up going next door to Crystal Lake and drops in on a mother and her two kids who have rented a house next to another where a bunch of teens are looking to have a good time which includes drinking beer, smoking pot, watching vintage porno movies, having as much premarital sex as possible and indulging in some mandatory skinny dipping. You know, the normal weekend one has in Las Vegas. You know what happens next; Jason proceeds to do his Benihana act on everybody like a drunk with power landlord who never hesitates to evict tenants who haven’t paid their rent in months.

The “Friday the 13th” movies usually feature actors you never hear from again, but aside from Feldman there is another actor who still works a lot: Crispin Glover. He plays Jimmy, a man who has had no real luck with women. Throughout the movie, he keeps getting woman advice from Ted (Lawrence Monoson) who seems to know everything about them. Guess who gets laid first. No, it’s not who you think…or maybe it is.

It’s a kick to watch Glover here, as “The Final Chapter” came out before he hit it big as George McFly in “Back to the Future.” You also gotta dig his great spastic dance moves which more or less predated the break dancing era. No one dances like he does, and no one else dies like he does in this movie. Could he be as strange as the characters he plays? Maybe so, but these days he seems to be using his strangeness to good effect.

Of course, we always look forward to Jason laying waste to these unsuspecting teenagers, and he definitely gets a number of seriously nasty cuts in which were probably even nastier until the MPAA came in and said “no I don’t think so.”

One classic moment features a guy getting it right in the groin. Oh to be in a theater when this scene was displayed on the silver screen. It’s one of the few times where you can see a whole audience of men grab their crotches, thankful it was not them who suddenly got turned into falsetto singers. There is also a nice shower scene as well which ends with Jason doing a Norman Bates routine. It’s not as suspenseful as “Psycho,” but it sure is a lot bloodier!

Much has been said over the years of how sexist the “Friday the 13th” movies are towards women. Granted, some female characters are treated like sex objects with magnificent bodies who are out to seduce whatever men end up getting locked in their crosshairs. But at the same time, these movies feature women as being the bravest and most heroic of the bunch. They’re the ones who find the to defeat Jason after everyone else has failed because they were busy making out or doing drugs. Why do critics keep forgetting it’s typically a lone woman who is left alive after all this bloody carnage has reached its inevitable conclusion?

This “Friday the 13th” sequel is also notable for being the last one Tom Savini did the makeup effects for. Having worked on many horror films like “Dawn of the Dead” and “Maniac,” his work has a realism to it as uncomfortable as it is brutally effective. This is even more so when you look at the rest of the sequels where the kills began to look fake and were played for laughs. Apparently, Savini based a lot of his work on what he saw as a combat photographer and soldier in Vietnam, so there is a real authenticity to his work we cannot ignore.

The director for “The Final Chapter” was Joseph Zito, and his credits include “Missing in Action,” “Invasion U.S.A.” and “Red Scorpion.” Zito is one of those workmen-like directors who gets the job done and simply gives the audience what they want. Other than that, his style of directing doesn’t have any distinguishing characteristics.

Playing the immortal Jason Voorhees in “The Final Chapter” is Ted White, but you wouldn’t know it since he had his name taken off the credits. White was selected for the role because he is a big guy (6′ 4″ tall), and he said he only did it for the money. But White, for what it’s worth, gave this film a brutal and seriously terrifying Jason which ranks among the series’ best. He may not have been happy while working on this one, but White has no business thinking this “Friday the 13th” sequel was a waste of his time. After all, he could have been in “Jason X.”

While this sequel is certainly dated stylistically, it holds up better than many of the others. It was also the last “Friday the 13th” movie which was truly scary, and the series more or less went downhill from there. Even if it got a lot of the predictable hatred from film critics, it is nowhere as bad as some of the later entries, let alone the even cheaper knock offs it inspired.

“Friday the 13th Part IV: The Final Chapter” is a movie most people like more than they would ever openly admit. Call it a guilty pleasure if you will, but it is an entertaining one even if it rots your brain like others accuse it of doing. Any guy who tells you they hate these movies has got to be lying to a certain extent, especially when they are just going out the door to see the latest horror movie sequel. They’ll say it’s different, but c’mon! Who are they trying to fool?

* * * out of * * * *