‘Lethal Weapon’ Movie and 4K Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

Hollywood has long been a fan of buddy cop movies, as people love to see big action, memorable villains and witty repartee between the polar opposite main characters.  “Lethal Weapon” is a film I’ve heard about ever since I started watching movies, especially the famous line, “I’m too old for this shit,” delivered perfectly by Danny Glover. Now, thanks to the 4K release of this film from Warner Brothers, I’ve finally had a chance to sit down and watch it in its entirety.  It is certainly one of the better buddy cop movies to have ever been released in Hollywood, thanks to the tremendous on-screen chemistry shared between Mel Gibson and Danny Glover.  They make it look effortless. I’m happy to report I’m not too old to sit down and watch “Lethal Weapon” for the first time. 

The film opens with a naked young woman snorting a line of cocaine and jumping off her balcony to her impending death.  This occurs on the day of Roger Murtaugh’s (Danny Glover) 50th birthday, as we see him trying to navigate through his happy yet chaotic homelife. He’s been assigned a new partner, Martin Riggs (Mel Gibson), an unhinged and wildly unpredictable cop who has unconventional methods, but you can’t argue with his success. It’s been 11 years since the death of his wife, and he struggles every day with thoughts of suicide. Indeed, it’s easy to see why Murtaugh feels like he is too old for this shit, as the two of them are as opposite as fire and ice.

Murtaugh and Riggs must put their heads together and find out the real reason why this young woman, Amanda Hunsaker (Jackie Swanson) committed suicide. Murtaugh gets a call from an old war buddy Michael (Tom Atkins), Amanda’s father, and Michael reminds Murtaugh that he saved his life when they were in battle. There are definitely some nefarious individuals behind this, and Riggs sees the complexity of these cases and isn’t afraid to dig deeper or get his hands dirty. Murtaugh, on the other hand, looks for the simplest and easiest solution to these cases. He has too much at stake because he’s married and has children at home. Riggs, on the other hand, has nothing to lose and doesn’t care if he dies, so he will do what needs to be done, consequences be damned.

Lethal Weapon” was directed by the legendary Richard Donner (“Superman,” “The Goonies,” and “The Omen”), and was written by Shane Black (“The Nice Guys” and “The Monster Squad”). They collaborated with Gibson and Glover to create a memorable piece of cinema.  I do think the first hour of the film is absolutely perfect as it moves quickly, introduces the main characters and the villains, including a memorable performance by Gary Busey, and it’s a lot of fun.  It’s clear they are comfortable taking their time in allowing these characters to grow on screen, as we get to know them, inside and out. Because of this, the stakes matter that much more when the shit hits the fan.  The comedy is also effortless and never forced.

I did feel like the second half hit a bit of a lull when the good guys met up with the bad guys.  Of course, it was the 1980’s, so there needed to be big action (in addition to big hair and big outfits) and special effects, but they could have done probably half of what they did and it would have been even more effective.  There is also a wild karate battle between Busey and Gibson, which made me laugh but for all the wrong reasons. It seemed odd to go in that direction at the very end. The film starts out by letting the audience know it’s going to be a different type of action comedy, and I enjoyed the balance of seriousness and comedy. I was hoping the film would have kept that tone a little bit more in the second half, but it turns into a bit of a silly action movie. Still, “Lethal Weapon” has a good script, a top-notch cast, and skilled direction. It’s a good movie, but I don’t think it’s a great movie because of the issues I’ve mentioned.

It should be noted that I watched the director’s cut of “Lethal Weapon,” so I’m not sure how much of a difference there is between it and the theatrical cut, as this was my first time watching the film. The director’s cut is 117 minutes, and the theatrical cut is 110 minutes. I’d be curious to hear from those who have seen both cuts as to how much of a difference there is between them. I think the film should have been around 100 minutes, and it would have been just about perfect. I can’t speak for the sequels, but I can see why audiences wanted to see more of these two, as they had some of the best onscreen chemistry I’ve seen in a buddy cop comedy. Glover is smart, tough, and vulnerable while Gibson is crazed and determined, but there’s also a method to his madness. I loved these two characters.

* * * out of * * * *

4K Info: “Lethal Weapon” is released on a single-disc 4K from Warner Brothers Home Entertainment in either a 4K slipcover or a 4K steelbook. As mentioned in my review, the 4K comes with both the theatrical cut and the director’s cut. The film is rated R for strong violence, strong language, brief drug use, and some nudity. There is also a digital copy included.

4K Video/Audio Info: The film was nominated for an Academy Award for Best Sound, and wow, this is quite a Dolby Atmos soundtrack. The film is LOUD, and I do mean LOUD. At times, I found it to be a little too loud, which must mean I’m too old, but in all seriousness, if you enjoy your action flicks loud and in-your-face, you won’t be disappointed with the audio here. I did enjoy the 1980’s saxophone that was present throughout the movie. It’s a jaunty soundtrack that stayed in my head. As far as the video here, the HDR is splendid on this release, and it makes the film look sharp, vivid, and lively without losing its 80’s aesthetic. Hey, I was born in the 80’s, and I appreciate that decade very much, especially the music that was released then!

Special Features:

·   A Legacy of Inspiration: Remembering Richard Donner

· “I’m Too Old for This…”

Should You Buy It?

Yes! Personally speaking, I’m a big fan of a crisp 4K slipcover, and the slipcover release of Lethal Weapon is a thing of beauty. I really enjoyed the home theater experience of watching this movie, as it left me drained in the best possible way. The film presents a multitude of elements to the viewer, and while not all of them resonated with me, they were more effective than not. The film is memorable and stands out because of the performances of Mel Gibson and Danny Glover. In some ways, they look at one another and they see what they are missing in themselves. Murtaugh sees Riggs as someone who is not afraid to think outside the box, take risks, and find his man. Riggs sees Murtaugh as having the family life he wishes he could have had if his wife hadn’t died. The film is, at times, heartfelt, without trying too hard or being sugary sweet. Gary Busey is a kick-ass bad guy because he’s as cold as ice and doesn’t flinch. I wish the film was about 10-15 minutes shorter, depending on the release you watch, but it’s still a good flick. Warner Brothers also includes two new special features on this release, and they are one of the only studios that is releasing classic Hollywood films with new special features. I think physical media collectors will be VERY happy with the 4K release of “Lethal Weapon.”

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘Dirty Harry’ Movie and 4K Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

Dirty Harry” is a film I’ve heard a lot about during my almost forty years on this planet, especially when I started to watch movies regularly in my youth. It’s long been a part of American pop culture, and it’s hard for me to believe this was my first time watching it.  I’m familiar with the “Do you feel lucky, punk?” speech that has been repeated by numerous cinephiles over the past fifty years.  “Dirty Harry” was released in 1971. The 70’s are my favorite decade of American cinema, as the films back then were raw, dirty, and unapologetically in-your-face.

Our antagonist in this film goes by the name of Scorpio (Andrew Robinson), and when he’s first introduced on screen, he’s seen killing a woman in a San Francisco pool from a rooftop. Scorpio a vicious sniper who plans on killing more innocent people unless his demands are met.  He’s looking to get $100,000, and if he doesn’t, he will kill one person a day, starting with either a Catholic priest or an African American.  Police Inspector Harry Callahan (Clint Eastwood) found his ransom letter and wants to take matters into his own hands much to the dismay of the San Francisco Police Department. He’s called Dirty Harry because he’s not afraid to get his hands dirty and do whatever is necessary to find his man. He also appears to hate everyone equally, regardless of their race.

Harry is none too pleased when he’s assigned a rookie partner named Chico Gonzalez, played by Reni Santoni. Harry’s previous two partners ended up injured or dead. Before long, Scorpio decides he wants to raise the stakes–he wants $200,000 or he will kill a teenager named Ann Mary Deacon.  It’s up to Harry and Chico to put a stop to this before it gets even worse for the entire city of San Francisco. The biggest problems in Harry’s life come from his own police department, as they want him to play by the rules and follow police protocol.  Harry Callahan knows he’s dealing with a lunatic here, and you can’t reason with someone who is evil, maniacal, and cold-blooded.

My biggest issue with “Dirty Harry” is the fact the film presents an antagonist and a protagonist who are written in a bland and one-note fashion. Eastwood is known for his understated and minimalist approach to acting, and most of the time, it works. In “Dirty Harry,” for me, I wanted to learn more about what makes him tick and what his backstory is.  I didn’t need everything to be explained to me in granular detail, but we know very little about him.  The mystery of Harry Callahan doesn’t work in this film because I found myself detached from the character.  Scorpio is just an over-the-top villain. What is anyone’s motivation here?

“Dirty Harry” is a film which is all about the chase.  It’s all about Harry chasing Scorpio, and it’s interesting to a degree, but it doesn’t hold up for the duration of the film.  I understand the film is making a statement about police violence and what needs to be done in order to achieve a peaceful environment for everyone involved. Do the police need to resort to a more aggressive style of police protocol? Are they letting criminals get away with too much? Do the police need to bend the rules a little bit if it allows everyone to feel safe?  I understand what the film was trying to say, and I don’t need everything to be spelled out for me perfectly, but this is a film that felt flat and uninteresting to me. I needed a little more meat on the bone here.  It’s OK to have a simple story, but you need characters with a little more depth to them than simply good guy versus bad guy.

Overall, I liked the beginning and the end of the film, but the film completely lost me in the middle when it was the back-and-forth chase between Scorpio and Harry Callahan. There is little to no dialogue going on in these scenes, and I respected the style that was on display from director Don Siegel, but I needed something else to grab me to keep my attention. “Dirty Harry” is a Hollywood classic, and I understand many filmgoers hold it in very high regard.  I was anticipating having a strong reaction to it. When it was over, I thought to myself, “That’s it?”

* * out of * * * *

4K Info: “Dirty Harry” is released on a single-disc 4K from Warner Brothers Home Entertainment in either a slipcover version or a collector’s edition steelbook. There is also a digital copy of the film included in the set.  The film has a running time of 102 minutes and is rated R.

4K Video Info: The 4K HDR transfer here is striking and vibrant while maintaining a grimy and old-school look to it in the process. When the film is taking place during the day, the colors really pop and shine on screen. When it takes place at night, the deep blacks are on full display.

4K Audio Info: The Dolby Atmos track is sharp and solid throughout the film. It’s powerful without being overbearing. Subtitles are included in English, Spanish, and French.

Special Features:

Commentary by Richard Schickel

Generations and Dirty Harry – NEW

Lensing Justice: The Cinematography of Dirty Harry – NEW

American Masters Career Retrospective: Clint Eastwood: Out of the Shadows

Clint Eastwood: The Man from Malpaso

Clint Eastwood: A Cinematic Legacy – Fighting for Justice

Interview Gallery

Dirty Harry’s Way

Dirty Harry: The Original

Should You Buy It?

If you love “Dirty Harry” and it’s one of your favorite films, you’ll be over the moon about this 4K release, which includes over four hours of special features. They really made sure they went above and beyond for this 4K release, and I imagine a lot of people have been waiting a long time for this.  Visually, it’s a stunning release that is sure to satisfy physical media lovers out there. The Dolby Atmos track stands out on this as well. For people who haven’t seen the film before, like myself, I don’t know how well it will hold up with a modern audience or a first-time viewer. It didn’t connect with me, and I was disappointed by the majority of it. It was a film I respected, but I didn’t connect with it the way I have other Clint Eastwood films I’ve been watching lately. If you haven’t seen it before, you might want to watch it before you blind buy it.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

Favorite Opening Titles: ‘Bullitt’

Peter Yates’ 1968 neo-noir action thriller film “Bullitt” was my introduction to one of the coolest actors and movie stars ever to inhabit this planet of ours, Steve McQueen. It also starts off with one of the most ingenious opening title sequences I have ever seen as a dozen men are waiting outside of a building for a certain individual whom we later see is waiting for them and already prepared to escape their clutches. Seeing the names of the main actors being revealed and then having them come right at us showed how creative one can get with opening titles, and they have the benefit of being scored by the man who would later create the music which Edgar Wright would call “acid jazz” for “Dirty Harry,” Lalo Schifrin.

The opening titles for “Bullitt” were designed by Cuban-American graphic and film titles designer, Pablo Ferro. His list of credits is extensive, and many of his other film titles may end up on this website at some point. What I love about his work on this particular sequence is how cool it all works and how it gives you a sense of not only characters on the move like John Ross, but also of how we are invited to look much closer at everything which goes on here. While everything might seem crystal clear on the surface, the antagonists are eventually going to get quite a rude awakening when they realize they are not as smart as they think.

Keep in mind, we do not see any of the main characters in these opening titles. What we do see is the beginning of a chase for a certain individual, and it is contained within a motion picture which has one of the greatest car chases in cinematic history. While we are left to guess how everything we see here adds up, this is perfect as the characters we are eventually introduced to such as Steve McQueen’s Frank Bullitt, Robert Vaughn’s Walter Chambers and Don Gordon’s Detective Delgetti are thrust into a situation which has more layers than they initially realize.

“Bullitt” remains one of the greatest cop movies ever this side of “The French Connection,” and I recommend you check it out if you have not yet done so. Please feel free to check out its opening titles down below.