Melissa McCarthy on Playing a Con Artist in ‘Identity Thief’

WRITER’S NOTE: This article was originally written in 2013.

Ever since she first found recognition for her character of Sookie St. James on “Gilmore Girls,” Melissa McCarthy has left an indelible impression on us all. After watching her breakthrough role as the abrasive and shamelessly raunchy Megan in “Bridesmaids,” a role which earned her a deserved Oscar nomination for Best Supporting Actress, there was no forgetting who she was. McCarthy wasn’t just funny in the role, she also made Megan a complex character with wants and needs we could easily relate to, and this made her performance all the more wonderfully memorable.

Now she gets the opportunity to put her comedic skills to solid use again in “Identity Thief” as Diana, a con artist who steals the identity of Sandy Bigelow Patterson (played by Jason Bateman) for her own benefit. This actually marks McCarthy’s first lead role in a motion picture, and it came as the result of Bateman loving her performance in “Bridesmaids.” The role of Diana was originally written as a man, but Bateman had the character’s gender changed to a woman just so he could get her cast in the movie.

Now the role of a con artist is a challenging one to make the least bit sympathetic, but McCarthy proved to be up to the challenge. She got her start at The Groundlings which is an improvisational and sketch comedy troupe located in Los Angeles, but while this character would have made for a hilarious five-minute sketch, McCarthy realized she had to do things differently in a feature length motion picture. She made this clear in her interview with Amy Longsdorf of Delaware Online.

“I wanted to make sure Diana wasn’t just a one-dimensional, mustache-twirling villain because I thought that while that’s kind of interesting for a scene, I don’t know how to play that for a whole movie,” McCarthy told Longsdorf. “I love the thought of someone doing criminal acts but not doing them to be menacing. She does them because she’s lonely and doesn’t have anyone. She kind of steals identities so she can go out to a store and pretend to have these lives. She can pretend to have a husband and a family, pretend to be engaged.”

Whether it is film or television she is doing, McCarthy is a comic force of nature and she appears fearless in what she will do to get a laugh. This was especially the case when she hosted an episode of “Saturday Night Live” and came close to swallowing a whole bottle of ranch salad dressing. I was lucky enough to attend the “Identity Thief” press conference which I covered for the website We Got This Covered, and I asked her if there ever is a limit to how far she will go for a laugh, or if she is willing to do anything to get one.

“For me, I think as long as it makes sense for the character,” McCarthy said. “I like to see if you can, on the worst day or the most extreme circumstance, I like to see how far you can push it. But to me it’s not funny anymore if it doesn’t make sense. And I don’t like to do anything that’s mean-spirited just because I don’t find it funny. I’d rather be the jackass than make fun of somebody else because that just seems too cheap and easy. So those are my only limits.”

The one thing, however, that McCarthy was more fearless about than getting laughs was doing her own stunts. It turns out that she tried to do as many of them as possible on the set of “Identity Thief,” and Bateman was stunned at just how far she was willing to go. She even volunteered to do the stunt where Diana gets hit by a car, and it does look very painful when you watch it onscreen. McCarthy ended up admitting to Kevin P. Sullivan of MTV News that she and Bateman did a lot of hand-to-hand combat in order to make their fight scenes look more believable.

“We hurt each other the most, for real, and the most exhausting,” McCarthy said. “You’re just covered in bruises and muscles are ripped.”

Many also wonder where McCarthy comes up with the inspirations for each character she portrays. It is said most actors base their characters on people they grew up with or whom they remember from their hometowns. McCarthy herself was raised on a farm in Plainfield, Illinois, and during the press conference she realized that her upbringing still plays a big part in the roles she chooses.

“In terms of the characters I think are really fun to play, a lot of times it’s someone in my head saying I know that woman,” McCarthy said. “There are women like that in my hometown and there’s one like that the Midwest. I guess I do kind of always go back to that them and draw from there because I really love them. I find them great and interesting and quirky and eccentric. I think everything that any actor does, I would assume, is shaped by how and where they grew up. I steal a lot from a lot of Midwestern women that I weirdly watch, that’s what I should say.”

We are going to be seeing a lot more of Melissa McCarthy in the near future as her star continues to rise in Hollywood. In addition to her television show, “Mike & Molly,” she has a number of starring roles in movies coming up like “The Heat” with Sandra Bullock. No matter what that thoughtless snob Rex Reed may think of her, McCarthy is a superb comedic actress who has many unforgettably hilarious performances left to give the world.

SOURCES:

Amy Longsdorf, “Melissa McCarthy morphs into ‘Identity Thief,'” Delaware Online, February 9, 2013.

Ben Kenber, “Interview with Jason Bateman and Melissa McCarthy on Identity Thief,” We Got This Covered, February 8, 2013.

Kevin P. Sullivan, “Melissa McCarthy’s ‘Identity Thief’ Fight Bloodied Up Jason Bateman… Kinda,” MTV News, February 8, 2013.

‘Ted’ Remains One of the Funniest Comedies Ever

Man, I would have loved it if this had happened to me as a kid; having one of my stuffed animals come to life and me forming a lifelong friendship with it. That is what makes “Ted” one of the most enjoyable and funniest movies I saw back in 2012 as it makes that dream become a reality. Seth MacFarlane, the creator “Family Guy,” makes his live-action motion picture directorial debut here, and it is one of the few comedies which is not hit and miss as the laughs just keep on coming. “Ted” also balances out its wickedly crude humor with a lot of heart as the movie comes to look at how important friendships can be in life no matter what form they take.

At the movie’s start, we meet young John Bennett (Bretton Manley) who lives with his family in a town near Boston. The narration, delivered in brilliant fashion by Patrick Stewart, goes over how John has no friends and that even the Jewish kid in the neighborhood who keeps getting the crap kicked out of him by bullies wants nothing to do with him. Things change for the better when he receives a teddy bear for Christmas, whom he names Ted. John loves Ted so much to where he makes a wish for the bear to come alive, and I am sure you know what happens from there.

“Ted” doesn’t take long to get the comedy juices rolling as John’s parents (Alex Borstein and the hilarious Ralph Garman) are incredibly shocked to see their son’s teddy bear walking and talking on its own. After that, Ted becomes a celebrity of sorts as he has Johnny Carson in hysterics and ends up getting arrested at the airport for drug possession. Throughout all of this, he and John remain the best of friends through all things and share many common interests including a serious fear of thunder.

Moving forward to the present, John is now played by Mark Wahlberg and works at a car rental agency. He and Ted still enjoy hanging out together while getting high and doing stupid things when left to their own devices. At the same time, John has been in a long-term relationship with the beautiful Lori Collins (Mila Kunis), and she ends up giving John an ultimatum to get Ted to move out of their apartment so they can move on with their lives.

The fact is Ted has become incredibly obnoxious, unthinkably vulgar, and gleefully hedonistic; something which does not stop once he is finally forced to move out and get his own apartment. He even finds a job at a supermarket despite being grossly inappropriate during an interview with the manager. Instead of giving the manager a reason not to hire him, Ted impresses him with his behavior. Either that or he is just desperate for any employee he can get to work for minimum wage.

During this time, Ted still manages to get John to hang out with him, and this results in John having to lie to Lori while making ridiculous excuses to get out of work. One night with Ted which John cannot possibly turn down is when Sam J. Jones, the star of their favorite movie “Flash Gordon,” shows up for a party at Ted’s apartment. You have to give Jones a lot of credit for sending himself up and having a good sense of humor about the popularity of the 1980 camp classic as he portrays himself as a hard living actor looking for a comeback. Even Ted cannot help but remind John about how Jones’ performance in “Flash Gordon” ended up redefining what it means to act in a movie (and not necessarily in a good way).

Truth be told, “Ted” could have just worked with its crude yet irresistible humor as it scores one big laugh after another. But its main success is how it also combines that crude humor with a lot of heart. The movie is really about the power of friendships and the struggle to keep them going when other things get in the way. As crazy as Ted gets, be it humping a checkout scanner or even snorting cocaine, even he comes to see he has to change his ways just like John has to in his own way. But whatever you do, do not get Ted started on Teddy Ruxpin, seriously!

I have never watched “Family Guy” on a regular basis, so I cannot compare “Ted” to it. Regardless, this film does show him to have a great sense of humor as well as a good appreciation for the stranger parts of popular culture. It is also a must for fans of “Flash Gordon” as it pays homage to its so bad it is good qualities. MacFarlane also throws in jabs at other pop culture targets like Taylor Lautner, Justin Bieber, and even Brandon Routh whose performance in “Superman Returns” is not exactly respected here.

Wahlberg is utterly hilarious, but this should be no surprise to anyone who saw him share the screen with Will Ferrell in “The Other Guys.” The scene where he lists off “white trash girls names” in rapid fire succession is a comic highlight, but even that gets outdone by the vicious fight scene he and Ted have. For a moment I thought Ted would descend into Chucky (the doll from the “Child’s Play” movies) territory, but even he doesn’t get that crude. Still, it results in some of the biggest laughs I have ever had in a movie theater.

Mila Kunis remains as engaging as ever, playing the same wonderful type of character she played in “Forgetting Sarah Marshall.” Having her in this movie as Lori makes John’s need to get rid of Ted seem like a real no-brainer. Kunis also gets to play Lori as someone not bound by typical clichés, and she ends up making Lori the most intelligent person in the entire movie as a result.

There is also Giovanni Ribisi showing up as crazed stalker Donny who wants to buy Ted from John so he can give the teddy bear to his son Robert (Aedin Mincks). Donny cannot bring himself to say no to anything his son wants (bad parent alert!), and this includes giving Robert a toy he may very well end up destroying. Granted, Ribisi’s role in “Ted” might seem unnecessary as it adds something the plot does not necessarily need, but it’s worth it just so we can watch his truly creepy dance to Tiffany’s “I Think We’re Alone Now.”

The design of Ted is that of a generic teddy bear, the kind you end up adding your own personality to. It was smart to go with this kind of bear instead of with some iconic stuffed animal with a built-in personality. You never quite know what is going to come out of Ted’s mouth next. While it may seem somewhat unrealistic for any teddy bear or stuffed animal to be having this much fun, women of any age are quick to hug one quicker than men nearby. This is the story of my life these days, dammit.

Seriously, “Ted” was one of the best comedies I ever got to watch in a theater. Now a lot of this has to do with my continued affection for stuffed animals after all these years, but it also proved to be one of those comedies which was not hit and miss like many I see. It speaks to those special memories we had with our stuffed animals growing up, and of how they eventually bec0me as crazy as us.

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