I went into “Cold Pursuit” believing it would be a typical Liam Neeson action film and a cross between “Taken” and “Death Wish.” Heck, it feels like Neeson has been doing the same movie over and over in recent years as he keeps playing characters who are either out to rescue their children or avenge the loss of a loved one. As we watch Neeson operate heavy machinery in a place which looks infinitely colder than the one he traversed in “The Grey,” I kept waiting for him to say, “I have a particular set of snow plows I have acquired over a very long career…”
Indeed, “Cold Pursuit” has the attributes of the average Neeson action flick, but I was surprised to see it also has a wonderfully twisted sense of humor. Even as the violence gets increasingly brutal and the blood flows more frequently, I found myself laughing endlessly as Neeson’s quest for revenge inadvertently sets off a war between rival gangs intent on protecting their own self-interests. As a result, this film was and was not what I expected, and as it went on I had no idea of the twists and turns the story would end up taking.
Neeson plays Nels Coxman, an ordinary man who lives a quiet life with his wife Grace (Laura Dern) and son Kyle (Micheál Richardson) in the small Colorado town of Kehoe. As “Cold Pursuit” begins, Nels has been given Kehoe’s Citizen of the Year award, something he accepts quite humbly as he considers his job as a snowplow driver nothing particularly special. Nels is also revealed to be a quiet man as his wife encourages him to speak more regularly at the dinner table and use as many words as President Abraham Lincoln said during his address at Gettysburg.
It doesn’t take long for tragedy to strike when Kyle dies of a heroin overdose. Nels refuses to believe his son could ever be a drug addict even when the police, long since hardened by the morbid work they do, remark how parents always say that. From there, the movie does not slow down as Nels goes from being the town’s key citizen to a vigilante as cold as the frosty weather he works in on a daily basis. Seeing him do deadly deeds either with a snowplow or a sawed-off rifle made me think of a line between Chevy Chase and Tim Matheson from “Fletch:”
“You shoot me, you’re liable to lose a lot of these humanitarian awards.”
Neeson inhabits the role of Nels as effectively as any he has played in the past, and I could tell he was having a lot of fun with this particular character from start to finish. Unlike the government agents and trained snipers he has played previously, Nels is nothing like them as he truly is an ordinary guy caught up in a situation he has no control over. At one point he even tells his brother, Brock “Wingman” Coxman (William Forsythe), how he learned about disposing dead bodies from a crime novel he once read.
“Cold Pursuit” also introduces to one of the slimiest and most comical drug kingpins I have seen in some time, Trevor “Viking” Calcote. Trevor is played by Tom Bateman in an inspired performance as he makes this drug dealer as brutal as he is hilariously hypocritical. While he shows no remorse in offing another human being, he is equally intense when it comes to making sure his son learns all he can about life from William Golding’s classic novel “The Lord of the Flies” while eating foods which do not contain the slightest ounce of high fructose corn syrup.
What intrigued me most about “Cold Pursuit” was how Nels’ quest for vengeance ends up triggering a turf war between drug dealers and American Indian gang members. In the process, we are subtly reminded of how America was stolen from the Indians (they are called Native Americans for a reason folks) and that the word “reservation” has more than one meaning. In this small Colorado town, a bad review on Yelp or Trip Advisor can be every bit as damaging as a bullet. This all results in a motion picture with a body count somewhere in between Martin Scorsese’s “The Departed” and John Woo’s “Hard Boiled.”
“Cold Pursuit” is a remake of the 2014 Norwegian thriller “In Order of Disappearance” which starred Stellan Skarsgard, and both films were directed by the same man, Hans Petter Moland. Learning of this made me wonder if Moland would fall intro the same trap George Sluizer did when he remade “The Vanishing” in America and changed the ending to disastrous effect. However, it looks like little was loss in the translation as this remake retains much of the brutality and black humor of the original. This was a giant relief to me after witnessing the misbegotten remake of “Miss Bala” which all but neutered the original for the sake of a PG-13 rating. Unlike “Miss Bala,” this film is anything but generic.
If there is any issue I have with this film, it is the inescapable fact that Laura Dern is completely wasted here. She is always a welcome appearance in anything she appears in, but she disappears from “Cold Pursuit” way too soon to where I wondered why they bothered casting her at all. Frankly, I am getting sick of seeing Dern reduced to playing the helpless housewife whose love is wasted on male characters who fail to return it in equal measure. She deserves much better.
Still, I was pleasantly surprised by “Cold Pursuit” as it proves to be an effective thriller and a twisted delight. For those who like their humor especially black, this is a film worth checking out as it features everything including a child who knows all there is to know about the Stockholm Syndrome. More importantly, it features female characters played by Emmy Rossum and Julia Jones who are far stronger than their male counterparts who are too caught up in their own jealousy and self-interest. The scene where Jones shows how she has her ex-husband by the balls, literally and figuratively speaking, is one which will never be quickly forgotten.
* * * ½ out of * * * *