2025 Movies

‘The Conjuring: Last Rites’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

“The Conjuring: Last Rites” is the final film in “The Conjuring” franchise, which has been wildly popular and a staple in the horror genre since the first film was released in 2013. In total, it is the ninth film in “The Conjuring” universe, which also includes the two “Nun” films along with three “Annabelle” films. While not all of them have been home runs, there is a certain style and craftsmanship that goes into the films which is hard to ignore. Most of all, the films are powered by the powerful performances of Patrick Wilson and Vera Farmiga as Ed and Lorraine Warren, the paranormal investigators who love helping those in trouble, but not as much as they love each other. They are the lifeblood of these films. Without them being the emotional compass, the films would simply be ghost stories with some jump scares here and there.

This film opens in 1964, as Ed and Lorraine Warren are investigating a mysterious murder at an antique shop while Lorraine is pregnant. While there, she comes across a mirror which holds ominous and sinister forces within it, which almost causes her to lose her child, Judy, during childbirth. Fast forward to two decades later, and Judy (Mia Tomlinson) is in a relationship with a former police officer named Tony (Ben Hardy), and they are on their way to meet up with the Warrens for Ed’s birthday party. Ed and Lorraine are in semi-retirement because of Ed’s heart, and they mostly are giving tours on college campuses, which are usually met with jokes about the Ghostbusters. They are struggling to find their purpose in life without being full-time paranormal investigators. Ed has the itch to get back into things, but he needs to look out for his health and slowdown, which isn’t coming naturally to him.

Meanwhile, in Pennsylvania, the Smurl family, which includes the husband, wife, four daughters and two grandparents, are starting to have some real challenges after they come across a haunted mirror that was given as a gift to one of the daughters after her first communion. At the same time, Judy is starting to have visions, the same ones she had when she was younger. Her mother tells her to block them out, but that’s becoming harder to do each and every day. It won’t be long before the Warrens and the Smurls are forced to confront their problems and figure out how they are connected to each other and how they can fix them. If they don’t, it may be fatal for all parties involved.

“The Conjuring: Last Rites” is directed by Michael Chaves, who is no stranger to this franchise, having directed the previous “Conjuring” film along with “The Nun 2.” He’s a talented director, and he knows how to create an atmospheric film that is moody and ominous, and he shows off the time and place in which it is set.  Chaves knows how to create haunting horror imagery on screen, but he doesn’t quite know how to make it all pay off in the third act. It also doesn’t help that the film is two hours and fifteen minutes, which makes it the longest film in “The Conjuring” universe. While it held my attention for a very long time, the payoff didn’t feel satisfying.  It left me feeling like the film ended on a flat and rather unremarkable note. All of the performances are top-notch, especially from Wilson and Farmiga. They know how to bring humor, pathos and intelligence to the film.

Overall, this is a case of trying to create the same magic time and time again, but sometimes it simply isn’t there. By no means is this a bad film, but it doesn’t have the impact or power it should have, especially considering this is the final film in this franchise. Of course, they can always do more “Annabelle” or “Nun” films, but as far as “The Conjuring” franchise, this is the end. However, you can’t always believe that when it comes to horror films, especially considering the money this one made. It is entertaining and made with style, but it doesn’t know how to wrap things up in a concise and efficient manner. By the time the shit hits the fan, the film has overstayed its welcome.  These films are best when they are about one hour and forty-five minutes, or maybe two hours. Anything longer than that, and they are overstaying their welcome.  There is no need for this film to be two hours and fifteen minutes.  There are certain scenes which feel like they would have been better as deleted scenes instead of being included in the final cut.

“The Conjuring: Last Rites” is a film I enjoyed watching until I started to become disinterested and restless by what was happening on screen. I liked a good majority of it, but as stated previously, it really falls apart in the third act.  It had a feeling of “been there, done that.”  The strong points include the performances of its two leads, the direction of Michael Chaves, and the overall style and look.  Its weaker points include its length and its ending.  I was happy to have watched it and it’s a fun horror movie, but it didn’t have the sense of urgency and power of the previous installments in this franchise.

* * ½ out of * * * *

4K Info: “The Conjuring: Last Rites” is released on a single-disc 4K from Warner Bros. Home Entertainment.  It comes with an impressive slipcover and a digital copy as well. It also comes in a steelbook version.  It has a running time of 135 minutes and is rated R for bloody and violent content along with intense terror.

4K Video/Audio Info: The film comes with a Dolby Vision transfer, which looks perfect on 4K.  The HDR really brings out the dark blacks of the film and creates a spooky experience watching it at home.  The same is true of the Dolby Atmos track, which really pops during the jump scares which are sprinkled throughout.

Special Features:

Last Rites: An Era Ends – featurette

The Conjuring: Crafting Scares – featurette

Michael Chaves: Believer – featurette

Should You Buy It?

As I was watching “The Conjuring: Last Rites” with my wife for the first hour and a half, I was saying to her, “I’m really enjoying this movie.  It has me on the edge of my seat, and the story is unfolding perfectly.” However, all of that good mojo started to fade in the rearview mirror by the time the film was wrapping things up with its third act.  I started to become fatigued and disinterested in the conclusion of the story. It took a long time to get where they needed to go, and when they finally did wrap things up, it didn’t seem to matter much anymore. Still, this is an OK film that will play well on HBO Max or on streaming. I don’t think it’s the kind of film you need to run out and purchase right away, unless you want to own all four of “The Conjuring” films on physical media. I’m still waiting for the second film to hit 4K, which will hopefully be very soon. This film looks and sounds terrific on 4K, and I really liked the slipcover version of it. I really wanted to recommend it, but the ending was flatter than four o’clock.

**Disclaimer** I received a copy of this film from Warner Bros. to review for free.  The opinions and statements in the review are mine and mine alone.

‘The Toxic Avenger’ Remake Review by Tony Farinella

Posted on by The Ultimate Rabbit

“The Toxic Avenger” franchise has always held a special place in my heart as a horror fan. The films have heart, humor, and some fantastic practical effects. When I heard that they were going to remake the film, I was interested in seeing how it would all come together. I’m not one of those horror fans who thinks all remakes are sacrilegious and should never be done. To me, a lot of the great horror films from the 1980’s could use a fresh coat of paint and some reimagining. It’s about taking the original concept and adding a unique perspective while keeping the spirit of the film alive. The remake of “The Toxic Avenger” is finally being released in theaters after being delayed the last couple of years.

This time, our hero Toxie is played by Peter Dinklage as a single father who is trying to provide a good life for his stepson, Wade, played by Jacob Tremblay. Toxie is doing the best he can after his wife passed away, but he’s recently discovered he has serious health problems of his own. Since he’s a janitor for the corrupt BT Healthstyle, a Big Pharma-type company, it isn’t exactly like he’s rolling in dough. It also doesn’t help that the company’s CEO, Kevin Bacon, is a selfish and corrupt individual who is only concerned about his company’s bottom line. Bacon is terrific at playing these slimy greaseballs, as he played a similar character in 2024’s “MaXXXine.” He seems to really relish the chance to play an asshole with zero redeeming qualities.

When Winston, aka Toxie, ends up finding himself submerged in toxic waste, his life is going to change in ways he never thought possible. Now, he’s a hero to everyone around him, as he’s on a mission to get revenge for those who have been wronged by BT Healthstyle, including a young whistleblower played by Taylour Paige, who lost her mother due to the harmful ingredients of this evil company. She knows their dirty little secrets, and she wants to make sure the truth is out there. Along the way, there is some violence which is going to be unleashed by Toxie, as he’s a man of the people, despite the fact he’s horribly disfigured.

I really wanted to fall in love with “The Toxic Avenger,” but the whole experiment felt like it was a movie where there was too much going on all at once. With a horror film like this, I’m looking for gruesome kills, goofy and outlandish set pieces, and gut-busting, wink-at-the-camera genuine laughs. This film goes back and forth between being a serious melodrama and an R-rated horror flick, but it’s not as ridiculous as it needs to be.  The spirit of Troma is to be offensive, nasty, and in-your-face. I’m not going to say the film is a PG-13 horror film, but they didn’t go for the all out, balls-to-the-wall insanity one would expect. Another bright spot out of the cast is Elijah Wood, as Fritz Garbinger, the hunched over and grotesque brother of Bob Garbinger (Kevin Bacon).

One of the biggest problems with the film is the performance of Peter Dinklage as Toxie. He does the voice work and the acting scenes while Luisa Guerreiro is behind the suit and prosthetics, and the performance is too serious and earnest for its own good. When the film does call for him to have some fun with the overall silliness of the premise, he doesn’t seem to be willing or able to participate in the proper way. This film needed to play things bigger, badder, and more over-the-top. Instead, it fluctuates in tone, and none of them work well enough to make a memorable impression on the audience. After a while, I found myself bored and disinterested by “The Toxic Avenger.” It made me wonder why it took so long to get released as nothing in the final cut was terribly offensive or gory. From people who have seen both cuts of the film, they have said not a whole lot was cut since they first saw it in 2023.

If you are going to commit to remaking a Troma film, there are two ways you can do it: You can either take it one step further than your predecessor, or you can take it in an entirely different direction. This film didn’t go in either direction. Troma films never cared about being accessible to a mainstream audience. They just wanted to make films which were low-budget schlock for B-movie fans who enjoyed horror that was big on creativity and low on budget.  I also don’t think you can make a “Toxic Avenger” movie in 2025 or even in 2023, when the film was originally supposed to be released. Times are different, and you have a tough job as a studio trying to make a gory and goofy horror movie that will make money at the box office for a mainstream audience. I wouldn’t call the film a total failure, but it’s a big disappointment.

* * out of * * *

Should You See It?

This is a film without a true audience. I don’t believe fans of the original franchise and character will find a whole lot to like with this updated version. If anything, it made me want to watch the original all over again and enjoy it for its raunchy goofiness. As far as modern audiences, you will get the horror fans who will see any horror movie because of the upcoming spooky season, but I don’t think they will connect with it as it’s not an established character for mainstream audiences. “The Toxic Avenger” has never been Freddy Krueger, Jason Voorhees or Michael Myers. Tonally, the film is all over the place, and it doesn’t do one thing particularly well. The cast is fine, it looks good and it’s not a terrible movie, but it’s very underwhelming as a finished product. For diehard horror fans, they might want to check it out when it hits digital platforms for streaming. For everyone else, there isn’t a lot to like here.

“THE TOXIC AVENGER” will be released In Theaters on August 29, 2025

‘The Accountant 2’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

In the interest of full disclosure, I must confess I do not have a vivid recollection of the 2016 film “The Accountant,” which starred Ben Affleck and Anna Kendrick. I know I watched and reviewed the first film, but it didn’t leave a lasting impression on me in either a positive or negative way. Because of this, I wasn’t exactly sure what to expect from a sequel that was taking place nine years after the original.  I didn’t go back and watch the first film, but I was still able to follow along effortlessly with the sequel. The more I watched it, little bits and pieces from the first film started to come back to me. Plus, with an action/thriller, in most cases, you start to understand the gist of it: These guys are good, these guys are bad, and they are going to have a big shootout before it’s all said and done.

“The Accountant 2” opens up with a bang as Raymond King (J. K. Simmons) meets up with a quiet yet deadly assassin, Anaïs (Daniella Pineda). Raymond tells her he needs her help in tracking down a missing family. Before long, there is bedlam at their meetup location, which leaves Raymond, the former FinCEN director, dead. On his dead body, he wrote “Find the Accountant.” This message finds its way to his protégé and the current deputy director, Marybeth Medina (Cynthia Addai-Robinson). She gets in touch with The Accountant, Christian Wolff, played by Ben Affleck.

Christian is not only an accountant, he’s an autistic assassin. I don’t remember if it was clearly stated in the first film, but they hint around at it here, as I don’t think they wanted to hit the audience over the head with it. It would have felt like they were exploiting this if they reminded the audience of it time and time again. Instead, the film shows his difficulty expressing himself while also highlighting his strengths, such as when he goes line-dancing and is able to pick up the moves by watching other people and their rhythmic movements. With his help, Marybeth will be able to find out what happened to her mentor and also find out what got him killed.

“The Accountant 2” does not even mention the Anna Kendrick character, but it does bring back Christian’s brother, Braxton, played by Jon Bernthal. Affleck and Bernthal have terrific chemistry together on screen, as they have a real Oscar and Felix “Odd Couple” dynamic. Braxton is direct, in-your-face, and blunt. Christian is more subdued, thoughtful, and precise with his actions. Along with Marybeth, they are committed to finding answers when it comes to the death of Raymond King along with the missing family. The three of them all bring something unique and different to the table with their strengths and weaknesses.

This sequel is a tale of two movies. The first half is entertaining, funny at times, and fast-paced. It focuses on relationships, characters, and story. I was captivated and enjoyed the story and its various twists and turns along with the interactions between the characters. Bernthal, in particular, is a real standout amongst the cast. He’s funny but also has a softer side to his character. There is one scene in particular where he’s talking to his brother and he’s wondering why they aren’t closer. He wonders if it’s because of Christian’s challenges or if there is something more to it. Affleck also does a good job of not overplaying his character or turning it into an over-the-top and showy performance. He brings humanity and heart to the character.

Overall, “The Accountant 2” is way too long at 132 minutes, and after a while, there are one too many bad guys to be found here. Once it turned into a shoot-’em-up action flick, I was ready for the credits to start rolling. It turns into a live-action version of “Call of Duty.” I also feel as though films which use sex trafficking as a major storyline are becoming commonplace in Hollywood, and they are starting to feel like a copout when the screenwriter doesn’t know what else to do with the story. Overall, I enjoyed a lot more of this sequel than the parts I didn’t, and it’s a fun action flick until it loses itself in the final 40 minutes.

* * ½ out of * * * *

4K Info: “The Accountant 2” is released on a single-disc 4K from Warner Brothers Home Entertainment. The film has a running time of 132 minutes and is rated R for strong violence and language throughout. The film comes with a crisp looking slipcover along with a digital copy that can be redeemed online.

4K Video Info: The Dolby Vision transfer is a thing of beauty. The colors are vivid and the film has a crisp and flawless look to it. Action films, in particular, are some of the best films to watch on 4K, and “The Accountant 2” is no exception.

4K Audio Info: The Dolby Atmos track is loud, in-your-face, and it really thumps in your living room. At times, I found the film to be a little too loud, but that might just be my personal preference. For others, they might find it to be perfect for enjoying this film to the fullest. Subtitles are included in English, Spanish, and French.

Special Features:

None

Should You Buy It?

I try to keep my finger on the pulse of physical media when it comes to collectors and their buying habits, and if there is one genre they are always looking for on 4K, it is action flicks. Because of this, if you are a physical media enthusiast, I’m going to recommend you purchase “The Accountant 2,” but I’d maybe wait for it to drop in price a little bit. I don’t think you need to rush out and buy it on release day. The film is an above average film, and I did enjoy it, but it did lose me near the end with its endless shootout scenes. The film is also about 30 minutes too long. For filmgoers who aren’t as into action flicks as others, it’s worth watching one time as it’s a fun flick with some interesting characters.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘Final Destination: Bloodlines’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

It has been a while since I’ve sat down and watched a good old-fashioned horror flick that was gory fun from start-to-finish. The last movie which comes to mind, for me, is 2023’s “Saw X.” Now, I know there have been other horror movies which have been critically acclaimed since then, but I like my horror movies, most of the time, to be rather straightforward without any underlying message or heavy-handed agenda. I’m looking to laugh, see some gruesome deaths, and have a good time. “Final Destination: Bloodlines” was a movie that allowed me to sit back, shut off my brain, and have a good time.  I had a blast with this movie, and the filmmakers, cast and crew delivered beyond my wildest expectations.

The film opens up in the late 1960’s at a high-rise restaurant tower, which hasn’t been properly built to house the number of people that are dancing and having a good time. Before long, the shit hits the fan and everyone is fighting for their lives. This sets the tone for the entire film, as it’s clear its directors, Zach Lipovsky and Adam Stein, understood the assignment given to them. They do a masterful job of building up the anxiety of what will happen next. If you are familiar with this franchise, you know anything and everything could lead to a possible death. They build up the suspense while also winking at the camera in a way that isn’t too cutesy or silly. It’s the perfect balance of comedy and terror.

We are then introduced to a struggling college student, Stefani Reyes (Kaitlyn Santa Juana), who keeps having a dream about that night in the 1960’s where mayhem and death were on the menu at this high-rise restaurant. She’s been having this recurring dream for over two months, and it’s causing her to almost flunk out of college. Because of this, she decides to go home and look for answers to what is plaguing her dreams. She discovers that one of the women in her dream is her grandmother, Iris (Gabrielle Rose), who messed with Death’s plans that night by saving everyone at the restaurant. However, Death doesn’t take too kindly to those who mess with its plan, so everyone who was supposed to die that night has now perished slowly but surely.

Iris has survived by being ultra paranoid and knowing how to plan and look for any signs of danger. She lives off the beaten path and doesn’t let anyone get too close to her. She’s on high alert, and her family sees her as a loon who has lost her mind. Stefani doesn’t know what to believe, but after seeing more and more signs, it’s coming into focus for her–she needs to follow her grandmother’s advice and save her family, who isn’t supposed to be here. Because Iris lived, everyone in her bloodline is in danger of having Death knock on their door. Using her grandmother’s years of meticulous planning and her research into Death’s plans, Stefani’s going to try her damnedest to save her family, which includes her brother, mother, uncle and cousins.  It will be even harder to convince all of them to believe her.

“Final Destination: Bloodlines” is a near-perfect horror film as it is terrific at building genuine suspense. At every turn, you never know what will happen to someone or how it will happen. I’m a professional wrestling fan, and the film utilizes what is known in the wrestling business as “false finishes.” When you think someone is down for the count in the ring, they kick out. In movie terms, when you think someone is going to die, they end up living.  As soon as you are lured into a false sense of security, they die in a gruesome way. However, it’s all about the build-up, the anxiety, and dread that is on screen.  When it finally does happen, it means that much more because you have been played like a piano. It’s a rollercoaster ride of emotions.

My one issue with the film is the CGI deaths. While they are creative, clever and a lot of fun, they look very bad visually because they are filled with CGI. If they used more practical effects and less CGI, I would have given the film four stars. However, the CGI deaths are hard to take seriously, as they end up looking like they were done in 3D. It reminded me of “Saw: The Final Chapter” which was done in 3D.  When you watched the film without 3D, the blood looked pink, and the effects didn’t have the same impact. Here, the gore and the blood looked like cranberry juice. The film is still a great horror movie, but this detail is impossible to ignore.

This image released by Warner Bros. Pictures shows Kaitlyn Santa Juana, left, and Rya Kihlstedt in a scene from “Final Destination Bloodlines.” (Warner Bros. Pictures via AP)

Overall, “Final Destination: Bloodlines” is a throwback to when horror films were fun, over-the-top and kept you guessing. The way the film uses comedy during the gotcha moments is absolutely perfect. This is a film that doesn’t take itself too seriously, but it respects the audience enough to blend comedy and genuine terror together without leaning too much in one direction. It’s a tightrope act for the filmmakers, but they pass this test with flying colors. This is the best installment the franchise has released in a long time. The acting is solid, the kills are unique (minus the bad CGI), and the story makes sense. Tony Todd also makes its final appearance in the franchise in a moving and poignant cameo.  It is clear this was not just a cash grab sequel. This is a film that was made with love and respect to the franchise.

* * * ½ out of * * * *

4K Info: “Final Destination: Bloodlines” is being released on a single-disc 4K from Warner Brothers Home Entertainment. You can purchase the film with either a 4K slipcover or a 4K steelbook, and both come with a digital copy to redeem the film. The film has a running time of 110 minutes and is rated R for strong violent/grisly accidents, and language.

4K Audio/Video Info: The 4K has a fantastic Dolby Atmos soundtrack that lends itself perfectly to this film. Its use of music is essential to the suspense and uneasy feeling that is permeating throughout the entire film. It’s a big soundtrack with a lot of bass to it, and the film’s soundtrack is a thing of beauty, as you hear it all perfectly. The Dolby Vision visual transfer is slick, clean, and vivid throughout. This is an A+ home theater experience for 4K movie lovers.

Special Features:
Death Becomes Them: On the Set of “Final Destination Bloodlines” – featurette
The Many Deaths of Bloodlines – featurette
The Legacy of Bludworth – featurette
Director’s Commentary

Should You Buy It?

I’m grinning from ear-to-ear as I’m writing this review. This is 4K at its finest in so many ways: The film is really good, the audio and visual elements are top-notch, and there are special features included here as well! There is a director’s commentary! I can’t remember the last time I’ve heard a director’s commentary on a new 4K release. This is a welcome addition, and it’s a lot of fun to hear their passion and energy for the project while watching “Final Destination: Bloodlines.” This is a great horror film, and it made me excited about the horror genre after feeling disappointed by it for two years. I watched it with my wife, and it was a great at-home horror movie to watch as we were laughing, screaming, and hooting and hollering during the crazier moments. I can’t recommend this film enough. They have put so much care into not only the movie but also its 4K release. This one comes highly recommended. It was so close to getting a full four-star rating if not for the bad CGI.  Other than that, you’d be hard-pressed to find a more enjoyable film to watch this year. This was old-school horror done in 2025.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘A Minecraft Movie’ Review and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

“A Minecraft Movie” is the highest grossing film of 2025 so far, and it’s easy to see why.  It’s based on a popular video game, so it has a built-in audience with teens, and even young adults who grew up playing the game.  It’s a family-friendly movie which is inoffensive, harmless and silly. For someone like myself, who is nearing his 40th birthday, I understand I’m not the key demographic. I never played the video game, and I’m not at all familiar with the source material. The jokes are also not my cup of tea, as they seem to be aimed at a younger demographic who find things such as “Chicken Jockey” hilarious. This became mainstream news when teenagers would lose their minds throwing popcorn in the air and making a mess in local theaters. This was another reminder of why I prefer to watch my movies from the comfort of my couch.

“A Minecraft Movie” was directed by Jared Hess of “Napoleon Dynamite” fame, and his sense of humor is on full-display here. The humor is juvenile, goofy and over-the-top. Jack Black stars as Steve, a doorknob salesman (is that a thing?), who is looking to make up for lost time by breaking into a mine. When he was younger, kids were forbidden from doing this sort of thing. While in the mine, he discovers the Orb of Dominance and the Earth Crystal. When they are put together, a portal is created to the Overworld where cubes can be molded to your desire, and Steve creates three houses for himself in the process.

We are also introduced to a World Champion Video gamer from 1989 by the name of Garrett “The Garbage Man” Garrison, played by Jason Momoa. He looks like professional wrestler Randy “Macho Man” Savage, and he’s struggling to stay relevant with his video game store, which is about to go out of business. In an effort to keep his business afloat, he tries to win the contents of a storage unit which he believes houses Atari Cosmos. Instead, he gets his hands on the Orb and the Crystal, which once belonged to a young Steve. Garrettt doesn’t know what he has his hands on, but he’s in for quite a rude awakening.

During all of this, Garrett befriends a young boy named Henry (Sebastian Eugene Hansen) who has moved to Chuglass, Idaho with his sister Natalie (Emma Myers) after their mother passed away. Henry is looking to fit in at school, and Natalie is looking to keep a roof over their heads. Little do they know that they are about to enter a world which is beyond their wildest dreams when they are sucked into a portal and enter the Overworld. They must team up with Steve in order to fight off Malgosha, a piglin ruler of an evil world known as the Nether. Henry is very creative and full of ideas which he will need to use in order to help them fight off various creatures and obstacles along the way.

Even though my rating of this film will be harsh (ONE STAR), my overall review is not that harsh because this film isn’t poorly made or a waste of time.  Instead, it’s just not for someone like me.  The audience for this movie is young boys who are looking to laugh, have a good time and be entertained without thinking too much. They are also familiar with all the jokes, characters and the world in which those characters inhabit. For me, I understood what was going on and the rules of the world, but I didn’t connect with it as I simply didn’t care about what was happening on screen from a story perspective. I found Jack Black to be loud throughout, and I found it very grating and tiring after a while as this was Jack Black on steroids and screaming throughout. Momoa was an aloof goofball who was in love with himself, and he does provide a few laughs.

I liked the brother/sister relationship and how close they were after the passing of their mother, and I wish the film would have given this storyline a little more time on screen. Jennifer Coolidge also appears as the vice principal, and she does her best, but the material doesn’t do her any favors. Even with Jason Momoa, he seemed to know the assignment, and he was game, but before long, everything and everyone got lost in the world of Minecraft. I know that is what the audience is paying for, and they give them plenty of goofiness, silliness, and wild action. If that is what you are looking for, I imagine “A Minecraft Movie” will be right up your alley. If you are looking for a little more to the story and to the film, you won’t find it here. 

* out of * * * *


4K Info: A Minecraft Movie is released on a single-disc 4K from Warner Brothers Home Entertainment. The film has a running time of 101 minutes and is rated PG for violence/action, language, suggestive/rude humor and some scary images. It also comes with a digital copy that can be redeemed online.

4K Video/Audio Info: This is, so far, the best-looking 4K of the year. Wow. The colors are bright and full of life. This is a terrific transfer that features eye-popping visuals. The Dolby Vision transfer gets an A+. The Dolby Atmos soundtrack also gets an A+, as this film is a true theatrical experience in the comfort of your own home. Subtitles are included in English, Spanish, and French.

Special Features:

Building the World of Minecraft: Block Party – featurette (14:19)

Creepers, Zombies, and Endermen Oh My!  – featurette (13:14)

A Minecraft Movie: Block Beats – featurette (9:01)

A Minecraft Movie: Pixel Pals – featurette (14:02)

Marlene + Nitwit – featurette (5:07)

Should You Buy It?

If you enjoyed this movie in theaters, and plenty of people did, you couldn’t ask for a better home video release than Warner Brothers has put together for “A Minecraft Movie” on 4K. I couldn’t believe how amazing it looked and sounded in 4K. Even though what was happening on screen wasn’t connecting with me, I couldn’t take my eyes off the screen, as it was so colorful. There are also some interesting special features included on this 4K release. Again, this falls under the category of “This was not my cup of tea.” However, I can acknowledge this was a labor of love and people enjoyed the film. Who am I to be the Grinch and ruin their good day? I’m just here to tell you that this film is only for Minecraft fans and for families. For everyone else, there is little to like here and a lot that will annoy, especially Jack Black’s boisterous performance.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

Exclusive Interview with Michael Patrick Jann about ‘Alma & The Wolf’

Posted on by The Ultimate Rabbit

Michael Patrick Jann is best known for his work in comedy and as a cast member on MTV’s sketch comedy show “The State.” In 1999, he made his feature film directorial debut with “Drop Dead Gorgeous” which over the years has developed quite the cult following. With his second feature film as a director, “Organ Trail,” he got out of his comedy safety zone to enter the horror genre. Michael now returns to that genre again with his latest film, “Alma & The Wolf,” which stars Ethan Embry as a troubled police officer who investigates a mysterious wolf attack which happened to a high school classmate of his, Alma (played by Li Jun Li). The investigation becomes even more intense, however, when his son goes missing, and it puts him a collision course with an unbearable truth that can only stay hidden for so long.

I got to speak with Michael one-on-one recently about “Alma & The Wolf,” and we talked a lot about how comedy and horror deal with the various forms of suffering. Also, he discussed the challenges of filming on the Oregon Coast when the weather was really bad and cold, working with animals, and of working with his son, Lukas Jann, who plays Ethan Embry’s son here. In addition, this film also co-stars a classmate of mine from my University of California, Irvine school days, Beth Malone, who plays a rather nosy neighbor. It was great to talk with Michael about what Beth brought to her role and the movie, and it is always great to see her in anything and everything.

“Alma & The Wolf” is now available to rent and stream on select digital platforms. Please check out my interview with Michael down below, and I have also included a trailer for the film as well.

Exclusive Interview with Ethan Embry and Li Jun Li on ‘Alma & The Wolf’

Posted on by The Ultimate Rabbit

One of the many horror films coming to us in 2025 is arriving this week, and that’s “Alma & The Wolf.” Directed by Michael Patrick Jann, it stars Ethan Embry as Deputy Ren Accord, a very troubled man who has been thrust into a horrifying investigation he may not be fully prepared for. One day while driving on his usual route, he comes across Alma, played by Li Jun Li, who is walking alone in the rain while clutching to what is left of her dog. Alma tells Ren a wolf killed her dog and begs him to kill the wolf for her as an act of revenge. Wolves, however, are protected wildlife in the state of Oregon, so Ren tells Alma he cannot help her that way. But when his son goes missing in the Oregon coast, Ren comes to believe it may have everything to do with the wolf that killed Alma’s dog, and he becomes infinitely determined to find his son and kill the elusive wolf.

I was lucky enough to speak with Ethan Embry and Li Jun Li who are the main stars of “Alma & The Wolf” this past week. Ethan started off his career as a child actor, and he starred opposite Ed O’Neil in the John Hughes written and produced film “Dutch,” and he is best known for his roles in “A Far Off Place,” “Empire Records” and “That Thing You Do.” Li got her start as an actress in the theatre, and she later became known for her role as Iris Chang in the television series “Quantico.” In addition, she has received critical acclaim for her roles as Lady Fay Zhu in Damien Chazelle’s “Babylon” and Grace Chow in Ryan Coogler’s “Sinners.”

Much of my talk with Ethan and Li Li, as she likes to be called, was about acting and their choices. With “Alma & The Wolf,” they were involved in a cinematic production which had a very short production schedule, and I was curious how the speed of it affected their performances overall. Being an actor myself, I found their answers to be deeply informative and fascinating.

“Alma & The Wolf” will be dropped on streaming services starting on June 20, 2025. Please check out the interview below, and I have included a trailer for the film as well.

‘A Working Man’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

At 57-years-old, Jason Statham has made quite a career out of playing the Jason Statham character. Some might say, “If it ain’t broke, don’t fix it.” However, I think it’s reached the point where it’s starting to become quite tedious and laborious to see him simply spinning his wheels with his film choices. Do his characters even need names or backstories? You can just call them, ‘The Jason Statham character’. His latest film, “A Working Man,” was directed by David Ayer, who collaborated with him on 2024’s “The Beekeeper.” While “The Beekeeper” was good fun, there isn’t a whole lot of entertainment value in “A Working Man.”

Statham stars as Levon Cade, a man with a background in the Royal Marines. After the death of his wife, he’s now working in construction for the Garcia family in Chicago. He is looking to keep a low profile, keep his head above water, and also spend some time with his daughter. She’s currently staying with his father-in-law who is not a fan of Levon.  As a matter of fact, he blames Levon for the death of his daughter, as she passed away while he was in combat. He’s trying to get more time with his daughter, but his father-in-law is not only extremely rich, but he’s fueled by anger and bitterness. He looks at Levon as someone who can’t control his anger and thinks violence is the only answer.

Arianna Rivas, Michael Peña and Jason Statham star in the film “A Working Man.” (OSV News photo/courtesy Dan Smith, Amazon MGM Studios)

One night, Jenny Garcia (Arianna Rivas), the only daughter of Joe and Carla (Michael Peña and Noemí González) goes missing when she goes out to celebrate an academic achievement. They suspect foul play is involved, so they look to Levon Cade for help, as they get a feeling that he has a background that might lend itself to helping them out. At first, Levon is hesitant to get himself involved in anything, as he says he’s a different person now. He decides to help them out because he’s having a battle for visitation rights over his daughter and he’s fiercely loyal to the Garcia’s who have helped and been patient with him during a difficult time in his life. 

From this point forward, you have a paint-by-numbers revenge flick where Statham is bound and determined to find the men and women responsible for Jenny’s disappearance. On paper, this might sound like a fun flick to sit back and relax while you shut off your brain. This would be true if we hadn’t seen this countless times over with Statham. Let me put it this way—Pizza is great, but if you start to have pizza every night of the week, it starts to make you feel sick. The bad guys in the film are these cheesy, over-the-top Russians who are laughable and can’t be taken seriously. You know what’s going to happen, but it takes almost two hours to reach our destination. I was long checked out of this film mentally by the time it was nearing its conclusion. 

I’m a fan of movies that are so bad, they’re good, but make no mistake about it, “A Working Man” is just bad. This film is all about the action sequences, the kills, and the explosions. I can’t sit through another Jason Statham film unless he plays against type, which I don’t see happening anytime soon.  I’d be happy to be proven wrong, but “A Working Man” is only for diehard Statham fans who want to seek out his entire filmography.  For everyone else, like me, who is feeling extreme fatigue from another Statham film with no imagination, bland kills and a lazy plot, you’ll be wise to skip this one.

* out of * * * *

4K Info: A Working Man is being released on a single-disc 4K from Warner Brothers Home Entertainment. It has a running time of 116 minutes and is rated R for strong violence, language throughout and drug content. It also comes with a digital copy of the film.

4K Video Info: The 4K HDR transfer is incredible. The picture is clear, vivid, and full of color and life.  Even though the film isn’t much to watch from an entertainment perspective, it looks stunning in 4K.

4K Audio Info: The Dolby Atmos track really pops on this release as well, as it brings the film to life in your home theater.

Special Features:

NONE

Should You Buy It?

“A Working Man” is an A+ movie when it comes to the audio and visual aspects of this 4K release.  It looks mesmerizing, and it also sounds terrific.  Sadly, it’s a D movie.  Moving forward, unless Jason Statham makes a real effort to think outside the box with his film choices, I’m going to politely decline his future projects. I went into this movie with low expectations, as I thought it would be harmless fun, but instead, it’s just a dull, lifeless, and listless movie. Even though I enjoy the style of director David Ayer, this screenplay, which was co-written by Sylvester Stallone, is dead on arrival. The characters here are so vanilla and one-note. The writing is absolutely terrible. I don’t know if these were real Russians in the film or not, but they came across as fake and phony villains. They spend about 15 minutes setting up this plot and the rest is all in the chase, but I didn’t care about the chase because I barely had time to get to know these characters.  I know you might be tempted to seek this film out, as a late-night quality pleasure, but make no mistake about it: This film is only for fanatical Statham fans. 

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘The Alto Knights’ Movie and Blu-ray Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

“The Alto Knights” is a film that, on paper, should have been a big hit.  It was directed by the legendary Barry Levinson who has directed such films as “Diner,” “The Natural,” “Rain Man” and “Bugsy.” It also stars the iconic Academy Award winner Robert De Niro, and even though not all of his films are worthwhile, it’s rare you see him give an uninteresting or bland performance.  The writer was Nicholas Pileggi, who wrote “Goodfellas’ and “Casino” alongside Martin Scorsese.  The producer was Irwin Winkler, whose credits are too lengthy to list. With all the talent involved in this project, you would think they would have at least made an above average flick.

“The Alto Knights” features two performances by De Niro as he plays two separate gangsters in the 1950’s, Vito Genovese and Frank Costello. My first issue with the film is why on earth did we need to have competing gangsters played by De Niro? While it might sound like an interesting concept, having De Niro play two roles in the same film, it’s quickly obvious this is a gimmick that just doesn’t work. It has been done in other films before, such as “Mickey 17,” “Sinners” and “The Social Network,” but De Niro looks ridiculous and laughably bad with all the makeup on him.

When the film opens, Frank is recovering from a failed assassination attempt put on him by his best friend, Vito. They have been friends since they were young, but they have two very different philosophies when it comes to being gangsters. Frank is someone who doesn’t like to rock the boat, and he’s not afraid to grease some palms to keep out of trouble. He cherishes his marriage to his wife Bobbie, played by Debra Messing. Vito, on the other hand, lives by the credo of, “I take out. I don’t put in.”

Vito doesn’t believe Frank is actually going to live a quiet life and retire as he sees him as a politician, someone who will smile to your face and stab you in the back when you aren’t looking. Frank, on the other hand, sees Vito as someone who will stop at nothing to get what he wants, and he will not go down without a fight. This leads to a war between the two men where only one can survive, and it’s about who will flinch first. One thing is clear—no matter who wins, the audience will end up being the real loser.

“The Alto Knights” is a film which made me feel sad at how bad it was, as there is no way it should have been this unwatchable and boring. All of the proceedings have a been there, done that feel to them.  Films about the mob, gangsters and the crime life have been done to death, and I don’t think there is anything new to add to the genre at this point. This is not to say they can’t come back at a later date and time with the right material, but this film feels dead on arrival as it feels like a parody of other gangster movies. This is a film that was not only a massive commercial failure, but it was a critical failure as well.

When you have seen De Niro play this role before, it’s hard not to look at this performance and think to yourself, “Why?”  Why did anyone think this was a good idea? The poster for the film says, “From the hitmakers of ‘Goodfellas,’ ‘The Irishman’ and ‘Bugsy.’” I’m going to assume they thought people would hear about De Niro in a new gangster movie from the writer of “Goodfellas” and would be interested in seeing it as a result.  It’s clear from the box office numbers they could not have been more wrong. As a matter of fact, I don’t even remember this film getting any attention or advertising when it was released only two months ago.

One of my least favorite things to do as a moviegoer is to watch the clock during a movie.  During “The Alto Knights,” I couldn’t stop looking at the clock and waiting for it to end.  As stated earlier, the film made me depressed as it felt like De Niro and Levinson were was wasting his time on rotten garbage like this. They are both in their 80’s, and we don’t know how many films they have left in them.  I’m sad they wasted their talents on this project, and I’m sad I wasted my time watching it.

* out of * * * * 

Special Features:

One Legend, Two Mobsters – Featurette

Blu Ray Audio/Video Info: The 1080p high-definition transfer is perfect for this film, and it features a clear and vivid image. The Dolby Atmos track also brings all of the classic hits of the 1950’s into your living room.

 Should You Buy It?

“The Alto Knights” is not a film you should waste your time on, unless you are absolutely obsessed with gangster movies and need to watch them all. If you have a morbid curiosity in this film, I’m here to tell you to not waste your time.  I went into it knowing it didn’t have great reviews, but I said to myself, ‘How bad could it be?’ Trust me, it’s that bad. It’s painful to watch De Niro in this film, and I just wanted it to end.  It didn’t take long for me to realize I was stuck in a bad movie, and I just had to bide my time until it was over. There are better gangster movies to see, and there is even a better gangster show to watch in “The Sopranos.” This is one of the biggest disappointments to come out of Hollywood in the past five years, and it is a hard pass.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘Mickey 17’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

Studio movies seem to be falling into two categories these days—they are either inspired by other movies or they are looking to do something unique and different. “Mickey 17” falls into the latter category. Even though it is based on the novel “Mickey7” by Edward Ashton, it is a rather unique and “out there” movie. It is a science fiction comedy with big ideas, over-the-top characters and representations. I can’t compare it to any other movie out there, which is becoming increasingly rare in today’s cinema. So often, when you watch a movie, it reminds you of one or two others that have already been released. Franchises, sequels and reboots are also becoming far too common. Original ideas, even if based off books, are infrequent visitors in the cinematic landscape of today.

“Mickey 17” is directed by the Academy Award-winning director of “Parasite,” Bong Joon Ho, and it follows the story of Mickey Barnes, played by Robert Pattinson of “Twilight” fame. After Mickey and his buddy Timo (Steven Yeun) fall into debt because their macaron business falls apart, they are out of options. This leads them to joining a spaceship crew where they hope to blend in and avoid getting murdered by flying under the radar. While Timo becomes a shuttle pilot, Mickey decides to become an “expendable,” which is a job where he is in charge of dying over and over again in order to find answers for various problems in society.

Mickey Barnes is sheepish, dopey, and painfully shy.  However, he enjoys his new lease on life because of his relationship with an agent named Nasha, played by Naomi Ackie. They are madly in love with each other, and she helps Mickey deal with the fact that dying is not a whole lot of fun. Even though he is brought back to life because of a process called “reprinting,” it doesn’t make dying any easier for Mickey as he is, in many ways, a human guinea pig. With his work, they are able to come up with vaccines that will save lives. 

One day, his life is turned upside down when his life is spared by a group of critters known as Creepers. This leads to him being turned into a double, so while he is Mickey 17, there is also a Mickey 18, a version of him that is confident, self-assured and fearless. Nasha doesn’t mind having two Mickey’s, as it is more fun for her to fool around with two versions of her boyfriend. On this expedition, there is a leader named Kenneth Marshall, played by Mark Ruffalo, and it’s hard not to draw comparisons to Donald Trump with his performance. I had to look this up after watching the movie, and I’m not the only one who felt this way, even though Bong Joon Ho and Ruffalo say that was not their intention. If it walks like a duck and quacks like a duck, it’s probably a duck. Kenneth’s wife is played by Toni Collette.

“Mickey 17” is a film high on ambition and ideas, but it doesn’t have a sense of direction, and its pacing is all over the map. One of the most frustrating aspects of this movie is the fact it has a lot to say and there is a lot going on, but it falls apart because there is no sense of where they want to go with all of this. Is it a love story? Is it a commentary on there being two versions of yourself? Is it a commentary on self-sacrifice? Is it about abuse of power? It’s all of those things and a whole lot more, but without a clear and concise vision, not all of these ideas have the time to be fleshed out, even though the film is two hours and seventeen minutes long. The film is wildly uneven and frustrating.

Another big issue with the film is Pattinson and his bland and uninteresting performance. He’s not a good actor, even when he is given good material. I understand he’s trying to be taken seriously as an actor, but he doesn’t have the chops to carry the comedic scenes, and he also struggles with the more serious material as well. This is another problem with the film—it’s in search of a tone. Since it’s trying to do so much at once, it doesn’t know how to balance its themes or tones. It’s also way too long, and it needed a good trip to the editing room.

* * out of * * * *

4K Info: “Mickey 17” is released on a single-disc 4K from Warner Brothers Home Entertainment. The film has a running time of 137 minutes and is rated R for violent content, language throughout, sexual content and drug material. It also comes with a digital copy that can be redeemed on most digital platforms.

4K Video/Audio: “Mickey 17” gets the Dolby Vision/Atmos treatment, and it’s a remarkable release.  The color palette really pops on this 4K release, and the Dolby Atmos audio track is also perfect for your home theater setup.

Special Features:

Behind the Lens: Bong Joon Ho’s Mickey 17 (11:32)

Mickey 17: A World Reimagined (9:44)

The Faces of Niflheim (8:00)

Should You Buy It?

“Mickey 17” is a film that might end up gaining a cult following in years to come, but it also might be a film that falls flat with a lot of audiences. I do think it is worth checking out because it is entertaining at times and has individual moments which stand out in a positive way. It’s just too inconsistent for its own good, and it needed better performances from its cast.  I absolutely hated the Mark Ruffalo character, but it probably wasn’t in the way they intended for me to hate the character. After spending a little bit of time with him, I wanted him off my TV, and I would audibly groan when he would reappear. The film does have some good special features and from an audio and visual aspect, it looks and sounds great. The movie is just a jumbled mess, but it’s rarely, if ever, boring. I’d recommend you watch this one first before you decide to add it to your collection.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.