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‘National Lampoon’s Vacation’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

When it comes to comedy in films, I’m well aware of the fact it is subjective.  In fact, film criticism as a whole is subjective, but I feel as though with comedy, it is especially subjective. What I find funny in film, you might find painfully stupid and vice versa. When it comes to the National Lampoon films with Chevy Chase at the helm, I find them annoying and tedious.  They fall completely flat for me.  I initially watched “National Lampoon’s Christmas Vacation” and was completely unimpressed. Now, it was my first time watching the initial film, “National Lampoon’s Vacation,” and I’ll just say I have no desire, whatsoever, to watch “European Vacation” or “Vegas Vacation.”

Upon researching this film, I discovered readers of Total Film Magazine ranked it as the 46th greatest comedy of all-time. I’m truly baffled by this. It starts with its lead actor in Chevy Chase.  I don’t find his style of comedy particularly interesting, funny, or unique.  He is overplaying it in these films with his facial reactions and mannerisms, and I found his character of Clark Griswold to be rather exhausting and laborious to spend time with, even if it’s only for a little over an hour and a half.  It comes down to laughter, and I might have smirked once or twice during this film.

In “Vacation,” the Griswolds are looking to take a trip from Illinois to California by car, to visit Walley World, a world-famous amusement park, as Clark is looking to spend more quality time with his family. He feels as though if they were to travel by plane, they would just listen to music and tune each other out.  Even though it’s a lengthy trip, he looks forward to getting to bond with his wife Ellen (Beverly D’Angelo) and their two children, Rusty (Anthony Michael Hall) and Audrey (Dana Barron). Audrey is a teenage girl who likes to live on the wild side while Rusty is looking to take the next step into being a man.

Along the way, they run into every possible problem you can imagine with their mode of transportation, traffic issues, misfortunes, folderol, and even death. They also stop by and visit everyone’s favorite Cousin Eddie (Randy Quaid), who is always looking for a handout or a quick buck by telling his latest sob story. Either you like these characters or you don’t.  Personally, my favorite character is Ellen, played by Beverly D’Angelo, as she plays the straight woman perfectly during all of this mayhem and mischief.

NATIONAL LAMPOON’S VACATION, Anthony Michael Hall, Chevy Chase, Beverly D’Angelo, Dana Barron, 1983

The expression, “Whatever can go wrong will go wrong” definitely applies to the Griswolds.  After a while, as an audience member, you see it coming from a mile away.  It doesn’t work because you know trouble is right around the corner.  If everything were going well, there wouldn’t be a movie to be made here. If you want a road trip movie which can produce great laughs, look no further than “Midnight Run.”  However, if you don’t have quirky and likable characters, the film is going to fail.  As a film critic, I’m driven by characters more than plot. A film needs a plot of course, but I can overlook the lack of one if the characters are keeping me glued to the screen.

Now that I’ve seen two of these films, I can safely state this brand of slapstick, gimmick comedy is not my cup of tea.  I know these films are hugely popular, especially “Christmas Vacation,” but I found them extremely painful to sit through as a viewer.  It’s even more surprising this film didn’t connect with me because it was written by John Hughes and directed by Harold Ramis, two of my favorites.

* out of * * * *

4K Info: “National Lampoon’s Vacation” is being released on a single-disc 4K from Warner Brothers Home Entertainment.  It is rated R and has a running time of 98 minutes.  It also comes with a digital code for the film.

Video Info:  The 4K transfer on this forty-year-old film is terrific. It is crisp, clean, and quite colorful.  They really upgraded this one in a masterful way.  It looks beautiful and has no issues whatsoever.

Audio Info: The Dolby Atmos track is a very nice touch here, and the film sounds terrific from start to finish.  It is a dialogue heavy film, and you can hear all of the dialogue without skipping a beat.

Special Features:

Commentary with Chevy Chase, Randy Quaid, Matty Simmons, Harold Ramis, Anthony Michael Hall, and Dana Barron

Should You Buy It?

If you are a fan of the franchise and this film, it is a must-own because Warner Brothers has done a phenomenal job with making this film really pop on 4K. Even though it was my first time watching it, I can’t imagine it gets much better than this from an audio and visual perspective.  The commentary track comes from the previously released Blu-ray, but at least there is something to listen to if you want to hear some interesting tidbits about the making of the film.  As stated early on, you either like Clark and the Griswolds or you find them insufferable like myself.  I’ve seen “Christmas Vacation” and “Vacation,” and it is more than enough for me.  It comes down to your personal preference. As the old saying goes, “For those that like that sort of thing, that is the sort of thing they like.” However, if you do love it, you would be making a grave mistake not to own the 4K of this film.  They really hit a home run here from a technical aspect.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘Homicide: Life on the Street’ Commentary on ‘Ghost of a Chance’

Posted on by The Ultimate Rabbit

So here I am with another commentary track for an episode of “Homicide: Life on the Street.” This one is titled “Ghost of a Chance,” and it is the second episode of the first season. The story is by Tom Fontana, the teleplay was written by Noel Behn, and the episode was directed by Martin Campbell. Campbell would later go on to direct to James Bond films, “Goldeneye” and “Casino Royale.” After the brilliance of “Gone for Goode,” I wasn’t sure the next episode would be anywhere as good. Thankfully, it was.

“Ghost of a Chance” starts off with the murder of Adena Watson, the first case for rookie detective Tim Bayliss (Kyle Secor), and the one case which would haunt him the most throughout this series. There are also some other plotlines explored here. John Munch (Richard Belzer) and Stanley Bolander (Ned Beatty) investigate the death of Thomas Doohen whose widow, Jessie (Gwen Verdon), cannot wait to be rid of him, Kay Howard (Melissa Leo) and Beau Felton (Daniel Baldwin) work to find much-needed evidence in a murder case, and Bolander develops a crush on Carol Blythe (Wendy Hughes) which has him acting rather awkwardly.

We are also introduced to Officer Chris Thormann (Lee Tergesen), a character who will become especially important in later episodes.

Please check out the commentary below.

‘Indiana Jones and the Kingdom of the Crystal Skull’ – It’s Not Bad

Posted on by The Ultimate Rabbit

WRITER’S NOTE: This review was written back in 2008.

“Indiana Jones and the Kingdom of the Crystal Skull” is another in a long line of films listed as the most eagerly awaited in cinema history. However, what the “Star Wars” prequels and “The Matrix” sequels taught us, whatever you thought of them, is that the expectation of something tends to be far more exciting than the finished product. This always works against movies like these because we are just so excited about sitting down to see them, and we have images of what we would like to be inside our head, but they never quite meet our expectations. Ever since I saw “Star Trek V: The Final Frontier,” I have done my best to keep my expectations in check. It is far too easy to be disappointed by a movie you wait impatiently for. I came into this latest Indiana Jones adventure just wanting to have a good time, and you know what? That’s exactly what I got.

This Indiana Jones cinematic installment is not without its flaws, and this is typically the case with all the sequels in this franchise. The screenplay at times is a bit convoluted, and it’s a little hard to figure out what the whole deal with the crystal skull is (a second viewing may end up rectifying that). It’s not the equal of “Raiders of the Lost Ark,” but expecting it to be an instant classic is ridiculous. The first adventure of Dr. Jones is such a favorite of moviegoers everywhere, and it has since been held so far up in the pantheon of cinema to where it is impossible to beat it in terms of its entertainment value and freshness. For myself, just seeing Harrison Ford put on that fedora one more time was more than enough for me.

“Kingdom of the Crystal Skull” moves Indiana Jones to the 1950’s. The Nazis are all gone (or so we thought), and in their place are the Russians, the villain of choice back in the day. Indy and his pal ‘Mac’ George McHale (Ray Winstone) have been captured by them and taken over to Area 51 in New Mexico, the warehouse where the United States government hides all the things it wants no one to see. This leads to the first big action sequence which gets things off to a rousing start. While the circumstances might seem a bit ridiculous, these movies deal with death-defying actions and situations which do not instantly lend themselves to reality, and these are stories which take a place in a reality somewhat removed from our own.

Dr. Henry Jones Jr. (his real name as we learned it from “The Last Crusade”) still teaches archaeology courses, but he soon finds himself dismissed as he is under suspicion of being a Communist. Back in the days of the Joseph McCarthy era, you were guilty until proven innocent. Time has certainly passed by for Indy and his university friend Dean Charles Stanforth (Jim Broadbent), and they have both lost friends over the years like Indy’s father and Marcus Brody (played by the late Denholm Elliott, who is appropriately acknowledged here years after his death). But just as Indy heads off to go around the world, he is visited by Mutt Williams, a 1950’s greaser played by Shia LeBeouf. Mutt informs Indiana his mother has been kidnapped and needs his help to get to the Crystal Skull of this film’s title.

The Russians are led by Irina Spalko, and she is played with utter relish by Cate Blanchett. Irina is a cold, steely Russian whose interest in psychic powers and education proves to be more dangerous than anyone can quickly realize. Like all the villains in this franchise, she lusts for ultimate power and is determined to get it at any cost. Of course, her lust and greed will lead to her eventual undoing. You know how these movies go, and while Irina may not be the greatest villain in this franchise, she is still a formidable foe as embodied by Blanchett, one of many actresses out there who can play just about anybody.

“Kingdom of the Crystal Skull” does feature great stunts which, even if they are not entirely believable, still generate a good deal of excitement. Some are ridiculously over the top, like Shia’s character swinging along vines with the monkeys. But then again, not everything in this movie is meant to be completely believable. Spielberg said he would not rely so much on CGI effects in this movie, but you do notice them when you see them, and it does take away from the action a little. In the end though, the movie keeps up at a pace which never lets you catch your breath.

When this film was first announced, many said Ford was just too damn old to play this or any other role in your average action film. Frankly, I am sick of all this talk about any actor or actress who is at the AARP age level. Ford certainly doesn’t look his age (who does these days?), and he still handles the action scenes with a supreme gusto which proved how serious he is about staying in shape. No one will ever surpass Ford in this iconic role, and I would hate to see anyone else try.

But one of the greatest moves which Spielberg and Lucas did here was bring back Karen Allen as Marion Ravenwood, Indiana’s love from “Raiders of the Lost Ark.” It is so great to see her again as she matches wits with Indiana at every step of the way. Marion also turns out to be Mutt’s mother, and this leads to other revelations ehich I invite you to see for yourself. There is a line of dialogue where Marion and Indy are in the back of a truck trying to escape, and she asks Indy why his other relationships didn’t last, and Indy says:

“Because they weren’t you, Marion.”

This points the obvious of how the other heroines of these movies didn’t even come close to matching the wonderful presence of Marion, and Allen continues to be such an immensely engaging presence in this and other movies she is in. Her character is not a whiny pain in the neck like Willie Scott (Kate Capshaw) in “Temple of Doom,” nor is she the underwritten cold-blooded character played by Allison Doody in “The Last Crusade.” It is clear that everyone involved knew that they could do no worse than to bring Allen back. I am very glad that they did.

The big surprise I got from this movie was the performance of Shia LeBeouf. I expected him to be an annoying sidekick a la Short Round from “Temple of Doom,” and essentially give the same annoying performance he gave us in “Transformers.” But this was not the case as he perfectly slipped into the mold of a 1950’s greaser out to save his mother. He matches wits well with Ford as they journey to other countries on a search and rescue mission. Thus, we get another one of those scenes where we see a map and a red line showing where our heroes are going, silhouetted against the planes and other transportation they use to get to their final destination. LaBeouf is very good here, even if he does end up on the verge of some Wesley Crusher-like moments.

Ray Winstone is also very good, as he is in everything else he does. At first, I started to wonder if his character was necessary, and if was basically just there as a foil for both Indy and the plot. Winstone’s performance, however, helps to make some of the more implausible moments in more believable as he sucks us into what his character wants, and he convinces us of this as much as he does Indiana Jones.

I have to give the filmmakers some credit as they took their iconic hero and placed him in another period of time. Having Dr. Jones go up against the Russians showed that at least the filmmakers were trying something a little bit different instead of just giving us the same old thing. There are a lot of moments where Spielberg and Lucas pay homage to the earlier Indy movies as well as to other Spielberg movies like “Close Encounters of the Third Kind.” There is a big science-fiction/B-movie element to this one in particular, something the previous installments would have never gone near, but these movies have always indulged in the world of fantasies be it real or imagined, so why not deal with extra-terrestrials?

There is actually a surprising lack of snakes in this sequel, but one does make a memorable cameo appearance. The main animals to fear here are red ants who, even in their CGI form, are terrifying man and woman eaters. We even worry about them devouring the bad guys. Even if the angry red ants do look a bit fake, they still left me unnerved like all the dangerous animals in an Indiana Jones do.

“Indiana Jones and the Kingdom of the Crystal Skull” is by no means a perfect movie, but then again, we should never have expected it to be. None of the sequels in this series were perfect either, but whatever flaws they had were eventually redeemed by their entertainment factor which was far above most other blockbusters overcrowding the local multiplex. The only movie in this franchise that has any right to be called perfect is “Raiders of the Lost Ark,” and nothing is ever going to top that. Ever.

I would probably rate this particular sequel just right above “Temple of Doom.” While that one may have been a little more entertaining, it also had a first half and characters that drove me up the wall. It doesn’t have the same amount of heart and character as “Raiders” or “The Last Crusade,” but these characters still remain true to their origins and they keep us engaged in the action. And yes, I had no problem with the “nuke the fridge” scene.

In terms of the summer movies released thus far, “Iron Man” is still the movie to beat. “Indiana Jones and the Kingdom of the Crystal Skull” is not quite as good, but “Iron Man” is a strong movie for more or less the same reasons “Raiders of the Lost Ark” was when it was first released. They both brought a freshness and energy to their genres which had become somewhat dormant, and they were created by filmmakers who cared about the stories and the characters involved. “Iron Man” will eventually lead to a number of sequels, most of which will probably not hold a candle to the original. While we want some of the same old stuff, we also want something new which brings a fresh edge to what we saw before. With the latest adventure of Indiana Jones, it was business as usual, but that was more than enough for me.

And stop telling me that Harrison Ford is too old to be doing movies like this because, quite frankly, I don’t give a shit!

* * * ½ out of * * * *

‘Homicide: Life on the Street’ Commentary on ‘Gone For Goode’

Posted on by The Ultimate Rabbit

So here I am with another commentary track after the one I did for “Pump Up The Volume.” But this time, it is for an episode of one of my favorite television shows of all time, let alone of the 1990’s, “Homicide: Life on the Street.” Specifically, the commentary is on this show’s very first episode, “Gone For Goode,” which did a brilliant job of introducing us to various Homicide detectives, and also showed how it was not going to be your usual cop show. Instead, it was initially designed to be one without onscreen violence, something which executive producer and showrunner Tom Fontana thought was crazy, and he quickly signed up with the show as a result.

What hooked me onto this show was the fact it was being developed by Barry Levinson, the Oscar winning filmmaker of “Rain Man.” He also directed the “Gone For Goode” episode and introduced its cinematic style which no other director could direct their way out of.

With this commentary track, I express my thoughts on this episode and the show at large. Upon watching “Gone For Goode,” I was immediately hooked into what this groundbreaking series had to offer, and I did my best to provide as much trivia about its making as I could. I’m not sure there will ever be a perfect commentary track to anything unless it is done by Martin Scorsese or Bruce Campbell, but I would like to think this one comes close. If you say it does, it will do wonders for my fragile ego.

Please feel free to listen to the commentary track below as you watch this episode on your DVD player. At this time, “Homicide: Life on the Street” is not available to stream, most likely due to music rights, but you can purchase the complete series on DVD from Shout Factory. It was previously available in a box set from A&E Home Video, but it has long since gone out of print.

‘Evil Dead Rises’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

Like many horror fans out there, I’m a huge fan of the “Evil Dead” franchise, from the previous four installments to the TV show that aired a few years back, “Ash Vs. Evil Dead.” When I heard they were going to make a fifth “Evil Dead” film, I was brimming with excitement.  The trailer looked exciting, and I was ready for an R-rated horror film that was going to deliver the goods when it came to violence and intensity mixed with great characters and acting. The film delivers on its ultraviolence and its gore, but the rest of it is missing something.  Because of this, I had very mixed feelings on “Evil Dead Rise.”

Right from the opening scene of “Evil Dead Rise,” it is clear director Lee Cronin is not going to pull any punches with the in-your-face violence. Once we get to the apartment building, the film introduces us to Ellie (Alyssa Sutherland), a tattoo artist who is taking care of her three children after her husband left her.  This is news to her sister, Beth (Lily Sullivan), a guitar technician who travels a lot on the road pursuing a career in music.  Because of this, she isn’t always the best sister or aunt, as she’s constantly traveling.  She has missed a lot in their lives and is hoping to catch up with them now.

The three children are Bridget (Gabrielle Echols), a rebellious teenage girl, Danny (Morgan Davies), a mischievous teenage boy, and the youngest daughter Kassie (Nell Fisher). They all live in a condemned apartment building and are doing their best to stay positive despite a difficult situation. One night in the basement parking lot after an earthquake, Danny discovers some ancient relics he believes will help their family financially.  It is a series of records along with the infamous Necronomicon.  Of course, it wouldn’t be an “Evil Dead” movie if someone didn’t listen to the records or read the book.  Once that happens, you better believe strange and weird things are going to start occurring to this family.

As far as what I enjoyed about the film, I would definitely point to the creative and clever use of violence.  For the majority of the film, it takes place in this one apartment, but it doesn’t stop the director from using anything and everything he can get his hands on in order to escalate blood and gore. There were definitely a few scenes which had me wincing at the screen, as they really went for it in the gore department. Truthfully, it is the best thing the film has going for it.  If only they had a well-crafted and interesting story to add to the mayhem, that would have been something special.

At this point, I think they need to do something different with the “Evil Dead” franchise while also staying true to what makes these films so popular.  Of course, it is difficult to walk that tightrope, but it’s rather obvious what’s going to happen. You start to notice certain clichés and tropes which are associated with this franchise.  I thought 2013’s “Evil Dead” was really, really good, and I was hoping they were going to come back, ten years later, and really feed off that energy and intense acting.  For the most part, the acting is OK.  This felt more like a VOD version of “Evil Dead.”  I know these films aren’t known for having huge budgets, but it didn’t feel like a big deal while I was watching it.

This film is only 96 minutes, yet it feels like they crammed a lot into those 96 minutes. They also didn’t take enough time to develop and grow the characters beyond what I wrote in my descriptions of them. I didn’t dislike them in any way, but I also wasn’t really rooting for them at the same time.  If they had taken just a little bit of time to make them a little more layered and added more emotional depth, it would have really added to the stakes. It felt like they just tacked on generic backstories without allowing us to spend time with them in order to care about when their lives are in danger. Again, I felt underwhelmed by this film overall.

* * ½ out of * * * *

4K Info: “Evil Dead Rise” is released on a two-disc 4K and Blu-ray combo pack from Warner Brothers Home Entertainment.  It comes with a digital code for the film as well.  It is rated R for strong bloody horror violence and gore, and some language, and has a running time of 96 minutes.

Video Info:  This film has a very, very dark look to it, sometimes a little too dark at times.  It does add to the atmospheric mood and sense of dread, but at times a little color would have helped the proceedings. It might just have been the vision of the filmmaker to keep it dark throughout. In the opening scene, it is crystal clear when they are outdoors.

Audio Info: The Dolby Atmos track is very, very good, especially for a horror film.  It doesn’t bang you over the head during the jump scares or the gory sequences.  It stays level throughout the course of the film. Subtitles are included in English, Spanish, and French.

Special Features: NONE

Should You Buy It?

I was hoping they would have added Dolby Vision to “Evil Dead Rises” as I think it would have helped with some of the darker scenes to make them a little crispier and cleaner.  I understand this is a dark horror film in a condemned apartment building, but at times it is too dark to really take in what is happening on screen. Even though this film received a 4K release, there are no special features to speak of, which was very, very surprising. I know that happens with certain Blu-ray releases, but I would have thought they would have had some quick behind-the-scenes interviews or a commentary track with the director at least. I think the film is worth watching when it’s on Max (formerly HBO Max), but I really can’t recommend it because it doesn’t have a great transfer and there are no special features. As far as the film itself, I’m still very mixed with my feelings on it, as you can tell from this review.  I thought the blood and the gore were really inventive, creative, and intense beyond belief.  However, the story is starting to become a little stale at this point, and this film didn’t feel all that sacred, special, or important to the “Evil Dead” franchise. It is my least favorite of the five films.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

Guy Ritchie’s ‘The Covenant’ Movie and Blu-ray Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

Guy Ritchie has had an eventful 2023 with two films being released so far in “Operation Fortune: Ruse de Guerre” and now “The Covenant.” On paper, it was a film I was looking forward to with great anticipation, as I firmly believe Jake Gyllenhaal is one of the best working actors in Hollywood today.  When I see his name or Oscar Isaac’s name on a movie poster, I’m immediately interested in checking out the film, as they always bring something unique and outside the box to the proceedings. Ritchie, on the other hand, is a stylish director who knows how to make old-school action films with a modern style.

The film is set in 2018 and shows Afghanistan through the eyes of Army Sergeant John Kinley, played by Gyllenhaal. He needs an interpreter in order to communicate with the people of Afghanistan after his previous interpreter was killed. He is introduced to Ahmed Abdullah, played by Dar Salim. John doesn’t always see eye-to-eye with Ahmed, but Ahmed knows how to get the proper results.  If the interpreters do their job, they will be granted visas to the United States for their service.  One day, John is attacked by Taliban fighters and knocked out in the process.  However, he is saved by Ahmed, who makes it his mission to get him back to the base.

Once he gets him back home to the base alive, John is back in Los Angeles with his family trying to piece it all together as he suffered severe head trauma. John then proceeds to try to get in touch with Ahmed and make sure he’s properly taken care of after he saved his life.  He feels this bond and connection with him.  Even though they butted heads at times, he knows Ahmed saved his life from the Taliban.  It was not an easy task to accomplish, and he knows he wouldn’t be alive if not for Ahmed. Ahmed couldn’t take any roads and had to make sure he wasn’t noticed by the Taliban.  He accomplished a heroic feat, and it is eating away at John that he can’t do the same for Ahmed in return.  Instead, Ahmed has to hide in a cave with his wife and family as he’s number one on the kill list for the Taliban because he turned against them and saved an American Sergeant.

The problem with “The Covenant” is the fact it really lacks an emotional depth and connection.  Ritchie has always been great at crafting violence and in-your-face action.  He does this here.  However, he forgets to take the time to really build a proper relationship between John and Ahmed.  He didn’t develop the characters individually or together.  Because of this, the film suffers greatly and doesn’t feel urgent.  When you have an actor like Gyllenhaal at your disposal, there really isn’t anything the man can’t do on screen.  However, he is knocked out for part of the film, and for the other moments he’s on screen, he’s yelling, screaming or in battle.

In the end, I was pretty disappointed with “The Covenant.”  It is not a bad movie by any stretch of the imagination.  I just figured with a two-hour running time, Ritchie would strike the right balance between action and emotion.  Instead, it is about eighty percent action and twenty percent character development.  That is not a good percentage for a successful film.  The moments which should have carried more weight really, really felt flat.  I kept waiting to get into the story, and it never took off for me.  I do, however, hope to see Ritchie and Gyllenhaal work together again in a film with a better script.  This one was watchable, but it should have strived to do more with its premise.  Sometimes Ritchie makes the fatal mistake of making a film which is all style and not substance. This is all action and very little substance.

* * out of * * * *

Blu-ray Info: Guy Ritchie’s “The Covenant” is released on a two-disc Blu-ray and DVD combo pack from Warner Brothers Home Entertainment. It also comes with a digital code for the film.  I must admit I was very surprised a film like this did not receive a 4K release.  It would not have improved the quality of the film, but it’s the kind of film that really lends itself to the 4K format.  It has a running time of 123 minutes and is rated R for violence, language throughout, and brief drug content.

Video Info: The 1080p transfer does look really, really good, but I would have liked to have seen what a 4K transfer of this film would have looked like considering some of the action scenes in the film.  The Blu-Ray is impressive looking, though, and holds up its end of the bargain.

Audio Info: We are treated to a great Dolby Atmos soundtrack here along with subtitles in English and Spanish. Considering all of the action in the film, I was happy I was able to keep it on the same sound level throughout the film without it ever getting too loud.

Special Features: None

Should You Buy It?

Guy Ritchie’s “The Covenant” was a letdown for me.  It’s nearly impossible to be bored by a Ritchie film, as there is always something happening on screen, but this is a film where I really felt the running time of a little over two hours. I didn’t feel like there was enough going on with the plot.  They had a solid idea for a film along with a major star, but it never really took off.  I thought it would turn around in the second half, but it never really found its footing.  Once again, I’m really surprised this film did not get a 4K release, but I’m guessing it might be because it was not a big box-office hit. If the film had made more money in theaters, I think it would have had a 4K release. It’s still a good-looking Blu-ray, but there are absolutely no special features. I don’t think it’s worth owning at all, but if you catch it on Max, you might find it more enjoyable than I did as a viewer. It’s rare that I’m this underwhelmed by a Jake Gyllenhaal or Guy Ritchie film.  I thought the two of them together would make a really exciting action flick.  Instead, this is as run-of-the-mill as they come.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

Ultimate Rabbit Audio Commentary on ‘Pump Up The Volume’

Posted on by The Ultimate Rabbit

Okay everyone, The Ultimate Rabbit is doing something new here, at least for him. I am doing my first ever audio commentary, and it is for the 1990 film, “Pump Up The Volume.” Written and directed by Allan Moyle, it stars Christian Slater as Mark Hunter, a high school student who has been uprooted from his hometown in New York and now lives with his parents in Paradise Hills, Arizona. Depressed and lonely, Mark ends up venting his frustration with his situation, and the world at large, on a pirate radio station where he performs under the name of Hard Harry. Chaos ensues as more and more students begin listening in, and parents and school officials do what they can to shut him down.

Now everyone who knows me best knows just how much I love “Pump Up The Volume” (click here to read my review). I first saw it at Crow Canyon Cinemas with my mother back in 1990, and it felt like a godsend to me personally. I very much related to what Mark Hunter went through as he struggles to adjust to a new environment he has been unwillingly thrust into, and I loved how Moyle deals with adolescent struggles and emotions in a real and intelligent way.

Currently, there is no special edition of “Pump Up The Volume” anywhere. It was recently released on Blu-ray, but the only special feature on it is the theatrical trailer. Perhaps Criterion, Arrow Video, Shout Factory or Vinegar Syndrome can show this film the love it deserves.

Basically, this commentary track is to be played as you watch your own copy of the film at home, be it on DVD, Blu-ray or Digital. Feel free to listen in as I try to provide information on the film’s making, and of what it still means to me all these years later.

You can check out the audio commentary below.

‘The Flash’ – Faster Than a… Well, Fast Enough

Posted on by The Ultimate Rabbit

It’s particularly interesting to watch “The Flash” as we all know James Gunn and company are now overhauling the DC Extended Universe to where many of the actors we see here will likely never get to play these iconic characters ever again. Who knows if we will ever get to see Gal Gadot play Wonder Woman in another film? As for Henry Cavill, his days as Superman are now sadly over. As for Ben Affleck, it kind of feels like sheer luck he is back as Batman considering what a bust the theatrical version of “Justice League” was. In a lot of ways, this DCEU installment is a goodbye of sorts, both literally and thematically speaking.

And at the center of it all is Ezra Miller who returns as Barry Allen and his alter ego, The Flash. Long before this film’s release, Miller had been in various legal shenanigans to where I wondered if he was actually playing himself in “We Need to Talk About Kevin.” If all these allegations are true, it is a miracle he is not in jail or a mental institution, and it’s no surprise that the bosses at Warner Brothers did their best to shut him down months before this film’s release. Of course, their conversation with him probably went something like this:

“Look Ezra, we have put hundreds of millions of dollars into this superhero movie, not to mention the similar amount we put into advertising and publicity. Don’t mess with us or our investors! We need a solid return on this one before we doctor the books to make it look like it has yet to go profit… Oh, and get some mental health treatment. I think you need help.”

Well, regardless of the extended chaos, “The Flash” is now in theaters, and regardless of what you think of Miller as a person, he does give a solid performance as not one, but two Barry Allen’s as he struggles to straighten out the DCEU multiverse which proves to be as easy to fracture as the one in the Marvel Cinematic Universe is.

This movie gets off to an entertaining but rough start as Barry is forced to go into action as a hospital is about to collapse to the ground. Ben Affleck’s Batman is on hand to handle the bad guys while Barry races to save a nurse and a number of adorable newborns from certain danger. The visual effects were all over the place and not altogether exhilarating in the way they should be, and it made me worry that “The Flash” would fall short of the finish line. Perhaps I have been spoiled by the glorious spectacle that was James Cameron’s “Avatar: The Way of Water,” as the visual magic he gave us makes all other CGI effects pale in comparison.

Things, however, do get better as we get to the heart of the story in which we learn how Barry’s mother, Nora (Maribel Verdú), was murdered and that his father, Henry (Ron Livingston), was wrongfully convicted of the crime. Like any other iconic superheroes, Barry has suffered a terrible tragedy which has come to define him, and he pines to get back those he lost too soon.

But then Barry discovers that, in addition to running at lightning speed, he can also go back in time. From there, he succeeds in preventing his mother’s murder thanks to a can of tomato sauce, and everything seems right in the world. The problem is, he quickly discovers he is not in his own reality as he is confronted with another version of himself who is overly obnoxious, and he learns certain superheroes are not around to lend a helping hand. To make things even more unsettling, he is in a reality in which Eric Stoltz was never recast as Marty McFly in “Back to the Future.”

From there, we know Barry has to go back and undo the damage he did to the multiverse. The story of what happens when you mess with time and change the course of events has been done to death. I have seen it dealt with in the “Back to the Future” movies, “Project Almanac,” “Frequency,” “Hot Tub Time Machine” and at least one or two episodes of “The Twilight Zone.” But while the narrative thread may seem overly familiar and the story’s resolution can be seen from a mile away, it is how director Andy Muschietti (“It” and “It: Chapter Two”) gets to this resolution which makes it feel both earned and heartfelt.

Now while the visual effects might seem underwhelming initially, they do get better as they go along, and they prove to be at their best when Barry Allen desperately tries to repair the multiverse in various ways. This leads to some incredible visuals at we get a look at iconic characters in their past incarnations, and of what they could have been cinematically speaking had certain projects not fallen apart. There are a variety of priceless cameos which are too good to spoil here, and they are worth the price of admission.

Miller may be a troubled soul in real life, but he does really strong work here as both versions of Barry Allen. While the Barrys initially come off as annoying and cloying, I really liked how Miller made each of them evolve throughout the film’s 144-minute running time. While the characterizations might seem too broad at first, the way they achieve their objectives is given a lot of depth by Miller as they make harsh realizations of what they can and cannot change, and of their responsibility to the universe they exist in.

But yeah, the real selling point of “The Flash” is seeing Michael Keaton return as Batman. After he retired from the role following “Batman Returns,” I never thought I would see him played the Caped Crusader ever again. Seeing him in Tim Burton’s “Batman” made audiences realize what a strong dramatic actor he could be, something they should have realized a few years before when he starred in “Clean & Sober.” Seeing him back in this role 30 years later is a real treat, and he hasn’t missed a beat as he brings the same gravitas, thoughtfulness and humility we saw him give this character in the past. I thought it might be just a mere cameo, but his Batman is very central to the plot.

As for Affleck, I really do believe it when he said he had a lot of fun being in “The Flash.” While his intro into the DCEU was a rough and bumpy one, he has finally settled into this character to where he could make it his own even in the brief time he appears. Still, this may be the last time we see Affleck’s Batman, and it feels a bit sad as a result.

Sasha Calle gives us a strong and formidable Kara Zor-El/Supergirl here, and I say this even though we don’t get to see enough of her here. And while it is great to see Michael Shannon in anything and everything, his presence as General Zod feels shoed in as the screenwriters needed a central villain to center the story, and he really doesn’t get much to do.

When it comes down to it, “The Flash” is a good but not great motion picture. It is not as exhilarating as I hoped it would be, and the screenplay is a bit of a mess, but it does have heart and is never boring. Considering how bumpy it has been recently for the DCEU, particularly with the critical and commercial failure of the “Shazam” sequel, the fact it is this good is a huge relief. As weary as I am of comic-book/superhero movies, this one feels a bit refreshing and was very entertaining.

So yeah, you wanna get nuts? Let’s get nuts!

* * * out of * * * *

Exclusive Interview with Tye Sheridan on ‘Last Days in the Desert’

Posted on by The Ultimate Rabbit

Credit: François Duhamel / Broad Green Pictures

Continuing my explorations of interviews I have conducted in the past, I came across this one with Tye Sheridan and his performance in “Last Days in the Desert.” Written and directed by Rodrigo Garcia, it focuses on an imagined chapter of when Jesus (played by Ewan McGregor) went on a fasting and praying journey for forty days in the desert. Among the people he encounters on his travels is a character known as The Boy who is portrayed by Sheridan. The Boy is taking care of his ailing mother and building a house for her and his father to live in. But while he is eager to help his parents, he really wants to visit Jerusalem and hopes Jesus can lead the way for him.

I got to talk with Sheridan back in 2015 when he was promoting “Last Days in the Desert.” These days he is best known for playing the young Scott Summers/Cyclops in some of the “X-Men” movies and the lead role in Steven Spielberg’s “Ready Player One.” When I talked with him all those years ago, he was coming off of “The Tree of Life” in which he made his film debut, Jeff Nichols’ “Mud,” “The Stanford Prison Experiment” and “Entertainment” where he played an actor doing an unorthodox clown act.

While talking with Sheridan, I discussed how interesting his resume was in how it led up to him playing his character in “Last Days in the Desert.” We also talked about how he prepared for this role and how his costume helped to inform his performance. In addition, we discussed the challenges of filming in the California desert, and it gave me a strong appreciation of those who have experienced the hottest of summers Texas has to offer.

Please check out this exclusive interview below. “Last Days in the Desert” is now available to own and rent on DVD, Blu-ray and Digital.

Exclusive Interview with Lorene Scafaria about ‘The Meddler’

Posted on by The Ultimate Rabbit

While recently going through my large archive of interviews I have done over the years, I came across the one I did with filmmaker Lorene Scafaria on her film “The Meddler.” Released in 2015, it stars the great Susan Sarandon as Marnie Minervini, an aging widow who, to cure herself of loneliness and heartbreak, moves from New Jersey to Los Angles to be closer to her daughter, Lori (Rose Byrne). In the process of trying to restart her life, Marnie starts getting a little too involved in Lori’s life to where her daughter gets increasingly aggravated, she comes to make various new friends she desperately wants to help out, and she becomes especially friendly with a retired policeman named Randall Zipper (J.K. Simmons) to where a new chapter in her life begins to form.

Born in Holmdel, New Jersey, Scafaria previously wrote and directed “Seeking a Friend for the End of the World” which stars Steve Carrell and Keira Knightley as strangers who form an unexpected bond, and she penned the screenplay for “Nick & Norah’s Infinite Playlist,” a romantic comedy starring Michael Cera and Kat Dennings. Since making ‘The Meddler,” she gave us “Hustlers” which featured a critically acclaimed performance by Jennifer Lopez which somehow got snubbed by the Oscars, and she has directed several episodes of the acclaimed HBO series “Succession.”

I had a lot of fun talking with Scafaria about “The Meddler” and how the screenplay was inspired by similar situations with her mother. We also discussed what it was like working with Sarandon and Simmons, and we even talked about the time when she used to fake book reports to get a bunch of Pizza Hut gift certificates. It turns out she was not the only one who did such a thing.

Please check out the interview below, and be sure to subscribe to our YouTube channel if you haven’t already. There are many more videos yet to come!

“The Meddler” is now available to own and rent on DVD, Blu-ray and Digital.