Anybody remember the 1986 sports movie “RAD?” If you were a BMX fan or a bicycle fan in general back in the 1980’s, you certainly do. Directed by the late Hal Needham, it stars Bill Allen as Cru Jones, a highly talented BMX racer who looks to compete in the Helltrack race. If he is victorious, he will become famous, win $100,000 dollars and get a new Chevrolet Corvette. The only thing is, his mother expects him to take his SATs to get into college, and it is on the same day as the race. Will he defy his mother and race, or will he take the test? Oh, come on, you already know the answer!
“RAD” got the kind reception many of Needham’s films did back in the 1980’s: the critics hated it, and it is one of those rare movies on Rotten Tomatoes to have a 0% rating. Nevertheless, it has long since gained a cult following which remains strong to this very day. And at the very least, it is a far better motion picture than Needham’s previous effort, “Cannonball Run II.”
While it was released on VHS and laserdisc and became a top-rental for two years after it was unleashed in theaters, “RAD” has long been out of print and never been made available on DVD. Who owned the rights to it? Hard to say. Some say Talia Shire, who plays Cru’s mother, had the rights, but this was never confirmed. The only way to find the movie was to look on websites like eBay where the VHS tape is being sold for quite a bit of money.
So, it was to my utter shock today when I discovered that “RAD” is now finally getting an official home video release nearly 35 years after it debuted. Vinegar Syndrome will be releasing the film exclusively on their website in the Blu-ray and 4K Ultra HD formats, and it comes with a plethora of special features which include the following:
• Newly scanned & restored in 4k from 35mm original camera negative
• Limited Edition 3D Lenticular (front) and Holographic (back) Slipcover
• Brand new commentary track with actress Talia Shire and Robert Schwartzman
• Brand new video interview with writer/co-producer Sam Bernard
• Multiple archival video interviews with the cast and crew
• Archival group commentary featuring multiple cast and crew
• Extensive behind-the-scenes stills and promo material
• Reversible cover artwork
• SDH English subtitles
Vinegar Syndrome has made it clear this special edition release is strictly limited, and they will not be repressing it in any format once it sells out. You can pre-order it now for $29.95 and it will be shipped out during the website’s Halfway to Black Friday Sale which takes place from May 22 to May 25. Trust me, this special edition release will sell out sooner than you think.
“RAD” may not be a major artistic achievement in cinematic history, but it still is a lot of fun to watch. The stunts are very impressive, and this film was made long before the advent of CGI, so nothing is faked here. Plus, you get to see Lori Loughlin, who plays Cru’s girlfriend Christian, at her most beautiful and long before she bribed the college admissions committee at USC to accept her two daughters. Ray Walston makes an appearance here, and there is even a great bicycle montage done to Real Life’s “Send Me an Angel.” What more could you ask for in an 80’s movie?
The following review was written by Ultimate Rabbit Correspondent Tony Farinella.
If you had told me “Joker” would be the best film of 2019, I would have looked at you a little funny. Truth be told, I’m not the biggest fan of comic book or superhero movies. I understand I’m in the minority here as they are extremely popular and make billions of dollars. Personally speaking, I find them hard to get into, and I have difficulty suspending my disbelief in certain cases.
So, what is different about “Joker?” Well, it does not play like a comic book movie. Instead, it plays more like a character study and drama as we learn how the Joker became the Joker, and it does so in a way which is unnerving, challenging and brutally blunt. That is how I like my movies.
Joaquin Phoenix should win an Oscar for his portrayal of Arthur Fleck, and he might be well on his way after winning a Golden Globe. He lost a lot of weight for this performance, but it’s more than just the physical transformation. It’s also the looks he gives and the emotional power he brings to the role. Now a lot of controversy surrounded this film when it was released as people were worried the tone and nature was going to inspire other people to behave in a similar fashion as the Joker. One interviewer even asked Joaquin Phoenix a question about the film potentially inspiring mass shooters.
Now I understand we live in sensitive times, and I am very aware and respectful of other people’s feelings. A lot of bad things have happened over the past two decades, and we can’t ignore any of that. However, when it comes to blaming video games, television or pop culture for these things, I find it is a rather far-reaching theory. Film can be used in certain instances as a way to entertain, educate and inform us. “Joker” is merely commenting on what is happening in the world today, and this is even though it is set in 1981. You can’t help but see the parallels between what is happening in the film and what is happening in the world right now. After all this time, there is still a marked division between the haves and have-nots.
Arthur is down on his luck in life even though he is trying his best to put on a happy face. He lives with his sick mother (Frances Conroy), who is obsessed with Thomas Wayne (Brett Cullen). She used to work for him and keeps writing him letters, hoping he will respond and help them out. When Arthur is out on the streets twirling signs as a clown, he gets beat up by a group of young punks, and it appears no one has much sympathy for what he endured.
He can’t catch a break with his therapy sessions either as he feels as though his therapist is not really listening to what he has to say. People also judge or feel uncomfortable around him because he has a condition where he has uncontrollable laughter, sometimes in inappropriate moments. He’s on a number of medications (seven in fact), but none of them seem to be making him very happy.
Every night, he watches the Murray Franklin Show with his mother. Robert De Niro plays Murray Franklin, the wisecracking late-night talk-show host. Arthur hopes to one day be on the show as a famous stand-up comedian. It is his dream. The film does a great job of showing how someone on that many medications can have severe side effects and difficulty figuring out what is reality and what is fiction. I enjoyed the fact the film did not spoon-feed everything to the audience. In many cases, you are not sure what is really happening or what is in Arthur’s head. The film tackles how difficult it is to get the proper funding for mental health treatment. It is about someone who has been completely ignored and rejected by society.
Arthur is doing his best to put on a happy face, but the world around him is getting more and more out of hand each and every day. Whenever he turns on the news, there is another gruesome or horrible story. It makes him wonder what his purpose in life is and what is going to become of him. How will he survive in this world? He’s doing everything he believes to be right and fair, but the world is spitting him up and chewing him out.
This is when the real Joker is revealed after Arthur’s had enough and can’t take it anymore. It’s up to the audience to decide what it all means and what’s the truth of the matter. Even Thomas Wayne can be looked at as a Trump-like figure if you want to go there. I picked up on certain things I felt director Todd Phillips was sprinkling in throughout the movie, but I don’t know his true intentions.
“Joker” is the best film of 2019 much to my surprise. It is supremely well made, intense, and it left me wanting more. The film does leave the audience with more questions than answers, but this is a good thing. We don’t need everything tied up together at the end of the film. This is not that type of movie. A lot of critics have compared it to 1970’s cinema and also “The King of Comedy” and “Taxi Driver.” It is the kind of film which is most definitely worth watching again and again because there is a lot to digest and unravel. The musical score by Hildur Guðnadóttir, which also won at the Golden Globes, really sets the dark tone and mood of “Joker.”
Joaquin Phoenix is perfect as Arthur Fleck/Joker. Without him, this film does not work. I have not seen a performance which stayed with me like this in a long time. At times, he’s sympathetic, and you feel empathy for him. At other times, you are disgusted by his actions and his behavior. This is not a one-dimensional character. This film took a lot of balls to make, and it also took a lot of balls on the part of Phoenix to make the choices he made in this film. “Joker” is a masterpiece of cinema, and it is easy to see why it is the first R-rated film to make one billion dollars at the box office.
Blu-Ray Info: “Joker” is released on a two-disc Blu-ray combo pack from Warner Brothers Home Entertainment. It has a running time of 122 minutes and is rated R for strong bloody violence, disturbing behavior, language and brief sexual images. It comes with the Blu-ray, DVD and a digital code as well.
Video Info: “Joker” is released on 1080p High-Definition on an aspect ratio of 1.85:1. The film looks absolutely perfect on Blu-ray. It has an old-school look to it while also looking crystal clear at the same time, which is exactly what the film needed to look like.
Audio Info: The audio for the film is presented in Dolby Atmos-TrueHD: English, English Descriptive Audio, and Dolby Digital: English, French, and Spanish. Subtitles are also in English, French, and Spanish. The audio is superb. Once again, the score by Guðnadóttir is hauntingly eerie, and spot-on for the film.
Joker: Vision & Fury
Please Welcome… Joker!
Joker: A Chronicle of Chaos
Should You Buy It?
In the end, what Todd Phillips and Joaquin Phoenix pulled off in “Joker” is simply stunning and mesmerizing. This is not hyperbole here. This film and everyone who participated in it deserves all of the praise they have received. It is also great to see appearances by Marc Maron, Brian Tyree Henry and Bryan Callen sprinkled into the film along with a very stellar supporting performance by Robert De Niro. It would have been nice to see more of Zazie Beetz in the film, but she does a lot with her limited screen time. She’s a pivotal part of the movie, especially the more you think about it.
A lot of people can probably relate to how Arthur feels and everything he is going through in life. Of course, you don’t agree with his actions in the film, but you can understand it in the context of the film and this character’s state of mind. That is the important thing to remember here—this is a film. No one should ever go out and do any of this. I have to make that crystal clear.
You should buy this film as soon as you can! This is the kind of film you want to add to your collection because it is only going to get better with age. It is an adult drama/character piece which is perfectly done. The special features are a little light in terms of length, but maybe that was done on purpose. The filmmakers don’t want to show all of their cards. This film comes highly recommended from yours truly. It blew me away in the cinema, and I had the same reaction watching it at home.
The following review was written by Ultimate Rabbit correspondent Tony Farinella.
The work of Stephen King has usually produced highly entertaining and enjoyable films. Not everything has been great or even good, but for the most part, there is usually something to take away from them which is unique and falls right in line within the realm of King’s wonderful and twisted brain. That is definitely the case with “Silver Bullet,” which is based on his novella “Cycle of the Werewolf.” King also wrote the screenplay as well, so he was very hands-on with his approach to this film and in making sure his vision was seen clearly on screen. The fine folks over at Scream Factory have brought it back into the public eye with this special collector’s edition on Blu-ray.
The film was released in 1985, the year I was born, and it stars Corey Haim as Marty, a 13-year-old boy who is stuck in a wheelchair. Because of this, he tends to get special treatment from his family. This does not endear him to his sister Jane, played by Megan Follows. She feels as though her parents are always taking his side and that he can get away with anything and everything. He is also very popular with his Uncle Red, played by Gary Busey. Red is coming off his third divorce, and he is not shy about hitting the sauce as often as possible.
Deep down, however, Uncle Red has a lot of love and affection for Marty, and this leads him to build Marty a special wheelchair he names Silver Bullet which allows him to get around and have a little more fun. But suddenly, this quiet and quant town where they live gets turned upside down when they start to notice people are being killed off left and right. First, there was the local town drunk. And then a young child, an angry father and a pregnant woman also end up dead in a matter of days. The people of this small-town start to get restless and they want answers right away, but the local sheriff Joe Haller (Terry O’Quinn) is not able to provide them. Because of this, they decide to go out looking for some private justice of their own. Even the local Reverend Lowe (Everett McGill) doesn’t know what to say to the people anymore about the deaths which are occurring, and it is about to get worse before it can possibly get better.
“Silver Bullet” is only 94 minutes, but a lot happens in those 94 minutes. There is never really a dull moment or a scene which doesn’t make sense to the overall film. At times, the category it falls under can be a little confusing. Is it a straight up werewolf movie? Is it a horror movie about a werewolf for young children to watch? At times, the film goes full throttle with the gore which set up some gruesome and enjoyable death scenes. During other scenes, it cuts away from the gorier aspects of the killings. It seems to want to have its cake and eat it too.
What I mean by that is it wants to be accessible for young children as a horror movie they can watch, but it doesn’t want to go too far. Tonally, it seems to be trying to please young children and horror fans, and this is not an easy task to pull off. There is a brother/sister relationship which is something a lot of kids can relate to, and the kids are trying to get the adults to see there is a werewolf out there. On the other hand, they deal with topics such as divorce, suicide, and alcoholism. While the film worked for me, I could see it having a tough time finding an audience back when it was released.
According to IMDB, the budget was seven million dollars, and it grossed 12 million worldwide. It was not a total bust, but it didn’t set the world on fire either. That is why Scream Factory is perfect for films like “Silver Bullet.” I had never seen it in the past, but I enjoyed it quite a bit. The film has a good sense of humor, great performances from Haim, Follows and Busey, and it contains some pretty cool kills. I think it will find a whole new audience on with this collector’s edition Blu-ray.
Blu-Ray Info: “Silver Bullet” is released on Collector’s Edition Blu-Ray from Shout Factory/Scream Factory. It has a running time of 94 minutes and is rated R.
Video Info: “Silver Bullet” is presented in 1080p High-Definition Widescreen (2.35:1), and it looks out of this world on Blu-ray for being thirty-four years old. At this point, we should expect no less from Scream Factory. They do not disappoint with their transfers, and there is not a single shot in the film which is grainy or dirty. It is clear, bright and filled with life.
Audio Info: The English DTS-HD Master Audio Mono is also top-notch. It must be mentioned that the music was composed by Jay Chattaway who will forever hold a place in my heart for his work on the “Maniac Cop” Rap. He does a great job with the music in knowing when to keep it calm and mellow and when to take it up a notch.
NEW Audio Commentary with Producer Martha De Laurentiis
NEW Cutting to The Bone – An Interview with Editor Daniel Loewenthal
NEW A Little Private Justice – An Interview with Actor Kent Broadhurst
The Wolf Within – An Interview with Actor Everett McGill
Full Moon Fever – The Effects of Silver Bullet – An Interview with Special Effects Artists Matthew Mungle And Michael McCracken
Audio Commentary with Director Daniel Attias
Isolated Score Selections and Audio Interview with Composer Jay Chattaway
Should You Buy It?
I love what Scream Factory is doing for the horror genre and how they are bringing new life to films which have long been forgotten unless you are a super hardcore horror fan. I like to consider myself very knowledgeable when it comes to the genre, but they always find a movie here and there which I haven’t heard of before, or have heard of but never seen in the past. With “Silver Bullet,” they add plenty of special features that are worth watching and which add a lot to the film. Scream Factory has become like the Criterion Collection for horror fans. As far as the film itself, it is a nice 94-minute ride that is paced perfectly. It is one of those films where you sit back, relax, laugh, scream and just enjoy yourself from start to finish. I recommend you pick this one up if you get any Amazon gift cards over the holiday season. You will be pleasantly surprised by it, despite some of the flaws I mentioned in my review. Still, those flaws do add to the charm of the film.
The following review was written by Ultimate Rabbit correspondent Tony Farinella.
“It Chapter 2” was a film that I really thought was going to add to what the previous film had done back in 2017. I was very impressed with the chemistry of the children and especially with Bill Skarsgård as Pennywise. He brought a whole new element of creepiness to the mix. When you have a clown scaring children, it is the perfect combination for an entertaining yet disturbing horror flick. Sadly, when they are adults, it does not have quite the same impact. The film is also held back by its nearly three-hour running time. With some films, the running time is not always noticeable because of how it is edited. In this case, however, they could have cut close to a half-hour from the film, and it would have made a major difference.
Mike Hanlon (Isaiah Mustafa) has stayed in Derry, Maine for the past twenty-seven years in what appears to be a dungeon of sorts. He has been waiting for Pennywise to return. Now, Pennywise has returned, and Mike decides to get the Losers Club back together because of the pact they made when they were children to end him once and for all, if he ever came back. Sadly, there is little in the way of backstory when it comes to the adults in this flick.
Richie Tozier is played by Bill Hader, which on paper sounds like a perfect casting decision. I don’t know if this was Hader doing improv during shooting or if this was in the script, but you can tell when he is about to make a joke, and the jokes are not funny and feel forced. Jessica Chastain is the star of the show as Beverly Marsh, and she brings the right amount of humanity, vulnerability, and strength to this role. James McAvoy also delivers a strong performance as Bill Denbrough. As for Ben Hanscom (Jay Ryan), he is no longer the overweight kid from the previous film. He has lost a lot of weight and is still pining over Beverly all these years later, even having her signature from his yearbook in his wallet.
From a visual perspective, James Ransone as Eddie Kaspbrak is a great casting choice, as he looks almost exactly like the child actor he is portraying as an adult. Andy Bean rounds out the Losers Club as Stanley Uris. The magic word in an ensemble movie is chemistry and, I am sad to say, they do not have much of it together, and this really puts a damper on the proceedings. I remember watching the original film and its special features, and the kids really clicked on and off set. It is what made the film so powerful and enjoyable. Here, it feels like a bunch of actors are thrown together just for the sake of ending the story.
Another major issue with the film is how infrequently they use Pennywise. In the first film, he is shown here and there, but the power of his presence is undeniable. In this second chapter, he almost seems like an afterthought. He is shown only a handful of times in the first two hours before showing up for the finale. While some might say this was done to build things up and leave the audience wanting more, it instead focuses too much on the individual characters and their lackluster backstories. They have not changed much in twenty-seven years, and this is not a good thing.
What is most maddening about “It Chapter 2” is how individual scenes are so powerful and impactful. This is frustrating because it makes you wish more of the film had that type of feeling to it. Instead, the film is bogged down in going from the past to the present, and it does not have a flow to it. There is no rhythm or consistency, and it is overstuffed. There are things to like in “It Chapter 2,” but you have to suffer through a lot of tedious and unnecessary scenes to get to them and enjoy them. This is one of the most frustrating films I have seen in 2019 because of how good it could have been if they had a clear vision on what they wanted to do from start to finish.
Blu-Ray Info: “It Chapter 2” is released on a three-disc Blu-ray combo pack from Warner Brothers Home Entertainment. It has a running time of 169 minutes. It is rated R for disturbing violent and bloody images throughout, pervasive language, and some crude sexual material. One disc is the DVD, one is the Blu-Ray, and the final disc is the bonus disc with all of the special features.
Audio Info: The audio for the film is presented in Dolby Atmos-TrueHD: English, English Descriptive Audio, and Dolby Digital: English, French, and Spanish. The audio is tremendous, and it is really effective during the more anxious scenes in the movie. Subtitles are also in English, French, and Spanish.
Video Info: The 1080p high definition transfer of the film looks outstanding. It is dark in the right moments when the tension calls for it. When scenes are in broad daylight it is really bright and vibrant.
The Summer of It: Chapter One, You’ll Float Too and The Summer of It: Chapter Two, It Ends
Pennywise Lives Again
The Meeting of the Losers Club Has Officially Begun
Finding the Deadlights
Commentary by Director Andy Muschietti
Should You Buy It?
I am not mad at “It Chapter 2.” I am just disappointed. It is clear everyone involved here wanted to make a great film, but maybe they should have waited a little bit longer in terms of its release date. I know we live in a world where people want things right now, but if they were going to finish this up properly, they should have really taken their time to get it done properly. There is too much movie here.
There are a ton of great special features, however. There are so many special features that they had to add an extra disc to the set which is a nice touch. I appreciate the effort they put into this Blu-ray from that aspect as well as the audio and visuals. There are hints of greatness here, but the final product of the film left me feeling underwhelmed. There is a really good movie somewhere in here, but it gets lost in a sea of mediocrity. If you want to own both films, I would buy this one when it goes on sale.
The following article was written by Ultimate Rabbit correspondent Tony Farinella.
If you are a fan of 1980’s horror films, you know Shout Factory/Scream Factory gives them the proper treatment each and every single time as they are like the Criterion Collection for horror fans. They go above and beyond the call of duty with their commitment to the audio and visual aspects of cult classic horror films, and they supply their Blu-rays with tons of special features. They understand you want to know as much as possible about your favorite horror films, and they have done it once again with their collector’s edition of “The Blob,” a remake of the original film which starred Steve McQueen back in 1958.
With this version of “The Blob,” it shows the advancements made at the time in gore and special effects. I don’t think it is fair to necessarily compare the two films since they were released thirty-years apart. One thing they both have in common is they are very enjoyable to watch. I own both of them. I have the Criterion Collection version of the 1958 film, and I am thrilled to add the remake to my collection from Scream Factory/Shout Factory. The gore is also taken up a notch here, and it is sticky, gooey, bloody and completely over the top in the best possible way.
“The Blob” is, of course, a film about a disgusting life-form which comes to a town by the name of Arborville. It is your normal town with a football team, local diner, police and cheerleaders, some of which you would just love to date. Shawnee Smith plays Meg Penny, the local cheerleader who is your girl-next-door type. Her father works at the pharmacy, and she is going on a date with football star Paul Taylor (Donovan Leitch Jr.) when they notice something terrible happening all around them. The character blamed for all of this is Brian Flagg who is played by Kevin Dillon, brother of Matt Dillon, and from “Entourage.” He is the bad boy with a motorcycle, and he has a total kickass 80’s haircut. The police can’t wait to put the blame on him, but he is completely and totally innocent.
The blob will eat and destroy anything that gets in its way. You never know when it is going to appear or when it will strike. It is part of a political experiment being overseen by shady scientists with their own agenda, and they are not concerned about the people. The blob started by attaching itself to an old man’s arm, and from there the devastation only increased. It is self-aware enough to have a running time of 95 minutes so the pace is right on point, the kills are interesting and disgusting, and it never feels boring.
Major props go out to Shawnee Smith as she gives a truly committed performance which should remind you of her work as Amanda from the “Saw” franchise. Kevin Dillon is solid as well because he knows how to make this character likable but with an edge. He is someone you would want on your side when the blob hits the fan, if you catch my drift. The effects are also terrific considering the time period this film was released in. The only time the green screen is very, very noticeable is near the end, but even then, it is campy fun.
This was my first time seeing the remake of “The Blob,” and I love both movies. It is great when they get a second home on Blu-ray as well as the proper treatment courtesy of Shout/Scream Factory. There is also just the right amount of humor when the moment calls for it as well. Fun fact: The screenplay was co-written by Frank Darabont of “The Green Mile,” “The Walking Dead,” and “The Shawshank Redemption.” This flick is able to gross you out while keeping you entertained and laughing as well, and this is not an easy accomplishment to pull off. However, everyone stepped up their game on this film, and it shows in the final product. I cannot recommend this movie enough if you have not seen it in the past, or if you have seen it and want to own it in this tremendous format.
Audio commentary with director Chuck Russell, special effects artist Tony Gardner and cinematographer Mark Irwin, moderated by filmmaker Joe Lynch
Audio commentary with actress Shawnee Smith
“It Fell From the Sky!” – an interview with director Chuck Russell
“We Have Work to Do” – an interview with actor Jeffrey DeMunn
“Minding the Dinner” – an interview with actress Candy Clark
“They Call Me Mellow Purple” – an interview with actor Donovan Leitch Jr.
“Try to Scream!” – an interview with actor Bill Moseley
“Shot Him!” – an interview with cinematographer Mark Irwin
“The Incredible Melting Man” – an interview with special effects artist Tony Gardner
“Monster Math” – an interview with special effects supervisor Christopher Gilman
“Haddonfield to Arborville” – an interview with production designer Craig Stearns
“The Secret of the Ooze” – an interview with mechanical designer Mark Setrakian
I Want that Organism Alive! – an interview with Blob mechanic Peter Abrahamson
“Gardner’s Grue Crew” – behind-the-scenes footage of Tony Gardner and his team
Audio Commentary with director Chuck Russell, moderated by film producer Ryan Turek
Blu-Ray Info: “The Blob (1988)” is released on a Collector’s Edition Blu-Ray from Shout Factory/Scream Factory. The film is rated R and has a running time of 95 minutes.
Audio Info: The audio is DTS-HD Master Audio 5.1. For a film that is thirty-one years old, it sounds terrific. All of the dialogue between the actors is easy to understand without any issues whatsoever. When the gory scenes come up, they also have a real sizzle to them as well. Subtitles are in English.
Video Info: The 1080p High-Definition Widescreen (1.85:1) transfer is out of this world. There are no signs of grain, dust, or dirt when watching this film. It is incredibly clear and vibrant on screen.
Should You Buy It?
With so many special features on this wildly fun flick, it’s a no brainer when it comes to buying “The Blob (1988).” I wish I had seen this movie sooner, but to be honest, I didn’t even know there was a remake of the original until recently. I’m glad there is and that Shout/Scream Factory is there to make it available for purchase for hardcore horror fans such as myself and so many others out there. The film is a gory ride which has a very satisfying and fun conclusion. You always get your money’s worth and then some with Shout Factory/Scream Factory titles, so you will not be disappointed when you pick this one up. As a matter of fact, it would make a great double feature with the original flick.
It took several decades, but “Halloween III: Season of the Witch” did eventually get the special edition release it has long deserved. To date, it is the only movie in the “Halloween” franchise which does not feature Michael Myers, and it was lambasted by both critics and fans for the same reason upon its release in 1982. Over the years, however, this sequel has been re-evaluated by many and has since gained a strong cult following. This makes the special edition release of “Halloween III” all the more joyous as it comes with a plethora of extras which tell you everything you need to know about this movie’s making.
This special edition release of “Halloween III” came to us from the good folks at Shout Factory who are released it simultaneously with their equally special edition of “Halloween II.” To say this is the best digital edition ever of this particular film would be a severe understatement as “Halloween III” has never gotten much respect in any of its previous DVD incarnations. It is no surprise to say this movie has never looked and sounded this good since it first came out, and the colors look so vivid in this high definition release.
There are two audio commentaries on this disc, and the first one is with director Tommy Lee Wallace who is interviewed by “Icons of Fright’s” Rob G and “Horror Hound’s” Sean Clark. Wallace made it clear that his intention was not to make a slasher movie like the first two “Halloween” movies, but instead a “pod” movie in the vein of “Invasion of the Body Snatchers.” He also talked about how the assassins dressed in suits represented his fear of the corporate world, and the movie proved to be something of a commentary on American consumerism (a theme which was expanded on in “They Live“).
The other commentary track is with actor Tom Atkins who plays Dr. Dan Challis, and he is interviewed by Michael Felsher. This proves to be the most entertaining of the two tracks and this is even though Atkins goes off topic a number of times. The actor reflects on working with Frank Sinatra on “The Detective,” meeting with John Carpenter and Shane Black, and he also talks extensively about William Peter Blatty’s movie “The Ninth Configuration” which apparently was a disaster. Whether he is talking about “Halloween III” or not, Atkins sounds like he’s having a blast and is endlessly entertaining throughout.
The behind the scenes documentary “Stand Alone: The Making of ‘Halloween III: Season of the Witch” does a great job of looking at the movie’s creation, its initial failure when it opened, and of how it has gained a second life on video and DVD. Carpenter and the late Debra Hill made it clear they were steering clear of the mask-wearing psychopath from the previous films with this entry as they wanted to turn the franchise into a series of anthology films which dealt with the holiday of Halloween. Universal Pictures, however, did not do nearly enough to prepare audiences for this shift in direction.
Executive Producer Irwin Yablans makes it no secret in the documentary of how he thought it was a huge mistake to make a “Halloween” movie without Michael Myers in it, and his only satisfaction from this sequel came in the form of a nice paycheck. Others like Atkins, Stacey Nelkin who played Ellie and stunt coordinator Dick Warlock state they always thought the movie was good despite its initial reception.
Other special features include an episode of “Horror’s Hallowed Grounds” which has host Sean Clark touring the original shooting locations of “Halloween III” with Wallace, and it proves to be a lot of fun watching these two go down memory lane to see what these locations look like today. There’s also the movie’s teaser trailer, theatrical trailer, TV and radio spots, and there’s even a commercial for its debut on network television. The latter is proof of how the producers of this special edition left no stone unturned.
For years, “Halloween III: Season of the Witch” has been treated as if it were the bastard stepchild of the “Halloween” movie franchise, but with the passing of time it has been reassessed as a clever horror movie which stands on its own merits. The Shout Factory Blu-ray release was done with a lot of love and care, and this especially shows in the brilliant artwork on the cover illustrated by Nathan Thomas Milliner. After all these years it is worth revisiting this sequel, and that is even if it you have to endure the “Silver Shamrock” commercial jingle just one more time.
Universal Pictures first released 1981’s “Halloween II” on Blu-ray, and it was a release many horror fans had long awaited. But a year later, Shout Factory gave us another edition of this sequel, and it contained a lot of extras which were sorely missing from the Universal release: audio commentaries, a documentary on its making, deleted scenes, an alternate ending, trailers and TV spots among other goodies. This release also includes what the previous Universal Blu-ray controversially, and unforgivably, left out of the opening credits: “Moustapha Akkad Presents.”
Great care has been taken in this release’s packaging as it contains an excellent cover created by artist Nathan Thomas Milliner. This illustration has Michael Myers walking with that scalpel of his and crying tears of blood, Donald Pleasance holding out his hand which has Myers’ blood on it, and Jamie Lee Curtis looking as fierce as she did in the first “Halloween” movie. Looking at this cover should everyone an idea of just how big a cult following this sequel has more than 30 years after its theatrical release.
When comparing the look and sound of Shout Factory’s release to Universal’s, it’s hard to see much, if any, of a difference between them. Both versions make this sequel look better than it has in ages even though there is a bit of grain in certain scenes. But what this version does have which the Universal release lacked are two DTS-HD Master Audio tracks which include a 5.1 remix and a stereo mix.
This edition also contains two audio commentaries, and the first one is with “Halloween II’s” director Rick Rosenthal who is joined by actor Leo Rossi who played the chauvinistic ambulance driver Budd Scarlotti. Now this is an audio commentary fans have been dying to hear for the longest time, and Rosenthal provides a number of interesting tidbits throughout. Rossi himself is a delight as he talks about how Rosenthal went to bat for him when the late Debra Hill did not even want him in the movie. Hill was instead looking for Midwestern actors as the movie took place in Illinois, but Rosenthal managed to wear her down and get Rossi cast even though he looks and sounds like a New York native.
The other audio commentary is with stunt coordinator Dick Warlock who also played Michael Myers. Of the two commentary tracks, this one proved to be the most entertaining. There are a number of spots in the Rosenthal/Rossi where they both went silent and seemed unsure of what to say, but Warlock is full of details on how he went about playing Michael Myers and of how he handled some of the more dangerous stunts in the sequel.
We do also get a documentary entitled “The Nightmare Isn’t Over: The Making of ‘Halloween II'” which features interviews with Rosenthal, Warlock, Lance Guest, Rossi, Nancy Stephens and many others who were in front of or behind the camera. Like Rosenthal’s commentary, this is another special feature fans have been waiting for endlessly, and it does not disappoint. Some of the best anecdotes come from Rossi who explains how and why he changed the lyrics to “Amazing Grace” when he sang it, and Warlock makes clear why metal zippers do not belong on insulated clothing when you have been set on fire.
There is an additional DVD disc which contains the TV version of “Halloween II” on it, and this is the same version which has been shown on the A&E network. It features additional scenes not found in the theatrical cut as well as an alternate ending which shows one character to still be very much alive.
Other special features include an episode of “Horror’s Hallowed Grounds” which has host Sean Clark revisiting the original shooting locations of “Halloween II.” It’s surprising to see some of them still intact 30 years later. There’s also the theatrical trailer, television and radio spots, and deleted scenes with commentary from Rosenthal.
For those of you who still own the Universal Blu-ray release of “Halloween II,” you may not want to get rid of it just yet. The documentary “Terror in the Aisles” did not transfer over to the Shout Factory release, and it is unlikely you will see it available in its own release in the near future.
When Universal Pictures released its Blu-ray of “Halloween II,” it looked like we would never get a better version of it and had to be happy with what we got. Shout Factory, however, has given us a 2-disc set which has just about every special feature fans of this sequel could ever want, and it will certainly keep them busy for hours.
While it was ill-received upon its release in 1981 and considered a pale imitation of the original, “Halloween II” has long since gained a cult following as there are actually many things about it worth admiring. The look and feel of this sequel mirrors the original, and this was something the sequels which followed it could only dream of capturing.
The following review was written by Ultimate Rabbit correspondent Tony Farinella.
After watching “3 From Hell,” I’m going to go out on a limb and say it is Rob Zombie’s best film with “The Devil’s Rejects” being right behind it. This might be an unpopular opinion, and I might be in the minority on this, but this is one hell of a movie, pun intended. Even though the late Sid Haig is hardly in the movie because of his health issues at the time, it is an incredible ride from start-to-finish. There is never a dull moment in this movie. This is the kind of balls-to-the-wall and in-your-face horror film which is missing from today’s cinemas. It is a shame the film did not get a wider release as there is a lot to like here.
“3 From Hell” picks up right where “The Devil’s Rejects” left off, and it shows the aftermath of the big finale. Someway, somehow, Baby Firefly (Sheri Moon Zombie), Otis Driftwood (Bill Moseley) and Captain Spaulding (Sid Haig) have survived their shootout with the police. However, they are in prison, which makes it quite difficult to unleash their unique brand of mayhem and chaos onto unsuspecting victims. Baby Firefly is still completely crazy and has little interest in trying to get out of prison. She’s quite proud of what she has done behind bars and of how she has survived. As a matter of fact, the three of them have quite a fan base now because of the news.
Otis Driftwood is able to escape out of prison thanks to the help of his half-brother Winslow Foxworth Coltrane (Richard Brake) who is new to this series of films. However, he has worked with Rob Zombie in the past on “31” and “Halloween II.” Even though he is no Captain Spaulding, he does a really good job of being a believable brother to Otis and a terrifying force. Now that Otis and his brother are running around free, they need to find a way to reunite with Baby Firefly. Without her, they are just not complete. They write off Captain Spaulding as dying from lethal injection, which explains why he is not part of their team anymore. Once the “3 From Hell” gang are back together again, things really get taken up a notch. Sometimes their victims just happen to be in the wrong place at the wrong time. The violence is unrelenting, brutal and completely raw, and this is a compliment to the highest degree in a horror film.
It is rare to see films like this made today, as I mentioned earlier. This film is not politically correct, and it is not afraid to truly go for it without thinking twice or blinking. This is the unrated cut of the film, and it certainly holds nothing back with the violence or the nudity as well. There is not a single moment in this film which is boring, lackluster or wasteful. Rob Zombie takes a patient approach, but there is always something happening on screen that is capturing our attention as an audience. At times, it plays like a horror western with some of the showdowns. It’s also incredibly entertaining.
When “3 From Hell” was over, I had a huge smile on my face. I realized I had witnessed something special and something which doesn’t find its way to your local theater with the proper marketing. This is why it was given a special release through Fathom Events. A lot of people have complained about the film being a rehash of “The Devil’s Rejects,” but quite frankly I don’t see it. With Rob Zombie, he doesn’t make films where things are black and white. At times, innocent people die on screen. We find ourselves rooting for evil people who are doing evil things. It is because they are entertaining, funny and totally unlike anything else in a horror movie.
Rob Zombie is a true horror fan, and it shows in the way the film was shot. It had that grindhouse feel to it. I loved the look of the film, and I especially loved the performances in the film. At times, I felt like Sheri Moon Zombie was stealing the show with her antics on screen. In other moments, I enjoyed the easy-going yet incredibly scary performance by Bill Moseley. Richard Brake is just as off the wall as well with his performance. If I had to pick one performance that really stood out, it would have to be Sheri Moon Zombie, though. Granted, she is given a lot to work with on screen, but she’s more than up to the task of handling it all with relative ease. It’s hitting all the right notes. I loved every single second of this flick.
Blu-Ray Info: “3 From Hell” is being released on a two-disc Blu-ray, DVD and Digital Combo Pack from Lionsgate Home Entertainment. It comes with both the R-rated and unrated versions of the film, but the unrated version can only be viewed on the Blu-Ray. The film has a running time of 115 minutes. For the rated version, it is rated R for strong sadistic violence, language throughout, sexual content and drug use.
Audio Info: The English 7.1 Dolby TrueHD audio track is out of this world! It is exactly what I wanted out of this film. It truly adds to the screams of terror when the violence is happening on screen. It’s great during the scenes which feature some great songs as well. There are also subtitles in English and Spanish.
Video Info: The film looks outstanding on a 1080p High Definition 16×9 (1.85:1) presentation. It is able to have an old-school grindhouse look to it, as I mentioned in my review, without sacrificing the picture quality which is sharp and top-notch.
Audio Commentary with Rob Zombie: If you have ever heard an interview with Rob Zombie, you know what an intelligent and thoughtful filmmaker and individual he is. He takes you through the entire filmmaking process and is never boring. This is a commentary track which I highly recommend you listen to after watching the film on its own.
To Hell and Back: The Making of 3 From Hell (4-Part Documentary) (01:34:00): This is almost as long as the film itself! This is the kind of special feature I wish more filmmakers would add to Blu-rays. It shows on-set footage, behind-the-scenes interviews, and tons of knowledge on anything and everything you would ever want to know about this movie. This is a top notch, A+ special feature. I’m really glad they took the time to show us how this movie came together. Rob Zombie is as laid back as they come and very open to ideas from his actors. Even though he is the writer/director, he only puts his foot down when it comes to notes from the studio trying to change his vision or tell him what to do on his films.
Should You Buy It?
HELL YES!!! As soon as you have finished reading this review, you owe it to yourself to buy this movie as soon as possible. This is my favorite horror movie of 2019, and it is one of the best horror movies I’ve seen in probably a decade. Now don’t get me wrong: I love what Jordan Peele is doing with films like “Get Out” and “Us”. However, this is, as director Kevin Smith called it, “Horror Heaven.” If you like your horror films bloody, twisted, funny, unhinged, crazy and totally unfiltered, this is the movie for you. The audio and the visuals are top notch as well as the special features. Lionsgate did a tremendous job with this Blu-ray release, and I can’t recommend it enough!
The following is written by Ultimate Rabbit correspondent Tony Farinella.
“Annabelle Comes Home” is the third film in the “Annabelle” franchise. I would rank it as the second best in the series. My order goes like this: “Annabelle: Creation,” “Annabelle Comes Home,” and “Annabelle.” When you throw “The Conjuring” universe into it, it can be a little bit more difficult to rank them. Because of this, I am going to keep it strictly to the “Annabelle” films when ranking them. “Annabelle: Creation” was a prequel, but this one is a sequel to the original “Annabelle” film. Ed and Lorraine Warren take the Annabelle doll home after the destruction she caused in the first film. They have a room where they keep all of the evil things locked away. However, Annabelle is so malevolent, a priest comes by the house twice a month to bless the doll.
When Ed and Lorraine Warren go away on business, they need someone to babysit their daughter Judy, played perfectly by Mckenna Grace. The terror and fear she expresses on her face and throughout the film is simply off the charts. Judy has a hard time making friends because people think her parents are strange and a little off-kilter because of their profession. They are Demonologists. If you are new to this franchise, Ed and Lorraine Warren are real. As a matter of fact, Lorraine recently passed away, unfortunately. They are played by Patrick Wilson and Vera Farmiga, and since the two of them have been playing the couple for so long, their chemistry and timing is just about flawless.
Sadly, they only show up at the start of the film, and they don’t reappear until the end of it. When they are on screen, the film is really taken up a notch. There is good news, though, and it is those two terrific actresses Madison Iseman and Katie Sarife who play the babysitter, Mary Ellen, and her best friend Daniela. When you throw in Grace, you have three young leads who carry the movie throughout its running time. There is also a love interest named Bob (Michael Cimino) with great comedic timing and a running gag about his name. They are the ones stuck dealing with Annabelle when she gets released from her glass case.
Now, a lot of people have a problem with films which have jump scares. There are a few jump scares in this flick, but they are really built up by the suspense and pacing which is set by director Gary Dauberman. This is his first time behind the camera as a director, and he shows a sure hand in setting the mood. The set design is also terrific along with the costume design, as the 1970’s look is spot-on throughout the film. It is easy to see they spent a lot of time working on getting the little details right as it shows in the final product. Dauberman has also written “It Chapter 2,” “Annabelle,” “Annabelle: Creation,” and he was one of the writers on the first “It” in 2017. He knows the horror genre, and he knows the “Annabelle” franchise. He also wrote this film based off a story he created with James Wan.
When all is said and done, this is an entertaining ride. It starts with the acting, first and foremost, as mentioned. If the young actors are not up to the task of showing terror and making the audience believe, the film is going to fail. It falls on their shoulders, as they are put in charge of leading the way when Wilson and Farmiga disappear for a good chunk of the film. They carry the movie on their shoulders, and they do not disappoint in the least. They raise the level of the film with their acting. Casting is so important in a film like this.
Also, Dauberman proves here he should be put in charge of more horror films as a writer and director. He knows how to use silence to his advantage, and he also truly cares about his characters as well. There is a reason why Annabelle returns. Without giving too much away, many times characters in horror films make poor decisions. When you find out why Annabelle is unleashed here, you understand it’s for an emotional reason which makes sense. It is not just a plot device to get her to be part of the film. I enjoyed myself a lot more than I thought I would with this third installment in this franchise.
Blu-Ray Info: “Annabelle Comes Home” is released on a two-disc Blu-Ray Combo Pack from Warner Brothers Home Entertainment. It also comes with a digital copy as well. The film has a running time of 106 minutes. It is rated R for horror violence and terror, although I felt as though it could have been PG-13 as the horror violence is rather tame.
Audio Info: The audio on the film is Dolby Atmos-TrueHD: English, English Descriptive Audio 5.1, Dolby Digital: English 5.1, Dolby Digital: French 5.1 (Dubbed in Quebec), and Dolby Digital: Spanish 5.1. Subtitles are in English, Spanish, and French. The film sounds great, and the tension is built up perfectly by the eerie soundtrack without it banging you over the head.
Video Info: The video format is 1080p High Definition 16×9, 2.4:1. The picture is crystal clear, sharp, and very vivid. It looks great on Blu-Ray.
Behind the Scenes: The Ferryman/Demon (05:18), The Bloody Bride (02:57), and The Werewolf (03:07): These are characters which show up throughout the film. On this special feature, we get to meet the actors who portrayed them and see what they went through in order to get properly prepped with make-up, effects and costumes. It leaves the audience wondering if any of these characters will be turned into films, which is something the director hints at on these special features. Dauberman and Wan discuss what they were thinking when coming up with the characters together and how the behind-the-scenes team made them into a reality.
The Artifact Room and the Occult (05:07): This focuses on the infamous artifact room that is in the Warren’s house. They wanted to add some new artifacts they were not able to introduce in other films, according to Wan. There are some very cool pieces and Easter eggs they added to the room.
The Light and The Love (04:26): They talk about the love between Ed and Lorraine, which really is the heart and soul of the film. While the scares are great and the stories are terrifying, it is Ed and Lorraine who really stand out. These are two-dimensional human beings played by Wilson and Farmiga, and you can tell they have a lot of love for the real Ed and Lorraine Warren. The chemistry and connection they share on screen is hard to ignore. There is an element of fun which is really needed in these films without being too cheesy. They talk about how they love being able to play the scary scenes along with the family drama as well. It’s a good balance.
Seven Deleted Scenes (11:28): Seven deleted scenes are added here, including an alternate ending. I thought the running time of the film was just right, and the filmmakers hit all of the right notes. Most of the deleted scenes are just more time spent with the characters which is fine, but it is not really necessary in the big picture of the film. However, there is one particular scene where Mary Ellen opens up about a near-death experience that is very powerful and should have been used in the film. The alternate ending is nowhere near as good as the one in the film, so I’m glad they didn’t use it. The alternate ending is very clichéd and predictable.
Should You Buy It?
If you are a fan of “The Conjuring” universe or the “Annabelle” films, you will be happy to know they are still churning out quality movies with great performances and effective scares. If you take away “The Nun” and “The Curse of La Llorona,” you have three really good movies (“The Conjuring,” “The Conjuring 2” and “Annabelle: Creation”) and two good ones in (“Annabelle” and “Annabelle Comes Home”). I was close to putting “Annabelle Comes Home” in the really good category, but it just misses the mark. However, it is still a good film and one worth adding to your collection if you own the good movies. I own five out of the seven films. There are special features and an alternate ending, but I wish they had gone into more depth with the special features. A commentary track would have been great as well. The Blu-ray looks and sounds great, which is always the case with Warner Brothers on their new release films. This is a day-one purchase for hardcore fans of the franchise or the universe, however you wish to describe it.
The following review is written by Ultimate Rabbit Correspondent Tony Farinella.
“Gremlins” came out a year before I was born, but the true test of any good to great movie is how it holds up, regardless of how old it is. While watching this 1984 classic for the first time in what feels like ages, it does show its age in some respects. However, there is something rather charming about the 80’s comedy/horror film that still holds true to this day. The film is rated PG, although if it were released today, I would imagine it would get a PG-13 rating. There is nothing overly graphic about it, but it’s partially a children’s horror/comedy and partially a young adult horror/comedy. Oddly enough, the PG-13 rating was put into place two months after this film, according to research.
Everything gets set into motion when a quirky and outside-the-box inventor named Randall Peltzer (Hoyt Axton) wants to buy something special for his son on Christmas. He happens to come across a very special creature known as a Mogwai. The man in charge of the antique shop does not want to sell it, but his grandson does a side deal with Randall in order to get some much-needed money. He tells the man to remember three things: Don’t get it wet, don’t expose it to the sun, and don’t feed it after midnight. Randall thinks this sounds simple enough and proceeds to take the Mogwai home to give to his son Billy for Christmas.
All is fine and dandy with the Mogwai, which ends up being named Gizmo, until one night it gets wet. They learn that this creates even more Mogwais in the process. Things turn even worse when Billy (Zach Galligan) feeds them accidentally after midnight. Now, Gizmo is one of the good ones. He is adorable and harmless. The rest of them, however, turn evil and create mayhem and mischief at every corner. It is up to Billy and the girl he likes, Katie (Phoebe Cates) to stop these gremlins from destroying everything in their path.
Considering all of the various films that came out in the 80’s that dealt with teenagers/young people in peril trying to figure things out, it’s easy to see why this film was such a success. We are seeing a lot of that with “It” and “Stranger Things.” What’s old is new again. People hold a certain affinity for the 80’s and the films that came out during that period. They also like to see the young kids taking control of a situation. That is what happens here. It doesn’t take long for things to get out of hand.
“Gremlins” is a very fast-paced film directed by Joe Dante, and he mixes the comedy and horror together just right. The screenplay by Chris Columbus is also very well-written, and this helps the proceedings. It is not a scary film at all, but it is a film which knows what it is trying to accomplish for audiences. This is a film which is a lot of fun and over-the-top with its use of the various creatures inhabiting it. While they garner a lot of screen time, it is impossible not to notice the cast which also includes Judge Reinhold and Corey Feldman. It is also great to see a horror film where the parents actually believe the children instead of doubting them, and they are fighting alongside the children against these hideous creatures.
In the end, thirty-five years later, “Gremlins” does show some signs of aging, but as mentioned earlier, considering how people are gravitating toward the horror comedies of the 1980’s with young teens in peril, it works quite well in today’s cinematic world. With it being released on 4K, this is the perfect time to pick it up and add it to your collection. The transfer is a solid upgrade, and it’s the perfect movie to watch with Halloween fast approaching. While there is a lot going on here, it never feels overstuffed or overpopulated. It feels just right in terms of the pacing, the acting, and the outcome.
Video Info: The 4K is released on 2160p Ultra High Definition 16×9 1.85:1, and the Blu-Ray is 1080p High Definition 16×9 1.85:1. While the 4K transfer is a solid improvement over the Blu-Ray, it’s not a huge improvement. The Blu-Ray is pretty basic and does not stand out all that much. It is still grainy in certain scenes, and they didn’t add anything new to the Blu-Ray. With the 4K, it adds more color with the high dynamic range. For those like myself who are really big into audio and video, you want to own the best version of this film. Again, it’s the same Blu-Ray that’s always been out there, but you are buying this for the 4K transfer.
Audio Info: I did not notice a huge difference in the audio on the 4K disc as much as I do with the video quality. However, there is still a slightly noticeable difference here with the audio on 4K, and this is what makes it an especially worthy purchase. The audio on the 4K is DTS-HD MA: English 5.1, Dolby Digital: French 5.1, Dolby Digital: Spanish 5.1 (Both Castilian 5.1 and Latin 2.0). The subtitles are in English, French, and Spanish. For the Blu-Ray, you get Dolby TrueHD: English 5.1, Dolby Digital: English 5.1, Dolby Digital: English 2.0, Dolby Digital: French 5.1, Dolby Digital: Spanish 5.1 (Both Castilian 5.1 and Latin 2.0). The subtitles are in English, Spanish, and French. There are no problems to report with the audio, and it is consistent throughout.
Filmmakers’ Commentary with Director Joe Dante, Producer Michael Finnell and Special Effects Artist Chris Walas: If you are looking for the behind the scenes commentary track on the filmmaking process, this is the special feature for you. They cover a lot of ground here, and it is especially interesting to hear from Chris Walas who would go on from here to win an Academy Award for Best Makeup on “The Fly.”
Commentary with Joe Dante, Zach Galligan, Phoebe Cates, Dick Miller, and Howie Mandel: If you are looking to hear from the actors and how they approached this project, this is the right commentary track to listen to as they tell some great stories. These commentary tracks are on both the 4K and the Blu-Ray. They are both worth listening to, as they offer something different.
Gremlins Behind-The-Scenes Featurette (06:21): This was put together when “Gremlins” was being shot, so it is not a modern special feature. It features interviews with Joe Dante, Hoyt Axton, Zach Galligan, Chris Walas, Phoebe Cates, and Steven Spielberg. Oddly enough, Spielberg did not consider it a horror film or a spoof when talking about it on this special feature from the 80’s. I wonder what he thinks of the film today. He said “Gremlins” was unlike anything he had read which was why he bought it and gave it to Dante to direct. It would have been great to see a more modern special feature which looked back on the film thirty-five years later.
Additional footage which includes an extended opening, an extension of Judge Reinhold’s character, and more with commentary by Joe Dante (10:26): Joe Dante talks about the editing process and how the original rough cut was two hours and forty minutes. He talks about why these scenes were deleted as some were repetitive. Other voices are heard on the commentary track, but they are not identified. I believe some of them are from the actors like Phoebe Cates and Zach Galligan. You can listen to this with or without commentary.
Should You Buy It?
While there are no new special features, “Gremlins” is a good addition to add to your collection if you own a 4K TV and 4K Blu-Ray player. The 4K transfer is an improvement, and the price is only $24.99. That said, it would have been nice to see some new special features as well as an updated Blu-Ray release to go with the 4K disc. If they had just put a little more time and effort into that, this release would have been a home run.