‘The Blob’ 1988 Movie and Blu-ray Review

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The following article was written by Ultimate Rabbit correspondent Tony Farinella.

If you are a fan of 1980’s horror films, you know Shout Factory/Scream Factory gives them the proper treatment each and every single time as they are like the Criterion Collection for horror fans.  They go above and beyond the call of duty with their commitment to the audio and visual aspects of cult classic horror films, and they supply their Blu-rays with tons of special features.  They understand you want to know as much as possible about your favorite horror films, and they have done it once again with their collector’s edition of “The Blob,” a remake of the original film which starred Steve McQueen back in 1958.

With this version of “The Blob,” it shows the advancements made at the time in gore and special effects. I don’t think it is fair to necessarily compare the two films since they were released thirty-years apart.   One thing they both have in common is they are very enjoyable to watch.  I own both of them.  I have the Criterion Collection version of the 1958 film, and I am thrilled to add the remake to my collection from Scream Factory/Shout Factory.  The gore is also taken up a notch here, and it is sticky, gooey, bloody and completely over the top in the best possible way.

“The Blob” is, of course, a film about a disgusting life-form which comes to a town by the name of Arborville.  It is your normal town with a football team, local diner, police and cheerleaders, some of which you would just love to date.   Shawnee Smith plays Meg Penny, the local cheerleader who is your girl-next-door type.  Her father works at the pharmacy, and she is going on a date with football star Paul Taylor (Donovan Leitch Jr.) when they notice something terrible happening all around them. The character blamed for all of this is Brian Flagg who is played by Kevin Dillon, brother of Matt Dillon, and from “Entourage.”  He is the bad boy with a motorcycle, and he has a total kickass 80’s haircut. The police can’t wait to put the blame on him, but he is completely and totally innocent.

The blob will eat and destroy anything that gets in its way. You never know when it is going to appear or when it will strike.  It is part of a political experiment being overseen by shady scientists with their own agenda, and they are not concerned about the people.  The blob started by attaching itself to an old man’s arm, and from there the devastation only increased.  It is self-aware enough to have a running time of 95 minutes so the pace is right on point, the kills are interesting and disgusting, and it never feels boring.

Major props go out to Shawnee Smith as she gives a truly committed performance which should remind you of her work as Amanda from the “Saw” franchise.  Kevin Dillon is solid as well because he knows how to make this character likable but with an edge. He is someone you would want on your side when the blob hits the fan, if you catch my drift.  The effects are also terrific considering the time period this film was released in. The only time the green screen is very, very noticeable is near the end, but even then, it is campy fun.

This was my first time seeing the remake of “The Blob,” and I love both movies.  It is great when they get a second home on Blu-ray as well as the proper treatment courtesy of Shout/Scream Factory. There is also just the right amount of humor when the moment calls for it as well.  Fun fact: The screenplay was co-written by Frank Darabont of “The Green Mile,” “The Walking Dead,” and “The Shawshank Redemption.” This flick is able to gross you out while keeping you entertained and laughing as well, and this is not an easy accomplishment to pull off.  However, everyone stepped up their game on this film, and it shows in the final product.  I cannot recommend this movie enough if you have not seen it in the past, or if you have seen it and want to own it in this tremendous format.

* * * ½ out of * * * *

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Special Features:

Audio commentary with director Chuck Russell, special effects artist Tony Gardner and cinematographer Mark Irwin, moderated by filmmaker Joe Lynch

Audio commentary with actress Shawnee Smith

“It Fell From the Sky!” – an interview with director Chuck Russell

“We Have Work to Do” – an interview with actor Jeffrey DeMunn

“Minding the Dinner” – an interview with actress Candy Clark

“They Call Me Mellow Purple” – an interview with actor Donovan Leitch Jr.

“Try to Scream!” – an interview with actor Bill Moseley

“Shot Him!” – an interview with cinematographer Mark Irwin

“The Incredible Melting Man” – an interview with special effects artist Tony Gardner

“Monster Math” – an interview with special effects supervisor Christopher Gilman

“Haddonfield to Arborville” – an interview with production designer Craig Stearns

“The Secret of the Ooze” – an interview with mechanical designer Mark Setrakian

I Want that Organism Alive! – an interview with Blob mechanic Peter Abrahamson

“Gardner’s Grue Crew” – behind-the-scenes footage of Tony Gardner and his team

Audio Commentary with director Chuck Russell, moderated by film producer Ryan Turek

Theatrical Trailers

TV Spot

Still Gallery

Blu-Ray Info: “The Blob (1988)” is released on a Collector’s Edition Blu-Ray from Shout Factory/Scream Factory.  The film is rated R and has a running time of 95 minutes.

Audio Info: The audio is DTS-HD Master Audio 5.1.  For a film that is thirty-one years old, it sounds terrific.  All of the dialogue between the actors is easy to understand without any issues whatsoever.  When the gory scenes come up, they also have a real sizzle to them as well. Subtitles are in English.

Video Info: The 1080p High-Definition Widescreen (1.85:1) transfer is out of this world.  There are no signs of grain, dust, or dirt when watching this film.  It is incredibly clear and vibrant on screen.

Should You Buy It?

With so many special features on this wildly fun flick, it’s a no brainer when it comes to buying “The Blob (1988).”  I wish I had seen this movie sooner, but to be honest, I didn’t even know there was a remake of the original until recently.  I’m glad there is and that Shout/Scream Factory is there to make it available for purchase for hardcore horror fans such as myself and so many others out there.   The film is a gory ride which has a very satisfying and fun conclusion. You always get your money’s worth and then some with Shout Factory/Scream Factory titles, so you will not be disappointed when you pick this one up.  As a matter of fact, it would make a great double feature with the original flick.

 

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‘Halloween III: Season of the Witch’ Shout Factory Blu-ray Review

Halloween III blu ray cover

It took several decades, but “Halloween III: Season of the Witch” did eventually get the special edition release it has long deserved. To date, it is the only movie in the “Halloween” franchise which does not feature Michael Myers, and it was lambasted by both critics and fans for the same reason upon its release in 1982. Over the years, however, this sequel has been re-evaluated by many and has since gained a strong cult following. This makes the special edition release of “Halloween III” all the more joyous as it comes with a plethora of extras which tell you everything you need to know about this movie’s making.

This special edition release of “Halloween III” came to us from the good folks at Shout Factory who are released it simultaneously with their equally special edition of “Halloween II.” To say this is the best digital edition ever of this particular film would be a severe understatement as “Halloween III” has never gotten much respect in any of its previous DVD incarnations. It is no surprise to say this movie has never looked and sounded this good since it first came out, and the colors look so vivid in this high definition release.

There are two audio commentaries on this disc, and the first one is with director Tommy Lee Wallace who is interviewed by “Icons of Fright’s” Rob G and “Horror Hound’s” Sean Clark. Wallace made it clear that his intention was not to make a slasher movie like the first two “Halloween” movies, but instead a “pod” movie in the vein of “Invasion of the Body Snatchers.” He also talked about how the assassins dressed in suits represented his fear of the corporate world, and the movie proved to be something of a commentary on American consumerism (a theme which was expanded on in “They Live“).

The other commentary track is with actor Tom Atkins who plays Dr. Dan Challis, and he is interviewed by Michael Felsher. This proves to be the most entertaining of the two tracks and this is even though Atkins goes off topic a number of times. The actor reflects on working with Frank Sinatra on “The Detective,” meeting with John Carpenter and Shane Black, and he also talks extensively about William Peter Blatty’s movie “The Ninth Configuration” which apparently was a disaster. Whether he is talking about “Halloween III” or not, Atkins sounds like he’s having a blast and is endlessly entertaining throughout.

The behind the scenes documentary “Stand Alone: The Making of ‘Halloween III: Season of the Witch” does a great job of looking at the movie’s creation, its initial failure when it opened, and of how it has gained a second life on video and DVD. Carpenter and the late Debra Hill made it clear they were steering clear of the mask-wearing psychopath from the previous films with this entry as they wanted to turn the franchise into a series of anthology films which dealt with the holiday of Halloween. Universal Pictures, however, did not do nearly enough to prepare audiences for this shift in direction.

Executive Producer Irwin Yablans makes it no secret in the documentary of how he thought it was a huge mistake to make a “Halloween” movie without Michael Myers in it, and his only satisfaction from this sequel came in the form of a nice paycheck. Others like Atkins, Stacey Nelkin who played Ellie and stunt coordinator Dick Warlock state they always thought the movie was good despite its initial reception.

Other special features include an episode of “Horror’s Hallowed Grounds” which has host Sean Clark touring the original shooting locations of “Halloween III” with Wallace, and it proves to be a lot of fun watching these two go down memory lane to see what these locations look like today. There’s also the movie’s teaser trailer, theatrical trailer, TV and radio spots, and there’s even a commercial for its debut on network television. The latter is proof of how the producers of this special edition left no stone unturned.

For years, “Halloween III: Season of the Witch” has been treated as if it were the bastard stepchild of the “Halloween” movie franchise, but with the passing of time it has been reassessed as a clever horror movie which stands on its own merits. The Shout Factory Blu-ray release was done with a lot of love and care, and this especially shows in the brilliant artwork on the cover illustrated by Nathan Thomas Milliner. After all these years it is worth revisiting this sequel, and that is even if it you have to endure the “Silver Shamrock” commercial jingle just one more time.

‘Halloween II’ Shout Factory Blu-ray Review

Halloween II Shout Factory blu ray cover

Universal Pictures first released 1981’s “Halloween II” on Blu-ray, and it was a release many horror fans had long awaited. But a year later, Shout Factory gave us another edition of this sequel, and it contained a lot of extras which were sorely missing from the Universal release: audio commentaries, a documentary on its making, deleted scenes, an alternate ending, trailers and TV spots among other goodies. This release also includes what the previous Universal Blu-ray controversially, and unforgivably, left out of the opening credits: “Moustapha Akkad Presents.”

Great care has been taken in this release’s packaging as it contains an excellent cover created by artist Nathan Thomas Milliner. This illustration has Michael Myers walking with that scalpel of his and crying tears of blood, Donald Pleasance holding out his hand which has Myers’ blood on it, and Jamie Lee Curtis looking as fierce as she did in the first “Halloween” movie. Looking at this cover should everyone an idea of just how big a cult following this sequel has more than 30 years after its theatrical release.

When comparing the look and sound of Shout Factory’s release to Universal’s, it’s hard to see much, if any, of a difference between them. Both versions make this sequel look better than it has in ages even though there is a bit of grain in certain scenes. But what this version does have which the Universal release lacked are two DTS-HD Master Audio tracks which include a 5.1 remix and a stereo mix.

This edition also contains two audio commentaries, and the first one is with “Halloween II’s” director Rick Rosenthal who is joined by actor Leo Rossi who played the chauvinistic ambulance driver Budd Scarlotti. Now this is an audio commentary fans have been dying to hear for the longest time, and Rosenthal provides a number of interesting tidbits throughout. Rossi himself is a delight as he talks about how Rosenthal went to bat for him when the late Debra Hill did not even want him in the movie. Hill was instead looking for Midwestern actors as the movie took place in Illinois, but Rosenthal managed to wear her down and get Rossi cast even though he looks and sounds like a New York native.

The other audio commentary is with stunt coordinator Dick Warlock who also played Michael Myers. Of the two commentary tracks, this one proved to be the most entertaining. There are a number of spots in the Rosenthal/Rossi where they both went silent and seemed unsure of what to say, but Warlock is full of details on how he went about playing Michael Myers and of how he handled some of the more dangerous stunts in the sequel.

We do also get a documentary entitled “The Nightmare Isn’t Over: The Making of ‘Halloween II'” which features interviews with Rosenthal, Warlock, Lance Guest, Rossi, Nancy Stephens and many others who were in front of or behind the camera. Like Rosenthal’s commentary, this is another special feature fans have been waiting for endlessly, and it does not disappoint. Some of the best anecdotes come from Rossi who explains how and why he changed the lyrics to “Amazing Grace” when he sang it, and Warlock makes clear why metal zippers do not belong on insulated clothing when you have been set on fire.

There is an additional DVD disc which contains the TV version of “Halloween II” on it, and this is the same version which has been shown on the A&E network. It features additional scenes not found in the theatrical cut as well as an alternate ending which shows one character to still be very much alive.

Other special features include an episode of “Horror’s Hallowed Grounds” which has host Sean Clark revisiting the original shooting locations of “Halloween II.” It’s surprising to see some of them still intact 30 years later. There’s also the theatrical trailer, television and radio spots, and deleted scenes with commentary from Rosenthal.

For those of you who still own the Universal Blu-ray release of “Halloween II,” you may not want to get rid of it just yet. The documentary “Terror in the Aisles” did not transfer over to the Shout Factory release, and it is unlikely you will see it available in its own release in the near future.

When Universal Pictures released its Blu-ray of “Halloween II,” it looked like we would never get a better version of it and had to be happy with what we got. Shout Factory, however, has given us a 2-disc set which has just about every special feature fans of this sequel could ever want, and it will certainly keep them busy for hours.

While it was ill-received upon its release in 1981 and considered a pale imitation of the original, “Halloween II” has long since gained a cult following as there are actually many things about it worth admiring. The look and feel of this sequel mirrors the original, and this was something the sequels which followed it could only dream of capturing.

‘3 From Hell’ Movie and Blu-ray Review

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The following review was written by Ultimate Rabbit correspondent Tony Farinella.

After watching “3 From Hell,” I’m going to go out on a limb and say it is Rob Zombie’s best film with “The Devil’s Rejects” being right behind it.  This might be an unpopular opinion, and I might be in the minority on this, but this is one hell of a movie, pun intended.   Even though the late Sid Haig is hardly in the movie because of his health issues at the time, it is an incredible ride from start-to-finish.  There is never a dull moment in this movie.  This is the kind of balls-to-the-wall and in-your-face horror film which is missing from today’s cinemas.  It is a shame the film did not get a wider release as there is a lot to like here.

3 From Hell” picks up right where “The Devil’s Rejects” left off, and it shows the aftermath of the big finale.  Someway, somehow, Baby Firefly (Sheri Moon Zombie), Otis Driftwood (Bill Moseley) and Captain Spaulding (Sid Haig) have survived their shootout with the police.  However, they are in prison, which makes it quite difficult to unleash their unique brand of mayhem and chaos onto unsuspecting victims. Baby Firefly is still completely crazy and has little interest in trying to get out of prison.  She’s quite proud of what she has done behind bars and of how she has survived.  As a matter of fact, the three of them have quite a fan base now because of the news.

Otis Driftwood is able to escape out of prison thanks to the help of his half-brother Winslow Foxworth Coltrane (Richard Brake) who is new to this series of films.  However, he has worked with Rob Zombie in the past on “31” and “Halloween II.”  Even though he is no Captain Spaulding, he does a really good job of being a believable brother to Otis and a terrifying force.  Now that Otis and his brother are running around free, they need to find a way to reunite with Baby Firefly.  Without her, they are just not complete.  They write off Captain Spaulding as dying from lethal injection, which explains why he is not part of their team anymore.  Once the “3 From Hell” gang are back together again, things really get taken up a notch.  Sometimes their victims just happen to be in the wrong place at the wrong time.  The violence is unrelenting, brutal and completely raw, and this is a compliment to the highest degree in a horror film.

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It is rare to see films like this made today, as I mentioned earlier.  This film is not politically correct, and it is not afraid to truly go for it without thinking twice or blinking. This is the unrated cut of the film, and it certainly holds nothing back with the violence or the nudity as well.  There is not a single moment in this film which is boring, lackluster or wasteful.  Rob Zombie takes a patient approach, but there is always something happening on screen that is capturing our attention as an audience.  At times, it plays like a horror western with some of the showdowns.  It’s also incredibly entertaining.

When “3 From Hell” was over, I had a huge smile on my face.  I realized I had witnessed something special and something which doesn’t find its way to your local theater with the proper marketing.  This is why it was given a special release through Fathom Events. A lot of people have complained about the film being a rehash of “The Devil’s Rejects,” but quite frankly I don’t see it.  With Rob Zombie, he doesn’t make films where things are black and white.  At times, innocent people die on screen. We find ourselves rooting for evil people who are doing evil things.  It is because they are entertaining, funny and totally unlike anything else in a horror movie.

Rob Zombie is a true horror fan, and it shows in the way the film was shot.  It had that grindhouse feel to it.  I loved the look of the film, and I especially loved the performances in the film.  At times, I felt like Sheri Moon Zombie was stealing the show with her antics on screen.  In other moments, I enjoyed the easy-going yet incredibly scary performance by Bill Moseley.  Richard Brake is just as off the wall as well with his performance.  If I had to pick one performance that really stood out, it would have to be Sheri Moon Zombie, though.  Granted, she is given a lot to work with on screen, but she’s more than up to the task of handling it all with relative ease. It’s hitting all the right notes.  I loved every single second of this flick.

* * * * out of * * * *

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Blu-Ray Info: “3 From Hell” is being released on a two-disc Blu-ray, DVD and Digital Combo Pack from Lionsgate Home Entertainment.  It comes with both the R-rated and unrated versions of the film, but the unrated version can only be viewed on the Blu-Ray. The film has a running time of 115 minutes.  For the rated version, it is rated R for strong sadistic violence, language throughout, sexual content and drug use.

Audio Info:  The English 7.1 Dolby TrueHD audio track is out of this world! It is exactly what I wanted out of this film.  It truly adds to the screams of terror when the violence is happening on screen.  It’s great during the scenes which feature some great songs as well. There are also subtitles in English and Spanish.

Video Info: The film looks outstanding on a 1080p High Definition 16×9 (1.85:1) presentation.  It is able to have an old-school grindhouse look to it, as I mentioned in my review, without sacrificing the picture quality which is sharp and top-notch.

Special Features:

Audio Commentary with Rob Zombie:  If you have ever heard an interview with Rob Zombie, you know what an intelligent and thoughtful filmmaker and individual he is.  He takes you through the entire filmmaking process and is never boring.  This is a commentary track which I highly recommend you listen to after watching the film on its own.

To Hell and Back: The Making of 3 From Hell (4-Part Documentary) (01:34:00):  This is almost as long as the film itself!  This is the kind of special feature I wish more filmmakers would add to Blu-rays. It shows on-set footage, behind-the-scenes interviews, and tons of knowledge on anything and everything you would ever want to know about this movie.  This is a top notch, A+ special feature.  I’m really glad they took the time to show us how this movie came together. Rob Zombie is as laid back as they come and very open to ideas from his actors.  Even though he is the writer/director, he only puts his foot down when it comes to notes from the studio trying to change his vision or tell him what to do on his films.

Should You Buy It?

HELL YES!!!  As soon as you have finished reading this review, you owe it to yourself to buy this movie as soon as possible.  This is my favorite horror movie of 2019, and it is one of the best horror movies I’ve seen in probably a decade.   Now don’t get me wrong: I love what Jordan Peele is doing with films like “Get Out” and “Us”.  However, this is, as director Kevin Smith called it, “Horror Heaven.”  If you like your horror films bloody, twisted, funny, unhinged, crazy and totally unfiltered, this is the movie for you.  The audio and the visuals are top notch as well as the special features.  Lionsgate did a tremendous job with this Blu-ray release, and I can’t recommend it enough!

 

‘Annabelle Comes Home’ Movie and Blu-ray Review

Annabelle Comes Home Blu Ray cover

The following is written by Ultimate Rabbit correspondent Tony Farinella.

Annabelle Comes Home” is the third film in the “Annabelle” franchise.  I would rank it as the second best in the series.  My order goes like this: “Annabelle: Creation,” “Annabelle Comes Home,” and “Annabelle.”  When you throw “The Conjuring” universe into it, it can be a little bit more difficult to rank them.  Because of this, I am going to keep it strictly to the “Annabelle” films when ranking them. “Annabelle: Creation” was a prequel, but this one is a sequel to the original “Annabelle” film. Ed and Lorraine Warren take the Annabelle doll home after the destruction she caused in the first film.  They have a room where they keep all of the evil things locked away.  However, Annabelle is so malevolent, a priest comes by the house twice a month to bless the doll.

When Ed and Lorraine Warren go away on business, they need someone to babysit their daughter Judy, played perfectly by Mckenna Grace.  The terror and fear she expresses on her face and throughout the film is simply off the charts.  Judy has a hard time making friends because people think her parents are strange and a little off-kilter because of their profession.  They are Demonologists.  If you are new to this franchise, Ed and Lorraine Warren are real.  As a matter of fact, Lorraine recently passed away, unfortunately.  They are played by Patrick Wilson and Vera Farmiga, and since the two of them have been playing the couple for so long, their chemistry and timing is just about flawless.

 

Sadly, they only show up at the start of the film, and they don’t reappear until the end of it.  When they are on screen, the film is really taken up a notch.  There is good news, though, and it is those two terrific actresses Madison Iseman and Katie Sarife who play the babysitter, Mary Ellen, and her best friend Daniela.  When you throw in Grace, you have three young leads who carry the movie throughout its running time.  There is also a love interest named Bob (Michael Cimino) with great comedic timing and a running gag about his name.  They are the ones stuck dealing with Annabelle when she gets released from her glass case.

Annabelle Comes Home photo

Now, a lot of people have a problem with films which have jump scares.  There are a few jump scares in this flick, but they are really built up by the suspense and pacing which is set by director Gary Dauberman.  This is his first time behind the camera as a director, and he shows a sure hand in setting the mood.  The set design is also terrific along with the costume design, as the 1970’s look is spot-on throughout the film.  It is easy to see they spent a lot of time working on getting the little details right as it shows in the final product.  Dauberman has also written “It: Chapter 2,” “Annabelle,” “Annabelle: Creation,” and he was one of the writers on the first “It” in 2017. He knows the horror genre, and he knows the “Annabelle” franchise.  He also wrote this film based off a story he created with James Wan.

When all is said and done, this is an entertaining ride.  It starts with the acting, first and foremost, as mentioned.  If the young actors are not up to the task of showing terror and making the audience believe, the film is going to fail.  It falls on their shoulders, as they are put in charge of leading the way when Wilson and Farmiga disappear for a good chunk of the film.  They carry the movie on their shoulders, and they do not disappoint in the least.  They raise the level of the film with their acting.  Casting is so important in a film like this.

Also, Dauberman proves here he should be put in charge of more horror films as a writer and director. He knows how to use silence to his advantage, and he also truly cares about his characters as well.  There is a reason why Annabelle returns. Without giving too much away, many times characters in horror films make poor decisions.  When you find out why Annabelle is unleashed here, you understand it’s for an emotional reason which makes sense.  It is not just a plot device to get her to be part of the film.   I enjoyed myself a lot more than I thought I would with this third installment in this franchise.

* * * out of * * * *

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Blu-Ray Info: “Annabelle Comes Home” is released on a two-disc Blu-Ray Combo Pack from Warner Brothers Home Entertainment.  It also comes with a digital copy as well.  The film has a running time of 106 minutes.  It is rated R for horror violence and terror, although I felt as though it could have been PG-13 as the horror violence is rather tame.

Audio Info: The audio on the film is Dolby Atmos-TrueHD: English, English Descriptive Audio 5.1, Dolby Digital: English 5.1, Dolby Digital: French 5.1 (Dubbed in Quebec), and Dolby Digital: Spanish 5.1. Subtitles are in English, Spanish, and French.  The film sounds great, and the tension is built up perfectly by the eerie soundtrack without it banging you over the head.

Video Info: The video format is 1080p High Definition 16×9, 2.4:1.  The picture is crystal clear, sharp, and very vivid.  It looks great on Blu-Ray.

Special Features:

Behind the Scenes: The Ferryman/Demon (05:18), The Bloody Bride (02:57), and The Werewolf (03:07):  These are characters which show up throughout the film.  On this special feature, we get to meet the actors who portrayed them and see what they went through in order to get properly prepped with make-up, effects and costumes.  It leaves the audience wondering if any of these characters will be turned into films, which is something the director hints at on these special features. Dauberman and Wan discuss what they were thinking when coming up with the characters together and how the behind-the-scenes team made them into a reality.

The Artifact Room and the Occult (05:07):  This focuses on the infamous artifact room that is in the Warren’s house.  They wanted to add some new artifacts they were not able to introduce in other films, according to Wan.  There are some very cool pieces and Easter eggs they added to the room.

The Light and The Love (04:26):  They talk about the love between Ed and Lorraine, which really is the heart and soul of the film.  While the scares are great and the stories are terrifying, it is Ed and Lorraine who really stand out.  These are two-dimensional human beings played by Wilson and Farmiga, and you can tell they have a lot of love for the real Ed and Lorraine Warren. The chemistry and connection they share on screen is hard to ignore.  There is an element of fun which is really needed in these films without being too cheesy. They talk about how they love being able to play the scary scenes along with the family drama as well.  It’s a good balance.

Seven Deleted Scenes (11:28):  Seven deleted scenes are added here, including an alternate ending.  I thought the running time of the film was just right, and the filmmakers hit all of the right notes.  Most of the deleted scenes are just more time spent with the characters which is fine, but it is not really necessary in the big picture of the film. However, there is one particular scene where Mary Ellen opens up about a near-death experience that is very powerful and should have been used in the film.  The alternate ending is nowhere near as good as the one in the film, so I’m glad they didn’t use it. The alternate ending is very clichéd and predictable.

 

Should You Buy It?

If you are a fan of “The Conjuring” universe or the “Annabelle” films, you will be happy to know they are still churning out quality movies with great performances and effective scares.  If you take away “The Nun” and “The Curse of La Llorona,” you have three really good movies (“The Conjuring,” “The Conjuring 2” and “Annabelle: Creation”) and two good ones in (“Annabelle” and “Annabelle Comes Home”). I was close to putting “Annabelle Comes Home” in the really good category, but it just misses the mark.  However, it is still a good film and one worth adding to your collection if you own the good movies.  I own five out of the seven films.  There are special features and an alternate ending, but I wish they had gone into more depth with the special features. A commentary track would have been great as well. The Blu-ray looks and sounds great, which is always the case with Warner Brothers on their new release films.  This is a day-one purchase for hardcore fans of the franchise or the universe, however you wish to describe it.

‘Gremlins’ 4K Ultra HD Blu-ray Review

Gremlins 4K Ultra HD cover

The following review is written by Ultimate Rabbit Correspondent Tony Farinella.

Gremlins” came out a year before I was born, but the true test of any good to great movie is how it holds up, regardless of how old it is.  While watching this 1984 classic for the first time in what feels like ages, it does show its age in some respects.  However, there is something rather charming about the 80’s comedy/horror film that still holds true to this day.  The film is rated PG, although if it were released today, I would imagine it would get a PG-13 rating.  There is nothing overly graphic about it, but it’s partially a children’s horror/comedy and partially a young adult horror/comedy. Oddly enough, the PG-13 rating was put into place two months after this film, according to research.

Everything gets set into motion when a quirky and outside-the-box inventor named Randall Peltzer (Hoyt Axton) wants to buy something special for his son on Christmas.   He happens to come across a very special creature known as a Mogwai.  The man in charge of the antique shop does not want to sell it, but his grandson does a side deal with Randall in order to get some much-needed money.   He tells the man to remember three things: Don’t get it wet, don’t expose it to the sun, and don’t feed it after midnight.  Randall thinks this sounds simple enough and proceeds to take the Mogwai home to give to his son Billy for Christmas.

All is fine and dandy with the Mogwai, which ends up being named Gizmo, until one night it gets wet.  They learn that this creates even more Mogwais in the process. Things turn even worse when Billy (Zach Galligan) feeds them accidentally after midnight. Now, Gizmo is one of the good ones.  He is adorable and harmless.  The rest of them, however, turn evil and create mayhem and mischief at every corner.  It is up to Billy and the girl he likes, Katie (Phoebe Cates) to stop these gremlins from destroying everything in their path.

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Considering all of the various films that came out in the 80’s that dealt with teenagers/young people in peril trying to figure things out, it’s easy to see why this film was such a success.  We are seeing a lot of that with “It” and “Stranger Things.”  What’s old is new again. People hold a certain affinity for the 80’s and the films that came out during that period.   They also like to see the young kids taking control of a situation.  That is what happens here.  It doesn’t take long for things to get out of hand.

“Gremlins” is a very fast-paced film directed by Joe Dante, and he mixes the comedy and horror together just right. The screenplay by Chris Columbus is also very well-written, and this helps the proceedings.  It is not a scary film at all, but it is a film which knows what it is trying to accomplish for audiences. This is a film which is a lot of fun and over-the-top with its use of the various creatures inhabiting it.  While they garner a lot of screen time, it is impossible not to notice the cast which also includes Judge Reinhold and Corey Feldman.  It is also great to see a horror film where the parents actually believe the children instead of doubting them, and they are fighting alongside the children against these hideous creatures.

In the end, thirty-five years later, “Gremlins” does show some signs of aging, but as mentioned earlier, considering how people are gravitating toward the horror comedies of the 1980’s with young teens in peril, it works quite well in today’s cinematic world.   With it being released on 4K, this is the perfect time to pick it up and add it to your collection.  The transfer is a solid upgrade, and it’s the perfect movie to watch with Halloween fast approaching.   While there is a lot going on here, it never feels overstuffed or overpopulated.  It feels just right in terms of the pacing, the acting, and the outcome.

* * * ½ out of * * * *

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Video Info: The 4K is released on 2160p Ultra High Definition 16×9 1.85:1, and the Blu-Ray is 1080p High Definition 16×9 1.85:1.  While the 4K transfer is a solid improvement over the Blu-Ray, it’s not a huge improvement.  The Blu-Ray is pretty basic and does not stand out all that much. It is still grainy in certain scenes, and they didn’t add anything new to the Blu-Ray.  With the 4K, it adds more color with the high dynamic range.  For those like myself who are really big into audio and video, you want to own the best version of this film. Again, it’s the same Blu-Ray that’s always been out there, but you are buying this for the 4K transfer.

Audio Info:  I did not notice a huge difference in the audio on the 4K disc as much as I do with the video quality. However, there is still a slightly noticeable difference here with the audio on 4K, and this is what makes it an especially worthy purchase.  The audio on the 4K is DTS-HD MA: English 5.1, Dolby Digital: French 5.1, Dolby Digital: Spanish 5.1 (Both Castilian 5.1 and Latin 2.0).   The subtitles are in English, French, and Spanish. For the Blu-Ray, you get Dolby TrueHD: English 5.1, Dolby Digital: English 5.1, Dolby Digital: English 2.0, Dolby Digital: French 5.1, Dolby Digital: Spanish 5.1 (Both Castilian 5.1 and Latin 2.0).   The subtitles are in English, Spanish, and French.  There are no problems to report with the audio, and it is consistent throughout.

Special Features:

Filmmakers’ Commentary with Director Joe Dante, Producer Michael Finnell and Special Effects Artist Chris Walas:  If you are looking for the behind the scenes commentary track on the filmmaking process, this is the special feature for you.  They cover a lot of ground here, and it is especially interesting to hear from Chris Walas who would go on from here to win an Academy Award for Best Makeup on “The Fly.”

Commentary with Joe Dante, Zach Galligan, Phoebe Cates, Dick Miller, and Howie Mandel:  If you are looking to hear from the actors and how they approached this project, this is the right commentary track to listen to as they tell some great stories.  These commentary tracks are on both the 4K and the Blu-Ray.  They are both worth listening to, as they offer something different.

Theatrical Trailers

Photo/Storyboard Gallery

Gremlins Behind-The-Scenes Featurette (06:21):  This was put together when “Gremlins” was being shot, so it is not a modern special feature.  It features interviews with Joe Dante, Hoyt Axton, Zach Galligan, Chris Walas, Phoebe Cates, and Steven Spielberg. Oddly enough, Spielberg did not consider it a horror film or a spoof when talking about it on this special feature from the 80’s.  I wonder what he thinks of the film today.  He said “Gremlins” was unlike anything he had read which was why he bought it and gave it to Dante to direct.  It would have been great to see a more modern special feature which looked back on the film thirty-five years later.

Additional footage which includes an extended opening, an extension of Judge Reinhold’s character, and more with commentary by Joe Dante (10:26): Joe Dante talks about the editing process and how the original rough cut was two hours and forty minutes. He talks about why these scenes were deleted as some were repetitive.  Other voices are heard on the commentary track, but they are not identified.  I believe some of them are from the actors like Phoebe Cates and Zach Galligan. You can listen to this with or without commentary.

Should You Buy It?

While there are no new special features, “Gremlins” is a good addition to add to your collection if you own a 4K TV and 4K Blu-Ray player.  The 4K transfer is an improvement, and the price is only $24.99. That said, it would have been nice to see some new special features as well as an updated Blu-Ray release to go with the 4K disc. If they had just put a little more time and effort into that, this release would have been a home run.

‘The Mule’ Movie and Blu-ray Review (Written by Tony Farinella)

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The fact that Clint Eastwood is still directing films at his age is nothing short of amazing.  When he is acting and directing them, it is even more impressive.  “The Mule” marks the first time he has directed and acted at the same time since 2008’s “Gran Torino,” so it’s been a while. He does not disappoint as the usual Eastwood touches are here.  He is a simple yet powerful filmmaker and actor.  He is not going to do a lot with the camera, but he trusts his actors, the writer, and he gives everyone them the space they need to tell the story.  It is what he has always done as a director.  He’s not a flashy filmmaker and he doesn’t need to be since he knows what works.

Eastwood stars as Earl Stone, a 90-year old horticulturist from Peoria, Illinois who is seeing the world changing rapidly thanks to the Internet. The film starts out in 2005 and he is winning awards at conventions and making friends left and right.  However, he has forgotten about his family in the process.  He is not on good terms with them and they feel neglected.  Early on in the film, they show him missing out on his daughter’s wedding.  His real-life daughter (Alison Eastwood) is in the film, which is a nice touch.

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With the internet growing, Earl has now fallen on hard times.  When he shows up to visit his granddaughter at a brunch for her upcoming wedding, he notices his family has not forgiven him for putting work over family. He wants to make it up to them by pitching in for Ginny’s (Taissa Farmiga) upcoming wedding.  Someone approaches him at the brunch and informs him that all he has to do is drive and he can make a lot of money.  Driving is something he is very good at as he has driven in forty-one states and has never been pulled over or ever had a ticket.

Little does Earl know he will be driving for the cartel and carrying around some cocaine. Since he is such a good driver, and 90-years old, it seems like the perfect way for him to make some easy money and get back in the good graces of his family. At first, he only takes on one job and believes it will be enough to hold him over.  Before long, he is their top driver and highly thought of by the cartel.   However, two DEA agents played by Bradley Cooper and Michael Peña are trying to take down the cartel, and Earl may go down with them as well.

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There is nothing here which is incredibly moving, profound, or earth shattering. The jokes about cell phone usage are a little overdone.  It is still very entertaining, however, and a very easy movie to watch. The film also features stellar performances from Laurence Fishburne, Dianne Wiest as Earl’s ex-wife, Richard Herd, Andy Garcia, and Clifton Collins Jr. Eastwood is the one leading the charge here, and he always plays it with his usual Eastwood calm, cool, and collected persona even when things get a little hairy.  He makes a decision and he sticks with it.

At 116 minutes, “The Mule” breezes by with humor, suspense, and tension.  At this rate, we don’t know how many more times Eastwood will be in front of the camera, and he is a Hollywood icon, so it’s always a treat.  I don’t see any upcoming films for him as a director/actor, and he is someone who should be cherished.  He still has it and will never lose it. I hope he lives forever and keeps making movies.  This is the kind of movie where you sit back, relax, and enjoy the ride Eastwood and company take you on for almost two hours.  It’s not great, but it’s still quite good.

* * * out of * * * *

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Blu-Ray Info: “The Mule” is released on a two-disc Blu-Ray, DVD, and Digital Combo Pack from Warner Brothers Home Entertainment.  It has a running time of 116 minutes and is rated R for language throughout and brief sexuality/nudity.

Audio Info: The audio is presented in DTS-HD Master Audio: English 5.1, English Descriptive Audio 5.1, Dolby Digital: French 5.1 (Dubbed in Quebec), and Spanish 5.1. Subtitles are included in English, Spanish, and French.

Video Info:  The film comes to you in 1080p High Definition 16×9 2.4:1.

Special Features:

The Making of The Mule: Nobody Runs Forever (10:59): Clint Eastwood talks about how it was different from other projects he had done in the past.  It was inspired by true events as well. The screenwriter of “Gran Torino” wrote this film, which makes total sense.  Eastwood gives great details about how he approached the character. Many of the main cast members chime in with their thoughts on the film and working with Eastwood.  They also go into detail on how Eastwood was big on getting all of the little things right in this movie.

Toby Keith “Don’t Let the Old Man In” Music Video (02:54)

‘Creed II’ Movie and Blu-ray Review (Written by Tony Farinella)

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When “Rocky Balboa” was released in 2006, many wondered how a sixth “Rocky” film would perform when the last one prior to that was released in 1990.  Sylvester Stallone himself was not all too pleased with how “Rocky V” ended, and he wanted to do right by Rocky Balboa.  Needless to say, he did so as he was the writer and the director behind it.  Because of the good will he had built up from the sixth installment, fans were excited for “Creed,” which was released in 2015 and directed by Ryan Coogler.

Coogler was coming off the success of “Fruitvale Station,” and it was set to star Michael B. Jordan, also from the aforementioned film. It was in good hands, as they were wise to hand the franchise over to Jordan while still keeping Stallone around.  The film was organic, funny, entertaining, and powerful at the same time. When it was time for “Creed II,” they handed it over to Steven Caple Jr.  I’m happy to report he did a terrific job with “Creed II,” and the writers also had a fresh idea to bring to the table: bring back Ivan Drago (Dolph Lundgren) and introduce his son Viktor (Florian Munteanu).  After all, everyone remembers how things ended up in “Rocky IV” between Drago and Apollo Creed.

When the film gets started, everything seems to be going well for Adonis Creed.  He wins the World Heavyweight Championship, proposes to his girlfriend, Bianca (Tessa Thompson), and he also has a baby on the way.  His world, however, gets turned upside down when Viktor Drago, son of Ivan Drago, challenges him.  This is the same Ivan Drago who killed his father back in 1985.  Rocky tries to tell him to stay away from the fight and that he is fighting for the wrong reasons.

Adonis’ pride, however gets in the way and he ends up taking on the fight, regardless, and without Rocky his corner.  His life only becomes more complicated and painful from that point forward.  Now, he needs to figure out what to do in order to get his career, his health, and his life back on track.  It won’t be easy for Adonis, but everything in his life has always been a fight.  Rocky just wants him to figure out what he’s fighting for and also realize he has other people counting on him as well.

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There is a lot to like about “Creed II.”  I’m not going to say if it is better or worse than 2015’s “Creed.”  It is just as good.  It is just different, and it is dealing with different themes and different messages.   Jordan gives a knockout (I know, easy pun) performance here.  All of his emotions are in his face, and it’s a performance with a lot of nuance and complexity attached to it.  As an audience member, you understand what he’s doing and why, even if you don’t always agree with him.

His relationship with Tessa Thompson’s Bianca also brings a big heart to the film.  These two have tremendous chemistry together and it is a joy to watch them on screen.  Stallone has said he is walking away from the franchise after this movie, and it seems like the right move.  Make no mistake about it, Stallone’s the backbone of this franchise and he makes the most of every scene he’s in even though he doesn’t get a lot of screen time.  He does a lot with a little.  I imagine this was intentionally done, as he was one of the writers on the project.

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The film deals with the complexity of a father/son relationship and how men are trying to carve out their own image and legacy.  There is a lot of meat in this script, as Adonis is becoming a father himself. Phylicia Rashad is back here once again, and she brings such fierce intensity and knowledge to her role as Mary Anne Creed.  There is not a bad performance in the film.  It’s heartwarming, intense, and very, very entertaining.

With that said, it is not a perfect film.  I would argue it is about twenty minutes too long.  As with most boxing movies, the boxing itself and the training montages are not all that interesting compared to the relationships in the film. What transpires throughout the film will not surprise anyone, but when it’s done with such warmth and commitment from the actors, it helps elevate the material into something really, really special.  While I don’t think we need a “Creed III,” I can’t say I would necessarily mind one if the right people are involved in the project.

* * * ½ out of * * * *

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Blu-Ray Info: “Creed II” is released on a two-disc Blu-ray combo pack, which also includes a digital copy, from Warner Brothers Home Entertainment. The film is rated PG-13 for sports action violence, language, and a scene of sensuality.  It has a running time of 130 minutes. It is presented in 1080p High Definition with an aspect ratio of 16×9, 2.4:1.  The audio formats are Dolby Atmos-TrueHD: English, DTS MA: English 5.1, English Descriptive Audio 5.1, Dolby Digital: Français 5.1, and Español 5.1. Subtitles are included in English, French, and Spanish.

Special Features:

Fathers and Sons (07:16): This special feature talks about how “Creed II” touches on the father/son dynamic and what a big role it plays in the film and also in life.  Interviews with the cast and crew are featured as well as some famous boxers including Sugar Ray Leonard.  They even talk about the Shakespearean aspects of the story.

Casting Viktor Drago (05:43): This special feature is all about the casting of Florian Munteanu who comes from a boxing background.  Stallone wanted him in the film and saw something special in him.  Munteanu talks about how grateful he is to be in the film as he is familiar with all of the “Rocky” films.  He trained for seven months and really committed to the role, which impressed his fellow actors and the director as well.

The Women of “Creed II” (05:51): Sugar Ray Leonard appears once again, and he gives credit to the women that are alongside the boxers through all of the training and the punishment in the ring.  Director Steven Caple Jr. didn’t just want Tessa Thompson and Phylicia Rashad to be in the background of the film.  He wanted them to get their due.  It’s a big reason why the film is as effective as it is because each and every character serves a significant purpose.

The “Rocky” Legacy (15:01): This is hosted by Dolph Lundgren, and it discusses the impact the “Rocky” franchise has had not only on boxing movies, but also on the sport itself.  They also tie it together with “Rocky IV” and “Creed II.”  The cast and crew of “Creed II” talk about the music, the boxing scenes, and why the franchise has lasted as long as it has going all the way back to 1976.

Deleted Scenes (09:46): One notable deleted scene worth mentioning is one where Rocky performs a eulogy for Spider Rico, the first fighter he ever fought in the “Rocky” films.  It’s a powerful scene and one which should have been in the film despite my issues with its length.  The other three deleted scenes include Rocky training young kids to box, Adonis and Bianca talking about his legacy, and the aftermath of the fight between Adonis and Viktor.

 

‘A Star is Born’ Movie and Blu-ray Review (Written by Tony Farinella)

Ladies and gentleman, allow me to introduce you to Tony Farinella, a fellow film buff who will now be contributing articles to The Ultimate Rabbit. This is his first review for the website, and we look forward to reading many more from him.

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Wow.

It is very rare that a film like “A Star is Born” comes along.  When the trailer was released, I must have watched it about fifty times.  When the soundtrack came out, I listened to it every single day and still do today.  Many people are often quick to judge when it comes to remakes, especially for one like “A Star is Born,” considering it has been done multiple times in the past.  However, this one is different and far and away the best version of the film to ever come along which is truly saying something.  It all starts with Lady Gaga and Bradley Cooper.  They are the straw that stirs this drink.

The word authentic is used a lot when it comes to the filmmaking process.  It was especially true when it came to “A Star is Born.”  In order for this film to be as effective and powerful as it ultimately ended up being, two things needed to happen.  Number one: Lady Gaga had to be believable as an actress.  She has acted before, but it has never been on this level.  Number two:  Bradley Cooper needed to be believable as a singer.  It can’t look like he’s lip syncing or just trying to fit in and not look out of his element.  He IS Jackson Maine in the same way Lady Gaga is Ally.

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When that happens, you have movie magic.  No film has affected me as much as 2018’s “A Star is Born” since 2004’s “Million Dollar Baby.”  There is something to be said about having a dream and having someone believe in you.  The story has been done before, but it is told in a way that brings something new to the table, especially with Bradley Cooper as the director.  He is the director and he is more than up to the task.  The music is incredible, catchy, and it truly brings the viewer into this musical world.

As far as the story, Jackson Maine (Bradley Cooper) has seen better days.  He is boozing at a very dangerous level and is also really into drugs.  He props himself up on stage, but he is not the man he used to be as a performer.  This frustrates his brother, played by Sam Elliott.  There is only so much he can take of Jackson being late or not taking things seriously.  However, when Jackson has a chance encounter with Ally (Lady Gaga), he sees something special in her.

All her life, people have told Ally they like the way she sounds but not the way she looks.  They talked about her nose and have criticized her.  Legendary comedian Andrew Dice Clay plays her father in a tremendous performance.  He’s a driver, and he talks about how Paul Anka once told him he had more natural talent than Frank Sinatra.  As his daughter tells him, she doesn’t have the same disease he has where he loves to hang out with celebrities and feel important.

With Ally and Jackson, both are the missing piece in each other’s lives.  Jackson tells her she has a voice, has something to say, and is the one who needs to say it.  Ally brings out the best in Jackson musically and as a person, even though he is still struggling with his demons.  When he runs into an old musical friend, played by another legendary comedian in Dave Chappelle, the friend tells him he looked like his old self up on stage with Ally.  However, as Ally’s star is rising, Jackson is starting to hit rock bottom.

People are taking notice of her because of Jackson, but Jackson can’t be left alone with his alcohol issues and his ability to self-destruct at any moment.  She’s becoming more of a pop star, but she isn’t really sure she likes it.  She tells her manager she doesn’t want to lose the part of her that is talented.  With fame, there comes a lot of wonderful and magical things, but it is very complicated for both Ally and Jackson.  They need to figure out how to handle it to save their relationship and also their careers.

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As mentioned earlier in the review, “A Star is Born” has tremendous songs, and they are performed live.  Because of this and of the way they are shot, it brings an intimacy to this film.  This is a very intimate film, make no mistake about it.  The love between Jackson and Ally feels incredibly real and raw.  The music is there without any frills.  It is just great music and it is not done in a way which sounds staged or phony.  This is as real as it gets in terms of moviemaking.  It is incredible what Bradley Cooper pulled off here as a director.

The third act is a tough one, as I’m sure many people are aware of by now, but it is also a hopeful act without giving too much away. The final performance and the way Lady Gaga looks into the camera, that is golden.  It does not get any better than that.  For this and so many other reasons, “A Star is Born” is my favorite film of 2018.  After watching it twice, once in the theater and once on Blu-Ray, I don’t think I have any tears left in me to cry, quite frankly.  Those tears were earned though, and this is what makes it such a special movie.

Lady Gaga has said this a number of times, and it is true: “You can have a hundred people in a room and all it takes is one to believe in you.”  This is a film that anyone with a dream of making it in a field they are passionate about needs to see and watch over and over again.  It is possible.  It is possible because of the love and support of another person and the belief in yourself.  :A Star is Born” isn’t just the best movie of 2018, it is also one of the most important films of the year as well.

* * * * out of * * * *

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Blu-Ray Info: “A Star is Born” is released on a two-disc Blu-Ray Combo Pack, which comes with a digital copy as well.  You can also pick it up on DVD and 4K.

Audio and Video Info: The film comes presented in 1080p High Definition with an aspect ratio of 16×9, 2.4:1.  The film looks magnificent on Blu-Ray and really pops and stands out.  The audio is also out of this world on the following formats: Dolby Atmos- TrueHD: English, DTS-HD MA, English 5.1, English Descriptive Audio 5.1, Dolby Digital: Français 5.1 (Dubbed in Quebec), and Español 5.1. Subtitles are in English, French, and Spanish.

Special Features:  There is a thirty-minute behind-the-scenes special feature, which includes interviews with just about every major actor in the film including Bradley Cooper and Lady Gaga.  They talk about the process of getting this film made, how it took three years, and what it meant to all of them.  It is called “The Road to Stardom: Making A Star is Born.” Music Videos are included as well as songs and performances not seen in theaters.  All in all, there is some good stuff here, but I would have loved a commentary track and an even lengthier behind-the-scenes of the film, as I know a lot went into this. Depending on how this film does on Oscar Night, I’m going to go out on a limb and say they will be releasing it again with more special features.

Own “A Star is Born” on 4K UHD Combo Pack, Blu-ray™ Combo Pack and DVD Special Edition on February 19

Blu-ray Review: ‘Prince of Darkness’

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It continually amazes me how the movies of John Carpenter have endured years after their release. Many of them were critical and commercial disappointments when they first came out, and it seemed for the longest time that Carpenter would forever be trapped in the shadow of his most successful movie, “Halloween.” “Prince of Darkness” was one of those movies, but it has long since gained a cult following to where the original DVD release became a very valuable collector’s item once it went out of print. Now, Shout Factory has released a special collector’s edition of it on Blu-ray, and it shows us why this movie has lingered in our minds long after we first saw it.

“Prince of Darkness” is about a research team of academics, students and a priest who discover an ancient canister in the basement of an abandoned church. This canister contains a liquid which ends up turning people into zombies, and the team eventually realize they have unknowingly unleashed the evilest thing imaginable as it could destroy anything and everything. It is not your typical horror movie as it deals with theoretical physics and atomic theory, but once you get into the story and look closely at the theories being explored, everything becomes quite terrifying.

I won’t bother going into how great the audio and visual elements of this Blu-ray are because it goes without saying “Prince of Darkness” has never looked as good as it does here. Let’s just skip ahead to the special features on the disc as the ones included here will provide fans with a wealth of information.

First off, the Blu-ray case states there is a commentary track with John Carpenter, but what it neglects to mention is that he is joined on this track by actor Peter Jason. Jason plays Dr. Leahy in “Prince of Darkness,” and he has appeared in many of Carpenter’s movies from this one to “Ghosts of Mars.” Carpenter’s commentary tracks are always great fun to listen to, but they are even more entertaining when he’s pared with someone else, and the conversations he has with Jason are tremendous fun as they discuss what it was like making a horror film with a budget of only $3 million dollars. Actually, this track was originally included in the Region 2 DVD release of “Prince of Darkness,” so it’s nice for those us who lack multi-region players to finally get the opportunity to listen to it.

Another special feature to is a brand-new interview with Carpenter called “Sympathy for the Devil.” In it, Carpenter explains how he had been making big budget studio movies before “Prince of Darkness” and had gotten tired of making them. With “Prince of Darkness,” he got the opportunity to go back to making low budget features where he had complete creative control. Carpenter speaks of how a book on quantum physics inspired him to write the script for this movie, under the name of Martin Quatermass, and of how he loves to view the apocalypse through movies even though he does not look forward to it in real life.

There’s also a brand-new interview with musician Alice Cooper who plays the leader of the street people who surround the abandoned church (he is billed as “street schizo”). The interview is called “Alice at the Apocalypse,” and Cooper talks about how he grew up on black and white horror movies like “Creature from the Black Lagoon” which he said “scared him appropriately.” He even admits he was glad his character had no dialogue, and I loved how he described how his songs get at how Satan’s greatest trick is in getting you to believe he doesn’t exist.

Then there’s “The Messenger,” an interview with actor and Special Visual Effects Supervisor Robert Grasmere. Grasmere portrays Frank Wyndham, the one guy who thinks that the research team’s job at the abandoned church is just a bunch of hooey. He starts off the interview talking about the practical effects used in “Prince of Darkness” and of how much of a nightmare the canister was to move around the set. Then he goes into how he got cast as an actor in it, and of how he ended up speaking some of the movie’s most famous lines of dialogue.

I want to take this time to tell you “Prince of Darkness” features of my favorite scores by Carpenter and Alan Howarth. Howarth himself shows up for the interview “Hell on Earth” in which he discusses how they worked on the music for this movie. Howarth has done interviews on other Shout Factory releases like “Halloween II” and “Halloween III: Season of the Witch,” but this feels like the most detailed interview he has given on working with Carpenter yet. It’s also fascinating to hear what it was like to make a film score before everything was recorded digitally.

Other special features on this collector’s edition include an episode of “Horror’s Hallowed Grounds” in which host Sean Clark toured the locations where “Prince of Darkness” was shot. Some of it was filmed at Carpenter’s Alma mater USC, and the church used is located in downtown Los Angeles and is now known as The David Henry Hwang Theatre. The scenes of the church were shot in a deserted ballroom in Santa Barbara which has long since been demolished.

You will also find the movie’s theatrical trailer which seems to imply things were supposed to end a little differently than it did. There are also radio spots which are amusing to listen to, a still gallery, and the alternate opening from the movie’s television version. Regarding the alternate opening, it makes the whole film look like it was all a dream in Jameson Parker’s head, and I never quite understood why Universal Pictures did this (it was definitely not Carpenter’s idea).

In addition, there is an easter egg to be found on this Blu-ray. When you click on the Bonus menu, you will see a cross on the right side. Click on it, and you can watch a Q&A with Carpenter at Screamfest 2012 where “Prince of Darkness” was screened in honor of its 25th anniversary. The whole thing was shot on iPhone so you will need to pump up the volume a bit to hear what is being said.

“Prince of Darkness” is by no means a perfect movie. Some of the acting is weak and the special effects do show their age, but it is still a very compelling horror film which deals with scientific theories that give the story more of an edge. Those of you who are big John Carpenter fans would do yourselves a disservice by not checking out this release. Those who really like this film will agree Shout Factory has given it the respect it deserves.