Author: The Ultimate Rabbit

‘The Conjuring: Last Rites’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

“The Conjuring: Last Rites” is the final film in “The Conjuring” franchise, which has been wildly popular and a staple in the horror genre since the first film was released in 2013. In total, it is the ninth film in “The Conjuring” universe, which also includes the two “Nun” films along with three “Annabelle” films. While not all of them have been home runs, there is a certain style and craftsmanship that goes into the films which is hard to ignore. Most of all, the films are powered by the powerful performances of Patrick Wilson and Vera Farmiga as Ed and Lorraine Warren, the paranormal investigators who love helping those in trouble, but not as much as they love each other. They are the lifeblood of these films. Without them being the emotional compass, the films would simply be ghost stories with some jump scares here and there.

This film opens in 1964, as Ed and Lorraine Warren are investigating a mysterious murder at an antique shop while Lorraine is pregnant. While there, she comes across a mirror which holds ominous and sinister forces within it, which almost causes her to lose her child, Judy, during childbirth. Fast forward to two decades later, and Judy (Mia Tomlinson) is in a relationship with a former police officer named Tony (Ben Hardy), and they are on their way to meet up with the Warrens for Ed’s birthday party. Ed and Lorraine are in semi-retirement because of Ed’s heart, and they mostly are giving tours on college campuses, which are usually met with jokes about the Ghostbusters. They are struggling to find their purpose in life without being full-time paranormal investigators. Ed has the itch to get back into things, but he needs to look out for his health and slowdown, which isn’t coming naturally to him.

Meanwhile, in Pennsylvania, the Smurl family, which includes the husband, wife, four daughters and two grandparents, are starting to have some real challenges after they come across a haunted mirror that was given as a gift to one of the daughters after her first communion. At the same time, Judy is starting to have visions, the same ones she had when she was younger. Her mother tells her to block them out, but that’s becoming harder to do each and every day. It won’t be long before the Warrens and the Smurls are forced to confront their problems and figure out how they are connected to each other and how they can fix them. If they don’t, it may be fatal for all parties involved.

“The Conjuring: Last Rites” is directed by Michael Chaves, who is no stranger to this franchise, having directed the previous “Conjuring” film along with “The Nun 2.” He’s a talented director, and he knows how to create an atmospheric film that is moody and ominous, and he shows off the time and place in which it is set.  Chaves knows how to create haunting horror imagery on screen, but he doesn’t quite know how to make it all pay off in the third act. It also doesn’t help that the film is two hours and fifteen minutes, which makes it the longest film in “The Conjuring” universe. While it held my attention for a very long time, the payoff didn’t feel satisfying.  It left me feeling like the film ended on a flat and rather unremarkable note. All of the performances are top-notch, especially from Wilson and Farmiga. They know how to bring humor, pathos and intelligence to the film.

Overall, this is a case of trying to create the same magic time and time again, but sometimes it simply isn’t there. By no means is this a bad film, but it doesn’t have the impact or power it should have, especially considering this is the final film in this franchise. Of course, they can always do more “Annabelle” or “Nun” films, but as far as “The Conjuring” franchise, this is the end. However, you can’t always believe that when it comes to horror films, especially considering the money this one made. It is entertaining and made with style, but it doesn’t know how to wrap things up in a concise and efficient manner. By the time the shit hits the fan, the film has overstayed its welcome.  These films are best when they are about one hour and forty-five minutes, or maybe two hours. Anything longer than that, and they are overstaying their welcome.  There is no need for this film to be two hours and fifteen minutes.  There are certain scenes which feel like they would have been better as deleted scenes instead of being included in the final cut.

“The Conjuring: Last Rites” is a film I enjoyed watching until I started to become disinterested and restless by what was happening on screen. I liked a good majority of it, but as stated previously, it really falls apart in the third act.  It had a feeling of “been there, done that.”  The strong points include the performances of its two leads, the direction of Michael Chaves, and the overall style and look.  Its weaker points include its length and its ending.  I was happy to have watched it and it’s a fun horror movie, but it didn’t have the sense of urgency and power of the previous installments in this franchise.

* * ½ out of * * * *

4K Info: “The Conjuring: Last Rites” is released on a single-disc 4K from Warner Bros. Home Entertainment.  It comes with an impressive slipcover and a digital copy as well. It also comes in a steelbook version.  It has a running time of 135 minutes and is rated R for bloody and violent content along with intense terror.

4K Video/Audio Info: The film comes with a Dolby Vision transfer, which looks perfect on 4K.  The HDR really brings out the dark blacks of the film and creates a spooky experience watching it at home.  The same is true of the Dolby Atmos track, which really pops during the jump scares which are sprinkled throughout.

Special Features:

Last Rites: An Era Ends – featurette

The Conjuring: Crafting Scares – featurette

Michael Chaves: Believer – featurette

Should You Buy It?

As I was watching “The Conjuring: Last Rites” with my wife for the first hour and a half, I was saying to her, “I’m really enjoying this movie.  It has me on the edge of my seat, and the story is unfolding perfectly.” However, all of that good mojo started to fade in the rearview mirror by the time the film was wrapping things up with its third act.  I started to become fatigued and disinterested in the conclusion of the story. It took a long time to get where they needed to go, and when they finally did wrap things up, it didn’t seem to matter much anymore. Still, this is an OK film that will play well on HBO Max or on streaming. I don’t think it’s the kind of film you need to run out and purchase right away, unless you want to own all four of “The Conjuring” films on physical media. I’m still waiting for the second film to hit 4K, which will hopefully be very soon. This film looks and sounds terrific on 4K, and I really liked the slipcover version of it. I really wanted to recommend it, but the ending was flatter than four o’clock.

**Disclaimer** I received a copy of this film from Warner Bros. to review for free.  The opinions and statements in the review are mine and mine alone.

The Ultimate Rabbit’s Favorite Podcasts

Posted on by The Ultimate Rabbit

Everybody has a podcast these days to where there are far too many to catch up on. However, there are a few which I refuse to miss as they lighten up my day which usually has me wondering how I can continue to survive in an insanely cruel world. Considering that I spend a good portion of the day in my car, they are my go-to whenever I go place to place, and these are the ones I am always determined to be up to date on.

The Ralph Report

Created and hosted by actor, podcaster and voiceover artist Ralph Garman, “The Ralph Report” is the first podcast I listen to each day. This podcast came about after Garman was unceremoniously laid off from the “Kevin & Bean Show” on the KROQ-FM after 18 years, and you can find it on the Patreon platform. It’s never political, and Garman is just aiming to take you away from your daily troubles for an hour and change.

Garman is joined by his “vice host,” standup comedian Eddie Pence who was a classmate of mine at Second City in Los Angeles and has quite the reserved palate when it comes to food, resulting in a daily segment where a certain food is talked about and whether or not Eddie will eat it. Also on the show is Garman’s wife, Jen Stewart (a.k.a. Queen J) who helps run on the visual part of the podcast known as “Garmyvision,” and she also has the most infectious laugh of any human being I have ever met.

Among my favorite segments on “The Ralph Report” include one-hit wonders where Garman talks about a band or a singer who reached the top just once and never experienced the same level of success ever again (the episode on Bobby “Boris” Pickett’s “Monster Mash” is classic). Others include “Sex U” which discusses sexual practices in ways that are both informative and educational to where I wonder if other sex education classes offered anywhere could ever be this informative. And there is the “Video Vault” segment on Fridays where Garman and Pence recommend movies many people have not seen or heard about. Garman always has the classiest of choices, while Pence tends to recommend those which only he seems to enjoy. Still, maybe Pence is right to find the good in such films as “Megaforce” and “Leprechaun 4: In Space.”

WTF with Marc Maron

Now granted, this one just came to an end, but there are still 16 years of episodes for you and I to catch up on. Hosted by stand-up comedian and actor Marc Maron, “WTF” is not so much an interview show as it is a conversation between him and his guest. What started as a simple podcast, back when the term was in its infancy, turned into one of the biggest as Maron got to have great talks with such people like Jodie Foster, Spike Lee, Louis C.K. and even President Barack Obama who came back to do the final “WTF” episode. We also got to hear Maron deal with his sobriety and daily anxieties which have resulted in crippling emotions and catastrophic thinking for him, something I can very much relate to as anxiety has been the bane of my existence.

Fresh Air

If there is a single person who has come to influence the way I interview actors and filmmakers about their projects, it is most definitely Terry Gross. Few other people can ask such intelligent questions about the arts, movies, politics and sports than her, and that’s the reason why she has remained so popular for the past few decades. In the past few years, “Fresh Air,” which airs from WHYY in Philadelphia, has brought other hosts who occasionally sit in for Terry like Dave Davies, Tonya Mosley and David Bianculli who, like me, has a great love for the classic television series, “Homicide: Life on the Street.”

Inside of You with Michael Rosenbaum

Actor Michael Rosenbaum, best known for playing Lex Luthor on the TV series “Smallville,” started his podcast “Inside of You” back in 2018, and it has talking with fellow celebrities he has worked with as well as those he admires. He has made it clear to all that this podcast is no way political, and much of his questions deal with mental health which makes it a must for people like me. I also like how he talks with people who usually don’t get to appear on other big-time podcasts like Gates McFadden, Barbara Crampton or Jonathan Frakes to name a few. I especially liked his talk with Gates as she took the time to discuss her role on “Star Trek: The Next Generation.”

The Everything Sequel Podcast

If there is any kind movie which is especially difficult to make, it is the sequel as it more than likely to pale in comparison to the original. But perhaps there a few sequels which can improve upon their predecessors, and that’s where “The Everything Sequel Podcast” comes in. Hosted by Michael Christopher Shantz, a classmate of mine from my UC Irvine days, and Tom Steward, they thoroughly dissect every follow-up to an original film we know and love to where nary a single detail is left out.

Recently, both Michael and Tom took great delight in dissecting the sequels to Wes Craven’s “A Nightmare on Elm Street,” and they came to agree that “Freddy’s Dead: The Final Nightmare” was the best of the bunch (of course they didn’t).

The Sackhoff Show

I have had an enormous affection for Katee Sackhoff ever since she portrayed Starbuck on SyFy’s “Battlestar Galactica,” and I have followed her career from there and continue to do so. Like “Inside of You with Michael Rosenbaum,” Katee uses her podcast to talk with those actors she has worked with on different projects as well as those she has a deep admiration for. Her interviews with her fellow “Battlestar Galactica” actors like Jamie Bamber, Edward James Olmos, Tricia Helfer, Mary McDonnell and James Callis prove to be endlessly fascinating as they discuss not just how their brilliant remake of a classic science fiction show stands on its own, but of how they continue to deal with the fame it all brought them.

But in addition to all of that, Katee talks about her struggles and adventures at being a wife and mother of two children, and of how she continues to rise above her circumstances to be the best person she can be in all the madness life has to offer.

Homicide: Life on the Set/Homicide: Life on Repeat

As I said earlier, I am as big a fan of “Homicide: Life on the Street” as David Bianculli is. With the classic show having finally arrived on the streaming services Peacock and Tubi, a couple of podcasts have emerged to look at what went on in front of and behind the camera, and both have proven to be deeply informative and enthralling in equal measure.

“Homicide: Life on the Set” is a largely look at what went on behind the scenes of the Baltimore cop show, and it is hosted by Susan C. Ingram, a camera assistant on the show for six years, and Chris Carr who is a director and podcaster based in London. So far, they have had great interviews with the show’s assorted editors, directors of photography, and actors like Melissa Leo, Reed Diamond and Daniel Baldwin, the latter of which proved to be incredibly lively and exceptionally entertaining.

“Homicide: Life on Repeat” features two actors from the show: Kyle Secor who played Tim Bayliss, and Reed Diamond who played Mike Kellerman. So far, they have covered “Homicide’s” first season which lasted nine episodes which Secor starred in, and which sparked Diamond’s intense desire to get a role on this show. They have also taken the time to interview key figures involved in the show’s creation such as Paul Attanasio and Tom Fontana who executive produced this show along with Barry Levinson.

Now if there are any other podcasts I can possibly add to this list, I will do so at a near or future date. I shudder to think at what I could have left out.

‘One Flew Over the Cuckoo’s Nest’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

When it comes to 1970’s cinema, there was a sense of exploration, discovery and reflection that hasn’t been found in Hollywood since that decade. The filmmakers had a lot to get off their chests, and their way to process what they were seeing and feeling was through their moviemaking.  One of my favorite films from that decade was 1975’s “One Flew Over the Cuckoo’s Nest,” which is celebrating its 50th anniversary this year with this 4K release. I’ve always connected with films which have a powerful message and leave a lasting impression on me as a viewer long after the viewing experience has ended. “One Flew Over the Cuckoo’s Nest” is one of my favorite films of all-time, and one I find myself returning to often as a viewer.

I must confess that one of the reasons I connect with the material is because I’ve battled with mental illness for a good majority of my life, and I’ve also spent time in a psychiatric hospital. When you have a mental illness and tell people about it, they usually look at you sideways and they handle you with care. They think if they do something to upset you, rub you the wrong way, or make you unhappy, you are going to end up back in the hospital again. Friends and family “proceed with caution” when they are around you.  It’s frustrating and challenging. In Miloš Forman’s film, written by Lawrence Hauben and Bo Goldman, it challenges you to expect more out of yourself, not be put in a box, and to live and be free despite your mental illness.

But I digress. Randle McMurphy (Jack Nicholson) ends up in a mental institution after having one too many brushes with the law. In his mind, instead of facing further punishment, it’s better to claim insanity and spend time in the mental institution.  Even though he’s a criminal, he’s no dummy. He’s charming, funny and charismatic, which immediately makes him enemies with Nurse Ratched (Louise Fletcher), who is colder than a mother-in-law’s heart with her treatment of the patients at the hospital. She knows they probably do not have the strength or energy to fight back, and she’s going to take full advantage of that.

Randle shows up, and he gives them a sense of purpose, an identity, and a reason to live. He encourages them to think for themselves, stand up for themselves, and not let their mental illness define them. The cast of actors is filled with Hollywood legends such as Christopher Lloyd, Brad Dourif and Danny DeVito. They all make their presence known with their performances without being too showy or over-the-top. In a film about people in a mental institution, it would have been easy to be loud, goofy, or to act like a complete loon. Instead, they are nuanced and unique. Another standout is Chief Bromden, played by Will Sampson. He’s a deaf-mute who is clearly processing a lot in his head, and Randle is determined to get through to him.

Another reason “One Flew Over the Cuckoo’s Nest” speaks to me is the idea of standing up to authority.  I’ve always been someone who doesn’t like being told what to do, doesn’t like following rules which don’t make any sense, and likes to challenge outdated notions. If you tell me I can’t do something, I want to know why and not just be told, “Because I told you so. These are the rules.” I want to understand the rules and why they are in place, and if they don’t add up, I’m going to speak up on that issue. I’ve never been one who likes to be silenced. This was the way of 1970’s cinema. It was about being confrontational and in-your-face without apologies or excuses.

The great movies in Hollywood have been those which stand the test of time because they strike a chord with the audience. The screenplay for “One Flew Over the Cuckoo’s Nest” is absolutely perfect. I wouldn’t change a thing about it.  The performances, top to bottom, are amazing. For my money, this is Jack Nicholson’s best performance of his legendary and storied career. From his facial expressions to the way he delivers his lines, his performance is a masterpiece. You can’t take your eyes off him when he’s on screen. It reminds me of the old line from the legendary wrestler “Rowdy” Roddy Piper, “Just when you think you have the answers, I change the questions.” Louise Fletcher as Nurse Ratched is perfect to play opposite Jack, as she shows no emotion. She’s cold, matter-of-fact, and unflinching. She knows she has all of the power, and she’s not afraid to wield it. She enjoys being the puppet master.

If I’m lucky enough to live another 50 years, I’ll still enjoy “One Flew Over the Cuckoo’s Nest.” It’s a perfect example of old-school Hollywood craftsmanship. There is a reason why it is one of only three films to win Oscars in the major five categories (Best Picture, Best Actor, Best Actress, Best Director and Best Screenplay). This is a flawless piece of cinema, and it fuels me with energy, enthusiasm and passion. I’m going to sound like the old man shouting at the cloud here, but this is how Hollywood used to make movies.  This is a movie about people dealing with emotions, challenges and problems.  We are with them every step of their journey, and we are invested in them. When we are watching the movie, we forget we are watching characters.

* * * * out of * * * *

4K info: “One Flew Over the Cuckoo’s Nest” is released on a single-disc 4K from Warner Brothers Home Entertainment in celebration of its 50th anniversary. The film has a running time of 133 minutes and is rated R for language and violence.

4K Video Info: I love the way 4K HDR enhances the picture quality but still keeps the integrity of the film alive. The picture is crisp and clear, but it also knows when to be dark and moody depending on the scene and the mood.

4K Audio Info: The DTS-HD Master Audio track comes with subtitles in English, Spanish, and French. The audio track is more subdued throughout the film, as it’s in a mental hospital, but it’s not so subdued that you have to turn it up or can’t hear it.  It also knows when to make the soundtrack more powerful and intense during the impactful moments of the film.

Special Features:

Conversations on Cuckoo: Group Therapy (NEW)

Conversations on Cuckoo: Moviemaking Memories (NEW)

Completely Cuckoo

Deleted Scenes

Should You Buy It?

I would hope after reading my review, you would know the answer is a resounding HELL YES. If you haven’t picked up on that, I haven’t done a very good job in my review. The film also comes with a pair of fun new special features, with my personal favorite being the one that includes conversations with vital cast members about the casting process they went through fifty years ago. Warner Brothers is one of the few big studios that is not only releasing classic films on 4K, but they are also taking the time and effort to include some new special features as well. The film has never looked or sounded better than it does with this 4K release. You can buy the 4K in either a slipcover version or a steelbook. The film itself is a masterpiece and one of the greatest films of all time. This has been one of my favorite releases of 2025.  As a film lover, you owe it to yourself to add this film to your collection.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘The Toxic Avenger’ Remake Review by Tony Farinella

Posted on by The Ultimate Rabbit

“The Toxic Avenger” franchise has always held a special place in my heart as a horror fan. The films have heart, humor, and some fantastic practical effects. When I heard that they were going to remake the film, I was interested in seeing how it would all come together. I’m not one of those horror fans who thinks all remakes are sacrilegious and should never be done. To me, a lot of the great horror films from the 1980’s could use a fresh coat of paint and some reimagining. It’s about taking the original concept and adding a unique perspective while keeping the spirit of the film alive. The remake of “The Toxic Avenger” is finally being released in theaters after being delayed the last couple of years.

This time, our hero Toxie is played by Peter Dinklage as a single father who is trying to provide a good life for his stepson, Wade, played by Jacob Tremblay. Toxie is doing the best he can after his wife passed away, but he’s recently discovered he has serious health problems of his own. Since he’s a janitor for the corrupt BT Healthstyle, a Big Pharma-type company, it isn’t exactly like he’s rolling in dough. It also doesn’t help that the company’s CEO, Kevin Bacon, is a selfish and corrupt individual who is only concerned about his company’s bottom line. Bacon is terrific at playing these slimy greaseballs, as he played a similar character in 2024’s “MaXXXine.” He seems to really relish the chance to play an asshole with zero redeeming qualities.

When Winston, aka Toxie, ends up finding himself submerged in toxic waste, his life is going to change in ways he never thought possible. Now, he’s a hero to everyone around him, as he’s on a mission to get revenge for those who have been wronged by BT Healthstyle, including a young whistleblower played by Taylour Paige, who lost her mother due to the harmful ingredients of this evil company. She knows their dirty little secrets, and she wants to make sure the truth is out there. Along the way, there is some violence which is going to be unleashed by Toxie, as he’s a man of the people, despite the fact he’s horribly disfigured.

I really wanted to fall in love with “The Toxic Avenger,” but the whole experiment felt like it was a movie where there was too much going on all at once. With a horror film like this, I’m looking for gruesome kills, goofy and outlandish set pieces, and gut-busting, wink-at-the-camera genuine laughs. This film goes back and forth between being a serious melodrama and an R-rated horror flick, but it’s not as ridiculous as it needs to be.  The spirit of Troma is to be offensive, nasty, and in-your-face. I’m not going to say the film is a PG-13 horror film, but they didn’t go for the all out, balls-to-the-wall insanity one would expect. Another bright spot out of the cast is Elijah Wood, as Fritz Garbinger, the hunched over and grotesque brother of Bob Garbinger (Kevin Bacon).

One of the biggest problems with the film is the performance of Peter Dinklage as Toxie. He does the voice work and the acting scenes while Luisa Guerreiro is behind the suit and prosthetics, and the performance is too serious and earnest for its own good. When the film does call for him to have some fun with the overall silliness of the premise, he doesn’t seem to be willing or able to participate in the proper way. This film needed to play things bigger, badder, and more over-the-top. Instead, it fluctuates in tone, and none of them work well enough to make a memorable impression on the audience. After a while, I found myself bored and disinterested by “The Toxic Avenger.” It made me wonder why it took so long to get released as nothing in the final cut was terribly offensive or gory. From people who have seen both cuts of the film, they have said not a whole lot was cut since they first saw it in 2023.

If you are going to commit to remaking a Troma film, there are two ways you can do it: You can either take it one step further than your predecessor, or you can take it in an entirely different direction. This film didn’t go in either direction. Troma films never cared about being accessible to a mainstream audience. They just wanted to make films which were low-budget schlock for B-movie fans who enjoyed horror that was big on creativity and low on budget.  I also don’t think you can make a “Toxic Avenger” movie in 2025 or even in 2023, when the film was originally supposed to be released. Times are different, and you have a tough job as a studio trying to make a gory and goofy horror movie that will make money at the box office for a mainstream audience. I wouldn’t call the film a total failure, but it’s a big disappointment.

* * out of * * *

Should You See It?

This is a film without a true audience. I don’t believe fans of the original franchise and character will find a whole lot to like with this updated version. If anything, it made me want to watch the original all over again and enjoy it for its raunchy goofiness. As far as modern audiences, you will get the horror fans who will see any horror movie because of the upcoming spooky season, but I don’t think they will connect with it as it’s not an established character for mainstream audiences. “The Toxic Avenger” has never been Freddy Krueger, Jason Voorhees or Michael Myers. Tonally, the film is all over the place, and it doesn’t do one thing particularly well. The cast is fine, it looks good and it’s not a terrible movie, but it’s very underwhelming as a finished product. For diehard horror fans, they might want to check it out when it hits digital platforms for streaming. For everyone else, there isn’t a lot to like here.

“THE TOXIC AVENGER” will be released In Theaters on August 29, 2025

‘The Conjuring’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

When it comes to horror movies, you look for them to be written and directed by fans of the genre, as they bring a sense of passion and enthusiasm which might be missing by someone who is just doing it for the paycheck. James Wan burst onto the horror scene in 2004 with his directorial debut, “Saw,” which was written by his college best friend Leigh Whannel. He could have easily coasted with the “Saw” franchise and continued to keep cranking out sequel after sequel with it. Instead, he decided to get in touch with a different side of the horror genre with 2013’s “The Conjuring.” He also directed such films as “Insidious,” “Dead Silence,” “Death Sentence,” “Furious 7,” and “Malignant.”

Our film opens by introducing us to the Perron family, as they move into a farmhouse in Rhode Island which needs a lot of work. The Perron family consists of Roger and Carolyn (Ron Livingston and Lili Taylor), their five daughters, and their dog Sadie. As they are exploring the ins and outs of the house, they discover a boarded-up cellar, and that is when all hell breaks loose for this family. Their sanity, peace of mind, and sleep start to become disrupted, and it’s clear there is something in this house which is working against them. They need to fix it if they ever hope to stay together as a family. At this point, they decide to call Ed and Lorraine Warren, played by Patrick Wilson and Vera Farmiga. When you have a malevolent presence, they are the couple to call as they are the expert demonologists.

One of the biggest things “The Conjuring” gets right is the idea that even if they leave the house, this presence will still follow them. I’ve seen so many demonic movies where I ask myself, often out loud, “Why don’t they just leave the house?” It seems like the logical response to this type of activity, but oftentimes horror movies and smart characters don’t go together. Farmiga and Wilson bring humanity, warmth, and intelligence to their characters, as they are playing real people. It would have been easy to portray them as goofy, over-the-top, or silly. While the film has moments of lighthearted humor, it’s done during moments where the story needs levity, such as the introduction of Brad Hamilton and Drew Thomas (John Brotherton and Shannon Kook), a cop and investigator who have worked with the Warrens in the past.

It also helps that the Perron family are likable and grounded in reality and humanity. “The Conjuring” takes its time in allowing the audience to get to know them, spend time with them, and understand their dilemma. They are not just random lambs to be led to slaughter. The film is directed with style, mood, and dread by Wan.  It’s clear he knows how to create a sense of anxiety and uneasiness on screen. He doesn’t rely on jump scares either. Don’t get me wrong, jump scares are effective when done right, but they are like any other gimmick out there: If you rely on them too much, it’s clear you don’t have a solid screenplay. You are creating a haunted house or an amusement park, not a true movie.

“INT PERRON HOUSE – CELLAR Carolyn flips upside down and shoots up to the ceiling John Brotherton (Brad), Vera Farmiga (Lorraine), Patrick Wilson (Ed), Ron Livingston (Roger)”

It blew my mind to discover “The Conjuring” is now 12-years-old. They are set to release the fourth film in the franchise, “The Conjuring: Last Rites,” on September 5th. This is in addition to “The Nun” and “Annabelle” films, which are all part of “The Conjuring” universe. While not all of the films have been great or even good, more often than not, they have been well-made and have proven to be intense thrill rides. You have to give credit to Wan for being able to put his trust in other directors and other writers to showcase their abilities with these films. He has no ego, and he knows the key to remaining fresh is to have new voices in front of and behind the camera. With the original “Conjuring,” the groundwork was created for atmospheric fun, and scary horror movies have been staples of spooky season which is right around the corner. If you are looking to keep your horror movie collection going on 4K, “The Conjuring” on 4K is sure to satisfy the horror community this Halloween season. I hadn’t seen this film in a number of years, and it held up incredibly well on my recent viewing.

* * * ½ out of * * * *

4K Info: “The Conjuring” is released on a single 4K disc from Warner Brothers Home Entertainment. It has a running time of 112 minutes and is rated R for sequences of disturbing violence and terror. The film comes in either a 4K slipcover or a 4K steelbook, both of which come with a digital copy.

4K Video Info: This is an impressive 4K release with the HDR really popping during the dark and brooding moments of the film.  The presentation is crisp and vivid without looking too perfect. With a horror movie like “The Conjuring,” it is not supposed to look flawless. It is supposed to represent the vision of the director and the heart and soul of the movie. In every possible way, “The Conjuring” is a homerun.

4K Audio Info: While I would have certainly enjoyed a Dolby Atmos track for this flick, the audio is still noteworthy during the jump scares and the more intense moments. It’s a good audio track, but it could have been a great audio track. Subtitles are included in English, Spanish, and French.

Special Features:

Scariest of Them All (NEW)

Reflections on the Conjuring (NEW)

The Conjuring: Face-to-Face with Terror

A Life in Demonology

Scaring the “@$*%” Out of You

Should You Buy It?

HELL YES! I’ve been waiting for this film to get the 4K treatment for a long time now. I own “The Conjuring 3” on 4K, and I hope this will also inspire Warner Brothers to release the second film on 4K in the near future. I imagine the upcoming “Conjuring” film will get a 4K release after it’s done with its theatrical run. I absolutely love these films that encompass “The Conjuring” universe. It’s interesting because I’ve never really connected with the spooky horror films which involve an evil presence or things that go bump in the night. Slasher films have always been my preferred cup of tea. This all changed with the first “Conjuring” film, as I discovered when it was done the right way, they can be just as entertaining as the slasher movies I grew up with, if not more entertaining. This is a top-notch 4K release that also includes new special features in addition to an A+ visual experience. A horror film like this is perfect for the 4K format. This is a day-one purchase for horror fans who love to collect 4K’s on physical media.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

Daniel Franzese Talks About ‘Bully’ at New Beverly Cinema

Posted on by The Ultimate Rabbit

On August 12, 2025, New Beverly Cinema presented a Larry Clark double feature of two of his films: “Bully” and “Another Day in Paradise.” Before “Bully” unfolded on the silver screen, actor and filmmaker Joel Michaely brought out a special guest: Daniel Franzese who played Derek Dzvirk. “Bully” was Daniel’s film debut, and it quickly earned him his SAG card. Daniel thanked Joel for being there and remarked how he killed Joel once in a horror movie entitled “Cruel World” where he shot him in the head.

Daniel said “Bully” was the first time he ever got to hold a screenplay in his hands, and he talked about meeting the casting director, Carmen Cuba, at his audition.

Daniel Fransese: She was like, “Do you wanna see who you are going to play?” I said okay, and she opened up the true crime novel (written by Jim Schutze), and I looked exactly like the guy. And I was just like, oh shit! I can actually get this! So, it was very scary and nerve wracking.”

Rumors are that the set of “Bully” was a crazy one, and being that this was Daniel’s first film as an actor, you can understand and appreciate his feelings at the time.

DF: I’m a pretty easy-going guy, and I am also a theatre guy and a standup comedian. I’m used to being around other people, and I am good at getting along with different personalities. But this movie was next level. we are getting ready to do fittings and start our first day of this movie, and Larry (Clark) is screaming because Brad (Renfro) was in jail for trying to steal a boat. He’s screaming, “This was three years of my life! This kid’s not going to ruin it!” He’s throwing papers and I was like, whoa! That was day one and you can just imagine how the stress level got worse from there.

From there, the discussion went to the late Brad Renfro who played Marty Puccio in “Bully.” Brad first gained worldwide attention at the age of 12 years old when he was cast as Marcus “Mark” Sway in Joel Schumacher’s cinematic adaptation of John Grisham’s “The Client.” Like many people on this planet, let alone actors, he died at far too young an age He was only 25 years old, when he passed away after a drug overdose. Daniel talked about working with Brad.

DF: Brad was great. I think he was like one of those golden retriever type people. Not evil, but dangerous. We were doing the table read for the first time, and Brad showed up wearing a white tank top completely soaked in lighter fluid. He came in saying, “I’M TRYING TO GET THE BARBECUE TO GO!” It was like, whoa! He was from Knoxville and had like that “Jackass” sensibility where you didn’t know what he could do, but I don’t think he ever had a mean bone. His intentions were always nice. If anything, he partied too much, and he once told me that at 12, he made hundreds of thousands of dollars to do “The Client,” and he was getting a lot of his drugs and stuff from family members as a kid. I don’t think he got a fair shot. If anything, the reason why I advocate for younger people in Hollywood or talked about my experiences on this movie which were crazy, I was never speaking from a victim place. I was speaking from a place of advocating for people like Brad who didn’t have anyone saying anything for them. I just think, we’re making art. It doesn’t have to be that crazy. We don’t have to be stealing boats or going nuts on sets to produce good material.

After “Bully,” Daniel went on to appear in many films, but he may still be best remembered for playing high school social outcast Damian in 2004’s “Mean Girls.” Like Joel and myself, I wondered what it was like going from an independent film to a studio movie where everybody is expected to be on their best behavior.

DF: I just don’t think the 2000s will be looked upon as a time where it was easy for people on movie sets. I really don’t. People always ask me all the time how to get their kid in Hollywood, and I say don’t. I waited until I was at least in my 20’s (before going to Hollywood), and that’s the only thing which might have saved me. A lot of our contemporaries are not around with us anymore or are in a crazy state. It was a rough time. I can’t say it was easier or better, but I think it’s better now.

Regardless of the crazy set, Daniel made it clear to the New Beverly audience what the experience of making “Bully” was like, and of how the filmmakers strived to capture the spirit of the true story it is based on.

Bully (2001) Directed by Larry Clark Shown in foreground: Bijou Phillips

DF: On a positive note, though, this movie was awesome. It was so fun to make. Larry was cool, the people I was working with were all like people from Thrasher Magazine, it was just like bad ass people. They did shoot in the real locations; it was the real apartment complexes, and it was the real Pizza Hut (we shot in).

Daniel also made it clear how he was the only local hero for hire in Larry Clark’s “Bully.”

DF: They were scouting locations for the gay clubs, and I was just a young kid just figuring that stuff out and performing at the clubs with people I was in musical theatre with and stuff like that. They were like hey we’re making a movie, and I’m like I’m an actor! I had no idea it was going to turn into this. Carmen Cuba, she discovered a lot of people, and I give her all the credit for plucking me out of obscurity and putting me with these people.

An audience member told Daniel that he was from South Florida, and this led Daniel to talk about when he worked at The Gateway Theater in Fort Lauderdale as a kid. a year later, “Bully” premiered there. Daniel found his road from being an usher to a working actor to be honestly insane.

DF: I was there at the theater going, would you like the popcorn combo? I am a movie lover. I worked at Blockbuster (Video), I worked at movie theaters, that’s all I did. Until I was able to support myself as an actor, I was either an usher in theatre or worked at movie theaters. It (“Bully”) was shot in Fort Lauderdale and the whole crew got their premiere at the movie theater where I worked at. So, whoever served me popcorn today, keep writing your scripts.

Like many, Daniel Franzese considers New Beverly Cinema to be one of his favorite places in Los Angeles, and that it was extra special for him to see “Bully” being screened there on 35-millimeter film. To see films presented there in their original format, something often not available to movie buffs in most places, means a lot to him.

‘The Accountant 2’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

In the interest of full disclosure, I must confess I do not have a vivid recollection of the 2016 film “The Accountant,” which starred Ben Affleck and Anna Kendrick. I know I watched and reviewed the first film, but it didn’t leave a lasting impression on me in either a positive or negative way. Because of this, I wasn’t exactly sure what to expect from a sequel that was taking place nine years after the original.  I didn’t go back and watch the first film, but I was still able to follow along effortlessly with the sequel. The more I watched it, little bits and pieces from the first film started to come back to me. Plus, with an action/thriller, in most cases, you start to understand the gist of it: These guys are good, these guys are bad, and they are going to have a big shootout before it’s all said and done.

“The Accountant 2” opens up with a bang as Raymond King (J. K. Simmons) meets up with a quiet yet deadly assassin, Anaïs (Daniella Pineda). Raymond tells her he needs her help in tracking down a missing family. Before long, there is bedlam at their meetup location, which leaves Raymond, the former FinCEN director, dead. On his dead body, he wrote “Find the Accountant.” This message finds its way to his protégé and the current deputy director, Marybeth Medina (Cynthia Addai-Robinson). She gets in touch with The Accountant, Christian Wolff, played by Ben Affleck.

Christian is not only an accountant, he’s an autistic assassin. I don’t remember if it was clearly stated in the first film, but they hint around at it here, as I don’t think they wanted to hit the audience over the head with it. It would have felt like they were exploiting this if they reminded the audience of it time and time again. Instead, the film shows his difficulty expressing himself while also highlighting his strengths, such as when he goes line-dancing and is able to pick up the moves by watching other people and their rhythmic movements. With his help, Marybeth will be able to find out what happened to her mentor and also find out what got him killed.

“The Accountant 2” does not even mention the Anna Kendrick character, but it does bring back Christian’s brother, Braxton, played by Jon Bernthal. Affleck and Bernthal have terrific chemistry together on screen, as they have a real Oscar and Felix “Odd Couple” dynamic. Braxton is direct, in-your-face, and blunt. Christian is more subdued, thoughtful, and precise with his actions. Along with Marybeth, they are committed to finding answers when it comes to the death of Raymond King along with the missing family. The three of them all bring something unique and different to the table with their strengths and weaknesses.

This sequel is a tale of two movies. The first half is entertaining, funny at times, and fast-paced. It focuses on relationships, characters, and story. I was captivated and enjoyed the story and its various twists and turns along with the interactions between the characters. Bernthal, in particular, is a real standout amongst the cast. He’s funny but also has a softer side to his character. There is one scene in particular where he’s talking to his brother and he’s wondering why they aren’t closer. He wonders if it’s because of Christian’s challenges or if there is something more to it. Affleck also does a good job of not overplaying his character or turning it into an over-the-top and showy performance. He brings humanity and heart to the character.

Overall, “The Accountant 2” is way too long at 132 minutes, and after a while, there are one too many bad guys to be found here. Once it turned into a shoot-’em-up action flick, I was ready for the credits to start rolling. It turns into a live-action version of “Call of Duty.” I also feel as though films which use sex trafficking as a major storyline are becoming commonplace in Hollywood, and they are starting to feel like a copout when the screenwriter doesn’t know what else to do with the story. Overall, I enjoyed a lot more of this sequel than the parts I didn’t, and it’s a fun action flick until it loses itself in the final 40 minutes.

* * ½ out of * * * *

4K Info: “The Accountant 2” is released on a single-disc 4K from Warner Brothers Home Entertainment. The film has a running time of 132 minutes and is rated R for strong violence and language throughout. The film comes with a crisp looking slipcover along with a digital copy that can be redeemed online.

4K Video Info: The Dolby Vision transfer is a thing of beauty. The colors are vivid and the film has a crisp and flawless look to it. Action films, in particular, are some of the best films to watch on 4K, and “The Accountant 2” is no exception.

4K Audio Info: The Dolby Atmos track is loud, in-your-face, and it really thumps in your living room. At times, I found the film to be a little too loud, but that might just be my personal preference. For others, they might find it to be perfect for enjoying this film to the fullest. Subtitles are included in English, Spanish, and French.

Special Features:

None

Should You Buy It?

I try to keep my finger on the pulse of physical media when it comes to collectors and their buying habits, and if there is one genre they are always looking for on 4K, it is action flicks. Because of this, if you are a physical media enthusiast, I’m going to recommend you purchase “The Accountant 2,” but I’d maybe wait for it to drop in price a little bit. I don’t think you need to rush out and buy it on release day. The film is an above average film, and I did enjoy it, but it did lose me near the end with its endless shootout scenes. The film is also about 30 minutes too long. For filmgoers who aren’t as into action flicks as others, it’s worth watching one time as it’s a fun flick with some interesting characters.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘Final Destination: Bloodlines’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

It has been a while since I’ve sat down and watched a good old-fashioned horror flick that was gory fun from start-to-finish. The last movie which comes to mind, for me, is 2023’s “Saw X.” Now, I know there have been other horror movies which have been critically acclaimed since then, but I like my horror movies, most of the time, to be rather straightforward without any underlying message or heavy-handed agenda. I’m looking to laugh, see some gruesome deaths, and have a good time. “Final Destination: Bloodlines” was a movie that allowed me to sit back, shut off my brain, and have a good time.  I had a blast with this movie, and the filmmakers, cast and crew delivered beyond my wildest expectations.

The film opens up in the late 1960’s at a high-rise restaurant tower, which hasn’t been properly built to house the number of people that are dancing and having a good time. Before long, the shit hits the fan and everyone is fighting for their lives. This sets the tone for the entire film, as it’s clear its directors, Zach Lipovsky and Adam Stein, understood the assignment given to them. They do a masterful job of building up the anxiety of what will happen next. If you are familiar with this franchise, you know anything and everything could lead to a possible death. They build up the suspense while also winking at the camera in a way that isn’t too cutesy or silly. It’s the perfect balance of comedy and terror.

We are then introduced to a struggling college student, Stefani Reyes (Kaitlyn Santa Juana), who keeps having a dream about that night in the 1960’s where mayhem and death were on the menu at this high-rise restaurant. She’s been having this recurring dream for over two months, and it’s causing her to almost flunk out of college. Because of this, she decides to go home and look for answers to what is plaguing her dreams. She discovers that one of the women in her dream is her grandmother, Iris (Gabrielle Rose), who messed with Death’s plans that night by saving everyone at the restaurant. However, Death doesn’t take too kindly to those who mess with its plan, so everyone who was supposed to die that night has now perished slowly but surely.

Iris has survived by being ultra paranoid and knowing how to plan and look for any signs of danger. She lives off the beaten path and doesn’t let anyone get too close to her. She’s on high alert, and her family sees her as a loon who has lost her mind. Stefani doesn’t know what to believe, but after seeing more and more signs, it’s coming into focus for her–she needs to follow her grandmother’s advice and save her family, who isn’t supposed to be here. Because Iris lived, everyone in her bloodline is in danger of having Death knock on their door. Using her grandmother’s years of meticulous planning and her research into Death’s plans, Stefani’s going to try her damnedest to save her family, which includes her brother, mother, uncle and cousins.  It will be even harder to convince all of them to believe her.

“Final Destination: Bloodlines” is a near-perfect horror film as it is terrific at building genuine suspense. At every turn, you never know what will happen to someone or how it will happen. I’m a professional wrestling fan, and the film utilizes what is known in the wrestling business as “false finishes.” When you think someone is down for the count in the ring, they kick out. In movie terms, when you think someone is going to die, they end up living.  As soon as you are lured into a false sense of security, they die in a gruesome way. However, it’s all about the build-up, the anxiety, and dread that is on screen.  When it finally does happen, it means that much more because you have been played like a piano. It’s a rollercoaster ride of emotions.

My one issue with the film is the CGI deaths. While they are creative, clever and a lot of fun, they look very bad visually because they are filled with CGI. If they used more practical effects and less CGI, I would have given the film four stars. However, the CGI deaths are hard to take seriously, as they end up looking like they were done in 3D. It reminded me of “Saw: The Final Chapter” which was done in 3D.  When you watched the film without 3D, the blood looked pink, and the effects didn’t have the same impact. Here, the gore and the blood looked like cranberry juice. The film is still a great horror movie, but this detail is impossible to ignore.

This image released by Warner Bros. Pictures shows Kaitlyn Santa Juana, left, and Rya Kihlstedt in a scene from “Final Destination Bloodlines.” (Warner Bros. Pictures via AP)

Overall, “Final Destination: Bloodlines” is a throwback to when horror films were fun, over-the-top and kept you guessing. The way the film uses comedy during the gotcha moments is absolutely perfect. This is a film that doesn’t take itself too seriously, but it respects the audience enough to blend comedy and genuine terror together without leaning too much in one direction. It’s a tightrope act for the filmmakers, but they pass this test with flying colors. This is the best installment the franchise has released in a long time. The acting is solid, the kills are unique (minus the bad CGI), and the story makes sense. Tony Todd also makes its final appearance in the franchise in a moving and poignant cameo.  It is clear this was not just a cash grab sequel. This is a film that was made with love and respect to the franchise.

* * * ½ out of * * * *

4K Info: “Final Destination: Bloodlines” is being released on a single-disc 4K from Warner Brothers Home Entertainment. You can purchase the film with either a 4K slipcover or a 4K steelbook, and both come with a digital copy to redeem the film. The film has a running time of 110 minutes and is rated R for strong violent/grisly accidents, and language.

4K Audio/Video Info: The 4K has a fantastic Dolby Atmos soundtrack that lends itself perfectly to this film. Its use of music is essential to the suspense and uneasy feeling that is permeating throughout the entire film. It’s a big soundtrack with a lot of bass to it, and the film’s soundtrack is a thing of beauty, as you hear it all perfectly. The Dolby Vision visual transfer is slick, clean, and vivid throughout. This is an A+ home theater experience for 4K movie lovers.

Special Features:
Death Becomes Them: On the Set of “Final Destination Bloodlines” – featurette
The Many Deaths of Bloodlines – featurette
The Legacy of Bludworth – featurette
Director’s Commentary

Should You Buy It?

I’m grinning from ear-to-ear as I’m writing this review. This is 4K at its finest in so many ways: The film is really good, the audio and visual elements are top-notch, and there are special features included here as well! There is a director’s commentary! I can’t remember the last time I’ve heard a director’s commentary on a new 4K release. This is a welcome addition, and it’s a lot of fun to hear their passion and energy for the project while watching “Final Destination: Bloodlines.” This is a great horror film, and it made me excited about the horror genre after feeling disappointed by it for two years. I watched it with my wife, and it was a great at-home horror movie to watch as we were laughing, screaming, and hooting and hollering during the crazier moments. I can’t recommend this film enough. They have put so much care into not only the movie but also its 4K release. This one comes highly recommended. It was so close to getting a full four-star rating if not for the bad CGI.  Other than that, you’d be hard-pressed to find a more enjoyable film to watch this year. This was old-school horror done in 2025.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

Favorite Opening Titles: ‘Superman – The Movie’

Posted on by The Ultimate Rabbit

With James Gunn’s long-awaited “Superman” now arriving in theaters everywhere, I am eager to find out if this iteration of the Man of Steel will have any opening credits. And if it does, what will the music to them sound like? The score for the 2025 film is credited to John Murphy and David Fleming, and they both have quite a legacy to live up to which makes the challenge given to them all the more daunting.

Look, it is still impossible to top Richard Donner’s “Superman: The Movie” which brought this symbol of hope to an iconic high, but it will be even harder to top that classic’s opening credits which remain some of the best ever created. Being hurtled to the edges of outer space as the titles stretched out towards the audience was ever so thrilling to me as a youngster, and it has been said that they cost more money to make than most movies back in the day.

And yes, all the visuals were elevated by the opening theme composed by John Williams, a man who has composed so many iconic musical cues and probably still has a couple more left in him. It remains one of my favorite movie themes of all time, let alone one of favorites of Williams’. All of this comes together to create an exhilarating opening to what has long become one of the greatest superhero movies ever made. While this opening could have been “Superman: The Movie’s” peak, something which can result in what I call premature cinematic ejaculation, it instead sets you up and makes clear you are about to watch one of the most entertaining motion pictures you could ever hope to see.

These titles were created by Richard Greenberg of R/Greenberg and Associates (R/GA), and they proved to be his breakthrough into show business. I have included a link for an interview with Greenberg from the Art of the Title website down below in which he describes this opening’s creation, and it can tell you much more than I can in this article.

And, of course, please feel free to watch the high-definition edition of the “Superman: The Movie” opening titles down below.

Art of the Title Superman (1978) article.

‘Lethal Weapon’ Movie and 4K Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

Hollywood has long been a fan of buddy cop movies, as people love to see big action, memorable villains and witty repartee between the polar opposite main characters.  “Lethal Weapon” is a film I’ve heard about ever since I started watching movies, especially the famous line, “I’m too old for this shit,” delivered perfectly by Danny Glover. Now, thanks to the 4K release of this film from Warner Brothers, I’ve finally had a chance to sit down and watch it in its entirety.  It is certainly one of the better buddy cop movies to have ever been released in Hollywood, thanks to the tremendous on-screen chemistry shared between Mel Gibson and Danny Glover.  They make it look effortless. I’m happy to report I’m not too old to sit down and watch “Lethal Weapon” for the first time. 

The film opens with a naked young woman snorting a line of cocaine and jumping off her balcony to her impending death.  This occurs on the day of Roger Murtaugh’s (Danny Glover) 50th birthday, as we see him trying to navigate through his happy yet chaotic homelife. He’s been assigned a new partner, Martin Riggs (Mel Gibson), an unhinged and wildly unpredictable cop who has unconventional methods, but you can’t argue with his success. It’s been 11 years since the death of his wife, and he struggles every day with thoughts of suicide. Indeed, it’s easy to see why Murtaugh feels like he is too old for this shit, as the two of them are as opposite as fire and ice.

Murtaugh and Riggs must put their heads together and find out the real reason why this young woman, Amanda Hunsaker (Jackie Swanson) committed suicide. Murtaugh gets a call from an old war buddy Michael (Tom Atkins), Amanda’s father, and Michael reminds Murtaugh that he saved his life when they were in battle. There are definitely some nefarious individuals behind this, and Riggs sees the complexity of these cases and isn’t afraid to dig deeper or get his hands dirty. Murtaugh, on the other hand, looks for the simplest and easiest solution to these cases. He has too much at stake because he’s married and has children at home. Riggs, on the other hand, has nothing to lose and doesn’t care if he dies, so he will do what needs to be done, consequences be damned.

“Lethal Weapon” was directed by the legendary Richard Donner (“Superman,” “The Goonies,” and “The Omen”), and was written by Shane Black (“The Nice Guys” and “The Monster Squad”). They collaborated with Gibson and Glover to create a memorable piece of cinema.  I do think the first hour of the film is absolutely perfect as it moves quickly, introduces the main characters and the villains, including a memorable performance by Gary Busey, and it’s a lot of fun.  It’s clear they are comfortable taking their time in allowing these characters to grow on screen, as we get to know them, inside and out. Because of this, the stakes matter that much more when the shit hits the fan.  The comedy is also effortless and never forced.

I did feel like the second half hit a bit of a lull when the good guys met up with the bad guys.  Of course, it was the 1980’s, so there needed to be big action (in addition to big hair and big outfits) and special effects, but they could have done probably half of what they did and it would have been even more effective.  There is also a wild karate battle between Busey and Gibson, which made me laugh but for all the wrong reasons. It seemed odd to go in that direction at the very end. The film starts out by letting the audience know it’s going to be a different type of action comedy, and I enjoyed the balance of seriousness and comedy. I was hoping the film would have kept that tone a little bit more in the second half, but it turns into a bit of a silly action movie. Still, “Lethal Weapon” has a good script, a top-notch cast, and skilled direction. It’s a good movie, but I don’t think it’s a great movie because of the issues I’ve mentioned.

It should be noted that I watched the director’s cut of “Lethal Weapon,” so I’m not sure how much of a difference there is between it and the theatrical cut, as this was my first time watching the film. The director’s cut is 117 minutes, and the theatrical cut is 110 minutes. I’d be curious to hear from those who have seen both cuts as to how much of a difference there is between them. I think the film should have been around 100 minutes, and it would have been just about perfect. I can’t speak for the sequels, but I can see why audiences wanted to see more of these two, as they had some of the best onscreen chemistry I’ve seen in a buddy cop comedy. Glover is smart, tough, and vulnerable while Gibson is crazed and determined, but there’s also a method to his madness. I loved these two characters.

* * * out of * * * *

4K Info: “Lethal Weapon” is released on a single-disc 4K from Warner Brothers Home Entertainment in either a 4K slipcover or a 4K steelbook. As mentioned in my review, the 4K comes with both the theatrical cut and the director’s cut. The film is rated R for strong violence, strong language, brief drug use, and some nudity. There is also a digital copy included.

4K Video/Audio Info: The film was nominated for an Academy Award for Best Sound, and wow, this is quite a Dolby Atmos soundtrack. The film is LOUD, and I do mean LOUD. At times, I found it to be a little too loud, which must mean I’m too old, but in all seriousness, if you enjoy your action flicks loud and in-your-face, you won’t be disappointed with the audio here. I did enjoy the 1980’s saxophone that was present throughout the movie. It’s a jaunty soundtrack that stayed in my head. As far as the video here, the HDR is splendid on this release, and it makes the film look sharp, vivid, and lively without losing its 80’s aesthetic. Hey, I was born in the 80’s, and I appreciate that decade very much, especially the music that was released then!

Special Features:

·   A Legacy of Inspiration: Remembering Richard Donner

· “I’m Too Old for This…”

Should You Buy It?

Yes! Personally speaking, I’m a big fan of a crisp 4K slipcover, and the slipcover release of Lethal Weapon is a thing of beauty. I really enjoyed the home theater experience of watching this movie, as it left me drained in the best possible way. The film presents a multitude of elements to the viewer, and while not all of them resonated with me, they were more effective than not. The film is memorable and stands out because of the performances of Mel Gibson and Danny Glover. In some ways, they look at one another and they see what they are missing in themselves. Murtaugh sees Riggs as someone who is not afraid to think outside the box, take risks, and find his man. Riggs sees Murtaugh as having the family life he wishes he could have had if his wife hadn’t died. The film is, at times, heartfelt, without trying too hard or being sugary sweet. Gary Busey is a kick-ass bad guy because he’s as cold as ice and doesn’t flinch. I wish the film was about 10-15 minutes shorter, depending on the release you watch, but it’s still a good flick. Warner Brothers also includes two new special features on this release, and they are one of the only studios that is releasing classic Hollywood films with new special features. I think physical media collectors will be VERY happy with the 4K release of “Lethal Weapon.”

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.