On Friday, February 19, 2010, Jason Reitman began his program of movies at New Beverly Cinema in Los Angeles. The first double feature of his program was “Ferris Bueller’s Day Off” and “Election,” great movies dealing with high school and teenagers in an intelligent way and which star Matthew Broderick. “Ferris Bueller’s Day Off” was one of John Hughes classic films from the 1980’s which everyone has seen at least nine times. Reitman remembered wanting to see it with his dad when it first came out, but his father, Ivan Reitman of “Ghostbusters” fame, was busy shooting “Legal Eagles” and couldn’t get away from the set. They ended up going to the movies later, but instead they watched “Big Trouble in Little China,” John Carpenter’s ode to martial arts movies which was not as successful, but later become a beloved cult film.
Reitman said he considers “Ferris Bueller’s Day Off” to be Hughes’ love letter to Chicago. Indeed, Chicago does look very beautiful as shown here. These days, it’s rare to see it without snow covering it. Richard Belzer has a brilliant quote when he played John Munch on “Homicide: Life on the Street,” “Chicago has two seasons, winter and St. Patrick’s Day.”
Reitman saw Ferris Bueller as the guy who knows everyone is dying from a terminal disease. Knowing this, he lived every day as if it were his last. He then went on to say “Ferris Bueller’s Day Off” is a movie about people dying, and the last moment of joy anyone has comes at the end of the parade when Broderick is out shaking his bod to The Beatles’ version of “Twist and Shout.” The acclaimed director was serious about this and even said, “If you came out of this movie happy, THEN YOU MISSED THE ENTIRE POINT!”
Before the movie began, Reitman brought out a special guest, Jennifer Grey. She played Jeanie Bueller, Ferris’ largely unpleasant and infinitely resentful little sister. Grey would go on to become a big star when she starred in “Dirty Dancing” opposite the late Patrick Swayze. Reitman said he asked Grey to come just this morning, and she was very gracious to appear at such short notice.
Grey warned Reitman upfront she smoked a lot of pot during the movie’s making, so she doesn’t remember a lot of it. However, during her brief time with Reitman, she did remember quite a bit, so maybe all the smoking helped.
One of the big revelations was that Grey admitted was never really a big fan of Hughes before she got cast. She had just seen “Pretty in Pink” which he wrote the screenplay for but didn’t direct, and she declared she didn’t get it. As a result, Grey went into the audition not really caring if she got the part or not. She didn’t even try to hide her attitude towards Hughes when talking to him about how she didn’t really care for his films. It was this attitude which got her cast as the bitchy little sister of Broderick’s iconic character.
Another big revelation we learned was Hughes and Broderick were always at odds with one another, and the tension between them was always high. Broderick found it very hard acting to the camera, one of the signature devices of this movie. Grey also said Broderick was “very slow” in putting a performance together, and this was certainly the case when he played Ferris. It got to where Hughes was constantly waiting for Broderick to start giving him what he wanted, and there were points where Grey said Hughes leaned over to her and said, “Is he ready now? Is he warmed up? Is he gonna give us ‘Brighton Beach Memoirs?!’”
Still, Grey recalled her experience of making “Ferris Bueller’s Day Off” as being “heaven on earth,” and she felt very safe with Hughes as a director to where she never felt self-conscious about anything she did. She admitted she loved every single experience she had making this classic, and she even developed a big crush on Hughes, describing him as being a “Baby Huey.”
Reitman asked how Charlie Sheen got cast as the drug addict who befriends Jeanie Bueller while waiting at the police station. Grey explained she was the one who got Sheen involved as she had just done “Red Dawn” with him. There was actually a lot of improvisation during the police station scene, and Grey said the moment where Jeanie says some people call her Shawna was born out of that.
One of the questions really burning on Reitman’s mind was what it was like for Grey when she worked with “her brother.” Broderick and Grey were actually dating for a time during this movie’s making, and she replied the only time you see her character and Ferris together in the same room is at the very beginning and right near the end.
Before the movie started, Grey finished by saying Hughes did such a great job in capturing the voice of the time and of teenagers in general. She pointed out what we all came to see, that Hughes very much understood the gravitas of being a teenager and of how difficult and frustrating those years can be.
It was great to see Grey come out for this special screening of one of the best and most entertaining movies of the 1980’s. Reitman went on to say we all must be wondering what became of Ferris Bueller after he graduated from high school. There was always talk of a sequel which would show Ferris as a burned-out executive of some corporation, and a day off from this kind of job is always welcome no matter what day of the week it is. What did Reitman think? For that, he said to check out Alexander Payne’s “Election.”