Like so many, I grew up watching “The Lone Ranger” on television and listening to the old-time radio show as well. John Reid, whether he was wearing a mask or not, was a paragon of justice, and seeing him and his faithful sidekick Tonto defeat the bad guys was always deeply satisfying. I was reminded of how much I liked this character while watching Gore Verbinski’s “The Lone Ranger” because I kept asking myself, who is this buffoon that has no business being around a horse during this movie?
Hollywood has had little luck in getting a respectful version of “The Lone Ranger” up on the silver screen, and this supposed 2013 summer blockbuster is the latest example. At two and a half hours, this film is a bloated mess which could have easily been shortened. It sticks its talented cast with a bland story, an uninteresting villain, and it can never seem to figure out if it wants to be a lighthearted adventure or a deadly serious film. Sadly, it is not until the last half hour when this “Lone Ranger” finally comes to life.
This “Lone Ranger” is yet another origin story about how this iconic character and Tonto first met and joined forces to bring justice to the American Old West. John Reid (Armie Hammer) is a lawyer and former Texas Ranger who joins up with his brother, Dan (James Badge Dale), to recapture the ruthless outlaw Butch Cavendish (William Fichtner) who has just escaped. In the process of tracking Butch down, John and Dan are ambushed by him and his law-breaking friends, and he mercilessly takes Dan’s life as well as another part of his body from him. John is assumed to be dead, but Tonto (Johnny Depp) finds his body and nurses him back to health so they can avenge Dan’s life and defeat Butch before he does more harm.
Look, I try to enjoy movies for what they are as opposed to what I want them to be, but I found myself wanting to see a much different version of “The Lone Ranger” because the iconic character is not given the respect he deserves here. I came out of this film feeling sorry for Hammer who is a very good actor and was terrific as the Winklevoss twins in “The Social Network,” but he is forced to portray John Reid as a buffoon and wimp who has no business trying to bring any bad guys to justice. Hammer has some funny moments, but the screenplay by Justin Haythe, Ted Elliott and Terry Rossio robs his character of many of the heroic qualities we love the Lone Ranger for having.
Come on, this is a movie about the Lone Ranger, so why not make it about the character we know him to be? Just like “The Green Hornet” which Seth Rogen and company really messed up, this is a film that blatantly forgets what makes its well-known characters so special. Regardless of the current controversies Hammer is currently enduring, his acting career has fared much better than Klinton Spilsbury’s did after he starred in ill-fated “The Legend of the Lone Ranger.”
As expected, Johnny Depp gets top billing even though he is playing the sidekick in this film because, well, he’s Johnny Depp. While he may be the best thing about “The Lone Ranger,” his performance is a bit problematic. Depp said he chose to play Tonto so he could right the wrongs of the past in terms of how Native Americans are portrayed in the media. While I really want to say he succeeded, I’m not sure he did. He is clearly having a lot of fun playing Tonto, but the character threatens to come off as a comical caricature than a believable Indian. I have no doubt that Depp has Native American blood in him, but it would have made much more sense to get a full-blooded Native American to play Tonto instead.
But in the midst of such comical mischief between the Lone Ranger and Tonto, we get to learn about Tonto’s backstory which involves tragedy and Native American genocide. It is at this point when the movie’s tone becomes completely erratic as it can’t seem to decide whether it wants to be funny or serious. While I would never dare to gloss over the damage we did to Native Americans, this grim history belongs in another movie and not this.
“The Lone Ranger” also starts off with another side story which has a young boy named Will (Mason Cook) visiting a San Francisco county fair where he runs into an elderly Tonto who proceeds to tell him about his adventures. The movie keeps coming back to these two time and time again, and this ends up slowing its already sluggish pace down to a grinding halt. These scenes could easily been cut out of the film because they really serve no good purpose and only make us wish this was much shorter.
William Fichtner remains one of the most dependable character actors working today, but he is unfortunately saddled with portraying a bore of a villain in Butch Cavendish. The character’s makeup basically spells out how this is one very bad dude who never visits the dentist, and it’s almost like Fichtner is letting the makeup do all the work. There’s really not much to this character other than he’s just another evil outlaw, and this gives Fichtner no real opportunities to make him the least bit interesting.
As for the other actors, Ruth Wilson gets to play Dan Reid’s obligatory love interest, Rebecca, and she is given little to do other than be in constant danger. Tom Wilkinson is a welcome presence as railroad tycoon Latham Cole, but it’s no surprise to see what his character ends up becoming. And while it is cool to see Barry Pepper as U.S. Calvary Officer Jay Fuller, his character is just another one of those clichéd corrupt military characters who is just asking to get beaten up. As for Helena Bonham Carter, she is wasted in a bit part as brothel madam Red Harrington. While I love seeing Carter pop up in one role after another, this movie does not deserve her.
Verbinski runs into many of the same problems which undid “Pirates of the Caribbean: At World’s End” as it goes on for far too long, contains characters we never fully care about, and it doesn’t take long for us to give up on trying to understand the plot. While he is indeed a talented filmmaker, and the first “Pirates of the Caribbean” movie really was fantastic entertainment, I thought after “At World’s End” he would rein things in more than he tried previously. That he did not accomplish this makes this cinematic experience all the more frustrating.
Regardless, I have to admit that I loved the movie’s last half hour where Verbinski executes a number of brilliantly staged action sequences. Once the “William Tell Overture” music started blasting through the speakers, I found myself being immensely entertained. This was “The Lone Ranger” movie I wanted to see, the one where I was genuinely thrilled by this masked man’s crime fighting ways. This proved to be so much fun, but while this spectacle went on, I could not help but ask myself why the rest of this motion picture could not be this entertaining.
“The Lone Ranger” was not the worst movie of 2013, but it was still pretty close to being the biggest stinker of all. While it was not as boring as “The Great Gatsby” nor as abysmally bad as “The Hangover Part III,” this should have delivered far more bang for the buck. Westerns have taken a big hit over the years with poorly received duds like “Wild Wild West” and “Jonah Hex,” and this film is not going to help matters any. This was the first Lone Ranger movie in over 30 years, and now it looks like we’ll have to wait twice than long for the next one to be made.
Hi-Yo, Silver! Away from Hollywood!
* * out of * * * *