Timothee Chalamet

‘Bones and All’ Movie and Blu-ray Review

Posted on by The Ultimate Rabbit

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

“Bones and All” is a film I must admit I was not familiar with until I heard of its upcoming release on Blu-ray.  After hearing about its premise and the actors involved, I was immediately interested in checking it out.  It is an intimate little film which is unique in the way it tells its love story, and it’s filled with great performances and beautiful scenery. We live in a cinematic world where it’s all too commonplace for a film to be a remake, a sequel, or a copy of another film.  It is something to admire when a project like “Bones and All” comes along and decides to take an ambitious and outside-the-box approach on young love and mix it with cannibalism.  Director Luca Guadagnino (“Call Me by Your Name” and the “Suspiria” remake) is always on the cutting-edge of filmmaking.

The film opens by introducing us to Maren, played by the immensely talented Taylor Russell.  Russell has an incredibly expressive face throughout the course of this movie, and she plays this part just right as she balances the vulnerability of Maren along with the inner strength she has been forced to possess because of her situation in life.  Her father keeps her under lock and key and for good reason: she is an eater.  He never knows when she might decide to eat someone.  She first did it to her babysitter when she was younger, and it was something which caused her mother to pull away from her.  We find out why later in the film.

Maren’s father is played by André Holland, and he makes the most out of his limited screen time.  However, this is really the story of Maren and, later, of Maren and Lee, played by Timothée Chalamet.  While on her journey to discover more information about her mother and why she left her and her father, Maren meets Lee in Kentucky.  Lee is charming, charismatic, and an eater. For the most part, eaters do not eat other eaters, but they can smell when someone is an eater. The reason they meet is because Maren’s father decided there is nothing else he can do to protect his daughter.  He has done all he can for her, and she’s become a threat to anyone she encounters even though she’s very nice, shy, and soft-spoken.

Along the way, the bond between Maren and Lee grows even stronger.  This is the first time she has really been outside the house this much and been allowed to interact with people around her age.  She likes him, and he likes her.  They try to follow a moral code when it comes to the individuals they eat, but they do not always know their backstories, which can sometimes lead to Maren feeling like she’s a bad person. Lee is more experienced in this field and, because of this, he knows he needs to do whatever is necessary to survive.

There is also an older eater named Sully (Mark Rylance) whom Maren runs into earlier in the film.  He seems to mean well, but Lee is not exactly sure what to make of him because of the age difference and his overall demeanor. Maren tries to distance herself from Sully, but he seems to be around the corner at every turn.  Is he just a harmless old man?  Is he a threat to her and possibly Lee?  I was fascinated by the cannibalism angle of this film, as it does not really make a judgement on the characters.  Cannibalism is part of them, but they are seen as human beings and not monsters.  They are trying to live with it as best as they can and forge meaningful friendships and relationships.

“Bones and All” is one of those under-the-radar gems which is shot in such a naturalistic way by Guadagnino .  It really allows the audience to spend time with the main characters, get to know, understand and feel for them.  The love story between Chalamet and Russell is the lifeblood of this film.  It is what makes this film tick. Both on their own and together, they make movie magic on screen.  They have strong chemistry from the moment they meet each other, and it only increases as they are put together in various scenarios.  Rylance does a fantastic job of keeping the audience guessing as we are left to figure out what his true intentions are with Maren.

This film is truly a journey with its running time of 131 minutes.  At certain points, it can lag a little bit and feel a bit disjointed.  During other scenes, the pacing is exactly right as it allows things to breathe and have time to resonate with the audience.  The more and more I thought about “Bones and All,” the more I liked it.  It is not perfect, but the things which work, such as the relationship between the main characters, the gorgeous cinematography and direction are top notch.  This is a unique film that packs a powerful punch and is worth seeking out.

* * * ½ out of * * * *

Blu-ray Info: “Bones and All” is being  released on a single-disc Blu-ray from Warner Brothers Home Entertainment. The film is rated R for strong, bloody and disturbing violent content, language throughout, some sexual content, and brief graphic nudity.  It has a running time of 131 minutes, and it also comes with a digital copy of the film as well.

Video/Audio Info:  I really wish this film would have received a 4K release, as it’s a film shot with such scope and beauty.  I am a 4K guy and am always going to prefer a 4K release.  The Blu-ray, however, is still pretty good, picture-wise.   It comes in 1080p High Definition. For the audio, we got a Dolby Atmos track which is really impressive.  Subtitles are in English, French and Spanish.

Special Features:

A Look Inside

Luca Guadagnino: The Vision of Bones and All

Meet Lee

Meet Maren

Outsiders in Love

Should You Buy It?

As a firm believer in physical media and independent cinema, I think this is a film worth adding to your collection.  Sadly, the special features are noticeably short as they run around two minutes or less.  I would have enjoyed a little more detail with them.  However, with a film like this, maybe less is more as it allows the audience to come up with their own conclusions as it pertains to how they feel about the film.  I am also disappointed about the lack of a 4K release as it would have looked perfect in that ultra-high definition format.  The Blu-ray looks good, but a 4K of “Bones and All” would have been stunning.  As far as the film itself, if you are like me and enjoy being challenged by a unique story with powerful performances and great cinematography, you will find a lot to like with here. As of right now, the film is going for $27.99, which is a bit pricey for a Blu-ray.  If that were the price for the 4K, I would say you should buy it immediately.  As it stands, you should buy it, but I would wait for the price to drop.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

Greta Gerwig’s ‘Little Women’ is Simply Brilliant

Posted on by The Ultimate Rabbit

It was published back in 1868, but Louisa May Alcott’s “Little Women” remains one of the most timeless novels ever written. It has been made into a movie six times, been turned into several shows on television, was eventually adapted into a musical, and even an opera was created out of it. Taking this into account, it should be no surprise this particular piece of literature remains a popular one from one generation to the next.

Now we have the seventh adaptation of “Little Women,” and it comes to us courtesy of writer and director Greta Gerwig who is still riding high off of her success with “Lady Bird.” Is it better than Gilliam Armstrong’s 1994 cinematic adaptation which starred Winona Ruder? I don’t know, and at this point I don’t care because making such comparisons threatens to do a real disservice to both versions. All that matters is Gerwig has taken this classic novel and turned it into a motion picture which is uniquely her own. A story which has been read and told to others over the ages now feels fresh again, and it is one of the best films of 2019.

Alcott’s “Little Women” was originally published in two volumes, the first which dealt with March sisters’ (Jo, Mary, Beth and Amy) childhood in Massachusetts, and the second which followed them into their adult years. While previous versions have presenting the story in a linear fashion, Gerwig dares to tell the tale in a non-linear fashion as she has the present and past intertwining with one another. This has the result of giving the story and its characters more depth than was already there, and the emotions are more powerful as a result.

Now granted, this non-linear approach was a bit jarring for me because, at first, it was a little hard to figure out where things were taking place. But thanks to director of photography Yorick Le Saux who uses different strokes of light to differentiate the two parts, I did eventually gain a foothold on where things were going. The childhood sequences are painted in a beautiful set of hues which typically color our most nostalgic memories, and the adult scenes are illustrated with darker and more stark colors to remind us of how harsh the real world can be.

Looking back at Armstrong’s “Little Women,” it almost seemed fantastical in the way it portrayed the March family as if they had it made. Gerwig’s version reminds us of how they lived in poverty and were forced to fend for themselves while the patriarch (played by Bob Odenkirk) is away fighting as a soldier in the Civil War. But thanks to the wealthy Mr. Laurence (Chris Cooper), they have a friend who will help them during the toughest of times. Isn’t that great? You know, when the rich went out of their way to help out the poor?

“Little Women” features a bevy of fantastic performances from a gifted cast. Saoirse Ronan is ever so wonderful as Jo, the most free-spirited March sisters who is determined to become a writer and defy society’s expectations of her as a lady. Ronan inhabits this character in such a marvelous way to where her spirit proved to be infectious, and she makes you want to follow along with here from start to finish. She is so full of joy here, and you want to experience this joy with her.

Another key performance comes from Florence Pugh who plays the artistically inclined Amy March. Pugh already wowed us earlier this year in the deeply unnerving “Midsommar,” and here she gets to play this movie’s most complex character as Amy struggles to separate her expected duties as a woman from what her heart is telling her to do. Pugh does excellent work in portraying the conflict within Amy as her words express a surrender to what society expects of her even as her eyes show what her heart truly desires more than anything else.

It is also great to see Laura Dern here as the matriarch of the March family, Marmee. While she has done a lot of great work on television over the years, the recent movies Dern has appeared in like “Cold Pursuit” have made unforgivably poor use of her talent. Here, Gerwig gives her a platform to do some of her most memorable work on the silver screen in some time, and she makes the most of it. Dern even gives Marmee an extra layer of depth when she admits how her pleasant nature manages to hide how angry she is at the world around her.

The rest of the cast features actors you can never go wrong with. Meryl Streep is a joy as always, this time playing the far too high-minded Aunt March. Timothee Chalamet shows incredible range as he takes Theodore “Laurie” Laurence from a hopelessly naïve young man to a troubled soul whose broken heart can never be easily mended, and then he shows us the person who arrives on the other side of all that to tremendous effect. Emma Watson makes Margaret “May” March into a character who goes from having endless anxiety about her place in society to becoming a strong individual who comes to see what her heart desires most in life. And then there’s Tracy Letts who has appeared in what seems like every other movie this past year, and he plays Jo’s story editor Mr. Dashwood to great effect.

Gerwig’s “Little Women” is one of those films which had me completely absorbed and engrossed in its story and characters to where I never took my eyes off the screen. There is not a single false note to be found here as Gerwig shows off a sheer confidence as a director which makes clear how her previous successes behind the camera were no fluke. In taking one of the most classic novels ever written, one which has been adapted dozens upon dozens of times, she shows a mastery over the material to where it is impossible to think anyone else could have done as great a job as she has here.

Many will probably view “Little Women” as nothing more than a “chick flick,” but this rather shallow description does it no justice. Regardless of what your gender or sexual preference is, there is a lot of us in these unforgettable ladies. They yearn for better futures, get caught up in the innocence of their childhood to where they let their collective imaginations run wild, and they struggle with what a cruel world which expects only so much from them. Please do not try to convince me you cannot relate to these women go through because of who you think you are. Their struggles are not very different from our own, and this makes this particular adaptation so remarkable as we relate to them in inescapable ways. This is truly one of the best movies of 2019.

* * * * out of * * * *