Noah Baumbach must have had one messed up childhood. His 2005 film “The Squid and the Whale” which chronicled a divorce filled with animosity and the of effect it ended up having on the kids. In 2007 he gave us “Margot at the Wedding,” which focuses on two sisters who do their best not to explode at one another. This is sibling rivalry at its most vicious and with sly attacks throughout until the inevitable showdown where the wounds and scars reveal themselves in all of their hurt and anger. Once in a while, you will get a movie which shows the loving power of a family and how they all come together as one. This is not that movie.
Nicole Kidman stars as Margot, who is heading into the country to attend her sister’s wedding. With her on this trip is her teenage son Claude (Zane Pais) who she dotes on with increased restlessness. 2007 was a tough year for Kidman as the films she starred in, be it “The Invasion” or “The Golden Compass,” were not at as successful as they were expected to be. She was at one point the most underrated actress in movies with unsung performances in movies like “To Die For” which she was unfairly robbed of an Oscar nomination for. Following her Oscar win for her role in “The Hours,” she looked to be stumbling in movies underserving of her talent. Her performance as Margot, however, reminds you of just how brilliant and fearless an actress she can when given the right role.
Margot is a bitch with a capital B, and she is one of the most unsympathetic and spiteful characters you would ever want to see in this or any other motion picture. She is cruel to those who love and hate her, and she even reacts coldly at times to her son by saying something about his appearance which could not be any less true. Kidman tears into the role with gusto, and she never tries to sweeten this character up and make her more likable than she ever could have appeared in the script. She is fearless in her portrayal of Margot, and she even lets us see beneath the character’s cruel mask to reveal the pain her character feels inside. You never completely sympathize with her, but you do come to pity her.
Margot’s sister Pauline is played by Jennifer Jason Leigh, the former Mrs. Noah Baumbach, and it is great to see her here. Her portrayal of Pauline makes the character pitiful in a whole other way. While Margot is cold to those around her, Pauline is much more vulnerable and is skillful in the way she throws her sister’s carefully placed insults right back at her. Pauline seems to be striving for a happiness which is just out of her reach. Leigh works at keeping her cool around Kidman’s character, but you can see through her eyes that the last time these two sisters met, it resulted in a brutal confrontation which kept them apart for years. It takes a great actor to make you see things about their characters without having to tell you what they are.
Pauline is about to get married to an unemployed musician/painter named Malcolm, and he is played by Jack Black. This is Black at his most unglamorous as he portrays Malcolm as a sad sack of a man who never looks all that happy about the fact he is about to get married. His character is utterly depressed and lost about what he wants out of life. There are times where Black falls back into those mannerisms we know him best for, and they do take away from his performance at times. But for the most part, he is really good here as he is cast against type in a more dramatic role.
In many ways, this movie is a prolonged attack leading to an explosion of emotion which we can tell has been repressed for far too long. How long you ask? Years, maybe even decades. You know the first time these two sisters meet each other that there is still bad blood between them which is eventually going to spill over. They say they are no longer mad at each other, but we know this is not true. Tension fills the air as these two test one another’s patience, and they continually betray each other in their own subtle ways.
“Margot At the Wedding” is not quite as effective as “The Squid and The Whale,” and it is easy to judge the two in comparison because they deal with the same thematic elements. They deal with broken families, divorce, parental neglect, underlying feelings of anger and resentment, etc. It has been said the best directors make the same movie over and over again, be it Hitchcock or Spielberg or anyone else. Baumbach’s specialty is in the dysfunctional relationships which he was exposed to when he was young.
Either way, you will most likely come out of this movie thanking god your family relationships are nowhere as bad as they are portrayed in this movie. You think you have it bad? Wait until you watch this.