Alan Parker’s ‘Angel Heart’ is a Devastating Descent Into Hell
“Angel Heart” is a heavily atmospheric movie which makes you feel the coldness of New York and the never-ending heat of Louisiana in the summertime which makes you sweat like nothing else can. It is not a loud slam bang movie, and it does take its sweet time in setting up the story and the locations which the characters exist in. Each city proves to be an important character, and they reflect the nightmares and dreams of the main characters. If this movie were made today, I imagine the studios would want the actors cast in it to be younger and hipper and take away some of the dark stuff. I hope this is one Hollywood can leave off of the remake table.
Back when this was made, Mickey Rourke was a much bigger star, and this is one of the many movies he starred in without shampooing his hair beforehand. As Harry Angel, he does excellent work in making this New York City private investigator seem tough and sleazy, yet resourceful and vulnerable. Harry’s life unravels faster and faster as he digs deeper and deeper into the mystery which surrounds him. Watching Rourke here reminds me of what a strong and brave actor he can be when given the right material. Back then, he was not afraid to play someone whose dark side could often prove to be overpowering. His off-screen antics seemed to get the best of him over the years, but thanks to his performances in “Sin City” and “The Wrestler,” there is no forgetting who he is.
The movie credits itself for having “a special appearance” by Robert De Niro. Special appearance? This seems to imply you see him in the movie only once. On point of fact, we see him several times throughout as Louis Cyphre (pay close attention to this name). It is one of the few performances where De Niro never goes over the top and becomes a threatening force without ever having to put much effort into doing so. As Cyphre, De Niro gives a delicious performance of a man endlessly fascinated by the corruption and decay of the soul, and it appears he finds this as delicious as the hard-boiled eggs he always has on hand to eat. When he says the egg is the symbol of the soul and then slowly bites into it in front of Harry, it is a very chilling moment.
Lisa Bonet was deep into playing Denise Huxtable on “The Cosby Show” when she was cast in “Angel Heart.” I imagine the MPAA tricked themselves into giving this film an adults only rating because they got all hot and bothered at one Cosby’s television daughters showing her breasts. I can see them now:
“We can’t let kids see this movie! They will never look at one of television’s famous daughters the same again! This will destroy their innocence!! Won’t somebody think of the children?!”
Alan Parker, who directed “Angel Heart,” ended up cutting out ten seconds of the sex scene between Rourke and Bonet in order to secure an R rating. Upon its release on video and laserdisc, those ten seconds were restored. I first saw this film at New Beverly Cinema which prides itself on showing everything in 35mm, so I can only assume I was watching the theatrical version. But seriously, you cannot convince me this deserved to be an NC-17 movie even with those extra seconds. People can be so testy for all the wrong reasons.
A lot of the controversy surrounding “Angel Heart” almost hides the fact Bonet is actually really good here. A lot of people probably assumed she got the role of Epiphany Proudfoot because of her success on “The Cosby Show,” but Parker made it clear to everyone he picked her because he felt she was right for the part. Having seen this movie, I completely agree. I also have to admit it was fun seeing her naked, but anyway. Epiphany (perfectly named by the way) is a mysterious person who seems to say everything yet reveals nothing, and Bonet captures her character’s mystery very well to where she keeps us guessing.
Parker made many great movies over the years like “Birdy” and the cinematic experience which is “Midnight Express” to name a few. Like “Angel Heart,” they deal with lost souls trying desperately to free themselves of whatever is holding them back. There is a lot holding Harry Angel back, but when he finally gets to the truth, he will find that being held back was actually a blessing he could never see. Parker gives the movie a distinctive look as it takes place in the 1950’s, and he directs the actors very well and gives each a memorable moment which sticks with you long after the lights come up.
Trevor Jones composed the music score, and he does great work capturing the tension and atmosphere. Right from the start, he aids the filmmakers in realizing the horrifying truth Harry has spent the entire movie trying to find.
The first official trailer for “Angel Heart” goes out of its way to make it look like this is the second coming of horror by comparing it to “The Exorcist” and “Chinatown.” This proved to be a bit misleading as this film does not quite reach the heights of those two classics, and it really stands out as being from them. Still, it is a very good film which once against demonstrates Parker’s unique gifts as a filmmaker.
It did not receive much of an audience upon its release which almost led to me putting this in my “Underseen Movies” category, but it has since received a significant cult following throughout the years. Here is hoping that cult following will continue to grow, and that the remake train will leave this one off its passenger list. Seriously, Hollywood really needs to try more original stuff.
* * * ½ out of * * * *