Nick Nolte and Paul Mazursky on Mike the Dog from ‘Down and Out in Beverly Hills’

DOWN AND OUT IN BEVERLY HILLS, Nick Nolte, Mike the dog, 1986, on all fours

WRITER’S NOTE: As the first paragraph states, this article was written back in 2011.

As great as Nick Nolte, Richard Dreyfuss and Bette Midler were in Paul Mazursky’s “Down and Out in Beverly Hills,” they were almost completely upstaged by Mike the Dog. If there was ever an animal in movie history that deserved an Oscar, it was Mike. Forget Benji, Rin Tin Tin, and Lassie, Mike had them all beat in portraying the nasty and incredibly neurotic Scottish border collie Matisse. His reactions to his owners, the Whiteman family, and his affection for Nolte’s character of Jerry Baskin made him as much a character as anyone else in this classic comedy. Mazursky and Nolte were enthusiastic in telling stories about Mike when they appeared at the Aero Theatre on August 14, 2011 for this movie’s 25th anniversary screening.

One memorable scene had Nolte on his knees trying to get Matisse to eat his dog food by eating it with him. Determined to see this through, Nolte said he went to a nearby grocery store and bought all kinds of dog food, mostly of the meat variety. When he started dispensing it into different bowls, however, he noticed that to the side there were other dog bowls filled with peas and corn. Nolte went up to Mike’s trainer, Clint Rowe, and asked why these bowls were out. To this, Rowe replied, “Mike’s a vegetarian.”

OOPS!!!

Mazursky had even more stories to tell about Mike and the big star he was. Reminiscing about an Air France jet he flew on to Europe, he saw Mike sitting in first class and reading a magazine (he didn’t remember which one). People ended up making their way up to first class just to see him. Things got even more bizarre when Mazursky got off the plane as there were photographers out in full force at the gate. Mazursky said he greeted them kindly, but they instead went right past him to shoot pictures of Mike.

Things eventually reached a final straw when Mazursky went up to his hotel room and found he was not in room 704, but 804. Guess who was there to greet him when he opened the door? That’s right, Mike. At this point, Mazursky looked him dead in the eye and said, “Out!”

Mike complied and ran off.

Mike went on to play Matisse in the short-lived TV version of “Down and Out in Beverly Hills” and also appeared in various commercials. He has since passed away and is hanging out with Spuds McKenzie and the Taco Bell Chihuahua in doggie heaven. Still, his talent has never been lost on anyone who watched him in the 1986 comedy, let alone those who helped make it. Even during dallies, film editor Richard Halsey kept telling Mazursky:

“That fucking dog is stealing the movie!”

Eric Red Talks About the Cast of The Hitcher

After all these years, “The Hitcher” (the original, not the godforsaken 2007 remake) has lost none of its suspenseful power, and it continues to terrify new generations of horror movie fans. In addition, it also marked a memorable point in the careers of the actors cast in it. Rutger Hauer created one of his most devilish villains ever with John Ryder, C. Thomas Howell gave one of his very best performances as Jim Halsey, and Jennifer Jason Leigh’s performance as Nash proved to be a real stretch for the actress (that pun was most definitely intended).

When the screenwriter of “The Hitcher,” Eric Red, arrived to do a Q&A at the Silent Movie Theatre in Los Angeles on October 9, 2011 where Cinefamily was showing the film, he gave the small but very attentive audience a lot of great stories involving the actors involved in the production, and he had plenty of unforgettable things to say about Hauer.

The audience was very surprised to hear Sam Elliott was originally cast as John Ryder before Hauer came along. Apparently, Elliott’s audition was so terrifying, one of the movie’s producers refused to stay inside the casting office whenever Elliott was around. Somewhere along the line, however, Elliott got cold feet and ended up dropping out of the production.

But even after hearing that, it is still hard to think of another actor who could have played this truly frightening character as memorably as Hauer. As Ryder, Red said Hauer “evoked the character to such a degree” and was always “unpredictable” in what he did. Red described his screenplay as being “sparse” and said it was more about looks than it was about dialogue as there wasn’t much of the latter. Hauer, however, brought so many ideas to the role which were not on the page. During this particularly screening, some of us actually noticed how Ryder was actually wearing a wedding ring. To this, Red simply said, “That’s Hauer!”

Oddly enough, the evening’s funniest story involved the scene where Leigh’s character of Nash was tied between a truck, and Halsey has to keep Ryder from stepping on the gas and ripping her apart. It turns out Hauer did not want to shoot this scene and would not even come out of his trailer when everything was ready to start shooting. The filmmakers talked to him regarding his concerns, and Hauer told them the following:

“I don’t want to shoot the scene because the audience will end up figuring out that my character is the bad guy.”

Hmm … Dismembering the driver who picked up Ryder before Halsey did, murdering a whole family and sticking a human finger in a pile of French fries was not enough to indicate Ryder was the bad guy? How scary it is to learn of this!

When it came to casting Halsey, the filmmakers did not have any particular actors in mind. Red said they all went with Howell as they remembered him from “The Outsiders” and described him as having “the right look.” Ryder is described as being a “father figure” to Halsey, and he wants Halsey to kill him. Howell convincingly portrays his character, who goes from a terrified young man in over his head to one who gains control and becomes almost as cold-blooded as Ryder.

With “The Hitcher,” Red was aiming to create a movie where the audience got an inescapable feeling of claustrophobia in wide open spaces. He said it does not only have to happen in a tiny room or an elevator. Even with the infinite expanse of land on display, no one can escape their pursuers. But the movie also benefits from its memorable performances from a cast who bring more to their characters than what was on the page. Without Hauer, Howell and Leigh, “The Hitcher” would never have been half as effective as what we ended up seeing onscreen.