SAG

Daniel Franzese Talks About ‘Bully’ at New Beverly Cinema

Posted on by The Ultimate Rabbit

On August 12, 2025, New Beverly Cinema presented a Larry Clark double feature of two of his films: “Bully” and “Another Day in Paradise.” Before “Bully” unfolded on the silver screen, actor and filmmaker Joel Michaely brought out a special guest: Daniel Franzese who played Derek Dzvirk. “Bully” was Daniel’s film debut, and it quickly earned him his SAG card. Daniel thanked Joel for being there and remarked how he killed Joel once in a horror movie entitled “Cruel World” where he shot him in the head.

Daniel said “Bully” was the first time he ever got to hold a screenplay in his hands, and he talked about meeting the casting director, Carmen Cuba, at his audition.

Daniel Fransese: She was like, “Do you wanna see who you are going to play?” I said okay, and she opened up the true crime novel (written by Jim Schutze), and I looked exactly like the guy. And I was just like, oh shit! I can actually get this! So, it was very scary and nerve wracking.”

Rumors are that the set of “Bully” was a crazy one, and being that this was Daniel’s first film as an actor, you can understand and appreciate his feelings at the time.

DF: I’m a pretty easy-going guy, and I am also a theatre guy and a standup comedian. I’m used to being around other people, and I am good at getting along with different personalities. But this movie was next level. we are getting ready to do fittings and start our first day of this movie, and Larry (Clark) is screaming because Brad (Renfro) was in jail for trying to steal a boat. He’s screaming, “This was three years of my life! This kid’s not going to ruin it!” He’s throwing papers and I was like, whoa! That was day one and you can just imagine how the stress level got worse from there.

From there, the discussion went to the late Brad Renfro who played Marty Puccio in “Bully.” Brad first gained worldwide attention at the age of 12 years old when he was cast as Marcus “Mark” Sway in Joel Schumacher’s cinematic adaptation of John Grisham’s “The Client.” Like many people on this planet, let alone actors, he died at far too young an age He was only 25 years old, when he passed away after a drug overdose. Daniel talked about working with Brad.

DF: Brad was great. I think he was like one of those golden retriever type people. Not evil, but dangerous. We were doing the table read for the first time, and Brad showed up wearing a white tank top completely soaked in lighter fluid. He came in saying, “I’M TRYING TO GET THE BARBECUE TO GO!” It was like, whoa! He was from Knoxville and had like that “Jackass” sensibility where you didn’t know what he could do, but I don’t think he ever had a mean bone. His intentions were always nice. If anything, he partied too much, and he once told me that at 12, he made hundreds of thousands of dollars to do “The Client,” and he was getting a lot of his drugs and stuff from family members as a kid. I don’t think he got a fair shot. If anything, the reason why I advocate for younger people in Hollywood or talked about my experiences on this movie which were crazy, I was never speaking from a victim place. I was speaking from a place of advocating for people like Brad who didn’t have anyone saying anything for them. I just think, we’re making art. It doesn’t have to be that crazy. We don’t have to be stealing boats or going nuts on sets to produce good material.

After “Bully,” Daniel went on to appear in many films, but he may still be best remembered for playing high school social outcast Damian in 2004’s “Mean Girls.” Like Joel and myself, I wondered what it was like going from an independent film to a studio movie where everybody is expected to be on their best behavior.

DF: I just don’t think the 2000s will be looked upon as a time where it was easy for people on movie sets. I really don’t. People always ask me all the time how to get their kid in Hollywood, and I say don’t. I waited until I was at least in my 20’s (before going to Hollywood), and that’s the only thing which might have saved me. A lot of our contemporaries are not around with us anymore or are in a crazy state. It was a rough time. I can’t say it was easier or better, but I think it’s better now.

Regardless of the crazy set, Daniel made it clear to the New Beverly audience what the experience of making “Bully” was like, and of how the filmmakers strived to capture the spirit of the true story it is based on.

Bully (2001) Directed by Larry Clark Shown in foreground: Bijou Phillips

DF: On a positive note, though, this movie was awesome. It was so fun to make. Larry was cool, the people I was working with were all like people from Thrasher Magazine, it was just like bad ass people. They did shoot in the real locations; it was the real apartment complexes, and it was the real Pizza Hut (we shot in).

Daniel also made it clear how he was the only local hero for hire in Larry Clark’s “Bully.”

DF: They were scouting locations for the gay clubs, and I was just a young kid just figuring that stuff out and performing at the clubs with people I was in musical theatre with and stuff like that. They were like hey we’re making a movie, and I’m like I’m an actor! I had no idea it was going to turn into this. Carmen Cuba, she discovered a lot of people, and I give her all the credit for plucking me out of obscurity and putting me with these people.

An audience member told Daniel that he was from South Florida, and this led Daniel to talk about when he worked at The Gateway Theater in Fort Lauderdale as a kid. a year later, “Bully” premiered there. Daniel found his road from being an usher to a working actor to be honestly insane.

DF: I was there at the theater going, would you like the popcorn combo? I am a movie lover. I worked at Blockbuster (Video), I worked at movie theaters, that’s all I did. Until I was able to support myself as an actor, I was either an usher in theatre or worked at movie theaters. It (“Bully”) was shot in Fort Lauderdale and the whole crew got their premiere at the movie theater where I worked at. So, whoever served me popcorn today, keep writing your scripts.

Like many, Daniel Franzese considers New Beverly Cinema to be one of his favorite places in Los Angeles, and that it was extra special for him to see “Bully” being screened there on 35-millimeter film. To see films presented there in their original format, something often not available to movie buffs in most places, means a lot to him.

SAG/AFTRA and WGA Strike on the National Day of Solidarity

Posted on by The Ultimate Rabbit

It was another day on the picket line as SAG/AFTRA and the WGA continue their long-running strike against the AMPTP. The fight for a fair contract and better pay rages on even as it looks as if no end is in sight. But, then again, it was not really another day as this was the National Day of Solidarity which not only brought these two unions together, but many others including the AFL-CIO, IATSE and Liuna to name a few. In addition, they were also fighting for safer working conditions, restrictions on AI technology, and to be given the respect they deserve as it is their works which help to generate these amazingly high profits for CEOs who have far too much money to ever spend in a lifetime.

There was also a big rally held outside of Walt Disney Studios in Burbank, California. I did my best to film as much of it as I could, but I also got the feeling that now would be a good time to buy a new tripod for my camcorder (the one I currently have is out of commission). Surprisingly, it turned out to be a reunion of sorts for the cast of “The West Wing” as Martin Sheen, Richard Schiff and Bradley Whitford spoke out in support of the strike and for the importance of solidarity in this fight. Sheen was especially powerful as he reminded us all why he got to play the President of the United States on the show for several years, back in a time where a single season of television lasted 22 episodes (remember that?).

Another great speaker was Kerry Washington who talked about how her dream of wanting to be an actor seemed to be impossible because it meant wanting to be famous and be on billboards and magazine covers. But then she said she learned about unions and how they made her dream both a possibility and a reality as it allowed her to make a living. But now, with the advent of streaming and changes in the industry, making a living, let alone a healthy one, has ceased to be possible, and that is unacceptable. Her words rang out loud and true:

“We’ve come to a point in our history where just being a working actor — coming to work every day, devoting oneself to this craft, dedicating oneself for the entertainment and the joy of others — means I can’t make a fair living. It’s not OK. It’s not OK for other people to benefit from our hard work and sweat. It’s not OK for other people to benefit while we work 16-hour days. It’s not OK for other people to benefit when we put our vulnerability and our hearts on the line. It’s not OK for other people to benefit while we do the hard work. That’s not OK.”

But for me, my favorite speaker of the day was “Hellboy” himself, Ron Perlman, who reminded us all as he does on his Twitter (oh, sorry, X) and Instagram feeds that he does not take shit from anybody.  He made this clear right from the start as he said out loud, “I have been a union man my entire mother-fucking woke life.” Not once did he show a single shred of complacency as he laid out how those in power want to break us down:

“The thing is, however much they take will never be enough. So, what they need to do is make us feel small. Devalue us. Gaslight us with the thought that if we don’t walk in line lockstep we can be replaced because any motherfucker can do what we do. … If they’re claiming that they’re losing money, they just made a fucked-up model, that’s all. Don’t blame me for that.”

It was a great day to be on the picket line as thousands of union workers came together to continue the fight for a fair contract and a healthy living wage. I also got to catch up with some friends who I have not seen in years which, in this post-pandemic world, I am deeply grateful for. Granted, the extreme heat took a lot of me to where I had to go home and take a much-needed nap, but it did not stop me or so many others from showing up in Burbank.

As I have stated in the previous articles I have written about the SAG/AFTRA and WGA strike, I am not a member of either union and the video I edited below is not endorsed by them. Still, I am very proud to have joined the picket line as what is currently going on with artists is just a small example of what is happening to the working class at large. These days, I am often reminded of what the late great George Carlin once said about those with all the money and power:

“They want obedient workers. Obedient workers, people who are just smart enough to run the machines and do the paperwork. And just dumb enough to passively accept all these increasingly shittier jobs with the lower pay, the longer hours, the reduced benefits, the end of overtime and vanishing pension that disappears the moment you go to collect it.”

At this time in history, we want to work, but we also want a healthy living wage. It’s hard enough these days to find a job, let alone which pays enough and comes with benefits. No one should have to work two jobs just to survive, and wages need to start keeping up with the cost of living and that evil beast known as inflation. Those in power continue finding ways to eliminate the human equation in the business world, and we cannot allow this to continue. We will not be exploited anymore.

Please check out the video below and be sure to contribute to those union members in need.

Walking the Picket Line Outside of Warner Brothers Studios

Posted on by The Ultimate Rabbit

So, it was another day on the picket line for me as I walked outside of Warner Brothers on August 18, 2023. It is now day 35 of the strike for SAG/AFTRA, and day 109 for the WGA. The picket hours have been reduced to go from 9 a.m. to 12 p.m. as the heat continues to be brutal and unforgiving, and the unions clearly want to make sure no one suffers from heatstroke.

After picketing outside of Paramount Studios and Netflix, I felt the time had come to go over the hill, so to speak, and check out what was going on in the valley. Picketing has ceased at Universal Studios due to them not providing enough safety for union members exercising the right to protest. As a result, the crowd outside of Warner Brothers proved to be especially huge as the sidewalks were crowded, and strike captains had to keep telling people to keep moving as there were parents with strollers trying to get through. And while there were sidewalks you could cross at, there were others which were off limits as cars kept coming up and down Barham Boulevard. Like me, many of them were desperately trying to find a place to park.

It was also a big day for Latino actors (Latino/a/x) as they made their presence known and partied on like there was no tomorrow. Their energy proved to be infinitely infectious as many joined in with their dancing and singing while also chanting loudly, “This corporate greed has got to go!” And if you looked closely, you could see actress Frances Fisher (“Unforgiven” and “Titanic”) walking the picket line as well as the Mandalorian and Captain America who was carrying a sign saying, “I can do this all day.”

Once again, a big thank you to the strike captains for keeping everyone safe and hydrated. To date, this has been the busiest picket line I have been to yet, so their jobs were a lot tougher than usual as a result. The temperature was in the high eighties, so even a warm lime La Croix was refreshing in this climate.

Check out the video below, and please consider making a donation to those in need.

WRITER’S NOTE: For the record, I am not currently a member of SAG/AFTRA or the WGA. The video I have put together here is not officially endorsed by either union.

The Scene at the SAG/AFTRA and WGA Picket Line Outside of Netflix

Posted on by The Ultimate Rabbit

After joining the union members of SAG/AFTRA and WGA, still on strike for a fair contract from producers, in front of Paramount Studios, I joined them again outside of Netflix, Sunset Bronson Studios and KTLA Channel 5 studios on July 27, 2023. It was a scorcher of a day as the temperature got up to ninety degrees, but the union members remained determined to march on, and the strike captains did their best to keep everyone safe and, most importantly, hydrated.

Like that day at Paramount, there was a great feeling of solidarity on display as both SAG/AFTRA and WGA remain united in this strike. At the same time, I also felt the increasing tension between members and the studios as the need for a fair contract felt more intense than ever before. The strike captains were on their bullhorns getting everyone to say, “What do we want? A Fair Contract! When do we want it? NOW!” Well, it was either “now” or “yesterday,” and everyone clearly prefers that this fair contract would have arrived yesterday. Suffice to say, this strike is far from over.

There were no big Hollywood stars on the picket line this day, and one man was holding a sign which said, “Where is Quentin Tarantino?” But once again, this is about the working-class actors and writers, those who just want to make a healthy living. Keep in mind, not everyone in show business wants to be famous like Brad Pitt or George Clooney. In fact, a lot of my friends who are actors are fearful of being a movie star. They would rather be one of those character actors we see in every other movie or television show we watch on a regular basis.

Kudos goes out to Voyage Real Estate whose employees went out of their way to pass out cold bottles of water, and for bringing out the Fluff Ice catering truck which gave everyone free ice shavings. Big thanks to the strike captains who kept everyone safe and in line, and for encouraging us to stay hydrated. Like they said, this corporate greed has got to go!

The video above also has some websites where you can make donations to those union members in need.

WRITER’S NOTE: For the record, I am not currently a member of SAG/AFTRA or the WGA. This video was not endorsed by either union.

Walking the WGA and SAG/AFTRA Picket Line at Paramount Studios

Posted on by The Ultimate Rabbit

On July 20, 2023, I did something I had been meaning to do for a long time: walk the picket line alongside members of the Writer’s Guild of America (WGA) and the Screen Actors Guild – American Federation of Television and Radio Artists (SAG/AFTRA). Both unions are in a furious labor dispute with the Alliance of Motion Picture and Television Producers (AMPTP) as streaming has forever changed the landscape of entertainment. The residual deals many actors and writers previously enjoyed are no longer such a thing, and streaming services have not been quick to give out the numbers of viewers or streams their programs have received thus far. Also, with artificial intelligence (AI) on the rise, many careers threaten to be rendered obsolete as those with all the money keep finding new ways to eliminate the human equation. Plus, when you compare the amount of money someone like Bob Iger makes to the average worker, one cannot help but be infuriated by the infinite corporate greed on display. As John Carpenter once said, the 1980’s never left us.

Signing up to walk in the picket line was very easy, and you do not have to be a member of either union to participate. Considering the continued divide between the haves and the have nots and the dangers posed by AI, I encourage you to participate as the technology itself poses dangers not just to acting and writing careers, but to careers in other fields as well. Clearly, many people still need to watch the first two “Terminator” movies to understand what happens when AI becomes self-aware.

It was a privilege to be walking with these people, union and non-union alike, along Melrose Avenue outside of Paramount. It quickly became clear to me of how everybody was looking out for one another, and this was great considering the hot temperatures we are currently enduring. The temperature reached up to around ninety degrees at one point, and there was only so much shade we could hide in. Paramount does not have any Ficus tress outside their studios, but if they did have any, they would already have had them trimmed.

Big applause goes out to the strike captains who made sure everyone was safe and kept everyone in line, and to all those who donated food, water, snacks and tons on sunscreen for us to utilize. You can never wear enough sunscreen on a day like this. I also have to say how much I appreciated everyone crossed the street both safely and legally. These days in Los Angeles, no one seems to know how to cross the friggin’ street anymore.

With the video I shot and edited above, I wanted to show the harmony of the strikers on display as this event has brought Los Angelenos together in ways I have not seen outside of the LA Marathon. Also, this video shows how everyone was looking out for one another, and how everybody was respectful of the rules set out for them. These visuals really do speak for themselves more than words can. Granted, writers can say a lot about the strike too, but we need to pay them more first.

If you are interested in helping out in the strike or want to make a donation, please visit the following websites by clicking down below:

Writers Guild of America

SAG/AFTRA

Motion Picture & Television Fund

Entertainment Community Fund

WGA on Strike

WRITER’S NOTE: For the record, I am not currently a member of the WGA or SAG/AFTRA. This video is my creation alone and is not endorsed by either union or any other organization.

Clark Duke on His Role in ‘A.C.O.D.’

Posted on by The Ultimate Rabbit

WRITER’S NOTE: This interview took place in 2013.

Actor Clark Duke made his big breakthrough with his own web series “Clark and Michael” in which he played a fictional version of himself opposite Michael Cera. Since then, he has gone on to give a number of hilarious performances in movies like “Sex Drive,” “Kick Ass” and “Hot Tub Time Machine.” This past summer, he stole some scenes in the eagerly awaited sequel “Kick Ass 2″ in which he reprised his role of Marty who has now taken on the superhero identity of Battle Guy.” Clearly, he has become the guy to go to for memorable supporting roles.

In his latest movie, “A.C.O.D.” (Adult Children of Divorce), Clark plays Trey who lives in the basement of his older brother Carter’s (Adam Scott) house. Both Trey and Carter managed to survive their parents’ bitter divorce as kids, but it looks to have forever soured Carter on the thought of marriage. Trey, however, ends up getting engaged to his girlfriend and begs Carter to get their estranged parents to come to the wedding. Knowing how their parents can’t stand to be in the same with one another, Carter knows that this will be a challenge to say the least, but he goes through with the improbable reunion because that’s what his little brother wants. But as things get underway, Trey has yet to learn the real truth of what is going on behind his back.

We got to catch up with Duke during a roundtable interview which was held at the SLS Hotel in Los Angeles, California as part of the “A.C.O.D.” press conference, and he proved to be as funny off screen as he is on it.

Question: When you’re playing a character like Trey, how do you keep him grounded in reality as an actor?

Clark Duke: Well, this script was pretty grounded. We didn’t have to improv a lot. A good script makes our job a lot easier.

Question: You and Adam Scott play brothers in this movie. How did you go about establishing that chemistry and working together?

Clark Duke: Well, it probably helped that we knew each other beforehand and we were friends before the movie so there wasn’t much of an acclimation period, I guess. I have one sibling, a younger brother, so I kind of tapped into that. As to how to play it, I related more to Adam’s character while reading the script. When you have a cast that’s good, nothing’s too hard.

Question: How did this project come to you and what made you want to do it?

Clark Duke: I just read the script. You get sent scripts all the time, but ninety-nine percent of them are just unreadable and terrible. So, when you get a really good one that really stands out… That’s just the truth; most of them are just god-awful. I went to the table read in just actively wanted to do the movie, so I did (laughs).

Question: Ken Howard, the current President of the Screen Actors Guild, co-stars in this movie as well. What was it like working with the union boss?

Clark Duke: No riffraff on the set. No grace periods for lunch, just ended right on time every day (laughs). He’s a licensed deputy as the SAG-AFTRA head.

Question: Adam Scott joked that Ken Howard deputized the both of you and gave you both firearms…

Clark Duke: We immediately abused it (laughs). I would waive mine at cars. We were in Atlanta so I would go to a lot of strip clubs with the gun, and then I’d float my SAG card and they are like OK. They just had to put up with it (laughs).

“A.C.O.D.” is now available to own and rent on DVD, Blu-ray and Digital.

‘A.C.O.D.’ Interview with the Great Catherine O’Hara

Posted on by The Ultimate Rabbit

Photo credit: Gary Friedman / Los Angeles Times

WRITER’S NOTE: This interview took place back in 2013, and I have indicated the specific question I asked during it.

Catherine O’Hara is one of the best comedic actresses working today, and she never fails to give a hilarious performance in anything she does. After making a name for herself on “SCTV,” O’Hara went on to a career in movies that included unforgettable roles like the self-centered Delia Deetz in “Beetlejuice” and the forgetful mother Kate McCallister in “Home Alone.” But some of her best work to date has come from her being in the hilarious mockumentaries of Christopher Guest such as “Waiting for Guffman” and “Best in Show.” O’Hara even received a number of nominations and awards for her role as Marilyn Hack in “For Your Consideration.”

In “A.C.O.D.” (an abbreviation for Adult Children of Divorce), O’Hara plays Melissa who, as the movie starts, is undergoing an extremely bitter divorce from her husband Hugh (Richard Jenkins). Since their marriage ended, Melissa has made it clear that she hates Hugh with every fiber of her being. Then she gets the news that her youngest song Trey (Clark Duke) has just gotten engaged to his girlfriend of a few months, but what she has yet to discover is that her other son Carter (Adam Scott) is working on getting her and Hugh together so that they can attend Trey’s wedding in a peaceful fashion. While you may think you know what happens from there, “A.C.O.D.” proves to have many surprises and takes you in directions you don’t see coming.

We got to meet up with O’Hara during the “A.C.O.D.” press junket which was held at the SLS Hotel in Los Angeles, California. She still looks very lovely after all these years, and her hearty laugh is more than enough proof that she hasn’t lost her sense of humor in the slightest.

Question: “A.C.O.D.” was written by Stu Zicherman and Ben Karlin who have great pedigrees as writers, and you also have Zicherman directing this movie as a first-time director. How did he do as a first-time director and what was the atmosphere like on set?

Catherine O’Hara: I wasn’t aware of him being a first-time director while we were working because he wrote it for one thing. He and Ben wrote it and they are great friends, and Ben was there all the time so you had a good support system. Stu seems like a levelheaded kind of clear, confident guy and he’s funny. When people are smart and good at what they are doing like that and have a sense of humor about everything outside of themselves and even themselves, they are not threatened by anyone giving ideas or working collaboratively. It is a collaborative venture and you can’t lose by being open to the people you’ve hired. Not in the way that it was like a free-for-all, you just knew there was a chance to discuss everything there and he’s so open and he’s a great writer. It just felt like I was in good hands.

The Ultimate Rabbit: The thing I really liked about this movie is that you really don’t know what’s going to happen next. Most comedies you kind of get a sense of the formula and where it’s going to go, but this one really had surprise after surprise. Have you read a lot of scripts like that recently?

Catherine O’Hara: No, you would have seen me in them (laughs). If I was reading them, hopefully I had a chance for them. No, there aren’t enough. They (Stu and Ben) took their time writing this and it’s based on their lives and they have been friends since they were six or seven years old. They know all their extended families and their stepparents, and they really took their time and did a great job and they really thought it out. Every character is taken care of, that’s what I love. It’s not just one or two leads and everyone else is just barely there. Where are you going now? Out of your movie…

Question: That seems to be the case with most movies, but this one gives each of its characters the attention they deserved.

Catherine O’Hara: It is, far too many. This one was really well thought out.

Question: Ken Howard who plays your second husband Gary is also President of the Screen Actors Guild. What was it like having the union leader on set?

Catherine O’Hara: There was that whole merger thing coming up (with SAG and AFTRA) and I personally was against it and he was for it.

Question: Did you talk with Ken about it?

Catherine O’Hara: I did. I asked him why is this good. He seems like a good, smart man, but I just didn’t get it. His explanation was… You could tell that he really cares about the unions and wanted the best for everyone so that was nice to hear.

Question: But you still disagree with him?

Catherine O’Hara: I’m really so not involved with the union in any way, so I had to trust him. He actually is really involved and knows what he’s talking about, so I thought okay. I just like to work and get paid (laughs).

Question: You have been in show business for a long time now. Have you seen a change because for the longest time there was this great void of roles for women over 40 and 50. Do you believe that the tide is now turning?

Catherine O’Hara: There are more and more women writing, and there are more and more good male writers who decided and learned that it’s worth writing for women. I guess the more women are present and out there in life, the more their stories will be told. Our stories have always been told on Lifetime (laughs).

Question: Have you ever thought about stepping behind the camera to direct at some point?

Catherine O’Hara: I only want to write. I don’t care about directing really. I’ve tried it and it was fun, but it’s not like something I have to do. I hate losing trust in a director, that’s awful.

Question: So, what’s coming up for you next?

Catherine O’Hara: I have a movie at the Toronto Film Festival which will hopefully come out soon and it’s called “The Right Cut of Wrong,” and I think I’m reshooting a pilot that didn’t get picked up.

Question: That’s good, and they’ll pay you to do it.

Catherine O’Hara: There you go! Work and pay. Work and get paid, and good for Ken Howard looking after us (laughs).

“A.C.O.D.” is now available to own and rent on DVD, Blu-ray and Digital.