No, I Haven’t Seen It Until Now: ‘Dr. No’

WRITER’S NOTE: This review was written back in 2008 when I was way behind on my 007 watchlist. RIP Sean Connery.

I keep hearing over and over telling me Sean Connery was the best James Bond and still is. And yet after all these years and so many 007 movies later, I have only seen a few of the ones starring Connery. Until yesterday, the only ones I had seen all the way through were “From Russia With Love” which remains one of my favorite Bond movies ever, and the rogue Bond “Never Say Never Again” which brought Connery back to the role for the first time since “Diamonds Are Forever.” The James Bond I really got weaned on as a kid was Roger Moore who played the character like a flamboyant playboy who got caught up in events he looked as though he had no business getting caught in. Nevertheless, Moore managed to get the job done even as the franchise started to descend into parody.

Yesterday, New Beverly Cinema, my favorite movie theater in Los Angeles, had a double feature of the first two Bond movies ever made: “Dr. No” & “From Russia With Love.” I had seen bits and pieces of “Dr. No” previously, but never the whole way through. Watching it today, this 007 adventure seems like an average Bond with the megalomaniac villain bent on world domination. I was starting to get sick of this in the last few films which starred Pierce Brosnan as Ian Fleming’s famous spy. Every once in a while, I like to see Bond go head to head with a villain who is not looking for an infinite level of power, but instead one whom he just wants revenge over like in “License to Kill.”

It helps, however, to keep in mind what action movies were like before James Bond came along. Compared to “Dr. No,” they were nowhere as gritty. Shooting female characters in a film was not allowed back in 1962, and this Bond quickly did away with this unwritten law. There was a lot more going on than just your average good guy here. While it might appear to be something of an average film for those seeing it today, “Dr. No” was in many ways a groundbreaking film which led to a franchise which has lasted longer than so many others.

OK, I am in agreement, nobody played James Bond better than Connery, and this is even though I consider Daniel Craig to be a very close second. His very first appearance as 007 in “Dr. No” was truly brilliant as you could see him at the card playing table, but you did not see his face until he uttered one of the most famous lines in cinematic history:

“Bond. James Bond.”

My dad is always telling me what made Connery so great in playing Bond is that he was so believable in how he could romance a woman one second, and then slap her when she was holding back information from him. There was a raw danger which Connery brought to this iconic character, and he set the bar almost impossibly high for the others who inhabited Bond after him. When he lets a driver take him to his destination, even though he knows this driver is up to no good, shows how quickly Bond can change from being suave and debonair to lethal and dangerous in a heartbeat. Connery’s Bond kept his cool and managed to get his way in the end. The bad guys think they have him cornered, but this is what he wants them to think.

It is endlessly interesting to see how the Bond movies have evolved since “Dr. No.” It remains the only 007 film to not have a pre-titles scene which the others are famous for having. It just goes right into the gun barrel opening in which Bond shoots right at us. The titles look cheesy today as “Dr. No” and “007” are put everywhere on the silver screen. It was the first of many opening credits sequences designed by Maurice Binder, and this one remains the most disjointed of the bunch. It goes from the unforgettable Monty Norman theme we all know to three men superimposed over the credits to the tune of “Three Blind Mice.” The audience at the New Beverly laughed at this part, and I couldn’t help but laugh myself. Things have changed a lot since “Dr. No” came out.

Seeing Bond flirt for the first time with Miss Moneypenny (the late Lois Maxwell) here makes me miss the banter these two characters have had from one film to the next. Miss Moneypenny was not in “Casino Royale,” and I have no idea if we will ever see her again in the future. But seeing these characters here for the first time reminded me of how great and fun their banter was until M made her buzz Bond in for his next assignment. Just when things got interesting between the two, business comes to obliterate pleasure.

In “Dr. No,” Bond actually gets to bed several different ladies instead of just one. Connery makes seduction look so easy to pull off. The fact such seduction is not this easy in real life is utterly frustrating. This lucky bastard of an Oscar winning actor had quite a selection before he came to meet the first Bond woman ever, Honey Rider (Ursula Andress), whose entrance in a flesh colored bikini is still one for the ages. This also marked the first time Bond actually sang, and he has not sung since. I can’t help but wonder if this was a good or bad thing. Then again, I can’t quite picture Timothy Dalton singing “Thunderball.” As for Brosnan, I never want to hear him sing again after “Mamma Mia.”

One of Bond’s first death-defying moments involved a tarantula, and just typing out this particular spider’s description sends shivers down my spine! UGGH! This may have been why I never bothered to watch “Dr. No” earlier in my life. Those damn things creep me out like nothing else. Seriously, get that creature away from me! Easily one of the scariest moments in any Bond movie, the tension escalates so quickly to where the rest of this movie can never quite match it. Still, it wouldn’t be the last time we saw spiders in a Bond movie. My brother covered my eyes during one scene in “Octopussy” which included them. I think it is just as well that he did.

Watching “Dr. No” was fun, and it is an excellent Bond movie in many ways. Time has not been exactly kind to it though. We can see the green screen being used, so we have to snicker some. The pace is a lot more leisurely, and no Bond movie can move so slowly these days. Norman’s Bond theme is played endlessly here to where we threaten to get sick of it. But decades later, it is impossible to tire of this theme as it is to tire of John Carpenter’s theme to “Halloween.”

The print New Beverly Cinema had of “Dr. No” was in peak condition, and it was a recent printing down for the occasion of United Artists’ 90th anniversary. It was great to see it on the big screen all the way through instead of just on television. From here, the Bond series had nowhere to go but up. The formula was more or less perfected with “From Russia With Love,” and the producers did not mess with this formula until after “Die Another Day.” I enjoyed “Dr. No,” and I love how it paved the way for many more exciting adventures with this British spy. May there be many more in the years to come.

* * * ½ out of * * * *

James Franco Undergoes One Hell of a Transformation in ‘Spring Breakers’

James Franco in Spring Breakers

WRITER’S NOTE: This article was originally written in 2013.

It almost shouldn’t work. James Franco as a Florida-based rapper in Harmony Korine’s “Spring Breakers?” Just the thought of it sounds utterly laughable as we are so used to him playing such clean-cut characters in the “Spider-Man” trilogy, “Rise of the Planet of the Apes” and “Oz the Great and Powerful.” But then again, he did play the ultimate stoner in “Pineapple Express,” so there is that. In the end, while Franco does have some laughable moments as the crazy rapper Alien, the role allows him to give his best performance in a movie ever since his Oscar nominated turn in “127 Hours.” There’s no doubt as to how much research Franco did, and this is one of the first great actor transformations of 2013.

After watching “Spring Breakers,” you desperately want to find out what made Franco take on this role as it is so very different from any he has played previously. Clearly, he was drawn to working with Korine who is best known for writing the screenplay to the highly controversial “Kids,” and maybe he has a thing for rap music which we did or did not know about. But in a conversation with Roger Moore of RedeyeChicago.com, Franco discussed one of the main reasons why he chose this particular project.

“None of us had ever experienced spring break, really,” Franco said of himself, Korine and the rest of the cast. “Actors who start their careers early miss some key experiences in life. I didn’t go to prom. Well, I was dating a theater nerd so we went to a theater festival back in Aspen, Oregon instead. I experienced prom, for the first time, on film. Same with spring break. This is my spring break. And I was over 30 when I got around to it.”

Many have said Franco based Alien on the rapper Riff Raff (and this includes Riff Raff himself), but the actor said his main inspiration for the character was another rapper named Dangeruss. Dangeruss is a local Florida rapper who is still relatively unknown, but he lived in the same area of Florida which Alien lives in and has the same kind of lifestyle. Franco ended up writing a long essay which was featured on the MTV website, and in it he explains how big of an influence Dangeruss was on him.

“I met Dangeruss through Harmony,” Franco wrote. “Before I went down to St. Pete to play Alien in ‘Spring Breakers,’ Harmony sent me innumerable videos and photos as references for my character. He drowned me in them. Harmony is a master of online research. Once he chooses a location to shoot, it turns out he is also a master at finding the most interesting and odd local places and characters. One of the last videos Harmony sent me was of a white guy in dreads, sitting in his car, rapping about Dope Boyz. This turned out to be Dangeruss, a local rapper who Harm had met at an audition and knew immediately that he was the real deal.”

“The same day I arrived, Harmony had me visit Danger at his apartment,” Franco continued. “I was surprised when we pulled into a rather nice sprawling housing development, country-club style, with fountains and manicured grass. I think there was even a driving range. When I met Danger, he was tall, thin as a stick, covered in tats and humble as hell. He was willing to help in any way. He told me about growing up in the bad part of town and having poetry as his only recourse when things got ugly. His involvement with the street and his involvement with hip-hop developed simultaneously. ‘While Peter Piper was picking peppers, I was selling yola at the corner store.’ His lyrics are the highly autobiographical chronicle of surviving on the streets of St. Pete.”

Then there’s the question of where Franco got those cornrows done. Looking at someone with cornrows, it makes me think of how painful the process of getting them must be as it involves a lot of hair being twisted around in unusual directions. However, in an interview with GQ, Franco described to Matthew Serba what it was like having them done.

“We had a local artist down in St. Petersburg, Florida do it,” Franco told Serba. “I think it took about five hours total, only because we had to try different cornrow configurations. It doesn’t hurt that much, but it does get very itchy because you can’t get them wet.”

Korine himself has stated in an interview with Joel D. Amos of Movie Fanatic of how impressed he was with Franco’s transformation into Alien. It turns out that the two of them spent a lot of time working on the character even before the cameras began rolling, but once Franco arrived on set, Korine was stunned at what he was witnessing.

“I couldn’t believe it,” Korine told Amos. “I spent a year just sending him images and talking to him, designing the character. I never saw him do it. He didn’t want to rehearse. When he put in the cornrows and the gold teeth and I heard the accent… I was like ‘whoa.’ He was a maniac.”

James Franco’s performance as Alien in “Spring Breakers” is really just another reminder of what an amazing actor he can be when you give him the right material to work with. While he may be getting more attention for the box office blockbuster “Oz the Great and Powerful,” it’s this movie which is bringing him the critical raves he deserves. Watching here makes you excited for what he has in store for us next.

SOURCES:

Roger Moore, “James Franco finally gets his spring break,” RedeyeChicago.com, March 21, 2013.

James Franco, “James Franco: The Inside Story of My ‘Spring Breakers’ Gangster,” MTV.com, February 20, 2013.

Matthew Serba, “Last Night…Talking Cornrows with James Franco,” GQ, May 1, 2012.

Joel D. Amos, “Harmony Korine on James Franco in Spring Breakers: What a Maniac!,” Movie Fanatic, March 21, 2013.

An Ultimate Rabbit Guilty Pleasure: ‘The Cannonball Run’

The Cannonball Run poster

So sue me, I still enjoy watching “The Cannonball Run” after all these years. The critics eviscerated it upon its release, especially Roger Ebert who awarded this movie half a star out of four, but my enjoyment for it has only dampened so much. I was just a kid when I saw first watched it with my brother, and I had yet see “Smokey and the Bandit” which we can all agree is a better movie. Looking back, I dug Burt Reynolds’ ever so cool demeanor, Dom DeLuise’s over the top performance, the ever so beautiful Farrah Fawcett who makes you want to love trees as much as she does, Roger Moore gleefully spoofing his role as James Bond, and Jackie Chan kicking Peter Fonda’s butt among others. Hal Needham may have never directed a motion picture worthy of being compared to “Vertigo” or “Citizen Kane,” but he sure did know how to give audiences a fun time (this time around anyway).

recently got to revisit “The Cannonball Run” when New Beverly Cinema screened it as part of a tribute to the late Roger Moore. This offered me my first chance to see it on the big screen after seeing it on television time and time again, and I couldn’t resist the opportunity. After all this time, I still have a blast seeing the filmmakers have fun with the 20th Century Fox logo as a couple of cars keep crashing into those famous spotlights.

For those who have avoided “The Cannonball Run” because of the dreadful reviews, it is about a variety of different personalities who participate in a highly illegal cross-country race which takes them from Connecticut all the way to California. For these drivers, the speed limit of 55 miles per hour means nothing, and they have their own individual plans for reaching the finish line before everyone else. The most prominent of these drivers is J.J. McClure (Burt Reynolds) who is joined by his best friend Victor Prinzi (DeLuise) who at times breaks out into his alter ego of Captain Chaos when times get rough.

Watching “The Cannonball Run” today, I am reminded of what filmmakers used to get away with in a PG-rated movie. You have Terry Bradshaw and Mel Tillis driving their Chevrolet Malibu NASCAR Grand National race car with a pathetic paint job while having dozens of Budweiser Beer cans clearly visible in the back seat. When they are intercepted by the uptight antagonist Arthur J. Foyt (George Furth) at a road block, it’s astonishing they get busted for participating in the Cannonball instead of having an infinite supply of Budweiser on display, let alone open cans in their hands. Foyt is determined to stop the race, but drunk driving doesn’t appear to be as big a concern to him. Go figure.

Heck, most of the drivers we see here are as interested in getting hopelessly inebriated as they are in winning this illegal race. Jamie Blake (Dean Martin) and his partner Morris Fenderbaum (Sammy Davis Jr.) are unsure of who should be at the wheel as they are both sloshed to the point where they should get a designated driver like Richard Petty. J.J. McClure is flying a plane and becomes pissed upon realizing he and Victor are out of beer and ends up landing in the middle of a street near a convenience store where Victor can rush in to get a 6-pack. Seriously, the last 80’s movie I can remember its characters having too much alcohol was “Star Trek V: The Final Frontier,” and that also had a PG-rating.

The first time I saw Jackie Chan in anything was in “The Cannonball Run” where he played a version of himself as a talented race car driver who, along with Michael Hui, navigates a super high-tech Subaru across America. Seeing Chan beating up members of a motorcycle gang was awesome to a 10-year-old like myself, and it was hysterical watching him cover up the rips in his jeans after knocking two guys out. Chan also showed us the future of texting while driving as he watched the Marilyn Chambers porn classic “Behind the Green Door” while behind the wheel. I would like to think this movie predicted the future where drivers stopped paying much attention to what was on the road ahead of them, but I’m pretty sure few would be willing to give Needham and company the credit.

“The Cannonball Run” was also my introduction to Rick Aviles, an actor and comedian who would later become famous for doing the unthinkable in a 1990’s movie, killing Patrick Swayze in “Ghost.” We get a taste of his comedic acting here which wasn’t as present in other movies he appeared in, and he does a Richard Nixon impersonation which still has me in hysterics. What a shame Aviles’ life was cut short at the age of 42.

Burt Reynolds has gone on the record to say “The Cannonball Run” is not one of his favorite movies, and to be honest, he does look to be coasting on his natural charisma as J.J. McClure. Regardless, I still loved how he coasted on it here as it makes his job seem ever so easy. All he needs to do is give you a certain look, make a certain sound, or just twist his mustache in a certain direction to get your full attention. Now how cool would it be to go through life being so cool without putting too much effort into it? Like Rod Stewart said, some guys have all the luck.

It’s a shame Dom DeLuise is no longer with us. Whether he was in the best of movies or the worst of movies, he was such a delightful presence in them all. His character of Victor Prinzim has an upbeat attitude about himself even as J.J. tries to keep it under control, especially when Victor talks about “him.” The him is Captain Chaos, Victor’s alter ego who jumps into action when things get threatening or when he finds himself falling behind in the race. Watching DeLuise become Captain Chaos is a blast, and this is even though he saves the day one time too many near the finish line.

For me, Roger Moore was the James Bond I grew up on, and seeing him here shows what a great sense of humor he had about his tenure as 007. Moore never ever plays his role of Seymour Goldfarb, a Jewish heir to a family fortune pretending to be a movie star named Roger Moore, as if he is in on the joke. Seeing him keep his cool even as the police pursue his speeding silver Aston Martin is great fun, and you know Sean Connery and Daniel Craig would never be quick to do the same thing. George Lazenby maybe, but never Connery.

Watching Jamie Farr as the oil-rich Middle-Eastern sheikh Abdul ben Falafel serves as a reminder of how there is more to this actor than him playing Maxwell Klinger on “M*A*S*H.” Some may consider his performance to be an offensive caricature, but he is so wonderfully over the top here as he proclaims his driving is only rivaled by the lightning bolts from the heavens to where it is a waste of time to take what he does here seriously. Farr makes his character’s unchecked ego all the more palpable, and the scene where he essentially flips the bird to the cops is one to cheer for if you have ever been given a speeding ticket. And yes, Farr makes you believe this is a character who knows when you have had too much couscous.

Was there anything I saw in “The Cannonball Run” that I had not seen before when watching it at New Beverly Cinema? Yes, a few actually. The grotesque Doctor Nikolas Van Helsing (Jack Elam) announces himself to be a proctologist to where a certain finger on his hand becomes far more frightening to me now than ever before. Then again, I had no business knowing what a proctologist does when I was a pre-teen.

Also, Farrah Fawcett’s nipples are much more present as they poke prominently through her dress during the scene where she first catches the attention of Reynolds. Then again, there is an enormous amount of cleavage on display from start to finish, much of it courtesy of Adrienne Barbeau and Tara Buckman who use their sex appeal to avoid the much-deserved speeding tickets which should automatically come with the purchase of a Lamborghini, any Lamborghini.

But after all these years, I still get won over with moments like when Fawcett bonds with DeLuise as he talks about the first appearance of Captain Chaos in his life, or when Reynolds tells Fawcett why he races cars. This might seem like a movie too shallow to contain moments like these, but they were pretty deep to me when I watched “The Cannonball Run” back in the 1980’s, and today they still are.

I don’t know, maybe my opinion of this movie would be different had I seen “Cannonball” or “The Gumball Rally” beforehand, both of which are said to be much better than “The Cannonball Run.” Well, fate had it that I would watch Needham’s 1981 comedy ahead of them, and I still enjoy watching it despite the numerous detractors it has. For those who think this is a prime example of lazy filmmaking, check out “Cannonball Run II” which is exactly that (or better yet, don’t bother).

I feel like I should apologize liking “The Cannonball Run” as much as I do, but I am sick and tired of apologizing for who I am. Besides, this movie remains a prime example of the things filmmakers could get away with in a PG-rated movie back in the 80’s. They wouldn’t get away with any of this today.

* * ½ out of * * * *