‘Reminiscence’ Movie and Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

Reminiscence” is one of the most underrated and overlooked films of 2021.  From start to finish, I was riveted by the acting, the action, and the many twists and turns throughout.  It is a film which keeps its audience on its toes and keeps them guessing.  There is a lot to like here.  It’s a bit baffling to me to read how the film did poorly at the box office and with critics.  I do have a strong feeling this is the type of film which is going to gain a cult audience with time and now that it’s out on Blu-Ray.  I really think people underestimated it.  That is the beauty of home video: A film can live on and grow with time.

Hugh Jackman stars as Nick Bannister, a lonely and troubled man after the war. He runs a business which allows people to relive some of their favorite memories and moments from their lives.  If they were happier in the past, they can go in this water tank and relive that memory.  It is very comforting for a lot of people, especially if they have lost someone close to them. His partner in business is named Watts, and she’s played by the talented actress Thandiwe Newton. She was with Nick in the war, and they have remained close friends. She has a drinking problem that has ruined her relationship with her daughter and her ex-husband. She is still very loyal to Nick and credits him with giving her a purpose.

One day, a young woman by the name of Mae (Rebecca Ferguson) comes to relive a memory of how she lost her keys.  Watts thinks something is fishy about this, but Nick is quite taken with her.  As a matter of fact, they strike up a relationship which turns out to be quite passionate.  It makes it that much harder for Nick when she disappears out of his life for seemingly no rhyme or reason.  He really thought she was the one, and he had strong feelings for her.  With his memory tank and resources, he goes on a mission to find out what happened to Mae and where she might be in an attempt to save her.

“Reminiscence” has been described as part science fiction and part film noir. Film noir has always been one of my favorite genres in Hollywood.  It’s not used as often these days, but it was quite popular back in the golden days of Hollywood with actors such as Humphrey Bogart, Orson Welles and Burt Lancaster.  The fact writer and director Lisa Joy blended this genre with science fiction is a really bold move. Off the top of my head, I can’t remember too many times this has been done recently in Hollywood.  It works perfectly here, especially with Jackman’s narration. It really adds to the film’s mysterious underbelly. As far as the science fiction, they did it just enough to make it believable without going too over-the-top with the concept.

To quote the legendary wrestler Roddy Piper, “Just when you think you know the answers, I change the questions.” That is exactly what is happening with “Reminiscence.”  I thought I had this film figured out two or three times, and the filmmakers kept surprising me with where they went with the story. Jackman is great in everything he does, but his friendship in the film with Newton is what really gives the film its heart and soul.  Ferguson is also pitch-perfect as the femme fatale, as you really don’t know what’s going on with her and if you should trust her.  Is she the woman she claims to be? Is she a seedy film noir character with bad intentions? I thought the casting in this film was spot-on in all avenues.

I really loved “Reminiscence.” It’s creative, fun, heartfelt, surprising, and different.  Hollywood is known for doing a lot of the same movies over and over again.  I haven’t seen a film even close to this one in quite some time.  It really captivated me, and most of all, I cared about the characters and their individual fates. This is a film I’m proud to champion and encourage people to see now that it’s out on Blu-Ray and DVD.  I have a strong feeling you will be surprised by it.  I know I was, and I’m a tough critic because I see so many movies.  This is a special film. I also really enjoyed the atmospheric world created by the director as well. All of the pieces were lining up with this flick.

* * * ½ out of * * * *

Blu-Ray Info: “Reminiscence” is rated PG-13 for strong violence, drug material throughout, sexual content and some strong language.  It comes on a single-disc Blu-ray from Warner Brothers Home Entertainment.  It also has a digital copy of the film as well.

Video/Audio Info: The film is released on 1080p high definition with audio in Dolby Atmos-True HD: English, Dolby Digital: English Descriptive Audio, and English, Spanish and French. Subtitles are included in English, French and Spanish as well.

Special Features:

You’re Going on a Journey

The Sunken Coast

Crafting a Memory

Reminiscence: A Family Reunion

“Save My Love” Music Video

Should You Buy It?

One of my favorite filmmakers is Richard Linklater, and while I’m not comparing Lisa Joy to him, I did enjoy the way she used time and memory as such a pivotal part of the story.  Much like in Linklater’s films, time and memory plays such a big part in what is happening here. It’s a character in the film.  As someone who often thinks about the past and is big on nostalgia, this film really struck a chord with me.  How much is thinking about the past a good thing? When does it become a bad thing? Are we stuck in the past? Did we learn from the past? There is a lot to chew on with this film. The performances are committed and powerful, especially Jackman’s.  He always brings such an intensity to all of his roles. If you are still a hardcore physical media collector like myself, you will be very pleased to add “Reminiscence” to your collection.  As I mentioned earlier, it’s one of the great surprises of 2021.

**Disclaimer** I received a Blu-ray copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

Jason Reitman Talks With Luke Wilson About ‘Bottle Rocket’

WRITER’S NOTE: This article was written back in 2011.

Jason Reitman completed his guest programming at New Beverly Cinema with a screening of Wes Anderson’s directorial debut, “Bottle Rocket.” This film also marked the movie debuts of Luke and Owen Wilson, the latter who co-wrote the screenplay with Anderson. Before seeing this movie, Reitman admitted he was actually scared of becoming a filmmaker especially because he was the son of a famous one (Ivan Reitman). He did see all the great movies of the 1990’s like “Clerks,” “Slacker,” and he checked out all of Quentin Tarantino’s movies, but he said none of them had the same effect on him as “Bottle Rocket” did. For Reitman, this was the movie which made him want to direct films. And of discovering Anderson, he said, “This is the voice that I am going to follow forever.”

Joining Reitman for this special screening was actor Luke Wilson, and it was nice to see him take a break from all those AT&T Wireless commercials he has been doing endlessly. Ironically, the movie Reitman showed the same evening before it was “Breaking Away,” and Wilson said he is actually good friends with one of that movie’s stars, Dennis Quaid. Quaid was away in Hawaii so he was unable to attend the screening with fellow co-stars Dennis Christopher and Daniel Stern. This coincidence did, however, allow Wilson to talk about how Randy Quaid told Dennis he already made the family name and suggested he change his. Dennis ended up asking his brother, “How about McQuaid?”

Anyway, Luke told the audience Wes and Owen originally wanted to shoot “Bottle Rocket” guerilla style so they could shoot it cheaply as Richard Linklater had done the same thing with “Slacker.” However, they ended up meeting a producer who told them about the Sundance Film Festival and advised them to start off by making a short film they could take there. So they made the short and got it entered into Sundance, but nothing happened and they didn’t win anything for it. Despite that, they managed luckily to get hooked up with a producer named Polly Platt who had worked on such movies as “The Last Picture Show” and “Terms of Endearment” among others.

The project went on from there as Platt brought the Wilson brothers and Anderson to the attention of famed writer/producer/director James L. Brooks. Anderson ended up getting everyone to do a read thru of the script at some office in Texas during the summer. Turns out the air conditioning there wasn’t working all that well, and they were reading a screenplay which was two hundred pages long. Luke said he ended up sweating profusely throughout the whole read, and this made Owen glare at him as if to say, what the hell are you doing?

Luke also took some time to talk about Brooks who became one of the chief supporters of “Bottle Rocket,” and he described him as being very nice. However, he also said Brooks can immediately “cut to the truth and be painfully funny.” Of course, Brooks was going through problems of his own. While working on “Bottle Rocket,” he was also busy with his film musical “I’ll Do Anything” with Nick Nolte. For those who remember, it ended up getting released without any of the music as the movie tested poorly (and that’s being polite).

Reitman went on to talk about how he related to the voice of the film and how it had a “strange innocence” to it. Luke replied the film’s voice came from Anderson and Owen, but he said he never got the feeling he was working on anything special. Columbia Pictures, which distributed the movie, wanted to make “Bottle Rocket” but with different actors. When it was all shot and in the can, the studio didn’t like or knew what to make of it. Looking back, Luke said bluntly he was “stunned that the movie got made.”

When it finally came to making “Bottle Rocket” as a feature length film, Luke remarked Wes knew exactly how movies were made. He and Owen, on the other hand, did not. They didn’t understand certain jobs the crew on set had like the boom mike guy. Luke said he and Owen wondered out loud, “How can that guy just stand around like that?”

Also, Anderson did not want the actors to watch dallies of the day’s work, but this didn’t matter much because neither Owen nor Luke wanted to watch them anyway. Luke says he still doesn’t understand what compels actors to watch dallies as he feels it will likely mess you up in terms of how you go about developing your character.

The cast and crew also had the fortune of working with James Caan who had a bit role in “Bottle Rocket,” and Luke recalled he was going through a rough patch at the time, but that he did warm up to the rest of the cast during shooting. At one point Luke, Owen and Wes asked Caan what it was like working with the late Marlon Brando on “The Godfather.” To this Caan replied, “It’s like you guys working with me.”

“Bottle Rocket” did go through the rather unnecessary realm of test screenings. For a movie like this, it must have felt like a waste of time because this is not one which just sells itself to mainstream audiences, but the studio executives decreed that Anderson screen the movie for focus groups nonetheless. So, there was a test screening done in Santa Monica, and out of a crowd of 250 people, 75 walked out. The ones who stayed through the whole thing, as Luke remembered it, wrote nothing but shit about the movie. To date, it remains the one movie with the worst test screenings in the history of Columbia Pictures. Luke said he, Owen and Anderson were convinced they would never get to make another movie ever again.

Despite all that, “Bottle Rocket” did get discovered by audiences through cable, video and DVD. Luke says he still sees it on cable every once in a while, and Reitman remarked it became the “touchstone for those who want to make movies.” Martin Scorsese ended up naming it as one of the best movies of the 1990’s. Still, everyone involved with this little film had a hard time getting over it feeling like a failure. But when these guys got around to making the brilliant “Rushmore,” they found themselves re-energized and have since gone on to make one great movie after another.